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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 217 124 138 it is the complementary color RGB 38 131 117. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 217 124 138. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 217 124 138 shade: RGB 222 124 133, RGB 239 142 152, RGB 255 160 171, RGB 255 178 190 and RGB 255 196 209

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 217 124 138. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 217 124 138 shade: RGB 217 124 138, RGB 200 106 119, RGB 183 88 100, RGB 166 70 81 and RGB 149 52 62

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 217 124 138 shade: RGB 217 124 138 and RGB 217 124 124

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 217 124 138 shade: RGB 217 124 138, RGB 217 124 163, RGB 217 124 188, RGB 217 124 213 and RGB 195 124 217

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 217 124 138 shade matches the following richer shades: RGB 217 124 138, RGB 230 110 128 and RGB 244 97 119

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 217 124 138 shade: RGB 217 124 138, RGB 203 138 148, RGB 189 151 157, RGB 176 165 167 and RGB 162 179 176

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 217 124 138 shade: RGB 217 124 189, RGB 217 124 164, RGB 217 124 139, RGB 217 133 124 and RGB 217 158 124

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 217 124 138 shade: RGB 198 60 81, RGB 207 92 109, RGB 217 124 138, RGB 226 156 167 and RGB 235 188 195

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 217 124 138 shade: RGB 217 124 138, RGB 214 217 124 and RGB 124 177 217

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 217 124 138 shade: RGB 217 124 138, RGB 139 217 124 and RGB 124 139 217

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 217 124 138 shade: RGB 217 124 138, RGB 214 217 124, RGB 124 217 201 and RGB 127 124 217

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 217 124 138 shade: RGB 217 124 138, RGB 186 217 124, RGB 124 217 201 and RGB 155 124 217

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 43 / 36 / 15

HEX #D97C8A

RGB 217 124 138

HSL 350.97, 0.55%, 0.67%

LAB 62.51, 37.57, 8.33

 

Complementary color

CMYK 71 / 0 / 11 / 49

HEX #268375

RGB 38 131 117

HSL 170.97, 0.55%, 0.33%

LAB 49.41, -30.23, -0.25

 

CMYK 0 / 44 / 40 / 13

HEX #DE7C85

RGB 222 124 133

HSL 354.49, 0.6%, 0.68%

LAB 63.04, 38.82, 12.03

 

CMYK 0 / 41 / 36 / 6

HEX #EF8E98

RGB 239 142 152

HSL 353.81, 0.75%, 0.75%

LAB 69.44, 37.84, 10.66

 

CMYK 0 / 37 / 33 / 0

HEX #FFA0AB

RGB 255 160 171

HSL 353.05, 1%, 0.81%

LAB 75.66, 36.57, 9.25

 

CMYK 0 / 30 / 25 / 0

HEX #FFB2BE

RGB 255 178 190

HSL 350.65, 1%, 0.85%

LAB 80.08, 29.65, 5.24

 

CMYK 0 / 23 / 18 / 0

HEX #FFC4D1

RGB 255 196 209

HSL 346.78, 1%, 0.88%

LAB 84.66, 22.94, 1.67

 

CMYK 0 / 43 / 36 / 15

HEX #D97C8A

RGB 217 124 138

HSL 350.97, 0.55%, 0.67%

LAB 62.51, 37.57, 8.33

 

CMYK 0 / 47 / 41 / 22

HEX #C86A77

RGB 200 106 119

HSL 351.7, 0.46%, 0.6%

LAB 56.01, 38.56, 9.77

 

CMYK 0 / 52 / 45 / 28

HEX #B75864

RGB 183 88 100

HSL 352.42, 0.4%, 0.53%

LAB 49.46, 39.58, 11.45

 

CMYK 0 / 58 / 51 / 35

HEX #A64651

RGB 166 70 81

HSL 353.13, 0.41%, 0.46%

LAB 42.89, 40.58, 13.49

 

CMYK 0 / 65 / 58 / 42

HEX #95343E

RGB 149 52 62

HSL 353.81, 0.48%, 0.39%

LAB 36.35, 41.45, 16.03

 

CMYK 0 / 43 / 36 / 15

HEX #D97C8A

RGB 217 124 138

HSL 350.97, 0.55%, 0.67%

LAB 62.51, 37.57, 8.33

 

CMYK 0 / 43 / 43 / 15

HEX #D97C7C

RGB 217 124 124

HSL 0, 0.55%, 0.67%

LAB 62.19, 35.99, 15.87

 

CMYK 0 / 43 / 36 / 15

HEX #D97C8A

RGB 217 124 138

HSL 350.97, 0.55%, 0.67%

LAB 62.51, 37.57, 8.33

 

CMYK 0 / 43 / 25 / 15

HEX #D97CA3

RGB 217 124 163

HSL 334.84, 0.55%, 0.67%

LAB 63.19, 40.82, -4.96

 

CMYK 0 / 43 / 13 / 15

HEX #D97CBC

RGB 217 124 188

HSL 318.71, 0.55%, 0.67%

LAB 64, 44.59, -17.94

 

CMYK 0 / 43 / 2 / 15

HEX #D97CD5

RGB 217 124 213

HSL 302.58, 0.55%, 0.67%

LAB 64.94, 48.83, -30.55

 

CMYK 10 / 43 / 0 / 15

HEX #C37CD9

RGB 195 124 217

HSL 285.81, 0.55%, 0.67%

LAB 62.53, 43.06, -36.73

 

CMYK 0 / 43 / 36 / 15

HEX #D97C8A

RGB 217 124 138

HSL 350.97, 0.55%, 0.67%

LAB 62.51, 37.57, 8.33

 

CMYK 0 / 52 / 44 / 10

HEX #E66E80

RGB 230 110 128

HSL 351, 0.71%, 0.67%

LAB 61.25, 48.18, 12.54

 

CMYK 0 / 60 / 51 / 4

HEX #F46177

RGB 244 97 119

HSL 351.02, 0.87%, 0.67%

LAB 60.88, 58.06, 17.55

 

CMYK 0 / 43 / 36 / 15

HEX #D97C8A

RGB 217 124 138

HSL 350.97, 0.55%, 0.67%

LAB 62.51, 37.57, 8.33

 

CMYK 0 / 32 / 27 / 20

HEX #CB8A94

RGB 203 138 148

HSL 350.77, 0.38%, 0.67%

LAB 64.17, 26.18, 4.8

 

CMYK 0 / 20 / 17 / 26

HEX #BD979D

RGB 189 151 157

HSL 350.53, 0.22%, 0.67%

LAB 66.05, 15.13, 2.25

 

CMYK 0 / 6 / 5 / 31

HEX #B0A5A7

RGB 176 165 167

HSL 349.09, 0.07%, 0.67%

LAB 68.7, 4.33, 0.39

 

CMYK 9 / 0 / 2 / 30

HEX #A2B3B0

RGB 162 179 176

HSL 169.41, 0.1%, 0.67%

LAB 71.59, -6.47, -0.49

 

CMYK 0 / 43 / 13 / 15

HEX #D97CBD

RGB 217 124 189

HSL 318.06, 0.55%, 0.67%

LAB 64.03, 44.76, -18.46

 

CMYK 0 / 43 / 24 / 15

HEX #D97CA4

RGB 217 124 164

HSL 334.19, 0.55%, 0.67%

LAB 63.22, 40.96, -5.49

 

CMYK 0 / 43 / 36 / 15

HEX #D97C8B

RGB 217 124 139

HSL 350.32, 0.55%, 0.67%

LAB 62.53, 37.69, 7.79

 

CMYK 0 / 39 / 43 / 15

HEX #D9857C

RGB 217 133 124

HSL 5.81, 0.55%, 0.67%

LAB 64.15, 31.23, 18.57

 

CMYK 0 / 27 / 43 / 15

HEX #D99E7C

RGB 217 158 124

HSL 21.94, 0.55%, 0.67%

LAB 69.94, 17.77, 26.4

 

CMYK 0 / 70 / 59 / 22

HEX #C63C51

RGB 198 60 81

HSL 350.87, 0.55%, 0.51%

LAB 46.75, 55.7, 19.65

 

CMYK 0 / 56 / 47 / 19

HEX #CF5C6D

RGB 207 92 109

HSL 351.13, 0.55%, 0.59%

LAB 54.05, 47.04, 13.05

 

CMYK 0 / 43 / 36 / 15

HEX #D97C8A

RGB 217 124 138

HSL 350.97, 0.55%, 0.67%

LAB 62.51, 37.57, 8.33

 

CMYK 0 / 31 / 26 / 11

HEX #E29CA7

RGB 226 156 167

HSL 350.57, 0.55%, 0.75%

LAB 71.38, 27.62, 4.87

 

CMYK 0 / 20 / 17 / 8

HEX #EBBCC3

RGB 235 188 195

HSL 351.06, 0.54%, 0.83%

LAB 80.5, 17.91, 2.89

 

CMYK 0 / 43 / 36 / 15

HEX #D97C8A

RGB 217 124 138

HSL 350.97, 0.55%, 0.67%

LAB 62.51, 37.57, 8.33

 

CMYK 1 / 0 / 43 / 15

HEX #D6D97C

RGB 214 217 124

HSL 61.94, 0.55%, 0.67%

LAB 84.68, -14.33, 45.31

 

CMYK 43 / 18 / 0 / 15

HEX #7CB1D9

RGB 124 177 217

HSL 205.81, 0.55%, 0.67%

LAB 69.99, -7.03, -25.64

 

CMYK 0 / 43 / 36 / 15

HEX #D97C8A

RGB 217 124 138

HSL 350.97, 0.55%, 0.67%

LAB 62.51, 37.57, 8.33

 

CMYK 36 / 0 / 43 / 15

HEX #8BD97C

RGB 139 217 124

HSL 110.32, 0.55%, 0.67%

LAB 79.94, -41.66, 38.34

 

CMYK 43 / 36 / 0 / 15

HEX #7C8BD9

RGB 124 139 217

HSL 230.32, 0.55%, 0.67%

LAB 59.67, 14.52, -41.67

 

CMYK 0 / 43 / 36 / 15

HEX #D97C8A

RGB 217 124 138

HSL 350.97, 0.55%, 0.67%

LAB 62.51, 37.57, 8.33

 

CMYK 1 / 0 / 43 / 15

HEX #D6D97C

RGB 214 217 124

HSL 61.94, 0.55%, 0.67%

LAB 84.68, -14.33, 45.31

 

CMYK 43 / 0 / 7 / 15

HEX #7CD9C9

RGB 124 217 201

HSL 169.68, 0.55%, 0.67%

LAB 80.81, -31.47, -0.77

 

CMYK 41 / 43 / 0 / 15

HEX #7F7CD9

RGB 127 124 217

HSL 241.94, 0.55%, 0.67%

LAB 56.02, 24.15, -47.41

 

CMYK 0 / 43 / 36 / 15

HEX #D97C8A

RGB 217 124 138

HSL 350.97, 0.55%, 0.67%

LAB 62.51, 37.57, 8.33

 

CMYK 14 / 0 / 43 / 15

HEX #BAD97C

RGB 186 217 124

HSL 80, 0.55%, 0.67%

LAB 82.66, -25.15, 42.35

 

CMYK 43 / 0 / 7 / 15

HEX #7CD9C9

RGB 124 217 201

HSL 169.68, 0.55%, 0.67%

LAB 80.81, -31.47, -0.77

 

CMYK 29 / 43 / 0 / 15

HEX #9B7CD9

RGB 155 124 217

HSL 260, 0.55%, 0.67%

LAB 58.41, 31.58, -43.49

 

Description

Color code: RGB 217 124 138 | qconv.com Color code: RGB 217 124 138 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 217 red, 124 green and 138 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
217 124 138 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 43 magenta, 36 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 43% 36% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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