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Color name
RGB 218 175 68

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 218 175 68 it is the complementary color RGB 37 80 187. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 218 175 68. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 218 175 68 shade: RGB 223 175 63, RGB 240 193 82, RGB 255 211 101, RGB 255 229 120 and RGB 255 247 139

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 218 175 68. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 218 175 68 shade: RGB 218 175 68, RGB 201 157 49, RGB 184 139 30, RGB 167 121 11 and RGB 150 103 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 218 175 68 shade: RGB 217 174 67, RGB 217 134 67, RGB 217 93 67 and RGB 217 67 67

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 218 175 68 shade: RGB 217 174 67, RGB 217 215 67, RGB 179 217 67, RGB 139 217 67 and RGB 98 217 67

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 218 175 68 shade matches the following richer shades: RGB 217 174 67, RGB 236 182 49 and RGB 254 190 31

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 218 175 68 shade: RGB 217 174 67, RGB 199 167 85, RGB 181 159 103, RGB 163 151 122 and RGB 145 143 140

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 218 175 68 shade: RGB 217 92 67, RGB 217 132 67, RGB 217 172 67, RGB 217 212 67 and RGB 182 217 67

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 218 175 68 shade: RGB 169 130 33, RGB 204 157 40, RGB 217 174 67, RGB 224 189 102 and RGB 231 204 136

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 218 175 68 shade: RGB 218 175 68, RGB 82 217 67 and RGB 112 67 217

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 218 175 68 shade: RGB 218 175 68, RGB 67 217 172 and RGB 172 67 217

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 218 175 68 shade: RGB 218 175 68, RGB 82 217 67, RGB 67 112 217 and RGB 202 67 217

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 218 175 68 shade: RGB 218 175 68, RGB 67 217 97, RGB 67 112 217 and RGB 217 67 187

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 69 / 15

HEX #DAAF44

RGB 218 175 68

HSL 42.8, 0.67%, 0.56%

LAB 73.53, 4.6, 58.59

 

Complementary color

CMYK 80 / 57 / 0 / 27

HEX #2550BB

RGB 37 80 187

HSL 222.8, 0.67%, 0.44%

LAB 37.33, 25.07, -60.5

 

CMYK 0 / 22 / 72 / 13

HEX #DFAF3F

RGB 223 175 63

HSL 42, 0.71%, 0.56%

LAB 74, 6.49, 61.3

 

CMYK 0 / 20 / 66 / 6

HEX #F0C152

RGB 240 193 82

HSL 42.15, 0.84%, 0.63%

LAB 80.33, 5.25, 60.42

 

CMYK 0 / 17 / 60 / 0

HEX #FFD365

RGB 255 211 101

HSL 42.86, 1%, 0.7%

LAB 86.4, 3.35, 59.08

 

CMYK 0 / 10 / 53 / 0

HEX #FFE578

RGB 255 229 120

HSL 48.44, 1%, 0.74%

LAB 91.08, -4.38, 55.76

 

CMYK 0 / 3 / 45 / 0

HEX #FFF78B

RGB 255 247 139

HSL 55.86, 1%, 0.77%

LAB 95.85, -11.68, 52.58

 

CMYK 0 / 20 / 69 / 15

HEX #DAAF44

RGB 218 175 68

HSL 42.8, 0.67%, 0.56%

LAB 73.53, 4.6, 58.59

 

CMYK 0 / 22 / 76 / 21

HEX #C99D31

RGB 201 157 49

HSL 42.63, 0.61%, 0.49%

LAB 67.09, 5.94, 59.27

 

CMYK 0 / 24 / 84 / 28

HEX #B88B1E

RGB 184 139 30

HSL 42.47, 0.72%, 0.42%

LAB 60.56, 7.51, 59.27

 

CMYK 0 / 28 / 93 / 35

HEX #A7790B

RGB 167 121 11

HSL 42.31, 0.88%, 0.35%

LAB 53.94, 9.38, 57.95

 

CMYK 0 / 31 / 100 / 41

HEX #966700

RGB 150 103 0

HSL 41.2, 1%, 0.29%

LAB 47.22, 11.58, 54.47

 

CMYK 0 / 20 / 69 / 15

HEX #D9AE43

RGB 217 174 67

HSL 42.8, 0.66%, 0.56%

LAB 73.17, 4.65, 58.61

 

CMYK 0 / 38 / 69 / 15

HEX #D98643

RGB 217 134 67

HSL 26.8, 0.66%, 0.56%

LAB 63.51, 26.11, 48.34

 

CMYK 0 / 57 / 69 / 15

HEX #D95D43

RGB 217 93 67

HSL 10.4, 0.66%, 0.56%

LAB 55.06, 47.06, 38.82

 

CMYK 0 / 69 / 69 / 15

HEX #D94343

RGB 217 67 67

HSL 0, 0.66%, 0.56%

LAB 50.89, 58.2, 33.91

 

CMYK 0 / 20 / 69 / 15

HEX #D9AE43

RGB 217 174 67

HSL 42.8, 0.66%, 0.56%

LAB 73.17, 4.65, 58.61

 

CMYK 0 / 1 / 69 / 15

HEX #D9D743

RGB 217 215 67

HSL 59.2, 0.66%, 0.56%

LAB 83.84, -16.41, 69.36

 

CMYK 18 / 0 / 69 / 15

HEX #B3D943

RGB 179 217 67

HSL 75.2, 0.66%, 0.56%

LAB 81.63, -32.81, 66.25

 

CMYK 36 / 0 / 69 / 15

HEX #8BD943

RGB 139 217 67

HSL 91.2, 0.66%, 0.56%

LAB 79.34, -47.61, 63.18

 

CMYK 55 / 0 / 69 / 15

HEX #62D943

RGB 98 217 67

HSL 107.6, 0.66%, 0.56%

LAB 77.65, -60.02, 60.91

 

CMYK 0 / 20 / 69 / 15

HEX #D9AE43

RGB 217 174 67

HSL 42.8, 0.66%, 0.56%

LAB 73.17, 4.65, 58.61

 

CMYK 0 / 23 / 79 / 7

HEX #ECB631

RGB 236 182 49

HSL 42.67, 0.83%, 0.56%

LAB 76.99, 7.8, 69.75

 

CMYK 0 / 25 / 88 / 0

HEX #FEBE1F

RGB 254 190 31

HSL 42.78, 0.99%, 0.56%

LAB 80.74, 10.83, 78.54

 

CMYK 0 / 20 / 69 / 15

HEX #D9AE43

RGB 217 174 67

HSL 42.8, 0.66%, 0.56%

LAB 73.17, 4.65, 58.61

 

CMYK 0 / 16 / 57 / 22

HEX #C7A755

RGB 199 167 85

HSL 43.16, 0.5%, 0.56%

LAB 69.78, 1.85, 46.13

 

CMYK 0 / 12 / 43 / 29

HEX #B59F67

RGB 181 159 103

HSL 43.08, 0.35%, 0.56%

LAB 66.21, 0.23, 32.15

 

CMYK 0 / 7 / 25 / 36

HEX #A3977A

RGB 163 151 122

HSL 42.44, 0.18%, 0.56%

LAB 62.78, -0.34, 16.9

 

CMYK 0 / 1 / 3 / 43

HEX #918F8C

RGB 145 143 140

HSL 36, 0.02%, 0.56%

LAB 59.49, 0.17, 1.85

 

CMYK 0 / 58 / 69 / 15

HEX #D95C43

RGB 217 92 67

HSL 10, 0.66%, 0.56%

LAB 54.88, 47.53, 38.61

 

CMYK 0 / 39 / 69 / 15

HEX #D98443

RGB 217 132 67

HSL 26, 0.66%, 0.56%

LAB 63.06, 27.18, 47.84

 

CMYK 0 / 21 / 69 / 15

HEX #D9AC43

RGB 217 172 67

HSL 42, 0.66%, 0.56%

LAB 72.67, 5.71, 58.09

 

CMYK 0 / 2 / 69 / 15

HEX #D9D443

RGB 217 212 67

HSL 58, 0.66%, 0.56%

LAB 83.04, -14.92, 68.58

 

CMYK 16 / 0 / 69 / 15

HEX #B6D943

RGB 182 217 67

HSL 74, 0.66%, 0.56%

LAB 81.83, -31.62, 66.51

 

CMYK 0 / 23 / 80 / 34

HEX #A98221

RGB 169 130 33

HSL 42.79, 0.67%, 0.4%

LAB 56.59, 5.82, 54.16

 

CMYK 0 / 23 / 80 / 20

HEX #CC9D28

RGB 204 157 40

HSL 42.8, 0.67%, 0.48%

LAB 67.36, 6.91, 62.84

 

CMYK 0 / 20 / 69 / 15

HEX #D9AE43

RGB 217 174 67

HSL 42.8, 0.66%, 0.56%

LAB 73.17, 4.65, 58.61

 

CMYK 0 / 16 / 54 / 12

HEX #E0BD66

RGB 224 189 102

HSL 42.79, 0.66%, 0.64%

LAB 77.99, 2.05, 48.12

 

CMYK 0 / 12 / 41 / 9

HEX #E7CC88

RGB 231 204 136

HSL 42.95, 0.66%, 0.72%

LAB 82.89, 0.26, 37.33

 

CMYK 0 / 20 / 69 / 15

HEX #DAAF44

RGB 218 175 68

HSL 42.8, 0.67%, 0.56%

LAB 73.53, 4.6, 58.59

 

CMYK 62 / 0 / 69 / 15

HEX #52D943

RGB 82 217 67

HSL 114, 0.66%, 0.56%

LAB 77.18, -63.84, 60.26

 

CMYK 48 / 69 / 0 / 15

HEX #7043D9

RGB 112 67 217

HSL 258, 0.66%, 0.56%

LAB 41.95, 53.5, -70.14

 

CMYK 0 / 20 / 69 / 15

HEX #DAAF44

RGB 218 175 68

HSL 42.8, 0.67%, 0.56%

LAB 73.53, 4.6, 58.59

 

CMYK 69 / 0 / 21 / 15

HEX #43D9AC

RGB 67 217 172

HSL 162, 0.66%, 0.56%

LAB 78.34, -49.73, 10.88

 

CMYK 21 / 69 / 0 / 15

HEX #AC43D9

RGB 172 67 217

HSL 282, 0.66%, 0.56%

LAB 49.25, 64.94, -57.97

 

CMYK 0 / 20 / 69 / 15

HEX #DAAF44

RGB 218 175 68

HSL 42.8, 0.67%, 0.56%

LAB 73.53, 4.6, 58.59

 

CMYK 62 / 0 / 69 / 15

HEX #52D943

RGB 82 217 67

HSL 114, 0.66%, 0.56%

LAB 77.18, -63.84, 60.26

 

CMYK 69 / 48 / 0 / 15

HEX #4370D9

RGB 67 112 217

HSL 222, 0.66%, 0.56%

LAB 49.24, 19.29, -58.46

 

CMYK 7 / 69 / 0 / 15

HEX #CA43D9

RGB 202 67 217

HSL 294, 0.66%, 0.56%

LAB 53.58, 71.28, -50.79

 

CMYK 0 / 20 / 69 / 15

HEX #DAAF44

RGB 218 175 68

HSL 42.8, 0.67%, 0.56%

LAB 73.53, 4.6, 58.59

 

CMYK 69 / 0 / 55 / 15

HEX #43D961

RGB 67 217 97

HSL 132, 0.66%, 0.56%

LAB 77.09, -63.54, 47.3

 

CMYK 69 / 48 / 0 / 15

HEX #4370D9

RGB 67 112 217

HSL 222, 0.66%, 0.56%

LAB 49.24, 19.29, -58.46

 

CMYK 0 / 69 / 14 / 15

HEX #D943BB

RGB 217 67 187

HSL 312, 0.66%, 0.56%

LAB 54.4, 69.97, -32.14

 

Description

Color code: RGB 218 175 68 | qconv.com Color code: RGB 218 175 68 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 175 green and 68 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 175 68 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 69 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 69% 15% C M Y K

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Provide designers and agencies with accurate color values.

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