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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 216 57 223 it is the complementary color RGB 39 198 32. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 216 57 223. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 216 57 223 shade: RGB 221 57 218, RGB 238 75 237, RGB 255 93 255, RGB 255 111 255 and RGB 255 129 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 216 57 223. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 216 57 223 shade: RGB 216 57 223, RGB 199 39 204, RGB 182 21 185, RGB 165 3 166 and RGB 148 0 147

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 216 57 223 shade: RGB 215 57 222, RGB 222 57 185, RGB 222 57 140, RGB 222 57 96 and RGB 222 57 57

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 216 57 223 shade: RGB 215 57 222, RGB 171 57 222, RGB 126 57 222, RGB 82 57 222 and RGB 57 57 222

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 216 57 223 shade matches the following richer shades: RGB 215 57 222 and RGB 232 39 241

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 216 57 223 shade: RGB 215 57 222, RGB 198 76 204, RGB 181 94 185, RGB 164 113 167 and RGB 147 131 148

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 216 57 223 shade: RGB 126 57 222, RGB 170 57 222, RGB 214 57 222, RGB 222 57 187 and RGB 222 57 143

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 216 57 223 shade: RGB 164 27 170, RGB 198 33 205, RGB 215 57 222, RGB 222 93 228 and RGB 229 128 234

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 216 57 223 shade: RGB 216 57 223, RGB 222 82 57 and RGB 57 222 148

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 216 57 223 shade: RGB 216 57 223, RGB 222 214 57 and RGB 57 222 214

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 216 57 223 shade: RGB 216 57 223, RGB 222 82 57, RGB 65 222 57 and RGB 57 198 222

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 216 57 223 shade: RGB 216 57 223, RGB 222 131 57, RGB 65 222 57 and RGB 57 148 222

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 74 / 0 / 13

HEX #D839DF

RGB 216 57 223

HSL 297.47, 0.72%, 0.55%

LAB 54.92, 78.45, -51.93

 

Complementary color

CMYK 80 / 0 / 84 / 22

HEX #27C620

RGB 39 198 32

HSL 117.47, 0.72%, 0.45%

LAB 70.12, -67.55, 64.22

 

CMYK 0 / 74 / 1 / 13

HEX #DD39DA

RGB 221 57 218

HSL 301.1, 0.71%, 0.55%

LAB 55.44, 78.67, -48.22

 

CMYK 0 / 68 / 0 / 7

HEX #EE4BED

RGB 238 75 237

HSL 300.37, 0.83%, 0.61%

LAB 61.07, 79.52, -49.81

 

CMYK 0 / 64 / 0 / 0

HEX #FF5DFF

RGB 255 93 255

HSL 300, 1%, 0.68%

LAB 66.76, 79.72, -50.61

 

CMYK 0 / 56 / 0 / 0

HEX #FF6FFF

RGB 255 111 255

HSL 300, 1%, 0.72%

LAB 69.36, 72.52, -46.5

 

CMYK 0 / 49 / 0 / 0

HEX #FF81FF

RGB 255 129 255

HSL 300, 1%, 0.75%

LAB 72.35, 64.48, -41.82

 

CMYK 3 / 74 / 0 / 13

HEX #D839DF

RGB 216 57 223

HSL 297.47, 0.72%, 0.55%

LAB 54.92, 78.45, -51.93

 

CMYK 2 / 81 / 0 / 20

HEX #C727CC

RGB 199 39 204

HSL 298.18, 0.68%, 0.48%

LAB 49.44, 76.92, -49.99

 

CMYK 2 / 89 / 0 / 27

HEX #B615B9

RGB 182 21 185

HSL 298.9, 0.8%, 0.4%

LAB 44.21, 74.41, -47.45

 

CMYK 1 / 98 / 0 / 35

HEX #A503A6

RGB 165 3 166

HSL 299.63, 0.96%, 0.33%

LAB 39.27, 70.75, -44.25

 

CMYK 0 / 100 / 1 / 42

HEX #940093

RGB 148 0 147

HSL 300.41, 1%, 0.29%

LAB 34.81, 65.34, -40.04

 

CMYK 3 / 74 / 0 / 13

HEX #D739DE

RGB 215 57 222

HSL 297.45, 0.71%, 0.55%

LAB 54.71, 78.09, -51.71

 

CMYK 0 / 74 / 17 / 13

HEX #DE39B9

RGB 222 57 185

HSL 313.45, 0.71%, 0.55%

LAB 53.98, 74.12, -31.57

 

CMYK 0 / 74 / 37 / 13

HEX #DE398C

RGB 222 57 140

HSL 329.82, 0.71%, 0.55%

LAB 52.23, 68.74, -7.74

 

CMYK 0 / 74 / 57 / 13

HEX #DE3960

RGB 222 57 96

HSL 345.82, 0.71%, 0.55%

LAB 51.04, 64.93, 17.06

 

CMYK 0 / 74 / 74 / 13

HEX #DE3939

RGB 222 57 57

HSL 0, 0.71%, 0.55%

LAB 50.39, 62.83, 39.28

 

CMYK 3 / 74 / 0 / 13

HEX #D739DE

RGB 215 57 222

HSL 297.45, 0.71%, 0.55%

LAB 54.71, 78.09, -51.71

 

CMYK 23 / 74 / 0 / 13

HEX #AB39DE

RGB 171 57 222

HSL 281.45, 0.71%, 0.55%

LAB 48.08, 69.59, -62.71

 

CMYK 43 / 74 / 0 / 13

HEX #7E39DE

RGB 126 57 222

HSL 265.09, 0.71%, 0.55%

LAB 42.21, 61.81, -72.52

 

CMYK 63 / 74 / 0 / 13

HEX #5239DE

RGB 82 57 222

HSL 249.09, 0.71%, 0.55%

LAB 37.83, 55.78, -79.87

 

CMYK 74 / 74 / 0 / 13

HEX #3939DE

RGB 57 57 222

HSL 240, 0.71%, 0.55%

LAB 36.12, 53.34, -82.75

 

CMYK 3 / 74 / 0 / 13

HEX #D739DE

RGB 215 57 222

HSL 297.45, 0.71%, 0.55%

LAB 54.71, 78.09, -51.71

 

CMYK 4 / 84 / 0 / 5

HEX #E827F1

RGB 232 39 241

HSL 297.33, 0.88%, 0.55%

LAB 57.03, 88.51, -58.53

 

CMYK 3 / 74 / 0 / 13

HEX #D739DE

RGB 215 57 222

HSL 297.45, 0.71%, 0.55%

LAB 54.71, 78.09, -51.71

 

CMYK 3 / 63 / 0 / 20

HEX #C64CCC

RGB 198 76 204

HSL 297.19, 0.56%, 0.55%

LAB 53.53, 64.64, -43.49

 

CMYK 2 / 49 / 0 / 27

HEX #B55EB9

RGB 181 94 185

HSL 297.36, 0.39%, 0.55%

LAB 53.31, 48.41, -33.07

 

CMYK 2 / 32 / 0 / 35

HEX #A471A7

RGB 164 113 167

HSL 296.67, 0.23%, 0.55%

LAB 54.55, 29.37, -20.91

 

CMYK 1 / 11 / 0 / 42

HEX #938394

RGB 147 131 148

HSL 296.47, 0.07%, 0.55%

LAB 56.66, 9.28, -6.89

 

CMYK 43 / 74 / 0 / 13

HEX #7E39DE

RGB 126 57 222

HSL 265.09, 0.71%, 0.55%

LAB 42.21, 61.81, -72.52

 

CMYK 23 / 74 / 0 / 13

HEX #AA39DE

RGB 170 57 222

HSL 281.09, 0.71%, 0.55%

LAB 47.94, 69.41, -62.94

 

CMYK 4 / 74 / 0 / 13

HEX #D639DE

RGB 214 57 222

HSL 297.09, 0.71%, 0.55%

LAB 54.55, 77.89, -51.97

 

CMYK 0 / 74 / 16 / 13

HEX #DE39BB

RGB 222 57 187

HSL 312.73, 0.71%, 0.55%

LAB 54.07, 74.39, -32.58

 

CMYK 0 / 74 / 36 / 13

HEX #DE398F

RGB 222 57 143

HSL 328.73, 0.71%, 0.55%

LAB 52.33, 69.05, -9.38

 

CMYK 4 / 84 / 0 / 33

HEX #A41BAA

RGB 164 27 170

HSL 297.48, 0.73%, 0.39%

LAB 40.54, 67.69, -44.62

 

CMYK 3 / 84 / 0 / 20

HEX #C621CD

RGB 198 33 205

HSL 297.56, 0.72%, 0.47%

LAB 48.89, 78.2, -51.46

 

CMYK 3 / 74 / 0 / 13

HEX #D739DE

RGB 215 57 222

HSL 297.45, 0.71%, 0.55%

LAB 54.71, 78.09, -51.71

 

CMYK 3 / 59 / 0 / 11

HEX #DE5DE4

RGB 222 93 228

HSL 297.33, 0.71%, 0.63%

LAB 60.75, 67.49, -45.44

 

CMYK 2 / 45 / 0 / 8

HEX #E580EA

RGB 229 128 234

HSL 297.17, 0.72%, 0.71%

LAB 68.05, 54.09, -37.27

 

CMYK 3 / 74 / 0 / 13

HEX #D839DF

RGB 216 57 223

HSL 297.47, 0.72%, 0.55%

LAB 54.92, 78.45, -51.93

 

CMYK 0 / 63 / 74 / 13

HEX #DE5239

RGB 222 82 57

HSL 9.09, 0.71%, 0.55%

LAB 53.88, 53.32, 43.1

 

CMYK 74 / 0 / 33 / 13

HEX #39DE94

RGB 57 222 148

HSL 153.09, 0.71%, 0.55%

LAB 79.19, -58.31, 24.63

 

CMYK 3 / 74 / 0 / 13

HEX #D839DF

RGB 216 57 223

HSL 297.47, 0.72%, 0.55%

LAB 54.92, 78.45, -51.93

 

CMYK 0 / 4 / 74 / 13

HEX #DED639

RGB 222 214 57

HSL 57.09, 0.71%, 0.55%

LAB 83.92, -14.28, 73.01

 

CMYK 74 / 0 / 4 / 13

HEX #39DED6

RGB 57 222 214

HSL 177.09, 0.71%, 0.55%

LAB 80.72, -42.37, -8.05

 

CMYK 3 / 74 / 0 / 13

HEX #D839DF

RGB 216 57 223

HSL 297.47, 0.72%, 0.55%

LAB 54.92, 78.45, -51.93

 

CMYK 0 / 63 / 74 / 13

HEX #DE5239

RGB 222 82 57

HSL 9.09, 0.71%, 0.55%

LAB 53.88, 53.32, 43.1

 

CMYK 71 / 0 / 74 / 13

HEX #41DE39

RGB 65 222 57

HSL 117.09, 0.71%, 0.55%

LAB 78.26, -69.55, 64.81

 

CMYK 74 / 11 / 0 / 13

HEX #39C6DE

RGB 57 198 222

HSL 188.73, 0.71%, 0.55%

LAB 73.89, -28.85, -22.62

 

CMYK 3 / 74 / 0 / 13

HEX #D839DF

RGB 216 57 223

HSL 297.47, 0.72%, 0.55%

LAB 54.92, 78.45, -51.93

 

CMYK 0 / 41 / 74 / 13

HEX #DE8339

RGB 222 131 57

HSL 26.91, 0.71%, 0.55%

LAB 63.39, 29.28, 53.1

 

CMYK 71 / 0 / 74 / 13

HEX #41DE39

RGB 65 222 57

HSL 117.09, 0.71%, 0.55%

LAB 78.26, -69.55, 64.81

 

CMYK 74 / 33 / 0 / 13

HEX #3994DE

RGB 57 148 222

HSL 206.91, 0.71%, 0.55%

LAB 59.27, -2.13, -45.3

 

Description

Color code: RGB 216 57 223 | qconv.com Color code: RGB 216 57 223 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 216 red, 57 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
216 57 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, 74 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 74% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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