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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 219 15 121 it is the complementary color RGB 36 240 134. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 219 15 121. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 219 15 121 shade: RGB 224 15 116, RGB 241 33 135, RGB 255 51 154, RGB 255 69 173 and RGB 255 87 192

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 219 15 121. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 219 15 121 shade: RGB 219 15 121, RGB 202 0 102, RGB 185 0 83, RGB 168 0 64 and RGB 151 0 45

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 219 15 121 shade: RGB 219 15 121, RGB 219 15 66 and RGB 219 15 15

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 219 15 121 shade: RGB 219 15 121, RGB 219 15 176, RGB 207 15 219, RGB 152 15 219 and RGB 97 15 219

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 219 15 121 shade matches the following richer shades: RGB 219 15 121

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 219 15 121 shade: RGB 219 15 121, RGB 200 34 120, RGB 181 53 119, RGB 162 72 119 and RGB 143 91 118

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 219 15 121 shade: RGB 205 15 219, RGB 219 15 178, RGB 219 15 124, RGB 219 15 69 and RGB 219 15 15

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 219 15 121 shade: RGB 142 9 78, RGB 180 12 99, RGB 219 15 121, RGB 239 36 141 and RGB 242 74 161

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 219 15 121 shade: RGB 219 15 121, RGB 219 151 15 and RGB 15 205 219

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 219 15 121 shade: RGB 219 15 121, RGB 124 219 15 and RGB 15 124 219

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 219 15 121 shade: RGB 219 15 121, RGB 219 151 15, RGB 15 219 110 and RGB 15 83 219

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 219 15 121 shade: RGB 219 15 121, RGB 219 212 15, RGB 15 219 110 and RGB 15 22 219

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 93 / 45 / 14

HEX #DB0F79

RGB 219 15 121

HSL 328.82, 0.87%, 0.46%

LAB 47.98, 75.04, -2.6

 

Complementary color

CMYK 85 / 0 / 44 / 6

HEX #24F086

RGB 36 240 134

HSL 148.82, 0.87%, 0.54%

LAB 84.18, -69.42, 38.28

 

CMYK 0 / 93 / 48 / 12

HEX #E00F74

RGB 224 15 116

HSL 331, 0.87%, 0.47%

LAB 48.82, 75.75, 1.8

 

CMYK 0 / 86 / 44 / 5

HEX #F12187

RGB 241 33 135

HSL 330.58, 0.88%, 0.54%

LAB 53.53, 78.67, -2.43

 

CMYK 0 / 80 / 40 / 0

HEX #FF339A

RGB 255 51 154

HSL 329.71, 1%, 0.6%

LAB 58, 79.92, -6.81

 

CMYK 0 / 73 / 32 / 0

HEX #FF45AD

RGB 255 69 173

HSL 326.45, 1%, 0.64%

LAB 60.37, 76.89, -14.33

 

CMYK 0 / 66 / 25 / 0

HEX #FF57C0

RGB 255 87 192

HSL 322.5, 1%, 0.67%

LAB 63.25, 72.96, -20.86

 

CMYK 0 / 93 / 45 / 14

HEX #DB0F79

RGB 219 15 121

HSL 328.82, 0.87%, 0.46%

LAB 47.98, 75.04, -2.6

 

CMYK 0 / 100 / 50 / 21

HEX #CA0066

RGB 202 0 102

HSL 329.7, 1%, 0.4%

LAB 43.53, 71.09, 2.25

 

CMYK 0 / 100 / 55 / 27

HEX #B90053

RGB 185 0 83

HSL 333.08, 1%, 0.36%

LAB 39.48, 65.85, 8.02

 

CMYK 0 / 100 / 62 / 34

HEX #A80040

RGB 168 0 64

HSL 337.14, 1%, 0.33%

LAB 35.39, 60.61, 14.1

 

CMYK 0 / 100 / 70 / 41

HEX #97002D

RGB 151 0 45

HSL 342.12, 1%, 0.3%

LAB 31.27, 55.4, 20.49

 

CMYK 0 / 93 / 45 / 14

HEX #DB0F79

RGB 219 15 121

HSL 328.82, 0.87%, 0.46%

LAB 47.98, 75.04, -2.6

 

CMYK 0 / 93 / 70 / 14

HEX #DB0F42

RGB 219 15 66

HSL 345, 0.87%, 0.46%

LAB 46.7, 71.54, 29.54

 

CMYK 0 / 93 / 93 / 14

HEX #DB0F0F

RGB 219 15 15

HSL 0, 0.87%, 0.46%

LAB 46.23, 70.2, 55.61

 

CMYK 0 / 93 / 45 / 14

HEX #DB0F79

RGB 219 15 121

HSL 328.82, 0.87%, 0.46%

LAB 47.98, 75.04, -2.6

 

CMYK 0 / 93 / 20 / 14

HEX #DB0FB0

RGB 219 15 176

HSL 312.65, 0.87%, 0.46%

LAB 50.14, 80.72, -32.35

 

CMYK 5 / 93 / 0 / 14

HEX #CF0FDB

RGB 207 15 219

HSL 296.47, 0.87%, 0.46%

LAB 50.36, 84.52, -57.04

 

CMYK 31 / 93 / 0 / 14

HEX #980FDB

RGB 152 15 219

HSL 280.29, 0.87%, 0.46%

LAB 41.42, 76.66, -71.94

 

CMYK 56 / 93 / 0 / 14

HEX #610FDB

RGB 97 15 219

HSL 264.12, 0.87%, 0.46%

LAB 33.98, 71.11, -84.47

 

CMYK 0 / 93 / 45 / 14

HEX #DB0F79

RGB 219 15 121

HSL 328.82, 0.87%, 0.46%

LAB 47.98, 75.04, -2.6

 

CMYK 0 / 93 / 45 / 14

HEX #DB0F79

RGB 219 15 121

HSL 328.82, 0.87%, 0.46%

LAB 47.98, 75.04, -2.6

 

CMYK 0 / 83 / 40 / 22

HEX #C82278

RGB 200 34 120

HSL 328.92, 0.71%, 0.46%

LAB 45.33, 67.47, -6.33

 

CMYK 0 / 71 / 34 / 29

HEX #B53577

RGB 181 53 119

HSL 329.06, 0.55%, 0.46%

LAB 43.8, 56.76, -8.36

 

CMYK 0 / 56 / 27 / 36

HEX #A24877

RGB 162 72 119

HSL 328.67, 0.38%, 0.46%

LAB 43.72, 42.65, -8.8

 

CMYK 0 / 36 / 17 / 44

HEX #8F5B76

RGB 143 91 118

HSL 328.85, 0.22%, 0.46%

LAB 45.12, 25.46, -6.37

 

CMYK 6 / 93 / 0 / 14

HEX #CD0FDB

RGB 205 15 219

HSL 295.88, 0.87%, 0.46%

LAB 50.02, 84.21, -57.6

 

CMYK 0 / 93 / 19 / 14

HEX #DB0FB2

RGB 219 15 178

HSL 312.06, 0.87%, 0.46%

LAB 50.23, 80.96, -33.37

 

CMYK 0 / 93 / 43 / 14

HEX #DB0F7C

RGB 219 15 124

HSL 327.94, 0.87%, 0.46%

LAB 48.08, 75.3, -4.3

 

CMYK 0 / 93 / 68 / 14

HEX #DB0F45

RGB 219 15 69

HSL 344.12, 0.87%, 0.46%

LAB 46.75, 71.67, 27.77

 

CMYK 0 / 93 / 93 / 14

HEX #DB0F0F

RGB 219 15 15

HSL 0, 0.87%, 0.46%

LAB 46.23, 70.2, 55.61

 

CMYK 0 / 94 / 45 / 44

HEX #8E094E

RGB 142 9 78

HSL 328.87, 0.88%, 0.3%

LAB 30.63, 54.14, -2.65

 

CMYK 0 / 93 / 45 / 29

HEX #B40C63

RGB 180 12 99

HSL 328.93, 0.88%, 0.38%

LAB 39.36, 64.65, -2.49

 

CMYK 0 / 93 / 45 / 14

HEX #DB0F79

RGB 219 15 121

HSL 328.82, 0.87%, 0.46%

LAB 47.98, 75.04, -2.6

 

CMYK 0 / 85 / 41 / 6

HEX #EF248D

RGB 239 36 141

HSL 328.97, 0.86%, 0.54%

LAB 53.53, 78.2, -6.07

 

CMYK 0 / 69 / 33 / 5

HEX #F24AA1

RGB 242 74 161

HSL 328.93, 0.87%, 0.62%

LAB 58.37, 70.59, -10.6

 

CMYK 0 / 93 / 45 / 14

HEX #DB0F79

RGB 219 15 121

HSL 328.82, 0.87%, 0.46%

LAB 47.98, 75.04, -2.6

 

CMYK 0 / 31 / 93 / 14

HEX #DB970F

RGB 219 151 15

HSL 40, 0.87%, 0.46%

LAB 67.45, 16.15, 69.9

 

CMYK 93 / 6 / 0 / 14

HEX #0FCDDB

RGB 15 205 219

HSL 184.12, 0.87%, 0.46%

LAB 75.38, -36.11, -18.78

 

CMYK 0 / 93 / 45 / 14

HEX #DB0F79

RGB 219 15 121

HSL 328.82, 0.87%, 0.46%

LAB 47.98, 75.04, -2.6

 

CMYK 43 / 0 / 93 / 14

HEX #7CDB0F

RGB 124 219 15

HSL 87.94, 0.87%, 0.46%

LAB 79.03, -55.62, 75.81

 

CMYK 93 / 43 / 0 / 14

HEX #0F7CDB

RGB 15 124 219

HSL 207.94, 0.87%, 0.46%

LAB 51.42, 7.74, -56.16

 

CMYK 0 / 93 / 45 / 14

HEX #DB0F79

RGB 219 15 121

HSL 328.82, 0.87%, 0.46%

LAB 47.98, 75.04, -2.6

 

CMYK 0 / 31 / 93 / 14

HEX #DB970F

RGB 219 151 15

HSL 40, 0.87%, 0.46%

LAB 67.45, 16.15, 69.9

 

CMYK 93 / 0 / 50 / 14

HEX #0FDB6E

RGB 15 219 110

HSL 147.94, 0.87%, 0.46%

LAB 77.22, -67.74, 41.13

 

CMYK 93 / 62 / 0 / 14

HEX #0F53DB

RGB 15 83 219

HSL 220, 0.87%, 0.46%

LAB 40.25, 34.06, -74.28

 

CMYK 0 / 93 / 45 / 14

HEX #DB0F79

RGB 219 15 121

HSL 328.82, 0.87%, 0.46%

LAB 47.98, 75.04, -2.6

 

CMYK 0 / 3 / 93 / 14

HEX #DBD40F

RGB 219 212 15

HSL 57.94, 0.87%, 0.46%

LAB 83.01, -15.63, 81.48

 

CMYK 93 / 0 / 50 / 14

HEX #0FDB6E

RGB 15 219 110

HSL 147.94, 0.87%, 0.46%

LAB 77.22, -67.74, 41.13

 

CMYK 93 / 90 / 0 / 14

HEX #0F16DB

RGB 15 22 219

HSL 237.94, 0.87%, 0.46%

LAB 28.88, 65.96, -93.11

 

Description

Color code: RGB 219 15 121 | qconv.com Color code: RGB 219 15 121 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 15 green and 121 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 15 121 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 93 magenta, 45 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 93% 45% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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