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Color name
RGB 216 106 12

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 216 106 12 it is the complementary color RGB 39 149 243. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 216 106 12. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 216 106 12 shade: RGB 221 106 7, RGB 238 124 26, RGB 255 142 45, RGB 255 160 64 and RGB 255 178 83

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 216 106 12. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 216 106 12 shade: RGB 216 106 12, RGB 199 88 0, RGB 182 70 0, RGB 165 52 0 and RGB 148 34 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 216 106 12 shade: RGB 216 106 12, RGB 216 51 12 and RGB 216 12 12

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 216 106 12 shade: RGB 216 106 12, RGB 216 161 12, RGB 216 216 12, RGB 161 216 12 and RGB 106 216 12

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 216 106 12 shade matches the following richer shades: RGB 216 106 12

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 216 106 12 shade: RGB 216 106 12, RGB 198 108 31, RGB 179 109 49, RGB 161 111 68 and RGB 142 112 86

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 216 106 12 shade: RGB 216 12 29, RGB 216 50 12, RGB 216 104 12, RGB 216 159 12 and RGB 216 213 12

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 216 106 12 shade: RGB 138 68 8, RGB 177 87 10, RGB 216 106 12, RGB 241 127 28 and RGB 244 149 67

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 216 106 12 shade: RGB 216 106 12, RGB 84 216 12 and RGB 22 12 216

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 216 106 12 shade: RGB 216 106 12, RGB 12 216 104 and RGB 104 12 216

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 216 106 12 shade: RGB 216 106 12, RGB 84 216 12, RGB 12 124 216 and RGB 145 12 216

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 216 106 12 shade: RGB 216 106 12, RGB 22 216 12, RGB 12 124 216 and RGB 206 12 216

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 51 / 94 / 15

HEX #D86A0C

RGB 216 106 12

HSL 27.65, 0.89%, 0.45%

LAB 57.01, 38.62, 62.95

 

Complementary color

CMYK 84 / 39 / 0 / 5

HEX #2795F3

RGB 39 149 243

HSL 207.65, 0.89%, 0.55%

LAB 60.25, 3.1, -55.41

 

CMYK 0 / 52 / 97 / 13

HEX #DD6A07

RGB 221 106 7

HSL 27.76, 0.94%, 0.45%

LAB 57.75, 40.55, 64.7

 

CMYK 0 / 48 / 89 / 7

HEX #EE7C1A

RGB 238 124 26

HSL 27.74, 0.86%, 0.52%

LAB 63.89, 38.45, 65.96

 

CMYK 0 / 44 / 82 / 0

HEX #FF8E2D

RGB 255 142 45

HSL 27.71, 1%, 0.59%

LAB 70.03, 36.5, 65.81

 

CMYK 0 / 37 / 75 / 0

HEX #FFA040

RGB 255 160 64

HSL 30.16, 1%, 0.63%

LAB 74.04, 27.87, 62.12

 

CMYK 0 / 30 / 67 / 0

HEX #FFB253

RGB 255 178 83

HSL 33.14, 1%, 0.66%

LAB 78.3, 19.38, 58.25

 

CMYK 0 / 51 / 94 / 15

HEX #D86A0C

RGB 216 106 12

HSL 27.65, 0.89%, 0.45%

LAB 57.01, 38.62, 62.95

 

CMYK 0 / 56 / 100 / 22

HEX #C75800

RGB 199 88 0

HSL 26.53, 1%, 0.39%

LAB 50.83, 40.8, 60.21

 

CMYK 0 / 62 / 100 / 29

HEX #B64600

RGB 182 70 0

HSL 23.08, 1%, 0.36%

LAB 44.7, 42.94, 55.33

 

CMYK 0 / 68 / 100 / 35

HEX #A53400

RGB 165 52 0

HSL 18.91, 1%, 0.32%

LAB 38.65, 44.75, 50.52

 

CMYK 0 / 77 / 100 / 42

HEX #942200

RGB 148 34 0

HSL 13.78, 1%, 0.29%

LAB 32.79, 45.89, 45.63

 

CMYK 0 / 51 / 94 / 15

HEX #D86A0C

RGB 216 106 12

HSL 27.65, 0.89%, 0.45%

LAB 57.01, 38.62, 62.95

 

CMYK 0 / 76 / 94 / 15

HEX #D8330C

RGB 216 51 12

HSL 11.47, 0.89%, 0.45%

LAB 48.25, 61.85, 57.41

 

CMYK 0 / 94 / 94 / 15

HEX #D80C0C

RGB 216 12 12

HSL 0, 0.89%, 0.45%

LAB 45.48, 69.72, 55.83

 

CMYK 0 / 51 / 94 / 15

HEX #D86A0C

RGB 216 106 12

HSL 27.65, 0.89%, 0.45%

LAB 57.01, 38.62, 62.95

 

CMYK 0 / 25 / 94 / 15

HEX #D8A10C

RGB 216 161 12

HSL 43.82, 0.89%, 0.45%

LAB 69.55, 9.43, 71.72

 

CMYK 0 / 0 / 94 / 15

HEX #D8D80C

RGB 216 216 12

HSL 60, 0.89%, 0.45%

LAB 83.83, -18.91, 82.31

 

CMYK 25 / 0 / 94 / 15

HEX #A1D80C

RGB 161 216 12

HSL 76.18, 0.89%, 0.45%

LAB 80.02, -41.32, 77.72

 

CMYK 51 / 0 / 94 / 15

HEX #6AD80C

RGB 106 216 12

HSL 92.35, 0.89%, 0.45%

LAB 77.4, -60.03, 74.52

 

CMYK 0 / 51 / 94 / 15

HEX #D86A0C

RGB 216 106 12

HSL 27.65, 0.89%, 0.45%

LAB 57.01, 38.62, 62.95

 

CMYK 0 / 51 / 94 / 15

HEX #D86A0C

RGB 216 106 12

HSL 27.65, 0.89%, 0.45%

LAB 57.01, 38.62, 62.95

 

CMYK 0 / 45 / 84 / 22

HEX #C66C1F

RGB 198 108 31

HSL 27.66, 0.73%, 0.45%

LAB 54.9, 30.63, 54.77

 

CMYK 0 / 39 / 73 / 30

HEX #B36D31

RGB 179 109 49

HSL 27.69, 0.57%, 0.45%

LAB 52.67, 22.72, 43.96

 

CMYK 0 / 31 / 58 / 37

HEX #A16F44

RGB 161 111 68

HSL 27.74, 0.41%, 0.45%

LAB 51.11, 15.04, 31.67

 

CMYK 0 / 21 / 39 / 44

HEX #8E7056

RGB 142 112 86

HSL 27.86, 0.25%, 0.45%

LAB 49.51, 8.07, 18.96

 

CMYK 0 / 94 / 87 / 15

HEX #D80C1D

RGB 216 12 29

HSL 355, 0.89%, 0.45%

LAB 45.57, 69.96, 49.03

 

CMYK 0 / 77 / 94 / 15

HEX #D8320C

RGB 216 50 12

HSL 11.18, 0.89%, 0.45%

LAB 48.14, 62.15, 57.34

 

CMYK 0 / 52 / 94 / 15

HEX #D8680C

RGB 216 104 12

HSL 27.06, 0.89%, 0.45%

LAB 56.61, 39.63, 62.68

 

CMYK 0 / 26 / 94 / 15

HEX #D89F0C

RGB 216 159 12

HSL 43.24, 0.89%, 0.45%

LAB 69.06, 10.51, 71.36

 

CMYK 0 / 1 / 94 / 15

HEX #D8D50C

RGB 216 213 12

HSL 59.12, 0.89%, 0.45%

LAB 83.03, -17.43, 81.7

 

CMYK 0 / 51 / 94 / 46

HEX #8A4408

RGB 138 68 8

HSL 27.69, 0.89%, 0.29%

LAB 37.03, 26.31, 44.46

 

CMYK 0 / 51 / 94 / 31

HEX #B1570A

RGB 177 87 10

HSL 27.66, 0.89%, 0.37%

LAB 47.22, 32.61, 53.92

 

CMYK 0 / 51 / 94 / 15

HEX #D86A0C

RGB 216 106 12

HSL 27.65, 0.89%, 0.45%

LAB 57.01, 38.62, 62.95

 

CMYK 0 / 47 / 88 / 5

HEX #F17F1C

RGB 241 127 28

HSL 27.89, 0.88%, 0.53%

LAB 64.93, 38.16, 66.37

 

CMYK 0 / 39 / 73 / 4

HEX #F49543

RGB 244 149 67

HSL 27.8, 0.89%, 0.61%

LAB 70.27, 29.26, 56.55

 

CMYK 0 / 51 / 94 / 15

HEX #D86A0C

RGB 216 106 12

HSL 27.65, 0.89%, 0.45%

LAB 57.01, 38.62, 62.95

 

CMYK 61 / 0 / 94 / 15

HEX #54D80C

RGB 84 216 12

HSL 98.82, 0.89%, 0.45%

LAB 76.69, -65.75, 73.65

 

CMYK 90 / 94 / 0 / 15

HEX #160CD8

RGB 22 12 216

HSL 242.94, 0.89%, 0.45%

LAB 27.82, 67.78, -93.13

 

CMYK 0 / 51 / 94 / 15

HEX #D86A0C

RGB 216 106 12

HSL 27.65, 0.89%, 0.45%

LAB 57.01, 38.62, 62.95

 

CMYK 94 / 0 / 52 / 15

HEX #0CD868

RGB 12 216 104

HSL 147.06, 0.89%, 0.45%

LAB 76.19, -67.83, 42.75

 

CMYK 52 / 94 / 0 / 15

HEX #680CD8

RGB 104 12 216

HSL 267.06, 0.89%, 0.45%

LAB 34.32, 71.47, -82.14

 

CMYK 0 / 51 / 94 / 15

HEX #D86A0C

RGB 216 106 12

HSL 27.65, 0.89%, 0.45%

LAB 57.01, 38.62, 62.95

 

CMYK 61 / 0 / 94 / 15

HEX #54D80C

RGB 84 216 12

HSL 98.82, 0.89%, 0.45%

LAB 76.69, -65.75, 73.65

 

CMYK 94 / 43 / 0 / 15

HEX #0C7CD8

RGB 12 124 216

HSL 207.06, 0.89%, 0.45%

LAB 51.21, 6.47, -54.8

 

CMYK 33 / 94 / 0 / 15

HEX #910CD8

RGB 145 12 216

HSL 279.12, 0.89%, 0.45%

LAB 39.98, 75.61, -72.62

 

CMYK 0 / 51 / 94 / 15

HEX #D86A0C

RGB 216 106 12

HSL 27.65, 0.89%, 0.45%

LAB 57.01, 38.62, 62.95

 

CMYK 90 / 0 / 94 / 15

HEX #16D80C

RGB 22 216 12

HSL 117.06, 0.89%, 0.45%

LAB 75.64, -74.85, 72.36

 

CMYK 94 / 43 / 0 / 15

HEX #0C7CD8

RGB 12 124 216

HSL 207.06, 0.89%, 0.45%

LAB 51.21, 6.47, -54.8

 

CMYK 5 / 94 / 0 / 15

HEX #CE0CD8

RGB 206 12 216

HSL 297.06, 0.89%, 0.45%

LAB 49.91, 84.19, -56.06

 

Description

Color code: RGB 216 106 12 | qconv.com Color code: RGB 216 106 12 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 216 red, 106 green and 12 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
216 106 12 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 51 magenta, 94 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 51% 94% 15% C M Y K

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Provide designers and agencies with accurate color values.

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