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Color name
RGB 218 85 138

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 218 85 138 it is the complementary color RGB 37 170 117. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 218 85 138. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 218 85 138 shade: RGB 223 85 133, RGB 240 103 152, RGB 255 121 171, RGB 255 139 190 and RGB 255 157 209

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 218 85 138. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 218 85 138 shade: RGB 218 85 138, RGB 201 67 119, RGB 184 49 100, RGB 167 31 81 and RGB 150 13 62

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 218 85 138 shade: RGB 217 83 136, RGB 217 83 100 and RGB 217 83 83

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 218 85 138 shade: RGB 217 83 136, RGB 217 83 172, RGB 217 83 209, RGB 189 83 217 and RGB 153 83 217

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 218 85 138 shade matches the following richer shades: RGB 217 83 136, RGB 234 66 133 and RGB 251 49 129

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 218 85 138 shade: RGB 217 83 136, RGB 200 100 140, RGB 183 117 143, RGB 166 134 147 and RGB 149 151 150

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 218 85 138 shade: RGB 217 83 208, RGB 217 83 172, RGB 217 83 137, RGB 217 83 101 and RGB 217 101 83

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 218 85 138 shade: RGB 179 39 95, RGB 209 49 113, RGB 217 83 136, RGB 224 117 160 and RGB 232 151 183

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 218 85 138 shade: RGB 218 85 138, RGB 217 190 83 and RGB 83 190 217

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 218 85 138 shade: RGB 218 85 138, RGB 137 217 83 and RGB 83 137 217

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 218 85 138 shade: RGB 218 85 138, RGB 217 190 83, RGB 83 217 163 and RGB 83 110 217

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 218 85 138 shade: RGB 218 85 138, RGB 203 217 83, RGB 83 217 163 and RGB 96 83 217

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 61 / 37 / 15

HEX #DA558A

RGB 218 85 138

HSL 336.09, 0.64%, 0.59%

LAB 55.32, 56.86, -2.06

 

Complementary color

CMYK 78 / 0 / 31 / 33

HEX #25AA75

RGB 37 170 117

HSL 156.09, 0.64%, 0.41%

LAB 62.02, -47.32, 17.63

 

CMYK 0 / 62 / 40 / 13

HEX #DF5585

RGB 223 85 133

HSL 339.13, 0.68%, 0.6%

LAB 55.97, 57.87, 1.94

 

CMYK 0 / 57 / 37 / 6

HEX #F06798

RGB 240 103 152

HSL 338.54, 0.82%, 0.67%

LAB 62.08, 57.31, 0.08

 

CMYK 0 / 53 / 33 / 0

HEX #FF79AB

RGB 255 121 171

HSL 337.61, 1%, 0.74%

LAB 67.93, 55.97, -1.94

 

CMYK 0 / 45 / 25 / 0

HEX #FF8BBE

RGB 255 139 190

HSL 333.62, 1%, 0.77%

LAB 71.85, 49.68, -6.79

 

CMYK 0 / 38 / 18 / 0

HEX #FF9DD1

RGB 255 157 209

HSL 328.16, 1%, 0.81%

LAB 76.06, 43.29, -11.02

 

CMYK 0 / 61 / 37 / 15

HEX #DA558A

RGB 218 85 138

HSL 336.09, 0.64%, 0.59%

LAB 55.32, 56.86, -2.06

 

CMYK 0 / 67 / 41 / 21

HEX #C94377

RGB 201 67 119

HSL 336.72, 0.55%, 0.53%

LAB 49.21, 57.17, 0.02

 

CMYK 0 / 73 / 46 / 28

HEX #B83164

RGB 184 49 100

HSL 337.33, 0.58%, 0.46%

LAB 43.22, 57.06, 2.62

 

CMYK 0 / 81 / 51 / 35

HEX #A71F51

RGB 167 31 81

HSL 337.94, 0.69%, 0.39%

LAB 37.46, 56.22, 5.93

 

CMYK 0 / 91 / 59 / 41

HEX #960D3E

RGB 150 13 62

HSL 338.54, 0.84%, 0.32%

LAB 32.08, 54.23, 10.26

 

CMYK 0 / 62 / 37 / 15

HEX #D95388

RGB 217 83 136

HSL 336.27, 0.64%, 0.59%

LAB 54.78, 57.19, -1.68

 

CMYK 0 / 62 / 54 / 15

HEX #D95364

RGB 217 83 100

HSL 352.39, 0.64%, 0.59%

LAB 53.88, 53.78, 18.38

 

CMYK 0 / 62 / 62 / 15

HEX #D95353

RGB 217 83 83

HSL 0, 0.64%, 0.59%

LAB 53.56, 52.55, 27.95

 

CMYK 0 / 62 / 37 / 15

HEX #D95388

RGB 217 83 136

HSL 336.27, 0.64%, 0.59%

LAB 54.78, 57.19, -1.68

 

CMYK 0 / 62 / 21 / 15

HEX #D953AC

RGB 217 83 172

HSL 320.15, 0.64%, 0.59%

LAB 56, 61.67, -20.96

 

CMYK 0 / 62 / 4 / 15

HEX #D953D1

RGB 217 83 209

HSL 303.58, 0.64%, 0.59%

LAB 57.6, 67.24, -39.74

 

CMYK 13 / 62 / 0 / 15

HEX #BD53D9

RGB 189 83 217

HSL 287.46, 0.64%, 0.59%

LAB 54.04, 61.87, -50.16

 

CMYK 29 / 62 / 0 / 15

HEX #9953D9

RGB 153 83 217

HSL 271.34, 0.64%, 0.59%

LAB 49.46, 53.51, -57.76

 

CMYK 0 / 62 / 37 / 15

HEX #D95388

RGB 217 83 136

HSL 336.27, 0.64%, 0.59%

LAB 54.78, 57.19, -1.68

 

CMYK 0 / 72 / 43 / 8

HEX #EA4285

RGB 234 66 133

HSL 336.07, 0.8%, 0.59%

LAB 55.16, 68.34, 0.99

 

CMYK 0 / 80 / 49 / 2

HEX #FB3181

RGB 251 49 129

HSL 336.24, 0.96%, 0.59%

LAB 56.38, 77.27, 5.52

 

CMYK 0 / 62 / 37 / 15

HEX #D95388

RGB 217 83 136

HSL 336.27, 0.64%, 0.59%

LAB 54.78, 57.19, -1.68

 

CMYK 0 / 50 / 30 / 22

HEX #C8648C

RGB 200 100 140

HSL 336, 0.48%, 0.59%

LAB 55.37, 44.2, -3.47

 

CMYK 0 / 36 / 22 / 28

HEX #B7758F

RGB 183 117 143

HSL 336.36, 0.31%, 0.59%

LAB 56.85, 29.58, -3.28

 

CMYK 0 / 19 / 11 / 35

HEX #A68693

RGB 166 134 147

HSL 335.63, 0.15%, 0.59%

LAB 59.22, 14.38, -2.32

 

CMYK 1 / 0 / 1 / 41

HEX #959796

RGB 149 151 150

HSL 150, 0.01%, 0.59%

LAB 62.27, -0.91, 0.26

 

CMYK 0 / 62 / 4 / 15

HEX #D953D0

RGB 217 83 208

HSL 304.03, 0.64%, 0.59%

LAB 57.55, 67.08, -39.24

 

CMYK 0 / 62 / 21 / 15

HEX #D953AC

RGB 217 83 172

HSL 320.15, 0.64%, 0.59%

LAB 56, 61.67, -20.96

 

CMYK 0 / 62 / 37 / 15

HEX #D95389

RGB 217 83 137

HSL 335.82, 0.64%, 0.59%

LAB 54.81, 57.3, -2.23

 

CMYK 0 / 62 / 53 / 15

HEX #D95365

RGB 217 83 101

HSL 351.94, 0.64%, 0.59%

LAB 53.9, 53.86, 17.82

 

CMYK 0 / 53 / 62 / 15

HEX #D96553

RGB 217 101 83

HSL 8.06, 0.64%, 0.59%

LAB 56.77, 44.16, 31.99

 

CMYK 0 / 78 / 47 / 30

HEX #B3275F

RGB 179 39 95

HSL 336, 0.64%, 0.43%

LAB 40.99, 58.43, 2.41

 

CMYK 0 / 77 / 46 / 18

HEX #D13171

RGB 209 49 113

HSL 336, 0.63%, 0.51%

LAB 48.19, 65.16, 2.36

 

CMYK 0 / 62 / 37 / 15

HEX #D95388

RGB 217 83 136

HSL 336.27, 0.64%, 0.59%

LAB 54.78, 57.19, -1.68

 

CMYK 0 / 48 / 29 / 12

HEX #E075A0

RGB 224 117 160

HSL 335.89, 0.63%, 0.67%

LAB 62.6, 46.37, -4.02

 

CMYK 0 / 35 / 21 / 9

HEX #E897B7

RGB 232 151 183

HSL 336.3, 0.64%, 0.75%

LAB 71.36, 34.73, -3.95

 

CMYK 0 / 61 / 37 / 15

HEX #DA558A

RGB 218 85 138

HSL 336.09, 0.64%, 0.59%

LAB 55.32, 56.86, -2.06

 

CMYK 0 / 12 / 62 / 15

HEX #D9BE53

RGB 217 190 83

HSL 47.91, 0.64%, 0.59%

LAB 77.4, -2.8, 56.16

 

CMYK 62 / 12 / 0 / 15

HEX #53BED9

RGB 83 190 217

HSL 192.09, 0.64%, 0.59%

LAB 72.01, -22.67, -22.71

 

CMYK 0 / 61 / 37 / 15

HEX #DA558A

RGB 218 85 138

HSL 336.09, 0.64%, 0.59%

LAB 55.32, 56.86, -2.06

 

CMYK 37 / 0 / 62 / 15

HEX #89D953

RGB 137 217 83

HSL 95.82, 0.64%, 0.59%

LAB 79.37, -47.01, 56.78

 

CMYK 62 / 37 / 0 / 15

HEX #5389D9

RGB 83 137 217

HSL 215.82, 0.64%, 0.59%

LAB 56.82, 6.63, -46.32

 

CMYK 0 / 61 / 37 / 15

HEX #DA558A

RGB 218 85 138

HSL 336.09, 0.64%, 0.59%

LAB 55.32, 56.86, -2.06

 

CMYK 0 / 12 / 62 / 15

HEX #D9BE53

RGB 217 190 83

HSL 47.91, 0.64%, 0.59%

LAB 77.4, -2.8, 56.16

 

CMYK 62 / 0 / 25 / 15

HEX #53D9A3

RGB 83 217 163

HSL 155.82, 0.64%, 0.59%

LAB 78.53, -49.08, 15.96

 

CMYK 62 / 49 / 0 / 15

HEX #536ED9

RGB 83 110 217

HSL 227.91, 0.64%, 0.59%

LAB 49.5, 23.13, -58.01

 

CMYK 0 / 61 / 37 / 15

HEX #DA558A

RGB 218 85 138

HSL 336.09, 0.64%, 0.59%

LAB 55.32, 56.86, -2.06

 

CMYK 6 / 0 / 62 / 15

HEX #CBD953

RGB 203 217 83

HSL 66.27, 0.64%, 0.59%

LAB 83.41, -22.2, 62.36

 

CMYK 62 / 0 / 25 / 15

HEX #53D9A3

RGB 83 217 163

HSL 155.82, 0.64%, 0.59%

LAB 78.53, -49.08, 15.96

 

CMYK 56 / 62 / 0 / 15

HEX #6053D9

RGB 96 83 217

HSL 245.82, 0.64%, 0.59%

LAB 43.77, 41.92, -67.23

 

Description

Color code: RGB 218 85 138 | qconv.com Color code: RGB 218 85 138 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 85 green and 138 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 85 138 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 61 magenta, 37 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 61% 37% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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