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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 216 76 113 it is the complementary color RGB 39 179 142. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 216 76 113. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 216 76 113 shade: RGB 221 76 108, RGB 238 94 127, RGB 255 112 146, RGB 255 130 165 and RGB 255 148 184

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 216 76 113. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 216 76 113 shade: RGB 216 76 113, RGB 199 58 94, RGB 182 40 75, RGB 165 22 56 and RGB 148 4 37

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 216 76 113 shade: RGB 215 75 112 and RGB 215 75 75

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 216 76 113 shade: RGB 215 75 112, RGB 215 75 150, RGB 215 75 187, RGB 205 75 215 and RGB 167 75 215

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 216 76 113 shade matches the following richer shades: RGB 215 75 112, RGB 233 57 103 and RGB 251 39 95

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 216 76 113 shade: RGB 215 75 112, RGB 197 92 120, RGB 180 110 128, RGB 162 128 137 and RGB 144 146 145

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 216 76 113 shade: RGB 215 75 187, RGB 215 75 150, RGB 215 75 112, RGB 215 75 75 and RGB 215 112 75

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 216 76 113 shade: RGB 170 37 72, RGB 204 44 87, RGB 215 75 112, RGB 222 109 139 and RGB 230 142 165

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 216 76 113 shade: RGB 216 76 113, RGB 215 206 75 and RGB 75 168 215

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 216 76 113 shade: RGB 216 76 113, RGB 112 215 75 and RGB 75 112 215

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 216 76 113 shade: RGB 216 76 113, RGB 215 206 75, RGB 75 215 178 and RGB 75 84 215

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 216 76 113 shade: RGB 216 76 113, RGB 182 215 75, RGB 75 215 178 and RGB 107 75 215

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 65 / 48 / 15

HEX #D84C71

RGB 216 76 113

HSL 344.14, 0.64%, 0.57%

LAB 52.91, 57.52, 9.28

 

Complementary color

CMYK 78 / 0 / 21 / 30

HEX #27B38E

RGB 39 179 142

HSL 164.14, 0.64%, 0.43%

LAB 65.46, -44.85, 8.69

 

CMYK 0 / 66 / 51 / 13

HEX #DD4C6C

RGB 221 76 108

HSL 346.76, 0.68%, 0.58%

LAB 53.63, 58.65, 13.39

 

CMYK 0 / 61 / 47 / 7

HEX #EE5E7F

RGB 238 94 127

HSL 346.25, 0.81%, 0.65%

LAB 59.63, 58.12, 11.02

 

CMYK 0 / 56 / 43 / 0

HEX #FF7092

RGB 255 112 146

HSL 345.73, 1%, 0.72%

LAB 65.69, 57.41, 9.01

 

CMYK 0 / 49 / 35 / 0

HEX #FF82A5

RGB 255 130 165

HSL 343.2, 1%, 0.75%

LAB 69.43, 50.98, 3.63

 

CMYK 0 / 42 / 28 / 0

HEX #FF94B8

RGB 255 148 184

HSL 339.81, 1%, 0.79%

LAB 73.48, 44.37, -1.06

 

CMYK 0 / 65 / 48 / 15

HEX #D84C71

RGB 216 76 113

HSL 344.14, 0.64%, 0.57%

LAB 52.91, 57.52, 9.28

 

CMYK 0 / 71 / 53 / 22

HEX #C73A5E

RGB 199 58 94

HSL 344.68, 0.56%, 0.5%

LAB 46.94, 57.73, 11.98

 

CMYK 0 / 78 / 59 / 29

HEX #B6284B

RGB 182 40 75

HSL 345.21, 0.64%, 0.44%

LAB 41.17, 57.38, 15.35

 

CMYK 0 / 87 / 66 / 35

HEX #A51638

RGB 165 22 56

HSL 345.73, 0.76%, 0.37%

LAB 35.71, 56.13, 19.6

 

CMYK 0 / 97 / 75 / 42

HEX #940425

RGB 148 4 37

HSL 346.25, 0.95%, 0.3%

LAB 30.68, 53.67, 24.84

 

CMYK 0 / 65 / 48 / 16

HEX #D74B70

RGB 215 75 112

HSL 344.14, 0.64%, 0.57%

LAB 52.56, 57.53, 9.37

 

CMYK 0 / 65 / 65 / 16

HEX #D74B4B

RGB 215 75 75

HSL 0, 0.64%, 0.57%

LAB 51.82, 54.81, 30.34

 

CMYK 0 / 65 / 48 / 16

HEX #D74B70

RGB 215 75 112

HSL 344.14, 0.64%, 0.57%

LAB 52.56, 57.53, 9.37

 

CMYK 0 / 65 / 30 / 16

HEX #D74B96

RGB 215 75 150

HSL 327.86, 0.64%, 0.57%

LAB 53.69, 61.54, -11.62

 

CMYK 0 / 65 / 13 / 16

HEX #D74BBB

RGB 215 75 187

HSL 312, 0.64%, 0.57%

LAB 55.14, 66.51, -31.01

 

CMYK 5 / 65 / 0 / 16

HEX #CD4BD7

RGB 205 75 215

HSL 295.71, 0.64%, 0.57%

LAB 54.99, 68.59, -47.39

 

CMYK 22 / 65 / 0 / 16

HEX #A74BD7

RGB 167 75 215

HSL 279.43, 0.64%, 0.57%

LAB 49.68, 60.01, -56.17

 

CMYK 0 / 65 / 48 / 16

HEX #D74B70

RGB 215 75 112

HSL 344.14, 0.64%, 0.57%

LAB 52.56, 57.53, 9.37

 

CMYK 0 / 76 / 56 / 9

HEX #E93967

RGB 233 57 103

HSL 344.32, 0.8%, 0.57%

LAB 53.2, 68.5, 16.13

 

CMYK 0 / 84 / 62 / 2

HEX #FB275F

RGB 251 39 95

HSL 344.15, 0.96%, 0.57%

LAB 54.85, 77.17, 23.72

 

CMYK 0 / 65 / 48 / 16

HEX #D74B70

RGB 215 75 112

HSL 344.14, 0.64%, 0.57%

LAB 52.56, 57.53, 9.37

 

CMYK 0 / 53 / 39 / 23

HEX #C55C78

RGB 197 92 120

HSL 344, 0.48%, 0.57%

LAB 52.82, 44.72, 4.58

 

CMYK 0 / 39 / 29 / 29

HEX #B46E80

RGB 180 110 128

HSL 344.57, 0.32%, 0.57%

LAB 54.46, 30.13, 1.93

 

CMYK 0 / 21 / 15 / 36

HEX #A28089

RGB 162 128 137

HSL 344.12, 0.15%, 0.57%

LAB 57, 14.56, 0.14

 

CMYK 1 / 0 / 1 / 43

HEX #909291

RGB 144 146 145

HSL 150, 0.01%, 0.57%

LAB 60.37, -0.92, 0.27

 

CMYK 0 / 65 / 13 / 16

HEX #D74BBB

RGB 215 75 187

HSL 312, 0.64%, 0.57%

LAB 55.14, 66.51, -31.01

 

CMYK 0 / 65 / 30 / 16

HEX #D74B96

RGB 215 75 150

HSL 327.86, 0.64%, 0.57%

LAB 53.69, 61.54, -11.62

 

CMYK 0 / 65 / 48 / 16

HEX #D74B70

RGB 215 75 112

HSL 344.14, 0.64%, 0.57%

LAB 52.56, 57.53, 9.37

 

CMYK 0 / 65 / 65 / 16

HEX #D74B4B

RGB 215 75 75

HSL 0, 0.64%, 0.57%

LAB 51.82, 54.81, 30.34

 

CMYK 0 / 48 / 65 / 16

HEX #D7704B

RGB 215 112 75

HSL 15.86, 0.64%, 0.57%

LAB 58.55, 37.35, 38.51

 

CMYK 0 / 78 / 58 / 33

HEX #AA2548

RGB 170 37 72

HSL 344.21, 0.64%, 0.41%

LAB 38.44, 54.63, 13.15

 

CMYK 0 / 78 / 57 / 20

HEX #CC2C57

RGB 204 44 87

HSL 343.88, 0.65%, 0.49%

LAB 46.08, 63.21, 15.25

 

CMYK 0 / 65 / 48 / 16

HEX #D74B70

RGB 215 75 112

HSL 344.14, 0.64%, 0.57%

LAB 52.56, 57.53, 9.37

 

CMYK 0 / 51 / 37 / 13

HEX #DE6D8B

RGB 222 109 139

HSL 344.07, 0.63%, 0.65%

LAB 60.19, 47.09, 4.52

 

CMYK 0 / 38 / 28 / 10

HEX #E68EA5

RGB 230 142 165

HSL 344.32, 0.64%, 0.73%

LAB 68.67, 36.23, 2.13

 

CMYK 0 / 65 / 48 / 15

HEX #D84C71

RGB 216 76 113

HSL 344.14, 0.64%, 0.57%

LAB 52.91, 57.52, 9.28

 

CMYK 0 / 4 / 65 / 16

HEX #D7CE4B

RGB 215 206 75

HSL 56.14, 0.64%, 0.57%

LAB 81.35, -12.32, 63.73

 

CMYK 65 / 22 / 0 / 16

HEX #4BA8D7

RGB 75 168 215

HSL 200.14, 0.64%, 0.57%

LAB 65.28, -13.1, -31.97

 

CMYK 0 / 65 / 48 / 15

HEX #D84C71

RGB 216 76 113

HSL 344.14, 0.64%, 0.57%

LAB 52.91, 57.52, 9.28

 

CMYK 48 / 0 / 65 / 16

HEX #70D74B

RGB 112 215 75

HSL 104.14, 0.64%, 0.57%

LAB 77.61, -54.75, 57.87

 

CMYK 65 / 48 / 0 / 16

HEX #4B70D7

RGB 75 112 215

HSL 224.14, 0.64%, 0.57%

LAB 49.48, 19.83, -56.92

 

CMYK 0 / 65 / 48 / 15

HEX #D84C71

RGB 216 76 113

HSL 344.14, 0.64%, 0.57%

LAB 52.91, 57.52, 9.28

 

CMYK 0 / 4 / 65 / 16

HEX #D7CE4B

RGB 215 206 75

HSL 56.14, 0.64%, 0.57%

LAB 81.35, -12.32, 63.73

 

CMYK 65 / 0 / 17 / 16

HEX #4BD7B2

RGB 75 215 178

HSL 164.14, 0.64%, 0.57%

LAB 78.06, -46.23, 7.3

 

CMYK 65 / 61 / 0 / 16

HEX #4B54D7

RGB 75 84 215

HSL 236.14, 0.64%, 0.57%

LAB 42.37, 37.31, -68.43

 

CMYK 0 / 65 / 48 / 15

HEX #D84C71

RGB 216 76 113

HSL 344.14, 0.64%, 0.57%

LAB 52.91, 57.52, 9.28

 

CMYK 15 / 0 / 65 / 16

HEX #B6D74B

RGB 182 215 75

HSL 74.14, 0.64%, 0.57%

LAB 81.32, -30.19, 62.94

 

CMYK 65 / 0 / 17 / 16

HEX #4BD7B2

RGB 75 215 178

HSL 164.14, 0.64%, 0.57%

LAB 78.06, -46.23, 7.3

 

CMYK 50 / 65 / 0 / 16

HEX #6B4BD7

RGB 107 75 215

HSL 253.71, 0.64%, 0.57%

LAB 42.86, 47.82, -67.53

 

Description

Color code: RGB 216 76 113 | qconv.com Color code: RGB 216 76 113 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 216 red, 76 green and 113 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
216 76 113 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 65 magenta, 48 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 65% 48% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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