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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 216 89 208 it is the complementary color RGB 39 166 47. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 216 89 208. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 216 89 208 shade: RGB 221 89 203, RGB 238 107 222, RGB 255 125 241, RGB 255 143 255 and RGB 255 161 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 216 89 208. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 216 89 208 shade: RGB 216 89 208, RGB 199 71 189, RGB 182 53 170, RGB 165 35 151 and RGB 148 17 132

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 216 89 208 shade: RGB 216 89 208, RGB 216 89 174, RGB 216 89 140, RGB 216 89 105 and RGB 216 89 89

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 216 89 208 shade: RGB 216 89 208, RGB 190 89 216, RGB 155 89 216, RGB 121 89 216 and RGB 89 89 216

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 216 89 208 shade matches the following richer shades: RGB 216 89 208, RGB 232 73 222 and RGB 249 56 237

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 216 89 208 shade: RGB 216 89 208, RGB 199 106 193, RGB 183 122 179, RGB 166 139 164 and RGB 150 155 150

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 216 89 208 shade: RGB 155 89 216, RGB 188 89 216, RGB 216 89 209, RGB 216 89 176 and RGB 216 89 142

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 216 89 208 shade: RGB 181 42 172, RGB 208 56 198, RGB 216 89 208, RGB 224 123 217 and RGB 231 156 227

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 216 89 208 shade: RGB 216 89 208, RGB 216 121 89 and RGB 89 216 171

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 216 89 208 shade: RGB 216 89 208, RGB 209 216 89 and RGB 89 209 216

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 216 89 208 shade: RGB 216 89 208, RGB 216 121 89, RGB 89 216 96 and RGB 89 184 216

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 216 89 208 shade: RGB 216 89 208, RGB 216 159 89, RGB 89 216 96 and RGB 89 146 216

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 59 / 4 / 15

HEX #D859D0

RGB 216 89 208

HSL 303.78, 0.62%, 0.6%

LAB 58.32, 64.32, -38.05

 

Complementary color

CMYK 77 / 0 / 72 / 35

HEX #27A62F

RGB 39 166 47

HSL 123.78, 0.62%, 0.4%

LAB 59.81, -56.63, 49.5

 

CMYK 0 / 60 / 8 / 13

HEX #DD59CB

RGB 221 89 203

HSL 308.18, 0.66%, 0.61%

LAB 58.82, 64.81, -34.38

 

CMYK 0 / 55 / 7 / 7

HEX #EE6BDE

RGB 238 107 222

HSL 307.33, 0.79%, 0.68%

LAB 64.94, 64.49, -35.37

 

CMYK 0 / 51 / 5 / 0

HEX #FF7DF1

RGB 255 125 241

HSL 306.46, 1%, 0.75%

LAB 71.06, 64, -36.18

 

CMYK 0 / 44 / 0 / 0

HEX #FF8FFF

RGB 255 143 255

HSL 300, 1%, 0.78%

LAB 74.9, 57.79, -37.84

 

CMYK 0 / 37 / 0 / 0

HEX #FFA1FF

RGB 255 161 255

HSL 300, 1%, 0.82%

LAB 78.44, 48.78, -32.36

 

CMYK 0 / 59 / 4 / 15

HEX #D859D0

RGB 216 89 208

HSL 303.78, 0.62%, 0.6%

LAB 58.32, 64.32, -38.05

 

CMYK 0 / 64 / 5 / 22

HEX #C747BD

RGB 199 71 189

HSL 304.69, 0.53%, 0.53%

LAB 52.2, 64.39, -36.94

 

CMYK 0 / 71 / 7 / 29

HEX #B635AA

RGB 182 53 170

HSL 305.58, 0.55%, 0.46%

LAB 46.17, 64.01, -35.5

 

CMYK 0 / 79 / 8 / 35

HEX #A52397

RGB 165 35 151

HSL 306.46, 0.65%, 0.39%

LAB 40.3, 62.92, -33.56

 

CMYK 0 / 89 / 11 / 42

HEX #941184

RGB 148 17 132

HSL 307.33, 0.79%, 0.32%

LAB 34.73, 60.71, -30.9

 

CMYK 0 / 59 / 4 / 15

HEX #D859D0

RGB 216 89 208

HSL 303.78, 0.62%, 0.6%

LAB 58.32, 64.32, -38.05

 

CMYK 0 / 59 / 19 / 15

HEX #D859AE

RGB 216 89 174

HSL 319.84, 0.62%, 0.6%

LAB 56.88, 59.09, -20.79

 

CMYK 0 / 59 / 35 / 15

HEX #D8598C

RGB 216 89 140

HSL 335.91, 0.62%, 0.6%

LAB 55.72, 54.7, -2.67

 

CMYK 0 / 59 / 51 / 15

HEX #D85969

RGB 216 89 105

HSL 352.44, 0.62%, 0.6%

LAB 54.83, 51.17, 16.7

 

CMYK 0 / 59 / 59 / 15

HEX #D85959

RGB 216 89 89

HSL 0, 0.62%, 0.6%

LAB 54.52, 49.92, 25.66

 

CMYK 0 / 59 / 4 / 15

HEX #D859D0

RGB 216 89 208

HSL 303.78, 0.62%, 0.6%

LAB 58.32, 64.32, -38.05

 

CMYK 12 / 59 / 0 / 15

HEX #BE59D8

RGB 190 89 216

HSL 287.72, 0.62%, 0.6%

LAB 55.12, 59.18, -47.87

 

CMYK 28 / 59 / 0 / 15

HEX #9B59D8

RGB 155 89 216

HSL 271.18, 0.62%, 0.6%

LAB 50.77, 50.67, -55.07

 

CMYK 44 / 59 / 0 / 15

HEX #7959D8

RGB 121 89 216

HSL 255.12, 0.62%, 0.6%

LAB 47.19, 42.99, -61.01

 

CMYK 59 / 59 / 0 / 15

HEX #5959D8

RGB 89 89 216

HSL 240, 0.62%, 0.6%

LAB 44.56, 36.81, -65.41

 

CMYK 0 / 59 / 4 / 15

HEX #D859D0

RGB 216 89 208

HSL 303.78, 0.62%, 0.6%

LAB 58.32, 64.32, -38.05

 

CMYK 0 / 69 / 4 / 9

HEX #E849DE

RGB 232 73 222

HSL 303.77, 0.78%, 0.6%

LAB 59.15, 76.56, -44.49

 

CMYK 0 / 78 / 5 / 2

HEX #F938ED

RGB 249 56 237

HSL 303.73, 0.94%, 0.6%

LAB 60.85, 87.32, -50.04

 

CMYK 0 / 59 / 4 / 15

HEX #D859D0

RGB 216 89 208

HSL 303.78, 0.62%, 0.6%

LAB 58.32, 64.32, -38.05

 

CMYK 0 / 47 / 3 / 22

HEX #C76AC1

RGB 199 106 193

HSL 303.87, 0.45%, 0.6%

LAB 58.32, 49.07, -29.69

 

CMYK 0 / 33 / 2 / 28

HEX #B77AB3

RGB 183 122 179

HSL 303.93, 0.3%, 0.6%

LAB 59.2, 32.97, -20.51

 

CMYK 0 / 16 / 1 / 35

HEX #A68BA4

RGB 166 139 164

HSL 304.44, 0.13%, 0.6%

LAB 61, 14.68, -9.39

 

CMYK 3 / 0 / 3 / 39

HEX #969B96

RGB 150 155 150

HSL 120, 0.02%, 0.6%

LAB 63.45, -2.76, 1.98

 

CMYK 28 / 59 / 0 / 15

HEX #9B59D8

RGB 155 89 216

HSL 271.18, 0.62%, 0.6%

LAB 50.77, 50.67, -55.07

 

CMYK 13 / 59 / 0 / 15

HEX #BC59D8

RGB 188 89 216

HSL 286.77, 0.62%, 0.6%

LAB 54.86, 58.68, -48.3

 

CMYK 0 / 59 / 3 / 15

HEX #D859D1

RGB 216 89 209

HSL 303.31, 0.62%, 0.6%

LAB 58.37, 64.48, -38.55

 

CMYK 0 / 59 / 19 / 15

HEX #D859B0

RGB 216 89 176

HSL 318.9, 0.62%, 0.6%

LAB 56.96, 59.37, -21.83

 

CMYK 0 / 59 / 34 / 15

HEX #D8598E

RGB 216 89 142

HSL 334.96, 0.62%, 0.6%

LAB 55.78, 54.93, -3.76

 

CMYK 0 / 77 / 5 / 29

HEX #B52AAC

RGB 181 42 172

HSL 303.88, 0.62%, 0.44%

LAB 44.88, 67.59, -38.72

 

CMYK 0 / 73 / 5 / 18

HEX #D038C6

RGB 208 56 198

HSL 303.95, 0.62%, 0.52%

LAB 52.19, 73.18, -42.06

 

CMYK 0 / 59 / 4 / 15

HEX #D859D0

RGB 216 89 208

HSL 303.78, 0.62%, 0.6%

LAB 58.32, 64.32, -38.05

 

CMYK 0 / 45 / 3 / 12

HEX #E07BD9

RGB 224 123 217

HSL 304.16, 0.62%, 0.68%

LAB 65.77, 52.12, -31.43

 

CMYK 0 / 32 / 2 / 9

HEX #E79CE3

RGB 231 156 227

HSL 303.2, 0.61%, 0.76%

LAB 73.75, 38.98, -24.61

 

CMYK 0 / 59 / 4 / 15

HEX #D859D0

RGB 216 89 208

HSL 303.78, 0.62%, 0.6%

LAB 58.32, 64.32, -38.05

 

CMYK 0 / 44 / 59 / 15

HEX #D87959

RGB 216 121 89

HSL 15.12, 0.62%, 0.6%

LAB 60.78, 34.01, 33.64

 

CMYK 59 / 0 / 21 / 15

HEX #59D8AB

RGB 89 216 171

HSL 158.74, 0.62%, 0.6%

LAB 78.56, -45.75, 11.8

 

CMYK 0 / 59 / 4 / 15

HEX #D859D0

RGB 216 89 208

HSL 303.78, 0.62%, 0.6%

LAB 58.32, 64.32, -38.05

 

CMYK 3 / 0 / 59 / 15

HEX #D1D859

RGB 209 216 89

HSL 63.31, 0.62%, 0.6%

LAB 83.65, -18.86, 60.22

 

CMYK 59 / 3 / 0 / 15

HEX #59D1D8

RGB 89 209 216

HSL 183.31, 0.62%, 0.6%

LAB 77.69, -31.28, -13.57

 

CMYK 0 / 59 / 4 / 15

HEX #D859D0

RGB 216 89 208

HSL 303.78, 0.62%, 0.6%

LAB 58.32, 64.32, -38.05

 

CMYK 0 / 44 / 59 / 15

HEX #D87959

RGB 216 121 89

HSL 15.12, 0.62%, 0.6%

LAB 60.78, 34.01, 33.64

 

CMYK 59 / 0 / 56 / 15

HEX #59D860

RGB 89 216 96

HSL 123.31, 0.62%, 0.6%

LAB 77.33, -58.9, 48.19

 

CMYK 59 / 15 / 0 / 15

HEX #59B8D8

RGB 89 184 216

HSL 195.12, 0.62%, 0.6%

LAB 70.43, -18.81, -24.56

 

CMYK 0 / 59 / 4 / 15

HEX #D859D0

RGB 216 89 208

HSL 303.78, 0.62%, 0.6%

LAB 58.32, 64.32, -38.05

 

CMYK 0 / 26 / 59 / 15

HEX #D89F59

RGB 216 159 89

HSL 33.07, 0.62%, 0.6%

LAB 69.55, 13.64, 44.32

 

CMYK 59 / 0 / 56 / 15

HEX #59D860

RGB 89 216 96

HSL 123.31, 0.62%, 0.6%

LAB 77.33, -58.9, 48.19

 

CMYK 59 / 32 / 0 / 15

HEX #5992D8

RGB 89 146 216

HSL 213.07, 0.62%, 0.6%

LAB 59.56, 2.15, -41.42

 

Description

Color code: RGB 216 89 208 | qconv.com Color code: RGB 216 89 208 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 216 red, 89 green and 208 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
216 89 208 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 59 magenta, 4 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 59% 4% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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