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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 216 54 189 it is the complementary color RGB 39 201 66. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 216 54 189. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 216 54 189 shade: RGB 221 54 184, RGB 238 72 203, RGB 255 90 222, RGB 255 108 241 and RGB 255 126 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 216 54 189. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 216 54 189 shade: RGB 216 54 189, RGB 199 36 170, RGB 182 18 151, RGB 165 0 132 and RGB 148 0 113

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 216 54 189 shade: RGB 216 53 189, RGB 216 53 145, RGB 216 53 101, RGB 216 53 57 and RGB 216 53 53

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 216 54 189 shade: RGB 216 53 189, RGB 199 53 216, RGB 155 53 216, RGB 111 53 216 and RGB 67 53 216

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 216 54 189 shade matches the following richer shades: RGB 216 53 189 and RGB 236 34 202

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 216 54 189 shade: RGB 216 53 189, RGB 197 73 176, RGB 177 92 163, RGB 158 111 150 and RGB 139 131 137

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 216 54 189 shade: RGB 156 53 216, RGB 200 53 216, RGB 216 53 189, RGB 216 53 146 and RGB 216 53 102

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 216 54 189 shade: RGB 157 30 136, RGB 192 36 166, RGB 216 53 189, RGB 223 88 200 and RGB 229 122 212

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 216 54 189 shade: RGB 216 54 189, RGB 216 113 53 and RGB 53 216 178

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 216 54 189 shade: RGB 216 54 189, RGB 189 216 53 and RGB 53 189 216

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 216 54 189 shade: RGB 216 54 189, RGB 216 113 53, RGB 53 216 80 and RGB 53 156 216

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 216 54 189 shade: RGB 216 54 189, RGB 216 162 53, RGB 53 216 80 and RGB 53 107 216

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 75 / 13 / 15

HEX #D836BD

RGB 216 54 189

HSL 310, 0.68%, 0.53%

LAB 52.85, 74.21, -35.73

 

Complementary color

CMYK 81 / 0 / 67 / 21

HEX #27C942

RGB 39 201 66

HSL 130, 0.68%, 0.47%

LAB 71.28, -65.96, 54.12

 

CMYK 0 / 76 / 17 / 13

HEX #DD36B8

RGB 221 54 184

HSL 313.29, 0.71%, 0.54%

LAB 53.46, 74.63, -31.81

 

CMYK 0 / 70 / 15 / 7

HEX #EE48CB

RGB 238 72 203

HSL 312.65, 0.83%, 0.61%

LAB 59.09, 75.5, -33.76

 

CMYK 0 / 65 / 13 / 0

HEX #FF5ADE

RGB 255 90 222

HSL 312, 1%, 0.68%

LAB 64.84, 75.85, -35.33

 

CMYK 0 / 58 / 5 / 0

HEX #FF6CF1

RGB 255 108 241

HSL 305.71, 1%, 0.71%

LAB 68.27, 71.53, -40.53

 

CMYK 0 / 51 / 0 / 0

HEX #FF7EFF

RGB 255 126 255

HSL 300, 1%, 0.75%

LAB 71.83, 65.87, -42.63

 

CMYK 0 / 75 / 13 / 15

HEX #D836BD

RGB 216 54 189

HSL 310, 0.68%, 0.53%

LAB 52.85, 74.21, -35.73

 

CMYK 0 / 82 / 15 / 22

HEX #C724AA

RGB 199 36 170

HSL 310.67, 0.69%, 0.46%

LAB 47.37, 72.63, -33.4

 

CMYK 0 / 90 / 17 / 29

HEX #B61297

RGB 182 18 151

HSL 311.34, 0.82%, 0.39%

LAB 42.17, 70.01, -30.41

 

CMYK 0 / 100 / 20 / 35

HEX #A50084

RGB 165 0 132

HSL 312, 1%, 0.32%

LAB 37.23, 66.35, -26.73

 

CMYK 0 / 100 / 24 / 42

HEX #940071

RGB 148 0 113

HSL 314.19, 1%, 0.29%

LAB 32.89, 60.61, -21.83

 

CMYK 0 / 75 / 13 / 15

HEX #D835BD

RGB 216 53 189

HSL 309.94, 0.68%, 0.53%

LAB 52.75, 74.5, -35.89

 

CMYK 0 / 75 / 33 / 15

HEX #D83591

RGB 216 53 145

HSL 326.13, 0.68%, 0.53%

LAB 50.91, 68.97, -12.82

 

CMYK 0 / 75 / 53 / 15

HEX #D83565

RGB 216 53 101

HSL 342.33, 0.68%, 0.53%

LAB 49.6, 64.87, 11.87

 

CMYK 0 / 75 / 74 / 15

HEX #D83539

RGB 216 53 57

HSL 358.53, 0.68%, 0.53%

LAB 48.81, 62.32, 37.19

 

CMYK 0 / 75 / 75 / 15

HEX #D83535

RGB 216 53 53

HSL 0, 0.68%, 0.53%

LAB 48.76, 62.17, 39.41

 

CMYK 0 / 75 / 13 / 15

HEX #D835BD

RGB 216 53 189

HSL 309.94, 0.68%, 0.53%

LAB 52.75, 74.5, -35.89

 

CMYK 8 / 75 / 0 / 15

HEX #C735D8

RGB 199 53 216

HSL 293.74, 0.68%, 0.53%

LAB 51.43, 75.14, -53.67

 

CMYK 28 / 75 / 0 / 15

HEX #9B35D8

RGB 155 53 216

HSL 277.55, 0.68%, 0.53%

LAB 44.9, 66.92, -64.53

 

CMYK 49 / 75 / 0 / 15

HEX #6F35D8

RGB 111 53 216

HSL 261.35, 0.68%, 0.53%

LAB 39.38, 59.78, -73.77

 

CMYK 69 / 75 / 0 / 15

HEX #4335D8

RGB 67 53 216

HSL 245.15, 0.68%, 0.53%

LAB 35.39, 54.45, -80.48

 

CMYK 0 / 75 / 13 / 15

HEX #D835BD

RGB 216 53 189

HSL 309.94, 0.68%, 0.53%

LAB 52.75, 74.5, -35.89

 

CMYK 0 / 86 / 14 / 7

HEX #EC22CA

RGB 236 34 202

HSL 310.1, 0.84%, 0.53%

LAB 55.32, 84.65, -39.11

 

CMYK 0 / 75 / 13 / 15

HEX #D835BD

RGB 216 53 189

HSL 309.94, 0.68%, 0.53%

LAB 52.75, 74.5, -35.89

 

CMYK 0 / 63 / 11 / 23

HEX #C549B0

RGB 197 73 176

HSL 310.16, 0.52%, 0.53%

LAB 51.58, 61.01, -30.38

 

CMYK 0 / 48 / 8 / 31

HEX #B15CA3

RGB 177 92 163

HSL 309.88, 0.35%, 0.53%

LAB 51.43, 44.27, -23.22

 

CMYK 0 / 30 / 5 / 38

HEX #9E6F96

RGB 158 111 150

HSL 310.21, 0.2%, 0.53%

LAB 52.77, 25.15, -13.76

 

CMYK 0 / 6 / 1 / 45

HEX #8B8389

RGB 139 131 137

HSL 315, 0.03%, 0.53%

LAB 55.61, 4.16, -2.15

 

CMYK 28 / 75 / 0 / 15

HEX #9C35D8

RGB 156 53 216

HSL 277.91, 0.68%, 0.53%

LAB 45.04, 67.1, -64.3

 

CMYK 7 / 75 / 0 / 15

HEX #C835D8

RGB 200 53 216

HSL 294.11, 0.68%, 0.53%

LAB 51.59, 75.34, -53.41

 

CMYK 0 / 75 / 13 / 15

HEX #D835BD

RGB 216 53 189

HSL 309.94, 0.68%, 0.53%

LAB 52.75, 74.5, -35.89

 

CMYK 0 / 75 / 32 / 15

HEX #D83592

RGB 216 53 146

HSL 325.77, 0.68%, 0.53%

LAB 50.94, 69.08, -13.36

 

CMYK 0 / 75 / 53 / 15

HEX #D83566

RGB 216 53 102

HSL 341.96, 0.68%, 0.53%

LAB 49.62, 64.94, 11.29

 

CMYK 0 / 81 / 13 / 38

HEX #9D1E88

RGB 157 30 136

HSL 309.92, 0.68%, 0.37%

LAB 37.62, 60.29, -28.72

 

CMYK 0 / 81 / 14 / 25

HEX #C024A6

RGB 192 36 166

HSL 310, 0.68%, 0.45%

LAB 45.94, 70.61, -33.37

 

CMYK 0 / 75 / 13 / 15

HEX #D835BD

RGB 216 53 189

HSL 309.94, 0.68%, 0.53%

LAB 52.75, 74.5, -35.89

 

CMYK 0 / 61 / 10 / 13

HEX #DF58C8

RGB 223 88 200

HSL 310.22, 0.68%, 0.61%

LAB 58.82, 65.29, -32.64

 

CMYK 0 / 47 / 7 / 10

HEX #E57AD4

RGB 229 122 212

HSL 309.53, 0.67%, 0.69%

LAB 66.01, 53.24, -28.22

 

CMYK 0 / 75 / 13 / 15

HEX #D836BD

RGB 216 54 189

HSL 310, 0.68%, 0.53%

LAB 52.85, 74.21, -35.73

 

CMYK 0 / 48 / 75 / 15

HEX #D87135

RGB 216 113 53

HSL 22.09, 0.68%, 0.53%

LAB 58.66, 36.1, 49.86

 

CMYK 75 / 0 / 18 / 15

HEX #35D8B2

RGB 53 216 178

HSL 166.01, 0.68%, 0.53%

LAB 77.92, -49.7, 7.05

 

CMYK 0 / 75 / 13 / 15

HEX #D836BD

RGB 216 54 189

HSL 310, 0.68%, 0.53%

LAB 52.85, 74.21, -35.73

 

CMYK 13 / 0 / 75 / 15

HEX #BDD835

RGB 189 216 53

HSL 69.94, 0.68%, 0.53%

LAB 81.94, -29.07, 71.53

 

CMYK 75 / 13 / 0 / 15

HEX #35BDD8

RGB 53 189 216

HSL 189.94, 0.68%, 0.53%

LAB 70.95, -26.72, -23.85

 

CMYK 0 / 75 / 13 / 15

HEX #D836BD

RGB 216 54 189

HSL 310, 0.68%, 0.53%

LAB 52.85, 74.21, -35.73

 

CMYK 0 / 48 / 75 / 15

HEX #D87135

RGB 216 113 53

HSL 22.09, 0.68%, 0.53%

LAB 58.66, 36.1, 49.86

 

CMYK 75 / 0 / 63 / 15

HEX #35D850

RGB 53 216 80

HSL 129.94, 0.68%, 0.53%

LAB 76.34, -67.44, 53.94

 

CMYK 75 / 28 / 0 / 15

HEX #359CD8

RGB 53 156 216

HSL 202.09, 0.68%, 0.53%

LAB 61.21, -9.28, -38.91

 

CMYK 0 / 75 / 13 / 15

HEX #D836BD

RGB 216 54 189

HSL 310, 0.68%, 0.53%

LAB 52.85, 74.21, -35.73

 

CMYK 0 / 25 / 75 / 15

HEX #D8A235

RGB 216 162 53

HSL 40.12, 0.68%, 0.53%

LAB 69.96, 9.95, 61.04

 

CMYK 75 / 0 / 63 / 15

HEX #35D850

RGB 53 216 80

HSL 129.94, 0.68%, 0.53%

LAB 76.34, -67.44, 53.94

 

CMYK 75 / 50 / 0 / 15

HEX #356BD8

RGB 53 107 216

HSL 220.12, 0.68%, 0.53%

LAB 47.27, 20.23, -61.09

 

Description

Color code: RGB 216 54 189 | qconv.com Color code: RGB 216 54 189 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 216 red, 54 green and 189 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
216 54 189 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 75 magenta, 13 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 75% 13% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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