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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 219 132 40 it is the complementary color RGB 36 123 215. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 219 132 40. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 219 132 40 shade: RGB 224 132 35, RGB 241 150 54, RGB 255 168 73, RGB 255 186 92 and RGB 255 204 111

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 219 132 40. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 219 132 40 shade: RGB 219 132 40, RGB 202 114 21, RGB 185 96 2, RGB 168 78 0 and RGB 151 60 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 219 132 40 shade: RGB 218 132 41, RGB 218 84 41 and RGB 218 41 41

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 219 132 40 shade: RGB 218 132 41, RGB 218 180 41, RGB 209 218 41, RGB 161 218 41 and RGB 113 218 41

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 219 132 40 shade matches the following richer shades: RGB 218 132 41 and RGB 238 133 21

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 219 132 40 shade: RGB 218 132 41, RGB 198 131 61, RGB 178 131 81, RGB 158 130 101 and RGB 137 130 122

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 219 132 40 shade: RGB 218 41 47, RGB 218 82 41, RGB 218 130 41, RGB 218 177 41 and RGB 212 218 41

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 219 132 40 shade: RGB 151 90 25, RGB 187 111 31, RGB 218 132 41, RGB 224 152 76 and RGB 230 172 111

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 219 132 40 shade: RGB 219 132 40, RGB 94 218 41 and RGB 59 41 218

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 219 132 40 shade: RGB 219 132 40, RGB 41 218 130 and RGB 130 41 218

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 219 132 40 shade: RGB 219 132 40, RGB 94 218 41, RGB 41 130 218 and RGB 165 41 218

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 219 132 40 shade: RGB 219 132 40, RGB 41 218 41, RGB 41 130 218 and RGB 218 41 218

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 82 / 14

HEX #DB8428

RGB 219 132 40

HSL 30.84, 0.71%, 0.51%

LAB 63.11, 26.87, 59.72

 

Complementary color

CMYK 83 / 43 / 0 / 16

HEX #247BD7

RGB 36 123 215

HSL 210.84, 0.71%, 0.49%

LAB 51.21, 8.09, -54.23

 

CMYK 0 / 41 / 84 / 12

HEX #E08423

RGB 224 132 35

HSL 30.79, 0.75%, 0.51%

LAB 63.73, 28.81, 62.27

 

CMYK 0 / 38 / 78 / 5

HEX #F19636

RGB 241 150 54

HSL 30.8, 0.87%, 0.58%

LAB 70.02, 26.97, 61.71

 

CMYK 0 / 34 / 71 / 0

HEX #FFA849

RGB 255 168 73

HSL 31.32, 1%, 0.64%

LAB 75.91, 24.1, 60.17

 

CMYK 0 / 27 / 64 / 0

HEX #FFBA5C

RGB 255 186 92

HSL 34.6, 1%, 0.68%

LAB 80.26, 15.72, 56.3

 

CMYK 0 / 20 / 56 / 0

HEX #FFCC6F

RGB 255 204 111

HSL 38.75, 1%, 0.72%

LAB 84.79, 7.66, 52.56

 

CMYK 0 / 40 / 82 / 14

HEX #DB8428

RGB 219 132 40

HSL 30.84, 0.71%, 0.51%

LAB 63.11, 26.87, 59.72

 

CMYK 0 / 44 / 90 / 21

HEX #CA7215

RGB 202 114 21

HSL 30.83, 0.81%, 0.44%

LAB 56.73, 28.87, 59.7

 

CMYK 0 / 48 / 99 / 27

HEX #B96002

RGB 185 96 2

HSL 30.82, 0.98%, 0.37%

LAB 50.32, 31.07, 58.35

 

CMYK 0 / 54 / 100 / 34

HEX #A84E00

RGB 168 78 0

HSL 27.86, 1%, 0.33%

LAB 43.91, 33.48, 53.66

 

CMYK 0 / 60 / 100 / 41

HEX #973C00

RGB 151 60 0

HSL 23.84, 1%, 0.3%

LAB 37.5, 35.81, 48.54

 

CMYK 0 / 39 / 81 / 15

HEX #DA8429

RGB 218 132 41

HSL 30.85, 0.71%, 0.51%

LAB 62.98, 26.48, 59.19

 

CMYK 0 / 61 / 81 / 15

HEX #DA5429

RGB 218 84 41

HSL 14.58, 0.71%, 0.51%

LAB 53.39, 50.48, 50.4

 

CMYK 0 / 81 / 81 / 15

HEX #DA2929

RGB 218 41 41

HSL 0, 0.71%, 0.51%

LAB 47.82, 65.76, 45.1

 

CMYK 0 / 39 / 81 / 15

HEX #DA8429

RGB 218 132 41

HSL 30.85, 0.71%, 0.51%

LAB 62.98, 26.48, 59.19

 

CMYK 0 / 17 / 81 / 15

HEX #DAB429

RGB 218 180 41

HSL 47.12, 0.71%, 0.51%

LAB 74.64, 0.83, 69.48

 

CMYK 4 / 0 / 81 / 15

HEX #D1DA29

RGB 209 218 41

HSL 63.05, 0.71%, 0.51%

LAB 83.89, -22.24, 77.16

 

CMYK 26 / 0 / 81 / 15

HEX #A1DA29

RGB 161 218 41

HSL 79.32, 0.71%, 0.51%

LAB 80.67, -41.47, 73.1

 

CMYK 48 / 0 / 81 / 15

HEX #71DA29

RGB 113 218 41

HSL 95.59, 0.71%, 0.51%

LAB 78.35, -57.84, 70.14

 

CMYK 0 / 39 / 81 / 15

HEX #DA8429

RGB 218 132 41

HSL 30.85, 0.71%, 0.51%

LAB 62.98, 26.48, 59.19

 

CMYK 0 / 44 / 91 / 7

HEX #EE8515

RGB 238 133 21

HSL 30.97, 0.86%, 0.51%

LAB 65.75, 33.77, 68.58

 

CMYK 0 / 39 / 81 / 15

HEX #DA8429

RGB 218 132 41

HSL 30.85, 0.71%, 0.51%

LAB 62.98, 26.48, 59.19

 

CMYK 0 / 34 / 69 / 22

HEX #C6833D

RGB 198 131 61

HSL 30.66, 0.55%, 0.51%

LAB 60.4, 19.4, 47.17

 

CMYK 0 / 26 / 54 / 30

HEX #B28351

RGB 178 131 81

HSL 30.93, 0.39%, 0.51%

LAB 58.31, 12.23, 33.9

 

CMYK 0 / 18 / 36 / 38

HEX #9E8265

RGB 158 130 101

HSL 30.53, 0.23%, 0.51%

LAB 56.26, 6.44, 19.73

 

CMYK 0 / 5 / 11 / 46

HEX #89827A

RGB 137 130 122

HSL 32, 0.06%, 0.51%

LAB 54.75, 1.16, 5.26

 

CMYK 0 / 81 / 78 / 15

HEX #DA292F

RGB 218 41 47

HSL 357.97, 0.71%, 0.51%

LAB 47.88, 65.94, 41.92

 

CMYK 0 / 62 / 81 / 15

HEX #DA5229

RGB 218 82 41

HSL 13.9, 0.71%, 0.51%

LAB 53.06, 51.36, 50.09

 

CMYK 0 / 40 / 81 / 15

HEX #DA8229

RGB 218 130 41

HSL 30.17, 0.71%, 0.51%

LAB 62.53, 27.55, 58.78

 

CMYK 0 / 19 / 81 / 15

HEX #DAB129

RGB 218 177 41

HSL 46.1, 0.71%, 0.51%

LAB 73.88, 2.41, 68.81

 

CMYK 3 / 0 / 81 / 15

HEX #D4DA29

RGB 212 218 41

HSL 62.03, 0.71%, 0.51%

LAB 84.12, -20.99, 77.44

 

CMYK 0 / 40 / 83 / 41

HEX #975A19

RGB 151 90 25

HSL 30.95, 0.72%, 0.35%

LAB 44.18, 20.06, 45.15

 

CMYK 0 / 41 / 83 / 27

HEX #BB6F1F

RGB 187 111 31

HSL 30.77, 0.72%, 0.43%

LAB 54.06, 24.35, 53.46

 

CMYK 0 / 39 / 81 / 15

HEX #DA8429

RGB 218 132 41

HSL 30.85, 0.71%, 0.51%

LAB 62.98, 26.48, 59.19

 

CMYK 0 / 32 / 66 / 12

HEX #E0984C

RGB 224 152 76

HSL 30.81, 0.7%, 0.59%

LAB 68.62, 19.89, 49.88

 

CMYK 0 / 25 / 52 / 10

HEX #E6AC6F

RGB 230 172 111

HSL 30.76, 0.7%, 0.67%

LAB 74.49, 14.26, 39.46

 

CMYK 0 / 40 / 82 / 14

HEX #DB8428

RGB 219 132 40

HSL 30.84, 0.71%, 0.51%

LAB 63.11, 26.87, 59.72

 

CMYK 57 / 0 / 81 / 15

HEX #5EDA29

RGB 94 218 41

HSL 102.03, 0.71%, 0.51%

LAB 77.69, -63.06, 69.29

 

CMYK 73 / 81 / 0 / 15

HEX #3B29DA

RGB 59 41 218

HSL 246.1, 0.71%, 0.51%

LAB 33.09, 60.12, -85.47

 

CMYK 0 / 40 / 82 / 14

HEX #DB8428

RGB 219 132 40

HSL 30.84, 0.71%, 0.51%

LAB 63.11, 26.87, 59.72

 

CMYK 81 / 0 / 40 / 15

HEX #29DA82

RGB 41 218 130

HSL 150.17, 0.71%, 0.51%

LAB 77.42, -62.16, 31.47

 

CMYK 40 / 81 / 0 / 15

HEX #8229DA

RGB 130 41 218

HSL 270.17, 0.71%, 0.51%

LAB 40.24, 67.61, -73.44

 

CMYK 0 / 40 / 82 / 14

HEX #DB8428

RGB 219 132 40

HSL 30.84, 0.71%, 0.51%

LAB 63.11, 26.87, 59.72

 

CMYK 57 / 0 / 81 / 15

HEX #5EDA29

RGB 94 218 41

HSL 102.03, 0.71%, 0.51%

LAB 77.69, -63.06, 69.29

 

CMYK 81 / 40 / 0 / 15

HEX #2982DA

RGB 41 130 218

HSL 209.83, 0.71%, 0.51%

LAB 53.49, 5.37, -52.26

 

CMYK 24 / 81 / 0 / 15

HEX #A529DA

RGB 165 41 218

HSL 282.03, 0.71%, 0.51%

LAB 45.15, 72.91, -65.22

 

CMYK 0 / 40 / 82 / 14

HEX #DB8428

RGB 219 132 40

HSL 30.84, 0.71%, 0.51%

LAB 63.11, 26.87, 59.72

 

CMYK 81 / 0 / 81 / 15

HEX #29DA29

RGB 41 218 41

HSL 120, 0.71%, 0.51%

LAB 76.54, -72.71, 67.82

 

CMYK 81 / 40 / 0 / 15

HEX #2982DA

RGB 41 130 218

HSL 209.83, 0.71%, 0.51%

LAB 53.49, 5.37, -52.26

 

CMYK 0 / 81 / 0 / 15

HEX #DA29DA

RGB 218 41 218

HSL 300, 0.71%, 0.51%

LAB 53.55, 82.14, -51.26

 

Description

Color code: RGB 219 132 40 | qconv.com Color code: RGB 219 132 40 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 132 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 132 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 82 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 82% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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