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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 216 33 151 it is the complementary color RGB 39 222 104. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 216 33 151. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 216 33 151 shade: RGB 221 33 146, RGB 238 51 165, RGB 255 69 184, RGB 255 87 203 and RGB 255 105 222

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 216 33 151. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 216 33 151 shade: RGB 216 33 151, RGB 199 15 132, RGB 182 0 113, RGB 165 0 94 and RGB 148 0 75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 216 33 151 shade: RGB 216 33 151, RGB 216 33 102, RGB 216 33 52 and RGB 216 33 33

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 216 33 151 shade: RGB 216 33 151, RGB 216 33 200, RGB 182 33 216, RGB 133 33 216 and RGB 84 33 216

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 216 33 151 shade matches the following richer shades: RGB 216 33 151 and RGB 236 13 157

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 216 33 151 shade: RGB 216 33 151, RGB 195 53 145, RGB 175 74 139, RGB 155 94 133 and RGB 135 114 127

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 216 33 151 shade: RGB 182 33 216, RGB 216 33 200, RGB 216 33 152, RGB 216 33 103 and RGB 216 33 55

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 216 33 151 shade: RGB 144 22 101, RGB 180 28 126, RGB 216 33 151, RGB 225 65 168 and RGB 231 101 184

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 216 33 151 shade: RGB 216 33 151, RGB 216 134 33 and RGB 33 216 207

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 216 33 151 shade: RGB 216 33 151, RGB 152 216 33 and RGB 33 152 216

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 216 33 151 shade: RGB 216 33 151, RGB 216 134 33, RGB 33 216 97 and RGB 33 115 216

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 216 33 151 shade: RGB 216 33 151, RGB 216 188 33, RGB 33 216 97 and RGB 33 61 216

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 85 / 30 / 15

HEX #D82197

RGB 216 33 151

HSL 321.31, 0.73%, 0.49%

LAB 49.4, 74.59, -18.7

 

Complementary color

CMYK 82 / 0 / 53 / 13

HEX #27DE68

RGB 39 222 104

HSL 141.31, 0.73%, 0.51%

LAB 78.27, -67.98, 45.35

 

CMYK 0 / 85 / 34 / 13

HEX #DD2192

RGB 221 33 146

HSL 323.94, 0.74%, 0.5%

LAB 50.14, 75.17, -14.5

 

CMYK 0 / 79 / 31 / 7

HEX #EE33A5

RGB 238 51 165

HSL 323.42, 0.85%, 0.57%

LAB 55.34, 77.03, -17.57

 

CMYK 0 / 73 / 28 / 0

HEX #FF45B8

RGB 255 69 184

HSL 322.9, 1%, 0.64%

LAB 60.76, 78.12, -20.08

 

CMYK 0 / 66 / 20 / 0

HEX #FF57CB

RGB 255 87 203

HSL 318.57, 1%, 0.67%

LAB 63.66, 74.36, -26.46

 

CMYK 0 / 59 / 13 / 0

HEX #FF69DE

RGB 255 105 222

HSL 313.2, 1%, 0.71%

LAB 67, 69.89, -31.97

 

CMYK 0 / 85 / 30 / 15

HEX #D82197

RGB 216 33 151

HSL 321.31, 0.73%, 0.49%

LAB 49.4, 74.59, -18.7

 

CMYK 0 / 92 / 34 / 22

HEX #C70F84

RGB 199 15 132

HSL 321.85, 0.86%, 0.42%

LAB 44.45, 71.71, -15.05

 

CMYK 0 / 100 / 38 / 29

HEX #B60071

RGB 182 0 113

HSL 322.75, 1%, 0.36%

LAB 39.81, 67.69, -10.61

 

CMYK 0 / 100 / 43 / 35

HEX #A5005E

RGB 165 0 94

HSL 325.82, 1%, 0.32%

LAB 35.61, 62.19, -5.18

 

CMYK 0 / 100 / 49 / 42

HEX #94004B

RGB 148 0 75

HSL 329.59, 1%, 0.29%

LAB 31.36, 56.64, 0.55

 

CMYK 0 / 85 / 30 / 15

HEX #D82197

RGB 216 33 151

HSL 321.31, 0.73%, 0.49%

LAB 49.4, 74.59, -18.7

 

CMYK 0 / 85 / 53 / 15

HEX #D82166

RGB 216 33 102

HSL 337.38, 0.73%, 0.49%

LAB 47.81, 70.09, 8.75

 

CMYK 0 / 85 / 76 / 15

HEX #D82134

RGB 216 33 52

HSL 353.77, 0.73%, 0.49%

LAB 46.89, 67.39, 37.92

 

CMYK 0 / 85 / 85 / 15

HEX #D82121

RGB 216 33 33

HSL 0, 0.73%, 0.49%

LAB 46.71, 66.85, 48.03

 

CMYK 0 / 85 / 30 / 15

HEX #D82197

RGB 216 33 151

HSL 321.31, 0.73%, 0.49%

LAB 49.4, 74.59, -18.7

 

CMYK 0 / 85 / 7 / 15

HEX #D821C8

RGB 216 33 200

HSL 305.25, 0.73%, 0.49%

LAB 51.67, 80.76, -43.95

 

CMYK 16 / 85 / 0 / 15

HEX #B621D8

RGB 182 33 216

HSL 288.85, 0.73%, 0.49%

LAB 46.96, 77.28, -61.01

 

CMYK 38 / 85 / 0 / 15

HEX #8521D8

RGB 133 33 216

HSL 272.79, 0.73%, 0.49%

LAB 39.63, 70.01, -73.26

 

CMYK 61 / 85 / 0 / 15

HEX #5421D8

RGB 84 33 216

HSL 256.72, 0.73%, 0.49%

LAB 33.84, 64.64, -83.01

 

CMYK 0 / 85 / 30 / 15

HEX #D82197

RGB 216 33 151

HSL 321.31, 0.73%, 0.49%

LAB 49.4, 74.59, -18.7

 

CMYK 0 / 94 / 33 / 7

HEX #EC0D9D

RGB 236 13 157

HSL 321.26, 0.9%, 0.49%

LAB 52.46, 82.16, -17.27

 

CMYK 0 / 85 / 30 / 15

HEX #D82197

RGB 216 33 151

HSL 321.31, 0.73%, 0.49%

LAB 49.4, 74.59, -18.7

 

CMYK 0 / 73 / 26 / 24

HEX #C33591

RGB 195 53 145

HSL 321.13, 0.57%, 0.49%

LAB 47.23, 63.65, -18.76

 

CMYK 0 / 58 / 21 / 31

HEX #AF4A8B

RGB 175 74 139

HSL 321.39, 0.41%, 0.49%

LAB 46.81, 48.72, -16.08

 

CMYK 0 / 39 / 14 / 39

HEX #9B5E85

RGB 155 94 133

HSL 321.64, 0.24%, 0.49%

LAB 47.84, 30.68, -11.18

 

CMYK 0 / 16 / 6 / 47

HEX #87727F

RGB 135 114 127

HSL 322.86, 0.08%, 0.49%

LAB 50.36, 10.58, -4.09

 

CMYK 16 / 85 / 0 / 15

HEX #B621D8

RGB 182 33 216

HSL 288.85, 0.73%, 0.49%

LAB 46.96, 77.28, -61.01

 

CMYK 0 / 85 / 7 / 15

HEX #D821C8

RGB 216 33 200

HSL 305.25, 0.73%, 0.49%

LAB 51.67, 80.76, -43.95

 

CMYK 0 / 85 / 30 / 15

HEX #D82198

RGB 216 33 152

HSL 320.98, 0.73%, 0.49%

LAB 49.44, 74.7, -19.24

 

CMYK 0 / 85 / 52 / 15

HEX #D82167

RGB 216 33 103

HSL 337.05, 0.73%, 0.49%

LAB 47.84, 70.16, 8.17

 

CMYK 0 / 85 / 75 / 15

HEX #D82137

RGB 216 33 55

HSL 352.79, 0.73%, 0.49%

LAB 46.93, 67.5, 36.22

 

CMYK 0 / 85 / 30 / 44

HEX #901665

RGB 144 22 101

HSL 321.15, 0.73%, 0.33%

LAB 32.79, 54.6, -14.36

 

CMYK 0 / 84 / 30 / 29

HEX #B41C7E

RGB 180 28 126

HSL 321.32, 0.73%, 0.41%

LAB 41.28, 64.7, -16.52

 

CMYK 0 / 85 / 30 / 15

HEX #D82197

RGB 216 33 151

HSL 321.31, 0.73%, 0.49%

LAB 49.4, 74.59, -18.7

 

CMYK 0 / 71 / 25 / 12

HEX #E141A8

RGB 225 65 168

HSL 321.38, 0.73%, 0.57%

LAB 54.67, 70.1, -20.55

 

CMYK 0 / 56 / 20 / 9

HEX #E765B8

RGB 231 101 184

HSL 321.69, 0.73%, 0.65%

LAB 61.44, 59.49, -19.38

 

CMYK 0 / 85 / 30 / 15

HEX #D82197

RGB 216 33 151

HSL 321.31, 0.73%, 0.49%

LAB 49.4, 74.59, -18.7

 

CMYK 0 / 38 / 85 / 15

HEX #D88621

RGB 216 134 33

HSL 33.11, 0.73%, 0.49%

LAB 63.14, 24.34, 62.02

 

CMYK 85 / 0 / 4 / 15

HEX #21D8CF

RGB 33 216 207

HSL 177.05, 0.73%, 0.49%

LAB 78.43, -43.76, -7.75

 

CMYK 0 / 85 / 30 / 15

HEX #D82197

RGB 216 33 151

HSL 321.31, 0.73%, 0.49%

LAB 49.4, 74.59, -18.7

 

CMYK 30 / 0 / 85 / 15

HEX #98D821

RGB 152 216 33

HSL 80.98, 0.73%, 0.49%

LAB 79.56, -44.25, 73.81

 

CMYK 85 / 30 / 0 / 15

HEX #2198D8

RGB 33 152 216

HSL 200.98, 0.73%, 0.49%

LAB 59.65, -8.96, -41.39

 

CMYK 0 / 85 / 30 / 15

HEX #D82197

RGB 216 33 151

HSL 321.31, 0.73%, 0.49%

LAB 49.4, 74.59, -18.7

 

CMYK 0 / 38 / 85 / 15

HEX #D88621

RGB 216 134 33

HSL 33.11, 0.73%, 0.49%

LAB 63.14, 24.34, 62.02

 

CMYK 85 / 0 / 55 / 15

HEX #21D861

RGB 33 216 97

HSL 140.98, 0.73%, 0.49%

LAB 76.25, -67.58, 46.17

 

CMYK 85 / 47 / 0 / 15

HEX #2173D8

RGB 33 115 216

HSL 213.11, 0.73%, 0.49%

LAB 48.94, 13.23, -58.44

 

CMYK 0 / 85 / 30 / 15

HEX #D82197

RGB 216 33 151

HSL 321.31, 0.73%, 0.49%

LAB 49.4, 74.59, -18.7

 

CMYK 0 / 13 / 85 / 15

HEX #D8BC21

RGB 216 188 33

HSL 50.82, 0.73%, 0.49%

LAB 76.48, -4.43, 73.09

 

CMYK 85 / 0 / 55 / 15

HEX #21D861

RGB 33 216 97

HSL 140.98, 0.73%, 0.49%

LAB 76.25, -67.58, 46.17

 

CMYK 85 / 72 / 0 / 15

HEX #213DD8

RGB 33 61 216

HSL 230.82, 0.73%, 0.49%

LAB 35.24, 47.47, -80.79

 

Description

Color code: RGB 216 33 151 | qconv.com Color code: RGB 216 33 151 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 216 red, 33 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
216 33 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 85 magenta, 30 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 85% 30% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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