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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 218 16 200 it is the complementary color RGB 37 239 55. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 218 16 200. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 218 16 200 shade: RGB 223 16 195, RGB 240 34 214, RGB 255 52 233, RGB 255 70 252 and RGB 255 88 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 218 16 200. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 218 16 200 shade: RGB 218 16 200, RGB 201 0 181, RGB 184 0 162, RGB 167 0 143 and RGB 150 0 124

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 218 16 200 shade: RGB 218 16 200, RGB 218 16 145, RGB 218 16 91, RGB 218 16 36 and RGB 218 16 16

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 218 16 200 shade: RGB 218 16 200, RGB 181 16 218, RGB 127 16 218, RGB 72 16 218 and RGB 18 16 218

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 218 16 200 shade matches the following richer shades: RGB 218 16 200

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 218 16 200 shade: RGB 218 16 200, RGB 199 35 184, RGB 180 54 168, RGB 161 73 153 and RGB 142 92 137

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 218 16 200 shade: RGB 127 16 218, RGB 181 16 218, RGB 218 16 201, RGB 218 16 147 and RGB 218 16 93

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 218 16 200 shade: RGB 141 10 129, RGB 179 13 164, RGB 218 16 200, RGB 238 37 220 and RGB 241 75 226

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 218 16 200 shade: RGB 218 16 200, RGB 218 73 16 and RGB 16 218 154

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 218 16 200 shade: RGB 218 16 200, RGB 201 218 16 and RGB 16 201 218

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 218 16 200 shade: RGB 218 16 200, RGB 218 73 16, RGB 16 218 33 and RGB 16 161 218

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 218 16 200 shade: RGB 218 16 200, RGB 218 134 16, RGB 16 218 33 and RGB 16 100 218

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 93 / 8 / 15

HEX #DA10C8

RGB 218 16 200

HSL 305.35, 0.86%, 0.46%

LAB 51.21, 83.53, -44.67

 

Complementary color

CMYK 85 / 0 / 77 / 6

HEX #25EF37

RGB 37 239 55

HSL 125.35, 0.86%, 0.54%

LAB 83.13, -78.28, 70.07

 

CMYK 0 / 93 / 13 / 13

HEX #DF10C3

RGB 223 16 195

HSL 308.12, 0.87%, 0.47%

LAB 51.84, 83.75, -40.72

 

CMYK 0 / 86 / 11 / 6

HEX #F022D6

RGB 240 34 214

HSL 307.57, 0.87%, 0.54%

LAB 56.61, 86.98, -43.89

 

CMYK 0 / 80 / 9 / 0

HEX #FF34E9

RGB 255 52 233

HSL 306.5, 1%, 0.6%

LAB 61.31, 88.86, -47.03

 

CMYK 0 / 73 / 1 / 0

HEX #FF46FC

RGB 255 70 252

HSL 300.97, 1%, 0.64%

LAB 63.89, 86.93, -53.49

 

CMYK 0 / 65 / 0 / 0

HEX #FF58FF

RGB 255 88 255

HSL 300, 1%, 0.67%

LAB 66.1, 81.54, -51.64

 

CMYK 0 / 93 / 8 / 15

HEX #DA10C8

RGB 218 16 200

HSL 305.35, 0.86%, 0.46%

LAB 51.21, 83.53, -44.67

 

CMYK 0 / 100 / 10 / 21

HEX #C900B5

RGB 201 0 181

HSL 305.97, 1%, 0.39%

LAB 46.65, 79.34, -41.01

 

CMYK 0 / 100 / 12 / 28

HEX #B800A2

RGB 184 0 162

HSL 307.17, 1%, 0.36%

LAB 42.46, 73.79, -36.56

 

CMYK 0 / 100 / 14 / 35

HEX #A7008F

RGB 167 0 143

HSL 308.62, 1%, 0.33%

LAB 38.2, 68.16, -31.98

 

CMYK 0 / 100 / 17 / 41

HEX #96007C

RGB 150 0 124

HSL 310.4, 1%, 0.29%

LAB 33.86, 62.42, -27.25

 

CMYK 0 / 93 / 8 / 15

HEX #DA10C8

RGB 218 16 200

HSL 305.35, 0.86%, 0.46%

LAB 51.21, 83.53, -44.67

 

CMYK 0 / 93 / 33 / 15

HEX #DA1091

RGB 218 16 145

HSL 321.68, 0.86%, 0.46%

LAB 48.66, 76.95, -16.19

 

CMYK 0 / 93 / 58 / 15

HEX #DA105B

RGB 218 16 91

HSL 337.72, 0.86%, 0.46%

LAB 47.02, 72.51, 14.5

 

CMYK 0 / 93 / 83 / 15

HEX #DA1024

RGB 218 16 36

HSL 354.06, 0.86%, 0.46%

LAB 46.18, 70.19, 46.19

 

CMYK 0 / 93 / 93 / 15

HEX #DA1010

RGB 218 16 16

HSL 0, 0.86%, 0.46%

LAB 46.06, 69.85, 55.06

 

CMYK 0 / 93 / 8 / 15

HEX #DA10C8

RGB 218 16 200

HSL 305.35, 0.86%, 0.46%

LAB 51.21, 83.53, -44.67

 

CMYK 17 / 93 / 0 / 15

HEX #B510DA

RGB 181 16 218

HSL 289.01, 0.86%, 0.46%

LAB 45.98, 80.29, -63.74

 

CMYK 42 / 93 / 0 / 15

HEX #7F10DA

RGB 127 16 218

HSL 272.97, 0.86%, 0.46%

LAB 37.74, 73.44, -77.55

 

CMYK 67 / 93 / 0 / 15

HEX #4810DA

RGB 72 16 218

HSL 256.63, 0.86%, 0.46%

LAB 31.37, 69.06, -88.29

 

CMYK 92 / 93 / 0 / 15

HEX #1210DA

RGB 18 16 218

HSL 240.59, 0.86%, 0.46%

LAB 28.28, 67.36, -93.53

 

CMYK 0 / 93 / 8 / 15

HEX #DA10C8

RGB 218 16 200

HSL 305.35, 0.86%, 0.46%

LAB 51.21, 83.53, -44.67

 

CMYK 0 / 93 / 8 / 15

HEX #DA10C8

RGB 218 16 200

HSL 305.35, 0.86%, 0.46%

LAB 51.21, 83.53, -44.67

 

CMYK 0 / 82 / 8 / 22

HEX #C723B8

RGB 199 35 184

HSL 305.49, 0.7%, 0.46%

LAB 48.01, 74.81, -40.63

 

CMYK 0 / 70 / 7 / 29

HEX #B436A8

RGB 180 54 168

HSL 305.71, 0.54%, 0.46%

LAB 45.86, 62.87, -34.81

 

CMYK 0 / 55 / 5 / 37

HEX #A14999

RGB 161 73 153

HSL 305.45, 0.38%, 0.46%

LAB 45.14, 47.27, -27.22

 

CMYK 0 / 35 / 4 / 44

HEX #8E5C89

RGB 142 92 137

HSL 306, 0.21%, 0.46%

LAB 45.92, 27.98, -16.64

 

CMYK 42 / 93 / 0 / 15

HEX #7F10DA

RGB 127 16 218

HSL 272.97, 0.86%, 0.46%

LAB 37.74, 73.44, -77.55

 

CMYK 17 / 93 / 0 / 15

HEX #B510DA

RGB 181 16 218

HSL 289.01, 0.86%, 0.46%

LAB 45.98, 80.29, -63.74

 

CMYK 0 / 93 / 8 / 15

HEX #DA10C9

RGB 218 16 201

HSL 305.05, 0.86%, 0.46%

LAB 51.26, 83.66, -45.16

 

CMYK 0 / 93 / 33 / 15

HEX #DA1093

RGB 218 16 147

HSL 321.09, 0.86%, 0.46%

LAB 48.74, 77.16, -17.28

 

CMYK 0 / 93 / 57 / 15

HEX #DA105D

RGB 218 16 93

HSL 337.13, 0.86%, 0.46%

LAB 47.06, 72.63, 13.32

 

CMYK 0 / 93 / 9 / 45

HEX #8D0A81

RGB 141 10 129

HSL 305.5, 0.87%, 0.3%

LAB 32.84, 60.01, -32.1

 

CMYK 0 / 93 / 8 / 30

HEX #B30DA4

RGB 179 13 164

HSL 305.42, 0.86%, 0.38%

LAB 42.08, 71.86, -38.42

 

CMYK 0 / 93 / 8 / 15

HEX #DA10C8

RGB 218 16 200

HSL 305.35, 0.86%, 0.46%

LAB 51.21, 83.53, -44.67

 

CMYK 0 / 84 / 8 / 7

HEX #EE25DC

RGB 238 37 220

HSL 305.37, 0.86%, 0.54%

LAB 56.75, 86.9, -47.1

 

CMYK 0 / 69 / 6 / 5

HEX #F14BE2

RGB 241 75 226

HSL 305.42, 0.86%, 0.62%

LAB 60.98, 78.49, -43.77

 

CMYK 0 / 93 / 8 / 15

HEX #DA10C8

RGB 218 16 200

HSL 305.35, 0.86%, 0.46%

LAB 51.21, 83.53, -44.67

 

CMYK 0 / 67 / 93 / 15

HEX #DA4910

RGB 218 73 16

HSL 16.93, 0.86%, 0.46%

LAB 51.51, 54.64, 58.5

 

CMYK 93 / 0 / 29 / 15

HEX #10DA9A

RGB 16 218 154

HSL 160.99, 0.86%, 0.46%

LAB 77.63, -58.97, 19.3

 

CMYK 0 / 93 / 8 / 15

HEX #DA10C8

RGB 218 16 200

HSL 305.35, 0.86%, 0.46%

LAB 51.21, 83.53, -44.67

 

CMYK 8 / 0 / 93 / 15

HEX #C9DA10

RGB 201 218 16

HSL 65.05, 0.86%, 0.46%

LAB 83.23, -26.11, 80.92

 

CMYK 93 / 8 / 0 / 15

HEX #10C9DA

RGB 16 201 218

HSL 185.05, 0.86%, 0.46%

LAB 74.15, -34.52, -20.09

 

CMYK 0 / 93 / 8 / 15

HEX #DA10C8

RGB 218 16 200

HSL 305.35, 0.86%, 0.46%

LAB 51.21, 83.53, -44.67

 

CMYK 0 / 67 / 93 / 15

HEX #DA4910

RGB 218 73 16

HSL 16.93, 0.86%, 0.46%

LAB 51.51, 54.64, 58.5

 

CMYK 93 / 0 / 85 / 15

HEX #10DA21

RGB 16 218 33

HSL 125.05, 0.86%, 0.46%

LAB 76.29, -75.08, 69.45

 

CMYK 93 / 26 / 0 / 15

HEX #10A1DA

RGB 16 161 218

HSL 196.93, 0.86%, 0.46%

LAB 62.22, -14.2, -38.48

 

CMYK 0 / 93 / 8 / 15

HEX #DA10C8

RGB 218 16 200

HSL 305.35, 0.86%, 0.46%

LAB 51.21, 83.53, -44.67

 

CMYK 0 / 39 / 93 / 15

HEX #DA8610

RGB 218 134 16

HSL 35.05, 0.86%, 0.46%

LAB 63.34, 24.85, 66.69

 

CMYK 93 / 0 / 85 / 15

HEX #10DA21

RGB 16 218 33

HSL 125.05, 0.86%, 0.46%

LAB 76.29, -75.08, 69.45

 

CMYK 93 / 54 / 0 / 15

HEX #1064DA

RGB 16 100 218

HSL 215.05, 0.86%, 0.46%

LAB 44.64, 22.66, -66.54

 

Description

Color code: RGB 218 16 200 | qconv.com Color code: RGB 218 16 200 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 16 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 16 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 93 magenta, 8 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 93% 8% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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