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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 218 193 31 it is the complementary color RGB 37 62 224. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 218 193 31. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 218 193 31 shade: RGB 223 193 26, RGB 240 211 45, RGB 255 229 64, RGB 255 247 83 and RGB 255 255 102

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 218 193 31. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 218 193 31 shade: RGB 218 193 31, RGB 201 175 12, RGB 184 157 0, RGB 167 139 0 and RGB 150 121 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 218 193 31 shade: RGB 218 193 31, RGB 218 143 31, RGB 218 92 31, RGB 218 41 31 and RGB 218 31 31

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 218 193 31 shade: RGB 218 193 31, RGB 193 218 31, RGB 142 218 31, RGB 92 218 31 and RGB 41 218 31

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 218 193 31 shade matches the following richer shades: RGB 218 193 31 and RGB 238 208 11

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 218 193 31 shade: RGB 218 193 31, RGB 198 178 51, RGB 178 163 71, RGB 158 149 91 and RGB 137 134 112

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 218 193 31 shade: RGB 218 90 31, RGB 218 140 31, RGB 218 190 31, RGB 196 218 31 and RGB 146 218 31

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 218 193 31 shade: RGB 146 129 20, RGB 182 161 26, RGB 218 193 31, RGB 227 205 63 and RGB 232 214 99

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 218 193 31 shade: RGB 218 193 31, RGB 31 218 40 and RGB 115 31 218

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 218 193 31 shade: RGB 218 193 31, RGB 31 218 190 and RGB 190 31 218

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 218 193 31 shade: RGB 218 193 31, RGB 31 218 40, RGB 31 59 218 and RGB 218 31 209

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 218 193 31 shade: RGB 218 193 31, RGB 31 218 96, RGB 31 59 218 and RGB 218 31 153

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 86 / 15

HEX #DAC11F

RGB 218 193 31

HSL 51.98, 0.75%, 0.49%

LAB 77.96, -6.19, 74.84

 

Complementary color

CMYK 83 / 72 / 0 / 12

HEX #253EE0

RGB 37 62 224

HSL 231.98, 0.75%, 0.51%

LAB 36.41, 49.85, -83.45

 

CMYK 0 / 13 / 88 / 13

HEX #DFC11A

RGB 223 193 26

HSL 50.86, 0.79%, 0.49%

LAB 78.4, -4.13, 76.42

 

CMYK 0 / 12 / 81 / 6

HEX #F0D32D

RGB 240 211 45

HSL 51.08, 0.87%, 0.56%

LAB 84.64, -5.58, 77.79

 

CMYK 0 / 10 / 75 / 0

HEX #FFE540

RGB 255 229 64

HSL 51.83, 1%, 0.63%

LAB 90.63, -7.68, 77.99

 

CMYK 0 / 3 / 67 / 0

HEX #FFF753

RGB 255 247 83

HSL 57.21, 1%, 0.66%

LAB 95.33, -15.67, 75.96

 

CMYK 0 / 0 / 60 / 0

HEX #FFFF66

RGB 255 255 102

HSL 60, 1%, 0.7%

LAB 97.53, -18.44, 70.9

 

CMYK 0 / 11 / 86 / 15

HEX #DAC11F

RGB 218 193 31

HSL 51.98, 0.75%, 0.49%

LAB 77.96, -6.19, 74.84

 

CMYK 0 / 13 / 94 / 21

HEX #C9AF0C

RGB 201 175 12

HSL 51.75, 0.89%, 0.42%

LAB 71.63, -4.62, 72.57

 

CMYK 0 / 15 / 100 / 28

HEX #B89D00

RGB 184 157 0

HSL 51.2, 1%, 0.36%

LAB 65.2, -2.82, 68.65

 

CMYK 0 / 17 / 100 / 35

HEX #A78B00

RGB 167 139 0

HSL 49.94, 1%, 0.33%

LAB 58.68, -0.81, 63.26

 

CMYK 0 / 19 / 100 / 41

HEX #967900

RGB 150 121 0

HSL 48.4, 1%, 0.29%

LAB 52.02, 1.29, 57.76

 

CMYK 0 / 11 / 86 / 15

HEX #DAC11F

RGB 218 193 31

HSL 51.98, 0.75%, 0.49%

LAB 77.96, -6.19, 74.84

 

CMYK 0 / 34 / 86 / 15

HEX #DA8F1F

RGB 218 143 31

HSL 35.94, 0.75%, 0.49%

LAB 65.47, 20.31, 64.66

 

CMYK 0 / 58 / 86 / 15

HEX #DA5C1F

RGB 218 92 31

HSL 19.57, 0.75%, 0.49%

LAB 54.72, 46.56, 55.83

 

CMYK 0 / 81 / 86 / 15

HEX #DA291F

RGB 218 41 31

HSL 3.21, 0.75%, 0.49%

LAB 47.74, 65.52, 50.03

 

CMYK 0 / 86 / 86 / 15

HEX #DA1F1F

RGB 218 31 31

HSL 0, 0.75%, 0.49%

LAB 46.95, 67.75, 49.38

 

CMYK 0 / 11 / 86 / 15

HEX #DAC11F

RGB 218 193 31

HSL 51.98, 0.75%, 0.49%

LAB 77.96, -6.19, 74.84

 

CMYK 11 / 0 / 86 / 15

HEX #C1DA1F

RGB 193 218 31

HSL 68.02, 0.75%, 0.49%

LAB 82.69, -29.13, 77.89

 

CMYK 35 / 0 / 86 / 15

HEX #8EDA1F

RGB 142 218 31

HSL 84.39, 0.75%, 0.49%

LAB 79.61, -48.77, 74.07

 

CMYK 58 / 0 / 86 / 15

HEX #5CDA1F

RGB 92 218 31

HSL 100.43, 0.75%, 0.49%

LAB 77.59, -63.98, 71.53

 

CMYK 81 / 0 / 86 / 15

HEX #29DA1F

RGB 41 218 31

HSL 116.79, 0.75%, 0.49%

LAB 76.5, -73.19, 70.16

 

CMYK 0 / 11 / 86 / 15

HEX #DAC11F

RGB 218 193 31

HSL 51.98, 0.75%, 0.49%

LAB 77.96, -6.19, 74.84

 

CMYK 0 / 13 / 95 / 7

HEX #EED00B

RGB 238 208 11

HSL 52.07, 0.91%, 0.49%

LAB 83.61, -5.54, 83.07

 

CMYK 0 / 11 / 86 / 15

HEX #DAC11F

RGB 218 193 31

HSL 51.98, 0.75%, 0.49%

LAB 77.96, -6.19, 74.84

 

CMYK 0 / 10 / 74 / 22

HEX #C6B233

RGB 198 178 51

HSL 51.84, 0.59%, 0.49%

LAB 72.29, -6.45, 63.38

 

CMYK 0 / 8 / 60 / 30

HEX #B2A347

RGB 178 163 71

HSL 51.59, 0.43%, 0.49%

LAB 66.61, -6.09, 48.68

 

CMYK 0 / 6 / 42 / 38

HEX #9E955B

RGB 158 149 91

HSL 51.94, 0.27%, 0.49%

LAB 61.24, -5.31, 31.78

 

CMYK 0 / 2 / 18 / 46

HEX #898670

RGB 137 134 112

HSL 52.8, 0.1%, 0.49%

LAB 55.62, -2.81, 12.27

 

CMYK 0 / 59 / 86 / 15

HEX #DA5A1F

RGB 218 90 31

HSL 18.93, 0.75%, 0.49%

LAB 54.36, 47.49, 55.53

 

CMYK 0 / 36 / 86 / 15

HEX #DA8C1F

RGB 218 140 31

HSL 34.97, 0.75%, 0.49%

LAB 64.77, 21.92, 64.09

 

CMYK 0 / 13 / 86 / 15

HEX #DABE1F

RGB 218 190 31

HSL 51.02, 0.75%, 0.49%

LAB 77.18, -4.65, 74.21

 

CMYK 10 / 0 / 86 / 15

HEX #C4DA1F

RGB 196 218 31

HSL 67.06, 0.75%, 0.49%

LAB 82.9, -27.9, 78.15

 

CMYK 33 / 0 / 86 / 15

HEX #92DA1F

RGB 146 218 31

HSL 83.1, 0.75%, 0.49%

LAB 79.81, -47.34, 74.32

 

CMYK 0 / 12 / 86 / 43

HEX #928114

RGB 146 129 20

HSL 51.9, 0.76%, 0.33%

LAB 53.88, -4.66, 54.92

 

CMYK 0 / 12 / 86 / 29

HEX #B6A11A

RGB 182 161 26

HSL 51.92, 0.75%, 0.41%

LAB 66.14, -5.43, 64.96

 

CMYK 0 / 11 / 86 / 15

HEX #DAC11F

RGB 218 193 31

HSL 51.98, 0.75%, 0.49%

LAB 77.96, -6.19, 74.84

 

CMYK 0 / 10 / 72 / 11

HEX #E3CD3F

RGB 227 205 63

HSL 51.95, 0.75%, 0.57%

LAB 82.03, -7.39, 69.33

 

CMYK 0 / 8 / 57 / 9

HEX #E8D663

RGB 232 214 99

HSL 51.88, 0.74%, 0.65%

LAB 85.07, -7.75, 57.92

 

CMYK 0 / 11 / 86 / 15

HEX #DAC11F

RGB 218 193 31

HSL 51.98, 0.75%, 0.49%

LAB 77.96, -6.19, 74.84

 

CMYK 86 / 0 / 82 / 15

HEX #1FDA28

RGB 31 218 40

HSL 122.89, 0.75%, 0.49%

LAB 76.43, -73.74, 67.94

 

CMYK 47 / 86 / 0 / 15

HEX #731FDA

RGB 115 31 218

HSL 266.95, 0.75%, 0.49%

LAB 37.27, 68.83, -78.37

 

CMYK 0 / 11 / 86 / 15

HEX #DAC11F

RGB 218 193 31

HSL 51.98, 0.75%, 0.49%

LAB 77.96, -6.19, 74.84

 

CMYK 86 / 0 / 13 / 15

HEX #1FDABE

RGB 31 218 190

HSL 171.02, 0.75%, 0.49%

LAB 78.55, -49.4, 1.52

 

CMYK 13 / 86 / 0 / 15

HEX #BE1FDA

RGB 190 31 218

HSL 291.02, 0.75%, 0.49%

LAB 48.25, 79.33, -60.01

 

CMYK 0 / 11 / 86 / 15

HEX #DAC11F

RGB 218 193 31

HSL 51.98, 0.75%, 0.49%

LAB 77.96, -6.19, 74.84

 

CMYK 86 / 0 / 82 / 15

HEX #1FDA28

RGB 31 218 40

HSL 122.89, 0.75%, 0.49%

LAB 76.43, -73.74, 67.94

 

CMYK 86 / 73 / 0 / 15

HEX #1F3BDA

RGB 31 59 218

HSL 231.02, 0.75%, 0.49%

LAB 34.97, 49.22, -82.4

 

CMYK 0 / 86 / 4 / 15

HEX #DA1FD1

RGB 218 31 209

HSL 302.89, 0.75%, 0.49%

LAB 52.39, 82.76, -47.97

 

CMYK 0 / 11 / 86 / 15

HEX #DAC11F

RGB 218 193 31

HSL 51.98, 0.75%, 0.49%

LAB 77.96, -6.19, 74.84

 

CMYK 86 / 0 / 56 / 15

HEX #1FDA60

RGB 31 218 96

HSL 140.86, 0.75%, 0.49%

LAB 76.85, -68.51, 47.34

 

CMYK 86 / 73 / 0 / 15

HEX #1F3BDA

RGB 31 59 218

HSL 231.02, 0.75%, 0.49%

LAB 34.97, 49.22, -82.4

 

CMYK 0 / 86 / 30 / 15

HEX #DA1F99

RGB 218 31 153

HSL 320.86, 0.75%, 0.49%

LAB 49.72, 75.63, -19.38

 

Description

Color code: RGB 218 193 31 | qconv.com Color code: RGB 218 193 31 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 193 green and 31 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 193 31 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 86 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 86% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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