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Color name
RGB 218 122 131

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 218 122 131 it is the complementary color RGB 37 133 124. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 218 122 131. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 218 122 131 shade: RGB 223 122 126, RGB 240 140 145, RGB 255 158 164, RGB 255 176 183 and RGB 255 194 202

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 218 122 131. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 218 122 131 shade: RGB 218 122 131, RGB 201 104 112, RGB 184 86 93, RGB 167 68 74 and RGB 150 50 55

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 218 122 131 shade: RGB 217 123 132 and RGB 217 123 123

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 218 122 131 shade: RGB 217 123 132, RGB 217 123 157, RGB 217 123 183, RGB 217 123 208 and RGB 201 123 217

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 218 122 131 shade matches the following richer shades: RGB 217 123 132, RGB 231 110 121 and RGB 245 96 110

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 218 122 131 shade: RGB 217 123 132, RGB 204 137 143, RGB 190 150 154, RGB 177 164 165 and RGB 163 178 176

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 218 122 131 shade: RGB 217 123 183, RGB 217 123 158, RGB 217 123 133, RGB 217 139 123 and RGB 217 164 123

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 218 122 131 shade: RGB 199 59 72, RGB 208 91 102, RGB 217 123 132, RGB 227 155 162 and RGB 236 188 192

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 218 122 131 shade: RGB 218 122 131, RGB 208 217 123 and RGB 123 170 217

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 218 122 131 shade: RGB 218 122 131, RGB 133 217 123 and RGB 123 133 217

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 218 122 131 shade: RGB 218 122 131, RGB 208 217 123, RGB 123 217 208 and RGB 133 123 217

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 218 122 131 shade: RGB 218 122 131, RGB 180 217 123, RGB 123 217 208 and RGB 161 123 217

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 44 / 40 / 15

HEX #DA7A83

RGB 218 122 131

HSL 354.38, 0.56%, 0.67%

LAB 62.05, 38.17, 11.7

 

Complementary color

CMYK 72 / 0 / 7 / 48

HEX #25857C

RGB 37 133 124

HSL 174.38, 0.56%, 0.33%

LAB 50.24, -29.32, -3.13

 

CMYK 0 / 45 / 43 / 13

HEX #DF7A7E

RGB 223 122 126

HSL 357.62, 0.61%, 0.68%

LAB 62.6, 39.47, 15.43

 

CMYK 0 / 42 / 40 / 6

HEX #F08C91

RGB 240 140 145

HSL 357, 0.77%, 0.75%

LAB 68.99, 38.44, 13.94

 

CMYK 0 / 38 / 36 / 0

HEX #FF9EA4

RGB 255 158 164

HSL 356.29, 1%, 0.81%

LAB 75.07, 36.76, 12.26

 

CMYK 0 / 31 / 28 / 0

HEX #FFB0B7

RGB 255 176 183

HSL 354.68, 1%, 0.85%

LAB 79.46, 29.76, 8.14

 

CMYK 0 / 24 / 21 / 0

HEX #FFC2CA

RGB 255 194 202

HSL 352.13, 1%, 0.88%

LAB 84.02, 22.95, 4.48

 

CMYK 0 / 44 / 40 / 15

HEX #DA7A83

RGB 218 122 131

HSL 354.38, 0.56%, 0.67%

LAB 62.05, 38.17, 11.7

 

CMYK 0 / 48 / 44 / 21

HEX #C96870

RGB 201 104 112

HSL 355.05, 0.47%, 0.6%

LAB 55.57, 39.2, 13.27

 

CMYK 0 / 53 / 49 / 28

HEX #B8565D

RGB 184 86 93

HSL 355.71, 0.41%, 0.53%

LAB 49.05, 40.26, 15.11

 

CMYK 0 / 59 / 56 / 35

HEX #A7444A

RGB 167 68 74

HSL 356.36, 0.42%, 0.46%

LAB 42.53, 41.3, 17.34

 

CMYK 0 / 67 / 63 / 41

HEX #963237

RGB 150 50 55

HSL 357, 0.5%, 0.39%

LAB 36.06, 42.19, 20.11

 

CMYK 0 / 43 / 39 / 15

HEX #D97B84

RGB 217 123 132

HSL 354.26, 0.55%, 0.67%

LAB 62.15, 37.39, 11.26

 

CMYK 0 / 43 / 43 / 15

HEX #D97B7B

RGB 217 123 123

HSL 0, 0.55%, 0.67%

LAB 61.95, 36.41, 16.11

 

CMYK 0 / 43 / 39 / 15

HEX #D97B84

RGB 217 123 132

HSL 354.26, 0.55%, 0.67%

LAB 62.15, 37.39, 11.26

 

CMYK 0 / 43 / 28 / 15

HEX #D97B9D

RGB 217 123 157

HSL 338.3, 0.55%, 0.67%

LAB 62.8, 40.51, -2.1

 

CMYK 0 / 43 / 16 / 15

HEX #D97BB7

RGB 217 123 183

HSL 321.7, 0.55%, 0.67%

LAB 63.62, 44.32, -15.69

 

CMYK 0 / 43 / 4 / 15

HEX #D97BD0

RGB 217 123 208

HSL 305.74, 0.55%, 0.67%

LAB 64.54, 48.46, -28.37

 

CMYK 7 / 43 / 0 / 15

HEX #C97BD9

RGB 201 123 217

HSL 289.79, 0.55%, 0.67%

LAB 63.01, 45.35, -35.94

 

CMYK 0 / 43 / 39 / 15

HEX #D97B84

RGB 217 123 132

HSL 354.26, 0.55%, 0.67%

LAB 62.15, 37.39, 11.26

 

CMYK 0 / 52 / 48 / 9

HEX #E76E79

RGB 231 110 121

HSL 354.55, 0.72%, 0.67%

LAB 61.24, 47.86, 16.57

 

CMYK 0 / 61 / 55 / 4

HEX #F5606E

RGB 245 96 110

HSL 354.36, 0.88%, 0.67%

LAB 60.7, 58.11, 22.52

 

CMYK 0 / 43 / 39 / 15

HEX #D97B84

RGB 217 123 132

HSL 354.26, 0.55%, 0.67%

LAB 62.15, 37.39, 11.26

 

CMYK 0 / 33 / 30 / 20

HEX #CC898F

RGB 204 137 143

HSL 354.63, 0.4%, 0.67%

LAB 63.93, 26.41, 7.29

 

CMYK 0 / 21 / 19 / 25

HEX #BE969A

RGB 190 150 154

HSL 354, 0.24%, 0.67%

LAB 65.82, 15.58, 3.62

 

CMYK 0 / 7 / 7 / 31

HEX #B1A4A5

RGB 177 164 165

HSL 355.38, 0.08%, 0.67%

LAB 68.47, 4.88, 1.17

 

CMYK 8 / 0 / 1 / 30

HEX #A3B2B0

RGB 163 178 176

HSL 172, 0.09%, 0.67%

LAB 71.39, -5.59, -0.77

 

CMYK 0 / 43 / 16 / 15

HEX #D97BB7

RGB 217 123 183

HSL 321.7, 0.55%, 0.67%

LAB 63.62, 44.32, -15.69

 

CMYK 0 / 43 / 27 / 15

HEX #D97B9E

RGB 217 123 158

HSL 337.66, 0.55%, 0.67%

LAB 62.83, 40.65, -2.63

 

CMYK 0 / 43 / 39 / 15

HEX #D97B85

RGB 217 123 133

HSL 353.62, 0.55%, 0.67%

LAB 62.18, 37.51, 10.72

 

CMYK 0 / 36 / 43 / 15

HEX #D98B7B

RGB 217 139 123

HSL 10.21, 0.55%, 0.67%

LAB 65.47, 27.91, 20.94

 

CMYK 0 / 24 / 43 / 15

HEX #D9A47B

RGB 217 164 123

HSL 26.17, 0.55%, 0.67%

LAB 71.37, 14.43, 28.85

 

CMYK 0 / 70 / 64 / 22

HEX #C73B48

RGB 199 59 72

HSL 354.43, 0.56%, 0.51%

LAB 46.63, 55.81, 24.98

 

CMYK 0 / 56 / 51 / 18

HEX #D05B66

RGB 208 91 102

HSL 354.36, 0.55%, 0.59%

LAB 53.87, 47.23, 16.96

 

CMYK 0 / 43 / 39 / 15

HEX #D97B84

RGB 217 123 132

HSL 354.26, 0.55%, 0.67%

LAB 62.15, 37.39, 11.26

 

CMYK 0 / 32 / 29 / 11

HEX #E39BA2

RGB 227 155 162

HSL 354.17, 0.56%, 0.75%

LAB 71.13, 27.84, 7.31

 

CMYK 0 / 20 / 19 / 7

HEX #ECBCC0

RGB 236 188 192

HSL 355, 0.56%, 0.83%

LAB 80.52, 17.81, 4.55

 

CMYK 0 / 44 / 40 / 15

HEX #DA7A83

RGB 218 122 131

HSL 354.38, 0.56%, 0.67%

LAB 62.05, 38.17, 11.7

 

CMYK 4 / 0 / 43 / 15

HEX #D0D97B

RGB 208 217 123

HSL 65.74, 0.55%, 0.67%

LAB 84.21, -16.79, 45.11

 

CMYK 43 / 22 / 0 / 15

HEX #7BAAD9

RGB 123 170 217

HSL 210, 0.55%, 0.67%

LAB 68, -3.45, -28.71

 

CMYK 0 / 44 / 40 / 15

HEX #DA7A83

RGB 218 122 131

HSL 354.38, 0.56%, 0.67%

LAB 62.05, 38.17, 11.7

 

CMYK 39 / 0 / 43 / 15

HEX #85D97B

RGB 133 217 123

HSL 113.62, 0.55%, 0.67%

LAB 79.64, -43.69, 38.39

 

CMYK 43 / 39 / 0 / 15

HEX #7B85D9

RGB 123 133 217

HSL 233.62, 0.55%, 0.67%

LAB 58.03, 17.81, -44.25

 

CMYK 0 / 44 / 40 / 15

HEX #DA7A83

RGB 218 122 131

HSL 354.38, 0.56%, 0.67%

LAB 62.05, 38.17, 11.7

 

CMYK 4 / 0 / 43 / 15

HEX #D0D97B

RGB 208 217 123

HSL 65.74, 0.55%, 0.67%

LAB 84.21, -16.79, 45.11

 

CMYK 43 / 0 / 4 / 15

HEX #7BD9D0

RGB 123 217 208

HSL 174.26, 0.55%, 0.67%

LAB 80.96, -30.05, -4.3

 

CMYK 39 / 43 / 0 / 15

HEX #857BD9

RGB 133 123 217

HSL 246.38, 0.55%, 0.67%

LAB 56.25, 26.27, -47.03

 

CMYK 0 / 44 / 40 / 15

HEX #DA7A83

RGB 218 122 131

HSL 354.38, 0.56%, 0.67%

LAB 62.05, 38.17, 11.7

 

CMYK 17 / 0 / 43 / 15

HEX #B4D97B

RGB 180 217 123

HSL 83.62, 0.55%, 0.67%

LAB 82.25, -27.51, 42.24

 

CMYK 43 / 0 / 4 / 15

HEX #7BD9D0

RGB 123 217 208

HSL 174.26, 0.55%, 0.67%

LAB 80.96, -30.05, -4.3

 

CMYK 26 / 43 / 0 / 15

HEX #A17BD9

RGB 161 123 217

HSL 264.26, 0.55%, 0.67%

LAB 58.74, 33.82, -42.92

 

Description

Color code: RGB 218 122 131 | qconv.com Color code: RGB 218 122 131 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 122 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 122 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 44 magenta, 40 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 44% 40% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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