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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 218 85 235 it is the complementary color RGB 37 170 20. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 218 85 235. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 218 85 235 shade: RGB 223 85 230, RGB 240 103 249, RGB 255 121 255, RGB 255 139 255 and RGB 255 157 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 218 85 235. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 218 85 235 shade: RGB 218 85 235, RGB 201 67 216, RGB 184 49 197, RGB 167 31 178 and RGB 150 13 159

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 218 85 235 shade: RGB 218 86 235, RGB 235 86 211, RGB 235 86 171, RGB 235 86 131 and RGB 235 86 91

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 218 85 235 shade: RGB 218 86 235, RGB 178 86 235, RGB 137 86 235, RGB 97 86 235 and RGB 86 86 235

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 218 85 235 shade matches the following richer shades: RGB 218 86 235 and RGB 230 70 250

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 218 85 235 shade: RGB 218 86 235, RGB 206 101 219, RGB 194 116 204, RGB 182 131 189 and RGB 171 147 174

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 218 85 235 shade: RGB 138 86 235, RGB 178 86 235, RGB 217 86 235, RGB 235 86 212 and RGB 235 86 173

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 218 85 235 shade: RGB 192 25 213, RGB 210 49 230, RGB 218 86 235, RGB 226 123 239 and RGB 234 159 243

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 218 85 235 shade: RGB 218 85 235, RGB 235 98 86 and RGB 86 235 158

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 218 85 235 shade: RGB 218 85 235, RGB 235 217 86 and RGB 86 235 217

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 218 85 235 shade: RGB 218 85 235, RGB 235 98 86, RGB 103 235 86 and RGB 86 222 235

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 218 85 235 shade: RGB 218 85 235, RGB 235 143 86, RGB 103 235 86 and RGB 86 178 235

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 64 / 0 / 8

HEX #DA55EB

RGB 218 85 235

HSL 293.2, 0.79%, 0.63%

LAB 59.34, 71.07, -51.62

 

Complementary color

CMYK 78 / 0 / 88 / 33

HEX #25AA14

RGB 37 170 20

HSL 113.2, 0.79%, 0.37%

LAB 60.95, -59.91, 58.78

 

CMYK 3 / 63 / 0 / 10

HEX #DF55E6

RGB 223 85 230

HSL 297.1, 0.74%, 0.62%

LAB 59.8, 71.36, -48.06

 

CMYK 4 / 59 / 0 / 2

HEX #F067F9

RGB 240 103 249

HSL 296.3, 0.92%, 0.69%

LAB 65.8, 71.23, -48.96

 

CMYK 0 / 53 / 0 / 0

HEX #FF79FF

RGB 255 121 255

HSL 300, 1%, 0.74%

LAB 70.98, 68.15, -43.96

 

CMYK 0 / 45 / 0 / 0

HEX #FF8BFF

RGB 255 139 255

HSL 300, 1%, 0.77%

LAB 74.15, 59.74, -39

 

CMYK 0 / 38 / 0 / 0

HEX #FF9DFF

RGB 255 157 255

HSL 300, 1%, 0.81%

LAB 77.63, 50.81, -33.61

 

CMYK 7 / 64 / 0 / 8

HEX #DA55EB

RGB 218 85 235

HSL 293.2, 0.79%, 0.63%

LAB 59.34, 71.07, -51.62

 

CMYK 7 / 69 / 0 / 15

HEX #C943D8

RGB 201 67 216

HSL 293.96, 0.66%, 0.55%

LAB 53.37, 70.89, -50.56

 

CMYK 7 / 75 / 0 / 23

HEX #B831C5

RGB 184 49 197

HSL 294.73, 0.6%, 0.48%

LAB 47.52, 70.18, -49.15

 

CMYK 6 / 83 / 0 / 30

HEX #A71FB2

RGB 167 31 178

HSL 295.51, 0.7%, 0.41%

LAB 41.86, 68.65, -47.23

 

CMYK 6 / 92 / 0 / 38

HEX #960D9F

RGB 150 13 159

HSL 296.3, 0.85%, 0.34%

LAB 36.51, 65.92, -44.61

 

CMYK 7 / 63 / 0 / 8

HEX #DA56EB

RGB 218 86 235

HSL 293.15, 0.79%, 0.63%

LAB 59.49, 70.67, -51.39

 

CMYK 0 / 63 / 10 / 8

HEX #EB56D3

RGB 235 86 211

HSL 309.66, 0.79%, 0.63%

LAB 60.8, 70.83, -35.67

 

CMYK 0 / 63 / 27 / 8

HEX #EB56AB

RGB 235 86 171

HSL 325.77, 0.79%, 0.63%

LAB 59.21, 65.33, -15.24

 

CMYK 0 / 63 / 44 / 8

HEX #EB5683

RGB 235 86 131

HSL 341.88, 0.79%, 0.63%

LAB 58, 60.94, 6.29

 

CMYK 0 / 63 / 61 / 8

HEX #EB565B

RGB 235 86 91

HSL 357.99, 0.79%, 0.63%

LAB 57.15, 57.77, 28.51

 

CMYK 7 / 63 / 0 / 8

HEX #DA56EB

RGB 218 86 235

HSL 293.15, 0.79%, 0.63%

LAB 59.49, 70.67, -51.39

 

CMYK 24 / 63 / 0 / 8

HEX #B256EB

RGB 178 86 235

HSL 277.05, 0.79%, 0.63%

LAB 54.15, 61.66, -60.22

 

CMYK 42 / 63 / 0 / 8

HEX #8956EB

RGB 137 86 235

HSL 260.54, 0.79%, 0.63%

LAB 49.46, 53.04, -68.02

 

CMYK 59 / 63 / 0 / 8

HEX #6156EB

RGB 97 86 235

HSL 244.43, 0.79%, 0.63%

LAB 45.9, 45.9, -73.97

 

CMYK 63 / 63 / 0 / 8

HEX #5656EB

RGB 86 86 235

HSL 240, 0.79%, 0.63%

LAB 45.13, 44.27, -75.27

 

CMYK 7 / 63 / 0 / 8

HEX #DA56EB

RGB 218 86 235

HSL 293.15, 0.79%, 0.63%

LAB 59.49, 70.67, -51.39

 

CMYK 8 / 72 / 0 / 2

HEX #E646FA

RGB 230 70 250

HSL 293.33, 0.95%, 0.63%

LAB 59.98, 81.63, -58.84

 

CMYK 7 / 63 / 0 / 8

HEX #DA56EB

RGB 218 86 235

HSL 293.15, 0.79%, 0.63%

LAB 59.49, 70.67, -51.39

 

CMYK 6 / 54 / 0 / 14

HEX #CE65DB

RGB 206 101 219

HSL 293.39, 0.62%, 0.63%

LAB 59.47, 58.2, -42.55

 

CMYK 5 / 43 / 0 / 20

HEX #C274CC

RGB 194 116 204

HSL 293.18, 0.46%, 0.63%

LAB 60.18, 44.44, -33.1

 

CMYK 4 / 31 / 0 / 26

HEX #B683BD

RGB 182 131 189

HSL 292.76, 0.31%, 0.63%

LAB 61.53, 29.57, -22.64

 

CMYK 2 / 16 / 0 / 32

HEX #AB93AE

RGB 171 147 174

HSL 293.33, 0.14%, 0.63%

LAB 63.82, 13.88, -10.79

 

CMYK 41 / 63 / 0 / 8

HEX #8A56EB

RGB 138 86 235

HSL 260.94, 0.79%, 0.63%

LAB 49.57, 53.24, -67.85

 

CMYK 24 / 63 / 0 / 8

HEX #B256EB

RGB 178 86 235

HSL 277.05, 0.79%, 0.63%

LAB 54.15, 61.66, -60.22

 

CMYK 8 / 63 / 0 / 8

HEX #D956EB

RGB 217 86 235

HSL 292.75, 0.79%, 0.63%

LAB 59.35, 70.44, -51.62

 

CMYK 0 / 63 / 10 / 8

HEX #EB56D4

RGB 235 86 212

HSL 309.26, 0.79%, 0.63%

LAB 60.84, 70.98, -36.16

 

CMYK 0 / 63 / 26 / 8

HEX #EB56AD

RGB 235 86 173

HSL 324.97, 0.79%, 0.63%

LAB 59.28, 65.58, -16.29

 

CMYK 10 / 88 / 0 / 16

HEX #C019D5

RGB 192 25 213

HSL 293.3, 0.79%, 0.47%

LAB 47.89, 79.89, -57.71

 

CMYK 9 / 79 / 0 / 10

HEX #D231E6

RGB 210 49 230

HSL 293.37, 0.78%, 0.55%

LAB 53.61, 80.66, -58.03

 

CMYK 7 / 63 / 0 / 8

HEX #DA56EB

RGB 218 86 235

HSL 293.15, 0.79%, 0.63%

LAB 59.49, 70.67, -51.39

 

CMYK 5 / 49 / 0 / 6

HEX #E27BEF

RGB 226 123 239

HSL 293.28, 0.78%, 0.71%

LAB 66.95, 56.64, -41.76

 

CMYK 4 / 35 / 0 / 5

HEX #EA9FF3

RGB 234 159 243

HSL 293.57, 0.78%, 0.79%

LAB 75.3, 41.27, -30.91

 

CMYK 7 / 64 / 0 / 8

HEX #DA55EB

RGB 218 85 235

HSL 293.2, 0.79%, 0.63%

LAB 59.34, 71.07, -51.62

 

CMYK 0 / 58 / 63 / 8

HEX #EB6256

RGB 235 98 86

HSL 4.83, 0.79%, 0.63%

LAB 59.04, 52.21, 33.74

 

CMYK 63 / 0 / 33 / 8

HEX #56EB9E

RGB 86 235 158

HSL 148.99, 0.79%, 0.63%

LAB 83.89, -56.77, 25.98

 

CMYK 7 / 64 / 0 / 8

HEX #DA55EB

RGB 218 85 235

HSL 293.2, 0.79%, 0.63%

LAB 59.34, 71.07, -51.62

 

CMYK 0 / 8 / 63 / 8

HEX #EBD956

RGB 235 217 86

HSL 52.75, 0.79%, 0.63%

LAB 85.99, -8.89, 64.63

 

CMYK 63 / 0 / 8 / 8

HEX #56EBD9

RGB 86 235 217

HSL 172.75, 0.79%, 0.63%

LAB 85.2, -43.45, -2.95

 

CMYK 7 / 64 / 0 / 8

HEX #DA55EB

RGB 218 85 235

HSL 293.2, 0.79%, 0.63%

LAB 59.34, 71.07, -51.62

 

CMYK 0 / 58 / 63 / 8

HEX #EB6256

RGB 235 98 86

HSL 4.83, 0.79%, 0.63%

LAB 59.04, 52.21, 33.74

 

CMYK 56 / 0 / 63 / 8

HEX #67EB56

RGB 103 235 86

HSL 113.15, 0.79%, 0.63%

LAB 83.43, -63.55, 59.65

 

CMYK 63 / 6 / 0 / 8

HEX #56DEEB

RGB 86 222 235

HSL 185.23, 0.79%, 0.63%

LAB 81.96, -32.66, -17.3

 

CMYK 7 / 64 / 0 / 8

HEX #DA55EB

RGB 218 85 235

HSL 293.2, 0.79%, 0.63%

LAB 59.34, 71.07, -51.62

 

CMYK 0 / 39 / 63 / 8

HEX #EB8F56

RGB 235 143 86

HSL 22.95, 0.79%, 0.63%

LAB 68.01, 29.8, 44.56

 

CMYK 56 / 0 / 63 / 8

HEX #67EB56

RGB 103 235 86

HSL 113.15, 0.79%, 0.63%

LAB 83.43, -63.55, 59.65

 

CMYK 63 / 24 / 0 / 8

HEX #56B2EB

RGB 86 178 235

HSL 202.95, 0.79%, 0.63%

LAB 69.34, -10.3, -36.62

 

Description

Color code: RGB 218 85 235 | qconv.com Color code: RGB 218 85 235 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 85 green and 235 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 85 235 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 64 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 64% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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