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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 218 135 241 it is the complementary color RGB 37 120 14. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 218 135 241. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 218 135 241 shade: RGB 223 135 236, RGB 240 153 255, RGB 255 171 255, RGB 255 189 255 and RGB 255 207 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 218 135 241. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 218 135 241 shade: RGB 218 135 241, RGB 201 117 222, RGB 184 99 203, RGB 167 81 184 and RGB 150 63 165

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 218 135 241 shade: RGB 218 136 241, RGB 241 136 235, RGB 241 136 207, RGB 241 136 179 and RGB 241 136 150

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 218 135 241 shade: RGB 218 136 241, RGB 190 136 241, RGB 161 136 241 and RGB 136 136 241

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 218 135 241 shade matches the following richer shades: RGB 218 136 241 and RGB 224 125 251

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 218 135 241 shade: RGB 218 136 241, RGB 212 147 230, RGB 206 157 219, RGB 200 168 208 and RGB 194 179 198

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 218 135 241 shade: RGB 160 136 241, RGB 188 136 241, RGB 216 136 241, RGB 241 136 237 and RGB 241 136 209

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 218 135 241 shade: RGB 195 62 232, RGB 206 99 236, RGB 218 136 241, RGB 229 173 245 and RGB 241 210 249

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 218 135 241 shade: RGB 218 135 241, RGB 241 136 139 and RGB 136 241 174

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 218 135 241 shade: RGB 218 135 241, RGB 241 216 136 and RGB 136 241 216

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 218 135 241 shade: RGB 218 135 241, RGB 241 136 139, RGB 160 241 136 and RGB 136 241 237

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 218 135 241 shade: RGB 218 135 241, RGB 241 164 136, RGB 160 241 136 and RGB 136 213 241

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 44 / 0 / 5

HEX #DA87F1

RGB 218 135 241

HSL 286.98, 0.79%, 0.74%

LAB 68.45, 48.71, -40.59

 

Complementary color

CMYK 69 / 0 / 88 / 53

HEX #25780E

RGB 37 120 14

HSL 106.98, 0.79%, 0.26%

LAB 44.03, -43.73, 45.23

 

CMYK 6 / 43 / 0 / 7

HEX #DF87EC

RGB 223 135 236

HSL 292.28, 0.73%, 0.73%

LAB 68.8, 49.19, -37.25

 

CMYK 6 / 40 / 0 / 0

HEX #F099FF

RGB 240 153 255

HSL 291.18, 1%, 0.8%

LAB 75.16, 48.45, -37.58

 

CMYK 0 / 33 / 0 / 0

HEX #FFABFF

RGB 255 171 255

HSL 300, 1%, 0.84%

LAB 80.52, 43.64, -29.18

 

CMYK 0 / 26 / 0 / 0

HEX #FFBDFF

RGB 255 189 255

HSL 300, 1%, 0.87%

LAB 84.42, 34.25, -23.22

 

CMYK 0 / 19 / 0 / 0

HEX #FFCFFF

RGB 255 207 255

HSL 300, 1%, 0.91%

LAB 88.5, 24.79, -17.06

 

CMYK 10 / 44 / 0 / 5

HEX #DA87F1

RGB 218 135 241

HSL 286.98, 0.79%, 0.74%

LAB 68.45, 48.71, -40.59

 

CMYK 9 / 47 / 0 / 13

HEX #C975DE

RGB 201 117 222

HSL 288, 0.61%, 0.66%

LAB 62.01, 49.46, -40.29

 

CMYK 9 / 51 / 0 / 20

HEX #B863CB

RGB 184 99 203

HSL 289.04, 0.5%, 0.59%

LAB 55.51, 50.19, -39.92

 

CMYK 9 / 56 / 0 / 28

HEX #A751B8

RGB 167 81 184

HSL 290.1, 0.42%, 0.52%

LAB 48.96, 50.83, -39.46

 

CMYK 9 / 62 / 0 / 35

HEX #963FA5

RGB 150 63 165

HSL 291.18, 0.45%, 0.45%

LAB 42.39, 51.28, -38.82

 

CMYK 10 / 44 / 0 / 5

HEX #DA88F1

RGB 218 136 241

HSL 286.86, 0.79%, 0.74%

LAB 68.65, 48.19, -40.27

 

CMYK 0 / 44 / 2 / 5

HEX #F188EB

RGB 241 136 235

HSL 303.43, 0.79%, 0.74%

LAB 71.08, 53.74, -32.99

 

CMYK 0 / 44 / 14 / 5

HEX #F188CF

RGB 241 136 207

HSL 319.43, 0.79%, 0.74%

LAB 70.05, 49.13, -19.13

 

CMYK 0 / 44 / 26 / 5

HEX #F188B3

RGB 241 136 179

HSL 335.43, 0.79%, 0.74%

LAB 69.16, 45.04, -4.84

 

CMYK 0 / 44 / 38 / 5

HEX #F18896

RGB 241 136 150

HSL 352, 0.79%, 0.74%

LAB 68.4, 41.42, 10.33

 

CMYK 10 / 44 / 0 / 5

HEX #DA88F1

RGB 218 136 241

HSL 286.86, 0.79%, 0.74%

LAB 68.65, 48.19, -40.27

 

CMYK 21 / 44 / 0 / 5

HEX #BE88F1

RGB 190 136 241

HSL 270.86, 0.79%, 0.74%

LAB 65.68, 40.28, -45.15

 

CMYK 33 / 44 / 0 / 5

HEX #A188F1

RGB 161 136 241

HSL 254.29, 0.79%, 0.74%

LAB 62.96, 32.41, -49.62

 

CMYK 44 / 44 / 0 / 5

HEX #8888F1

RGB 136 136 241

HSL 240, 0.79%, 0.74%

LAB 60.95, 26.13, -52.92

 

CMYK 10 / 44 / 0 / 5

HEX #DA88F1

RGB 218 136 241

HSL 286.86, 0.79%, 0.74%

LAB 68.65, 48.19, -40.27

 

CMYK 11 / 50 / 0 / 2

HEX #E07DFB

RGB 224 125 251

HSL 287.14, 0.94%, 0.74%

LAB 67.64, 57.38, -47.3

 

CMYK 10 / 44 / 0 / 5

HEX #DA88F1

RGB 218 136 241

HSL 286.86, 0.79%, 0.74%

LAB 68.65, 48.19, -40.27

 

CMYK 8 / 36 / 0 / 10

HEX #D493E6

RGB 212 147 230

HSL 286.99, 0.62%, 0.74%

LAB 69.88, 38.42, -32.37

 

CMYK 6 / 28 / 0 / 14

HEX #CE9DDB

RGB 206 157 219

HSL 287.42, 0.46%, 0.74%

LAB 71.11, 28.94, -24.49

 

CMYK 4 / 19 / 0 / 18

HEX #C8A8D0

RGB 200 168 208

HSL 288, 0.3%, 0.74%

LAB 72.79, 18.79, -15.96

 

CMYK 2 / 10 / 0 / 22

HEX #C2B3C6

RGB 194 179 198

HSL 287.37, 0.14%, 0.74%

LAB 74.69, 8.81, -7.69

 

CMYK 34 / 44 / 0 / 5

HEX #A088F1

RGB 160 136 241

HSL 253.71, 0.79%, 0.74%

LAB 62.87, 32.15, -49.76

 

CMYK 22 / 44 / 0 / 5

HEX #BC88F1

RGB 188 136 241

HSL 269.71, 0.79%, 0.74%

LAB 65.48, 39.72, -45.48

 

CMYK 10 / 44 / 0 / 5

HEX #D888F1

RGB 216 136 241

HSL 285.71, 0.79%, 0.74%

LAB 68.43, 47.62, -40.63

 

CMYK 0 / 44 / 2 / 5

HEX #F188ED

RGB 241 136 237

HSL 302.29, 0.79%, 0.74%

LAB 71.16, 54.09, -33.97

 

CMYK 0 / 44 / 13 / 5

HEX #F188D1

RGB 241 136 209

HSL 318.29, 0.79%, 0.74%

LAB 70.11, 49.45, -20.13

 

CMYK 16 / 73 / 0 / 9

HEX #C33EE8

RGB 195 62 232

HSL 286.94, 0.79%, 0.58%

LAB 52.81, 74.29, -60.57

 

CMYK 13 / 58 / 0 / 7

HEX #CE63EC

RGB 206 99 236

HSL 286.86, 0.78%, 0.66%

LAB 59.98, 62.36, -51.26

 

CMYK 10 / 44 / 0 / 5

HEX #DA88F1

RGB 218 136 241

HSL 286.86, 0.79%, 0.74%

LAB 68.65, 48.19, -40.27

 

CMYK 7 / 29 / 0 / 4

HEX #E5ADF5

RGB 229 173 245

HSL 286.67, 0.78%, 0.82%

LAB 77.96, 32.66, -27.96

 

CMYK 3 / 16 / 0 / 2

HEX #F1D2F9

RGB 241 210 249

HSL 287.69, 0.76%, 0.9%

LAB 87.79, 17.56, -15.08

 

CMYK 10 / 44 / 0 / 5

HEX #DA87F1

RGB 218 135 241

HSL 286.98, 0.79%, 0.74%

LAB 68.45, 48.71, -40.59

 

CMYK 0 / 44 / 42 / 5

HEX #F1888B

RGB 241 136 139

HSL 358.29, 0.79%, 0.74%

LAB 68.15, 40.22, 16.15

 

CMYK 44 / 0 / 28 / 5

HEX #88F1AE

RGB 136 241 174

HSL 141.71, 0.79%, 0.74%

LAB 87.58, -44.88, 23.07

 

CMYK 10 / 44 / 0 / 5

HEX #DA87F1

RGB 218 135 241

HSL 286.98, 0.79%, 0.74%

LAB 68.45, 48.71, -40.59

 

CMYK 0 / 10 / 44 / 5

HEX #F1D888

RGB 241 216 136

HSL 45.71, 0.79%, 0.74%

LAB 86.8, -1.95, 42.51

 

CMYK 44 / 0 / 10 / 5

HEX #88F1D8

RGB 136 241 216

HSL 165.71, 0.79%, 0.74%

LAB 88.5, -36.29, 2.58

 

CMYK 10 / 44 / 0 / 5

HEX #DA87F1

RGB 218 135 241

HSL 286.98, 0.79%, 0.74%

LAB 68.45, 48.71, -40.59

 

CMYK 0 / 44 / 42 / 5

HEX #F1888B

RGB 241 136 139

HSL 358.29, 0.79%, 0.74%

LAB 68.15, 40.22, 16.15

 

CMYK 34 / 0 / 44 / 5

HEX #A0F188

RGB 160 241 136

HSL 106.29, 0.79%, 0.74%

LAB 88.05, -43.78, 42.96

 

CMYK 44 / 0 / 2 / 5

HEX #88F1ED

RGB 136 241 237

HSL 177.71, 0.79%, 0.74%

LAB 89.04, -31.39, -7.59

 

CMYK 10 / 44 / 0 / 5

HEX #DA87F1

RGB 218 135 241

HSL 286.98, 0.79%, 0.74%

LAB 68.45, 48.71, -40.59

 

CMYK 0 / 32 / 44 / 5

HEX #F1A488

RGB 241 164 136

HSL 16, 0.79%, 0.74%

LAB 74.21, 25.27, 26.08

 

CMYK 34 / 0 / 44 / 5

HEX #A0F188

RGB 160 241 136

HSL 106.29, 0.79%, 0.74%

LAB 88.05, -43.78, 42.96

 

CMYK 44 / 12 / 0 / 5

HEX #88D5F1

RGB 136 213 241

HSL 196, 0.79%, 0.74%

LAB 81.39, -16.62, -21.18

 

Description

Color code: RGB 218 135 241 | qconv.com Color code: RGB 218 135 241 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 135 green and 241 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 135 241 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, 44 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 44% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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