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Color name
RGB 217 47 175

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 217 47 175 it is the complementary color RGB 38 208 80. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 217 47 175. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 217 47 175 shade: RGB 222 47 170, RGB 239 65 189, RGB 255 83 208, RGB 255 101 227 and RGB 255 119 246

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 217 47 175. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 217 47 175 shade: RGB 217 47 175, RGB 200 29 156, RGB 183 11 137, RGB 166 0 118 and RGB 149 0 99

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 217 47 175 shade: RGB 217 48 175, RGB 217 48 129, RGB 217 48 84 and RGB 217 48 48

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 217 47 175 shade: RGB 217 48 175, RGB 213 48 217, RGB 167 48 217, RGB 122 48 217 and RGB 76 48 217

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 217 47 175 shade matches the following richer shades: RGB 217 48 175 and RGB 236 28 185

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 217 47 175 shade: RGB 217 48 175, RGB 197 67 165, RGB 177 87 155, RGB 157 107 145 and RGB 137 127 135

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 217 47 175 shade: RGB 166 48 217, RGB 211 48 217, RGB 217 48 177, RGB 217 48 132 and RGB 217 48 87

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 217 47 175 shade: RGB 154 28 123, RGB 189 34 151, RGB 217 48 175, RGB 223 83 188 and RGB 229 117 202

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 217 47 175 shade: RGB 217 47 175, RGB 217 121 48 and RGB 48 217 188

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 217 47 175 shade: RGB 217 47 175, RGB 177 217 48 and RGB 48 177 217

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 217 47 175 shade: RGB 217 47 175, RGB 217 121 48, RGB 48 217 87 and RGB 48 143 217

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 217 47 175 shade: RGB 217 47 175, RGB 217 172 48, RGB 48 217 87 and RGB 48 93 217

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 78 / 19 / 15

HEX #D92FAF

RGB 217 47 175

HSL 314.82, 0.69%, 0.52%

LAB 51.7, 74.48, -29.35

 

Complementary color

CMYK 82 / 0 / 62 / 18

HEX #26D050

RGB 38 208 80

HSL 134.82, 0.69%, 0.48%

LAB 73.61, -66.74, 50.8

 

CMYK 0 / 79 / 23 / 13

HEX #DE2FAA

RGB 222 47 170

HSL 317.83, 0.73%, 0.53%

LAB 52.36, 74.97, -25.33

 

CMYK 0 / 73 / 21 / 6

HEX #EF41BD

RGB 239 65 189

HSL 317.24, 0.84%, 0.6%

LAB 57.85, 76.14, -27.65

 

CMYK 0 / 67 / 18 / 0

HEX #FF53D0

RGB 255 83 208

HSL 316.4, 1%, 0.66%

LAB 63.34, 76.47, -29.78

 

CMYK 0 / 60 / 11 / 0

HEX #FF65E3

RGB 255 101 227

HSL 310.91, 1%, 0.7%

LAB 66.61, 72.28, -35.37

 

CMYK 0 / 53 / 4 / 0

HEX #FF77F6

RGB 255 119 246

HSL 303.97, 1%, 0.73%

LAB 70.25, 67.55, -40.18

 

CMYK 0 / 78 / 19 / 15

HEX #D92FAF

RGB 217 47 175

HSL 314.82, 0.69%, 0.52%

LAB 51.7, 74.48, -29.35

 

CMYK 0 / 86 / 22 / 22

HEX #C81D9C

RGB 200 29 156

HSL 315.44, 0.75%, 0.45%

LAB 46.39, 72.49, -26.59

 

CMYK 0 / 94 / 25 / 28

HEX #B70B89

RGB 183 11 137

HSL 316.05, 0.89%, 0.38%

LAB 41.39, 69.35, -23.07

 

CMYK 0 / 100 / 29 / 35

HEX #A60076

RGB 166 0 118

HSL 317.35, 1%, 0.33%

LAB 36.77, 64.87, -18.69

 

CMYK 0 / 100 / 34 / 42

HEX #950063

RGB 149 0 99

HSL 320.13, 1%, 0.29%

LAB 32.46, 59.19, -13.5

 

CMYK 0 / 78 / 19 / 15

HEX #D930AF

RGB 217 48 175

HSL 314.91, 0.69%, 0.52%

LAB 51.79, 74.22, -29.21

 

CMYK 0 / 78 / 41 / 15

HEX #D93081

RGB 217 48 129

HSL 331.24, 0.69%, 0.52%

LAB 50.04, 69.01, -4.48

 

CMYK 0 / 78 / 61 / 15

HEX #D93054

RGB 217 48 84

HSL 347.22, 0.69%, 0.52%

LAB 48.89, 65.48, 21.29

 

CMYK 0 / 78 / 78 / 15

HEX #D93030

RGB 217 48 48

HSL 0, 0.69%, 0.52%

LAB 48.36, 63.8, 41.81

 

CMYK 0 / 78 / 19 / 15

HEX #D930AF

RGB 217 48 175

HSL 314.91, 0.69%, 0.52%

LAB 51.79, 74.22, -29.21

 

CMYK 2 / 78 / 0 / 15

HEX #D530D9

RGB 213 48 217

HSL 298.58, 0.69%, 0.52%

LAB 53.24, 79.4, -51.22

 

CMYK 23 / 78 / 0 / 15

HEX #A730D9

RGB 167 48 217

HSL 282.25, 0.69%, 0.52%

LAB 46.1, 70.95, -63.09

 

CMYK 44 / 78 / 0 / 15

HEX #7A30D9

RGB 122 48 217

HSL 266.27, 0.69%, 0.52%

LAB 40.02, 63.71, -73.26

 

CMYK 65 / 78 / 0 / 15

HEX #4C30D9

RGB 76 48 217

HSL 249.94, 0.69%, 0.52%

LAB 35.32, 58.06, -81.15

 

CMYK 0 / 78 / 19 / 15

HEX #D930AF

RGB 217 48 175

HSL 314.91, 0.69%, 0.52%

LAB 51.79, 74.22, -29.21

 

CMYK 0 / 88 / 22 / 7

HEX #EC1CB9

RGB 236 28 185

HSL 314.71, 0.85%, 0.52%

LAB 54.2, 83.5, -31.04

 

CMYK 0 / 78 / 19 / 15

HEX #D930AF

RGB 217 48 175

HSL 314.91, 0.69%, 0.52%

LAB 51.79, 74.22, -29.21

 

CMYK 0 / 66 / 16 / 23

HEX #C543A5

RGB 197 67 165

HSL 314.77, 0.53%, 0.52%

LAB 50.22, 61.78, -26.04

 

CMYK 0 / 51 / 12 / 31

HEX #B1579B

RGB 177 87 155

HSL 314.67, 0.37%, 0.52%

LAB 50.13, 45.47, -20.51

 

CMYK 0 / 32 / 8 / 38

HEX #9D6B91

RGB 157 107 145

HSL 314.4, 0.2%, 0.52%

LAB 51.53, 26.15, -12.72

 

CMYK 0 / 7 / 1 / 46

HEX #897F87

RGB 137 127 135

HSL 312, 0.04%, 0.52%

LAB 54.29, 5.32, -2.96

 

CMYK 24 / 78 / 0 / 15

HEX #A630D9

RGB 166 48 217

HSL 281.89, 0.69%, 0.52%

LAB 45.95, 70.77, -63.34

 

CMYK 3 / 78 / 0 / 15

HEX #D330D9

RGB 211 48 217

HSL 297.87, 0.69%, 0.52%

LAB 52.92, 79.01, -51.76

 

CMYK 0 / 78 / 18 / 15

HEX #D930B1

RGB 217 48 177

HSL 314.2, 0.69%, 0.52%

LAB 51.88, 74.48, -30.24

 

CMYK 0 / 78 / 39 / 15

HEX #D93084

RGB 217 48 132

HSL 330.18, 0.69%, 0.52%

LAB 50.13, 69.31, -6.15

 

CMYK 0 / 78 / 60 / 15

HEX #D93057

RGB 217 48 87

HSL 346.15, 0.69%, 0.52%

LAB 48.95, 65.66, 19.54

 

CMYK 0 / 82 / 20 / 40

HEX #9A1C7B

RGB 154 28 123

HSL 314.76, 0.69%, 0.36%

LAB 36.23, 58.3, -22.84

 

CMYK 0 / 82 / 20 / 26

HEX #BD2297

RGB 189 34 151

HSL 314.71, 0.7%, 0.44%

LAB 44.51, 68.43, -26.65

 

CMYK 0 / 78 / 19 / 15

HEX #D930AF

RGB 217 48 175

HSL 314.91, 0.69%, 0.52%

LAB 51.79, 74.22, -29.21

 

CMYK 0 / 63 / 16 / 13

HEX #DF53BC

RGB 223 83 188

HSL 315, 0.69%, 0.6%

LAB 57.56, 65.56, -27.73

 

CMYK 0 / 49 / 12 / 10

HEX #E575CA

RGB 229 117 202

HSL 314.46, 0.68%, 0.68%

LAB 64.68, 54.07, -24.66

 

CMYK 0 / 78 / 19 / 15

HEX #D92FAF

RGB 217 47 175

HSL 314.82, 0.69%, 0.52%

LAB 51.7, 74.48, -29.35

 

CMYK 0 / 44 / 78 / 15

HEX #D97930

RGB 217 121 48

HSL 25.92, 0.69%, 0.52%

LAB 60.46, 32.14, 53.96

 

CMYK 78 / 0 / 13 / 15

HEX #30D9BC

RGB 48 217 188

HSL 169.7, 0.69%, 0.52%

LAB 78.39, -48.12, 2.39

 

CMYK 0 / 78 / 19 / 15

HEX #D92FAF

RGB 217 47 175

HSL 314.82, 0.69%, 0.52%

LAB 51.7, 74.48, -29.35

 

CMYK 18 / 0 / 78 / 15

HEX #B1D930

RGB 177 217 48

HSL 74.2, 0.69%, 0.52%

LAB 81.39, -34.55, 72.22

 

CMYK 78 / 18 / 0 / 15

HEX #30B1D9

RGB 48 177 217

HSL 194.2, 0.69%, 0.52%

LAB 67.34, -20.82, -29.95

 

CMYK 0 / 78 / 19 / 15

HEX #D92FAF

RGB 217 47 175

HSL 314.82, 0.69%, 0.52%

LAB 51.7, 74.48, -29.35

 

CMYK 0 / 44 / 78 / 15

HEX #D97930

RGB 217 121 48

HSL 25.92, 0.69%, 0.52%

LAB 60.46, 32.14, 53.96

 

CMYK 78 / 0 / 60 / 15

HEX #30D957

RGB 48 217 87

HSL 133.85, 0.69%, 0.52%

LAB 76.64, -67.62, 51.23

 

CMYK 78 / 34 / 0 / 15

HEX #308FD9

RGB 48 143 217

HSL 206.27, 0.69%, 0.52%

LAB 57.35, -2.05, -45.56

 

CMYK 0 / 78 / 19 / 15

HEX #D92FAF

RGB 217 47 175

HSL 314.82, 0.69%, 0.52%

LAB 51.7, 74.48, -29.35

 

CMYK 0 / 21 / 78 / 15

HEX #D9AC30

RGB 217 172 48

HSL 44.02, 0.69%, 0.52%

LAB 72.54, 4.86, 65.32

 

CMYK 78 / 0 / 60 / 15

HEX #30D957

RGB 48 217 87

HSL 133.85, 0.69%, 0.52%

LAB 76.64, -67.62, 51.23

 

CMYK 78 / 57 / 0 / 15

HEX #305DD9

RGB 48 93 217

HSL 224.02, 0.69%, 0.52%

LAB 43.46, 29.01, -67.86

 

Description

Color code: RGB 217 47 175 | qconv.com Color code: RGB 217 47 175 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 217 red, 47 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
217 47 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 78 magenta, 19 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 78% 19% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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