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Color name
RGB 215 96 23

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 215 96 23 it is the complementary color RGB 40 159 232. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 215 96 23. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 215 96 23 shade: RGB 220 96 18, RGB 237 114 37, RGB 254 132 56, RGB 255 150 75 and RGB 255 168 94

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 215 96 23. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 215 96 23 shade: RGB 215 96 23, RGB 198 78 4, RGB 181 60 0, RGB 164 42 0 and RGB 147 24 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 215 96 23 shade: RGB 216 96 22, RGB 216 44 22 and RGB 216 22 22

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 215 96 23 shade: RGB 216 96 22, RGB 216 148 22, RGB 216 201 22, RGB 180 216 22 and RGB 127 216 22

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 215 96 23 shade matches the following richer shades: RGB 216 96 22 and RGB 236 91 3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 215 96 23 shade: RGB 216 96 22, RGB 197 101 42, RGB 178 105 61, RGB 158 110 80 and RGB 139 115 100

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 215 96 23 shade: RGB 216 22 55, RGB 216 42 22, RGB 216 93 22, RGB 216 145 22 and RGB 216 197 22

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 215 96 23 shade: RGB 142 63 14, RGB 179 79 18, RGB 216 96 22, RGB 233 118 47 and RGB 237 142 85

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 215 96 23 shade: RGB 215 96 23, RGB 106 216 22 and RGB 22 29 216

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 215 96 23 shade: RGB 215 96 23, RGB 22 216 93 and RGB 93 22 216

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 215 96 23 shade: RGB 215 96 23, RGB 106 216 22, RGB 22 145 216 and RGB 132 22 216

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 215 96 23 shade: RGB 215 96 23, RGB 48 216 22, RGB 22 145 216 and RGB 191 22 216

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 89 / 16

HEX #D76017

RGB 215 96 23

HSL 22.81, 0.81%, 0.47%

LAB 54.94, 43.35, 58.6

 

Complementary color

CMYK 83 / 31 / 0 / 9

HEX #289FE8

RGB 40 159 232

HSL 202.81, 0.81%, 0.53%

LAB 62.57, -6.61, -45.66

 

CMYK 0 / 56 / 92 / 14

HEX #DC6012

RGB 220 96 18

HSL 23.17, 0.85%, 0.47%

LAB 55.71, 45.17, 60.97

 

CMYK 0 / 52 / 84 / 7

HEX #ED7225

RGB 237 114 37

HSL 23.1, 0.85%, 0.54%

LAB 61.8, 43.28, 60.67

 

CMYK 0 / 48 / 78 / 0

HEX #FE8438

RGB 254 132 56

HSL 23.03, 0.99%, 0.61%

LAB 67.92, 41.48, 59.47

 

CMYK 0 / 41 / 71 / 0

HEX #FF964B

RGB 255 150 75

HSL 25, 1%, 0.65%

LAB 71.95, 33.54, 55.07

 

CMYK 0 / 34 / 63 / 0

HEX #FFA85E

RGB 255 168 94

HSL 27.58, 1%, 0.68%

LAB 76.11, 25.25, 50.63

 

CMYK 0 / 55 / 89 / 16

HEX #D76017

RGB 215 96 23

HSL 22.81, 0.81%, 0.47%

LAB 54.94, 43.35, 58.6

 

CMYK 0 / 61 / 98 / 22

HEX #C64E04

RGB 198 78 4

HSL 22.89, 0.96%, 0.4%

LAB 48.84, 45.24, 58.04

 

CMYK 0 / 67 / 100 / 29

HEX #B53C00

RGB 181 60 0

HSL 19.89, 1%, 0.35%

LAB 42.85, 47.04, 54.27

 

CMYK 0 / 74 / 100 / 36

HEX #A42A00

RGB 164 42 0

HSL 15.37, 1%, 0.32%

LAB 37.02, 48.34, 49.63

 

CMYK 0 / 84 / 100 / 42

HEX #931800

RGB 147 24 0

HSL 9.8, 1%, 0.29%

LAB 31.48, 48.67, 44.66

 

CMYK 0 / 56 / 90 / 15

HEX #D86016

RGB 216 96 22

HSL 22.89, 0.82%, 0.47%

LAB 55.1, 43.72, 59.1

 

CMYK 0 / 80 / 90 / 15

HEX #D82C16

RGB 216 44 22

HSL 6.8, 0.82%, 0.47%

LAB 47.57, 64, 53.62

 

CMYK 0 / 90 / 90 / 15

HEX #D81616

RGB 216 22 22

HSL 0, 0.82%, 0.47%

LAB 45.95, 68.62, 52.47

 

CMYK 0 / 56 / 90 / 15

HEX #D86016

RGB 216 96 22

HSL 22.89, 0.82%, 0.47%

LAB 55.1, 43.72, 59.1

 

CMYK 0 / 31 / 90 / 15

HEX #D89416

RGB 216 148 22

HSL 38.97, 0.82%, 0.47%

LAB 66.39, 16.57, 67.6

 

CMYK 0 / 7 / 90 / 15

HEX #D8C916

RGB 216 201 22

HSL 55.36, 0.82%, 0.47%

LAB 79.86, -11.31, 77.99

 

CMYK 17 / 0 / 90 / 15

HEX #B4D816

RGB 180 216 22

HSL 71.13, 0.82%, 0.47%

LAB 81.22, -33.67, 77.91

 

CMYK 41 / 0 / 90 / 15

HEX #7FD816

RGB 127 216 22

HSL 87.53, 0.82%, 0.47%

LAB 78.28, -53.34, 74.28

 

CMYK 0 / 56 / 90 / 15

HEX #D86016

RGB 216 96 22

HSL 22.89, 0.82%, 0.47%

LAB 55.1, 43.72, 59.1

 

CMYK 0 / 61 / 99 / 7

HEX #EC5B03

RGB 236 91 3

HSL 22.66, 0.97%, 0.47%

LAB 57.39, 53.14, 66.44

 

CMYK 0 / 56 / 90 / 15

HEX #D86016

RGB 216 96 22

HSL 22.89, 0.82%, 0.47%

LAB 55.1, 43.72, 59.1

 

CMYK 0 / 49 / 79 / 23

HEX #C5652A

RGB 197 101 42

HSL 22.84, 0.65%, 0.47%

LAB 53.32, 34.26, 48.73

 

CMYK 0 / 41 / 66 / 30

HEX #B2693D

RGB 178 105 61

HSL 22.56, 0.49%, 0.47%

LAB 51.73, 25.2, 36.74

 

CMYK 0 / 30 / 49 / 38

HEX #9E6E50

RGB 158 110 80

HSL 23.08, 0.33%, 0.47%

LAB 50.69, 15.42, 24.31

 

CMYK 0 / 17 / 28 / 45

HEX #8B7364

RGB 139 115 100

HSL 23.08, 0.16%, 0.47%

LAB 50.3, 6.98, 11.81

 

CMYK 0 / 90 / 75 / 15

HEX #D81637

RGB 216 22 55

HSL 349.79, 0.82%, 0.47%

LAB 46.24, 69.46, 35.45

 

CMYK 0 / 81 / 90 / 15

HEX #D82A16

RGB 216 42 22

HSL 6.19, 0.82%, 0.47%

LAB 47.38, 64.53, 53.49

 

CMYK 0 / 57 / 90 / 15

HEX #D85D16

RGB 216 93 22

HSL 21.96, 0.82%, 0.47%

LAB 54.54, 45.15, 58.68

 

CMYK 0 / 33 / 90 / 15

HEX #D89116

RGB 216 145 22

HSL 38.04, 0.82%, 0.47%

LAB 65.68, 18.18, 67.06

 

CMYK 0 / 9 / 90 / 15

HEX #D8C516

RGB 216 197 22

HSL 54.12, 0.82%, 0.47%

LAB 78.8, -9.28, 77.17

 

CMYK 0 / 56 / 90 / 44

HEX #8E3F0E

RGB 142 63 14

HSL 22.97, 0.82%, 0.31%

LAB 36.63, 30.86, 42.45

 

CMYK 0 / 56 / 90 / 30

HEX #B34F12

RGB 179 79 18

HSL 22.73, 0.82%, 0.39%

LAB 45.93, 37.68, 50.88

 

CMYK 0 / 56 / 90 / 15

HEX #D86016

RGB 216 96 22

HSL 22.89, 0.82%, 0.47%

LAB 55.1, 43.72, 59.1

 

CMYK 0 / 49 / 80 / 9

HEX #E9762F

RGB 233 118 47

HSL 22.9, 0.81%, 0.55%

LAB 62.07, 40.03, 56.71

 

CMYK 0 / 40 / 64 / 7

HEX #ED8E55

RGB 237 142 85

HSL 22.5, 0.81%, 0.63%

LAB 68.03, 31.06, 45.16

 

CMYK 0 / 55 / 89 / 16

HEX #D76017

RGB 215 96 23

HSL 22.81, 0.81%, 0.47%

LAB 54.94, 43.35, 58.6

 

CMYK 51 / 0 / 90 / 15

HEX #6AD816

RGB 106 216 22

HSL 94.02, 0.82%, 0.47%

LAB 77.42, -59.82, 73.23

 

CMYK 90 / 87 / 0 / 15

HEX #161DD8

RGB 22 29 216

HSL 237.84, 0.82%, 0.47%

LAB 29.43, 62.88, -90.45

 

CMYK 0 / 55 / 89 / 16

HEX #D76017

RGB 215 96 23

HSL 22.81, 0.81%, 0.47%

LAB 54.94, 43.35, 58.6

 

CMYK 90 / 0 / 57 / 15

HEX #16D85D

RGB 22 216 93

HSL 141.96, 0.82%, 0.47%

LAB 76.11, -68.92, 47.83

 

CMYK 57 / 90 / 0 / 15

HEX #5D16D8

RGB 93 22 216

HSL 261.96, 0.82%, 0.47%

LAB 33.69, 68.62, -83.23

 

CMYK 0 / 55 / 89 / 16

HEX #D76017

RGB 215 96 23

HSL 22.81, 0.81%, 0.47%

LAB 54.94, 43.35, 58.6

 

CMYK 51 / 0 / 90 / 15

HEX #6AD816

RGB 106 216 22

HSL 94.02, 0.82%, 0.47%

LAB 77.42, -59.82, 73.23

 

CMYK 90 / 33 / 0 / 15

HEX #1691D8

RGB 22 145 216

HSL 201.96, 0.82%, 0.47%

LAB 57.44, -5.66, -44.88

 

CMYK 39 / 90 / 0 / 15

HEX #8416D8

RGB 132 22 216

HSL 274.02, 0.82%, 0.47%

LAB 38.62, 72.5, -74.93

 

CMYK 0 / 55 / 89 / 16

HEX #D76017

RGB 215 96 23

HSL 22.81, 0.81%, 0.47%

LAB 54.94, 43.35, 58.6

 

CMYK 78 / 0 / 90 / 15

HEX #30D816

RGB 48 216 22

HSL 111.96, 0.82%, 0.47%

LAB 75.95, -72.08, 71.39

 

CMYK 90 / 33 / 0 / 15

HEX #1691D8

RGB 22 145 216

HSL 201.96, 0.82%, 0.47%

LAB 57.44, -5.66, -44.88

 

CMYK 12 / 90 / 0 / 15

HEX #BF16D8

RGB 191 22 216

HSL 292.27, 0.82%, 0.47%

LAB 47.76, 80.68, -59.64

 

Description

Color code: RGB 215 96 23 | qconv.com Color code: RGB 215 96 23 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 96 green and 23 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 96 23 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 89 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 89% 16% C M Y K

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Provide designers and agencies with accurate color values.

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