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Color name
RGB 216 150 177

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 216 150 177 it is the complementary color RGB 39 105 78. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 216 150 177. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 216 150 177 shade: RGB 221 150 172, RGB 238 168 191, RGB 255 186 210, RGB 255 204 229 and RGB 255 222 248

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 216 150 177. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 216 150 177 shade: RGB 216 150 177, RGB 199 132 158, RGB 182 114 139, RGB 165 96 120 and RGB 148 78 101

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 216 150 177 shade: RGB 216 150 177, RGB 216 150 159 and RGB 216 150 150

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 216 150 177 shade: RGB 216 150 177, RGB 216 150 195, RGB 216 150 213, RGB 202 150 216 and RGB 184 150 216

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 216 150 177 shade matches the following richer shades: RGB 216 150 177, RGB 227 139 175, RGB 239 127 173 and RGB 251 116 171

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 216 150 177 shade: RGB 216 150 177, RGB 204 162 179, RGB 193 173 181, RGB 181 185 183 and RGB 170 196 186

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 216 150 177 shade: RGB 216 150 213, RGB 216 150 195, RGB 216 150 178, RGB 216 150 160 and RGB 216 158 150

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 216 150 177 shade: RGB 194 90 132, RGB 205 120 155, RGB 216 150 177, RGB 227 180 199 and RGB 238 210 222

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 216 150 177 shade: RGB 216 150 177, RGB 216 202 150 and RGB 150 204 216

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 216 150 177 shade: RGB 216 150 177, RGB 178 216 150 and RGB 150 178 216

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 216 150 177 shade: RGB 216 150 177, RGB 216 202 150, RGB 150 216 189 and RGB 150 164 216

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 216 150 177 shade: RGB 216 150 177, RGB 210 216 150, RGB 150 216 189 and RGB 156 150 216

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 18 / 15

HEX #D896B1

RGB 216 150 177

HSL 335.45, 0.46%, 0.72%

LAB 69.17, 28.71, -4.03

 

Complementary color

CMYK 63 / 0 / 26 / 59

HEX #27694E

RGB 39 105 78

HSL 155.45, 0.46%, 0.28%

LAB 39.72, -28, 9.07

 

CMYK 0 / 32 / 22 / 13

HEX #DD96AC

RGB 221 150 172

HSL 341.41, 0.51%, 0.73%

LAB 69.59, 29.74, -0.57

 

CMYK 0 / 29 / 20 / 7

HEX #EEA8BF

RGB 238 168 191

HSL 340.29, 0.67%, 0.8%

LAB 76.03, 29.01, -1.41

 

CMYK 0 / 27 / 18 / 0

HEX #FFBAD2

RGB 255 186 210

HSL 339.13, 1%, 0.86%

LAB 82.4, 28.34, -2.17

 

CMYK 0 / 20 / 10 / 0

HEX #FFCCE5

RGB 255 204 229

HSL 330.59, 1%, 0.9%

LAB 87.05, 21.89, -5.47

 

CMYK 0 / 13 / 3 / 0

HEX #FFDEF8

RGB 255 222 248

HSL 312.73, 1%, 0.94%

LAB 91.81, 15.71, -8.44

 

CMYK 0 / 31 / 18 / 15

HEX #D896B1

RGB 216 150 177

HSL 335.45, 0.46%, 0.72%

LAB 69.17, 28.71, -4.03

 

CMYK 0 / 34 / 21 / 22

HEX #C7849E

RGB 199 132 158

HSL 336.72, 0.37%, 0.65%

LAB 62.6, 29.46, -3.22

 

CMYK 0 / 37 / 24 / 29

HEX #B6728B

RGB 182 114 139

HSL 337.94, 0.32%, 0.58%

LAB 55.93, 30.27, -2.32

 

CMYK 0 / 42 / 27 / 35

HEX #A56078

RGB 165 96 120

HSL 339.13, 0.28%, 0.51%

LAB 49.16, 31.14, -1.3

 

CMYK 0 / 47 / 32 / 42

HEX #944E65

RGB 148 78 101

HSL 340.29, 0.31%, 0.44%

LAB 42.28, 32.06, -0.09

 

CMYK 0 / 31 / 18 / 15

HEX #D896B1

RGB 216 150 177

HSL 335.45, 0.46%, 0.72%

LAB 69.17, 28.71, -4.03

 

CMYK 0 / 31 / 26 / 15

HEX #D8969F

RGB 216 150 159

HSL 351.82, 0.46%, 0.72%

LAB 68.69, 26.05, 5.31

 

CMYK 0 / 31 / 31 / 15

HEX #D89696

RGB 216 150 150

HSL 0, 0.46%, 0.72%

LAB 68.47, 24.82, 10.02

 

CMYK 0 / 31 / 18 / 15

HEX #D896B1

RGB 216 150 177

HSL 335.45, 0.46%, 0.72%

LAB 69.17, 28.71, -4.03

 

CMYK 0 / 31 / 10 / 15

HEX #D896C3

RGB 216 150 195

HSL 319.09, 0.46%, 0.72%

LAB 69.72, 31.64, -13.24

 

CMYK 0 / 31 / 1 / 15

HEX #D896D5

RGB 216 150 213

HSL 302.73, 0.46%, 0.72%

LAB 70.33, 34.83, -22.29

 

CMYK 6 / 31 / 0 / 15

HEX #CA96D8

RGB 202 150 216

HSL 287.27, 0.46%, 0.72%

LAB 68.99, 30.9, -26.12

 

CMYK 15 / 31 / 0 / 15

HEX #B896D8

RGB 184 150 216

HSL 270.91, 0.46%, 0.72%

LAB 67.25, 25.21, -28.94

 

CMYK 0 / 31 / 18 / 15

HEX #D896B1

RGB 216 150 177

HSL 335.45, 0.46%, 0.72%

LAB 69.17, 28.71, -4.03

 

CMYK 0 / 39 / 23 / 11

HEX #E38BAF

RGB 227 139 175

HSL 335.45, 0.61%, 0.72%

LAB 67.94, 38.15, -4.59

 

CMYK 0 / 47 / 28 / 6

HEX #EF7FAD

RGB 239 127 173

HSL 335.36, 0.78%, 0.72%

LAB 66.94, 48.1, -4.78

 

CMYK 0 / 54 / 32 / 2

HEX #FB74AB

RGB 251 116 171

HSL 335.56, 0.94%, 0.72%

LAB 66.47, 57.03, -4.14

 

CMYK 0 / 31 / 18 / 15

HEX #D896B1

RGB 216 150 177

HSL 335.45, 0.46%, 0.72%

LAB 69.17, 28.71, -4.03

 

CMYK 0 / 21 / 12 / 20

HEX #CCA2B3

RGB 204 162 179

HSL 335.71, 0.29%, 0.72%

LAB 70.82, 18.2, -2.85

 

CMYK 0 / 10 / 6 / 24

HEX #C1ADB5

RGB 193 173 181

HSL 336, 0.14%, 0.72%

LAB 72.6, 8.59, -1.47

 

CMYK 2 / 0 / 1 / 27

HEX #B5B9B7

RGB 181 185 183

HSL 150, 0.03%, 0.72%

LAB 74.79, -1.77, 0.52

 

CMYK 13 / 0 / 5 / 23

HEX #AAC4BA

RGB 170 196 186

HSL 156.92, 0.18%, 0.72%

LAB 77.02, -10.75, 2.05

 

CMYK 0 / 31 / 1 / 15

HEX #D896D5

RGB 216 150 213

HSL 302.73, 0.46%, 0.72%

LAB 70.33, 34.83, -22.29

 

CMYK 0 / 31 / 10 / 15

HEX #D896C3

RGB 216 150 195

HSL 319.09, 0.46%, 0.72%

LAB 69.72, 31.64, -13.24

 

CMYK 0 / 31 / 18 / 15

HEX #D896B2

RGB 216 150 178

HSL 334.55, 0.46%, 0.72%

LAB 69.2, 28.87, -4.55

 

CMYK 0 / 31 / 26 / 15

HEX #D896A0

RGB 216 150 160

HSL 350.91, 0.46%, 0.72%

LAB 68.71, 26.19, 4.79

 

CMYK 0 / 27 / 31 / 15

HEX #D89E96

RGB 216 158 150

HSL 7.27, 0.46%, 0.72%

LAB 70.35, 20.49, 12.68

 

CMYK 0 / 54 / 32 / 24

HEX #C25A84

RGB 194 90 132

HSL 335.77, 0.46%, 0.56%

LAB 52.34, 46.13, -3.31

 

CMYK 0 / 41 / 24 / 20

HEX #CD789B

RGB 205 120 155

HSL 335.29, 0.46%, 0.64%

LAB 60.59, 37.62, -4.4

 

CMYK 0 / 31 / 18 / 15

HEX #D896B1

RGB 216 150 177

HSL 335.45, 0.46%, 0.72%

LAB 69.17, 28.71, -4.03

 

CMYK 0 / 21 / 12 / 11

HEX #E3B4C7

RGB 227 180 199

HSL 335.74, 0.46%, 0.8%

LAB 77.93, 19.97, -3.11

 

CMYK 0 / 12 / 7 / 7

HEX #EED2DE

RGB 238 210 222

HSL 334.29, 0.45%, 0.88%

LAB 86.77, 11.73, -2.34

 

CMYK 0 / 31 / 18 / 15

HEX #D896B1

RGB 216 150 177

HSL 335.45, 0.46%, 0.72%

LAB 69.17, 28.71, -4.03

 

CMYK 0 / 6 / 31 / 15

HEX #D8CA96

RGB 216 202 150

HSL 47.27, 0.46%, 0.72%

LAB 81.31, -2.94, 27.77

 

CMYK 31 / 6 / 0 / 15

HEX #96CCD8

RGB 150 204 216

HSL 190.91, 0.46%, 0.72%

LAB 78.83, -14.57, -11.6

 

CMYK 0 / 31 / 18 / 15

HEX #D896B1

RGB 216 150 177

HSL 335.45, 0.46%, 0.72%

LAB 69.17, 28.71, -4.03

 

CMYK 18 / 0 / 31 / 15

HEX #B2D896

RGB 178 216 150

HSL 94.55, 0.46%, 0.72%

LAB 82.26, -24.2, 28.56

 

CMYK 31 / 18 / 0 / 15

HEX #96B2D8

RGB 150 178 216

HSL 214.55, 0.46%, 0.72%

LAB 71.75, -0.76, -22.28

 

CMYK 0 / 31 / 18 / 15

HEX #D896B1

RGB 216 150 177

HSL 335.45, 0.46%, 0.72%

LAB 69.17, 28.71, -4.03

 

CMYK 0 / 6 / 31 / 15

HEX #D8CA96

RGB 216 202 150

HSL 47.27, 0.46%, 0.72%

LAB 81.31, -2.94, 27.77

 

CMYK 31 / 0 / 13 / 15

HEX #96D8BD

RGB 150 216 189

HSL 155.45, 0.46%, 0.72%

LAB 81.44, -26.53, 6.68

 

CMYK 31 / 24 / 0 / 15

HEX #96A4D8

RGB 150 164 216

HSL 227.27, 0.46%, 0.72%

LAB 68.02, 7.01, -27.99

 

CMYK 0 / 31 / 18 / 15

HEX #D896B1

RGB 216 150 177

HSL 335.45, 0.46%, 0.72%

LAB 69.17, 28.71, -4.03

 

CMYK 3 / 0 / 31 / 15

HEX #D2D896

RGB 210 216 150

HSL 65.45, 0.46%, 0.72%

LAB 84.49, -12.4, 31.94

 

CMYK 31 / 0 / 13 / 15

HEX #96D8BD

RGB 150 216 189

HSL 155.45, 0.46%, 0.72%

LAB 81.44, -26.53, 6.68

 

CMYK 28 / 31 / 0 / 15

HEX #9C96D8

RGB 156 150 216

HSL 245.45, 0.46%, 0.72%

LAB 64.83, 16.7, -32.87

 

Description

Color code: RGB 216 150 177 | qconv.com Color code: RGB 216 150 177 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 216 red, 150 green and 177 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
216 150 177 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 18 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 18% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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