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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 219 15 150 it is the complementary color RGB 36 240 105. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 219 15 150. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 219 15 150 shade: RGB 224 15 145, RGB 241 33 164, RGB 255 51 183, RGB 255 69 202 and RGB 255 87 221

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 219 15 150. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 219 15 150 shade: RGB 219 15 150, RGB 202 0 131, RGB 185 0 112, RGB 168 0 93 and RGB 151 0 74

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 219 15 150 shade: RGB 219 15 150, RGB 219 15 95, RGB 219 15 40 and RGB 219 15 15

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 219 15 150 shade: RGB 219 15 150, RGB 219 15 205, RGB 178 15 219, RGB 123 15 219 and RGB 68 15 219

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 219 15 150 shade matches the following richer shades: RGB 219 15 150

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 219 15 150 shade: RGB 219 15 150, RGB 200 34 144, RGB 181 53 138, RGB 162 72 131 and RGB 143 91 125

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 219 15 150 shade: RGB 178 15 219, RGB 219 15 205, RGB 219 15 151, RGB 219 15 96 and RGB 219 15 42

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 219 15 150 shade: RGB 142 9 97, RGB 180 12 123, RGB 219 15 150, RGB 239 36 170 and RGB 242 74 185

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 219 15 150 shade: RGB 219 15 150, RGB 219 124 15 and RGB 15 219 205

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 219 15 150 shade: RGB 219 15 150, RGB 151 219 15 and RGB 15 151 219

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 219 15 150 shade: RGB 219 15 150, RGB 219 124 15, RGB 15 219 83 and RGB 15 110 219

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 219 15 150 shade: RGB 219 15 150, RGB 219 185 15, RGB 15 219 83 and RGB 15 49 219

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 93 / 32 / 14

HEX #DB0F96

RGB 219 15 150

HSL 320.29, 0.87%, 0.46%

LAB 49.01, 77.78, -18.65

 

Complementary color

CMYK 85 / 0 / 56 / 6

HEX #24F069

RGB 36 240 105

HSL 140.29, 0.87%, 0.54%

LAB 83.82, -73.79, 51.54

 

CMYK 0 / 93 / 35 / 12

HEX #E00F91

RGB 224 15 145

HSL 322.68, 0.87%, 0.47%

LAB 49.78, 78.31, -14.39

 

CMYK 0 / 86 / 32 / 5

HEX #F121A4

RGB 241 33 164

HSL 322.21, 0.88%, 0.54%

LAB 54.52, 81.41, -18.18

 

CMYK 0 / 80 / 28 / 0

HEX #FF33B7

RGB 255 51 183

HSL 321.18, 1%, 0.6%

LAB 59.02, 82.87, -22.17

 

CMYK 0 / 73 / 21 / 0

HEX #FF45CA

RGB 255 69 202

HSL 317.1, 1%, 0.64%

LAB 61.46, 80.29, -29.29

 

CMYK 0 / 66 / 13 / 0

HEX #FF57DD

RGB 255 87 221

HSL 312.14, 1%, 0.67%

LAB 64.4, 76.81, -35.45

 

CMYK 0 / 93 / 32 / 14

HEX #DB0F96

RGB 219 15 150

HSL 320.29, 0.87%, 0.46%

LAB 49.01, 77.78, -18.65

 

CMYK 0 / 100 / 35 / 21

HEX #CA0083

RGB 202 0 131

HSL 321.09, 1%, 0.4%

LAB 44.51, 73.65, -14.28

 

CMYK 0 / 100 / 39 / 27

HEX #B90070

RGB 185 0 112

HSL 323.68, 1%, 0.36%

LAB 40.38, 68.24, -9.06

 

CMYK 0 / 100 / 45 / 34

HEX #A8005D

RGB 168 0 93

HSL 326.79, 1%, 0.33%

LAB 36.21, 62.77, -3.59

 

CMYK 0 / 100 / 51 / 41

HEX #97004A

RGB 151 0 74

HSL 330.6, 1%, 0.3%

LAB 31.97, 57.26, 2.19

 

CMYK 0 / 93 / 32 / 14

HEX #DB0F96

RGB 219 15 150

HSL 320.29, 0.87%, 0.46%

LAB 49.01, 77.78, -18.65

 

CMYK 0 / 93 / 57 / 14

HEX #DB0F5F

RGB 219 15 95

HSL 336.47, 0.87%, 0.46%

LAB 47.27, 73.11, 12.4

 

CMYK 0 / 93 / 82 / 14

HEX #DB0F28

RGB 219 15 40

HSL 352.65, 0.87%, 0.46%

LAB 46.39, 70.65, 44.33

 

CMYK 0 / 93 / 93 / 14

HEX #DB0F0F

RGB 219 15 15

HSL 0, 0.87%, 0.46%

LAB 46.23, 70.2, 55.61

 

CMYK 0 / 93 / 32 / 14

HEX #DB0F96

RGB 219 15 150

HSL 320.29, 0.87%, 0.46%

LAB 49.01, 77.78, -18.65

 

CMYK 0 / 93 / 6 / 14

HEX #DB0FCD

RGB 219 15 205

HSL 304.12, 0.87%, 0.46%

LAB 51.62, 84.48, -46.88

 

CMYK 19 / 93 / 0 / 14

HEX #B20FDB

RGB 178 15 219

HSL 287.94, 0.87%, 0.46%

LAB 45.53, 80.15, -65.08

 

CMYK 44 / 93 / 0 / 14

HEX #7B0FDB

RGB 123 15 219

HSL 271.76, 0.87%, 0.46%

LAB 37.24, 73.4, -78.97

 

CMYK 69 / 93 / 0 / 14

HEX #440FDB

RGB 68 15 219

HSL 255.59, 0.87%, 0.46%

LAB 31.08, 69.31, -89.36

 

CMYK 0 / 93 / 32 / 14

HEX #DB0F96

RGB 219 15 150

HSL 320.29, 0.87%, 0.46%

LAB 49.01, 77.78, -18.65

 

CMYK 0 / 93 / 32 / 14

HEX #DB0F96

RGB 219 15 150

HSL 320.29, 0.87%, 0.46%

LAB 49.01, 77.78, -18.65

 

CMYK 0 / 83 / 28 / 22

HEX #C82290

RGB 200 34 144

HSL 320.24, 0.71%, 0.46%

LAB 46.23, 70.03, -19.61

 

CMYK 0 / 71 / 24 / 29

HEX #B5358A

RGB 181 53 138

HSL 320.16, 0.55%, 0.46%

LAB 44.53, 59.12, -18.88

 

CMYK 0 / 56 / 19 / 36

HEX #A24883

RGB 162 72 131

HSL 320.67, 0.38%, 0.46%

LAB 44.17, 44.43, -15.45

 

CMYK 0 / 36 / 13 / 44

HEX #8F5B7D

RGB 143 91 125

HSL 320.77, 0.22%, 0.46%

LAB 45.36, 26.68, -10.25

 

CMYK 19 / 93 / 0 / 14

HEX #B20FDB

RGB 178 15 219

HSL 287.94, 0.87%, 0.46%

LAB 45.53, 80.15, -65.08

 

CMYK 0 / 93 / 6 / 14

HEX #DB0FCD

RGB 219 15 205

HSL 304.12, 0.87%, 0.46%

LAB 51.62, 84.48, -46.88

 

CMYK 0 / 93 / 31 / 14

HEX #DB0F97

RGB 219 15 151

HSL 320, 0.87%, 0.46%

LAB 49.05, 77.89, -19.19

 

CMYK 0 / 93 / 56 / 14

HEX #DB0F60

RGB 219 15 96

HSL 336.18, 0.87%, 0.46%

LAB 47.3, 73.17, 11.82

 

CMYK 0 / 93 / 81 / 14

HEX #DB0F2A

RGB 219 15 42

HSL 352.06, 0.87%, 0.46%

LAB 46.4, 70.7, 43.25

 

CMYK 0 / 94 / 32 / 44

HEX #8E0961

RGB 142 9 97

HSL 320.3, 0.88%, 0.3%

LAB 31.37, 56.13, -14

 

CMYK 0 / 93 / 32 / 29

HEX #B40C7B

RGB 180 12 123

HSL 320.36, 0.88%, 0.38%

LAB 40.24, 67.02, -16.25

 

CMYK 0 / 93 / 32 / 14

HEX #DB0F96

RGB 219 15 150

HSL 320.29, 0.87%, 0.46%

LAB 49.01, 77.78, -18.65

 

CMYK 0 / 85 / 29 / 6

HEX #EF24AA

RGB 239 36 170

HSL 320.39, 0.86%, 0.54%

LAB 54.57, 81.09, -21.67

 

CMYK 0 / 69 / 24 / 5

HEX #F24AB9

RGB 242 74 185

HSL 320.36, 0.87%, 0.62%

LAB 59.23, 73.42, -23.18

 

CMYK 0 / 93 / 32 / 14

HEX #DB0F96

RGB 219 15 150

HSL 320.29, 0.87%, 0.46%

LAB 49.01, 77.78, -18.65

 

CMYK 0 / 43 / 93 / 14

HEX #DB7C0F

RGB 219 124 15

HSL 32.06, 0.87%, 0.46%

LAB 61.23, 30.57, 65.45

 

CMYK 93 / 0 / 6 / 14

HEX #0FDBCD

RGB 15 219 205

HSL 175.88, 0.87%, 0.46%

LAB 79.14, -46.5, -5.64

 

CMYK 0 / 93 / 32 / 14

HEX #DB0F96

RGB 219 15 150

HSL 320.29, 0.87%, 0.46%

LAB 49.01, 77.78, -18.65

 

CMYK 31 / 0 / 93 / 14

HEX #97DB0F

RGB 151 219 15

HSL 80, 0.87%, 0.46%

LAB 80.34, -46.31, 77.4

 

CMYK 93 / 31 / 0 / 14

HEX #0F97DB

RGB 15 151 219

HSL 200, 0.87%, 0.46%

LAB 59.3, -8.3, -43.63

 

CMYK 0 / 93 / 32 / 14

HEX #DB0F96

RGB 219 15 150

HSL 320.29, 0.87%, 0.46%

LAB 49.01, 77.78, -18.65

 

CMYK 0 / 43 / 93 / 14

HEX #DB7C0F

RGB 219 124 15

HSL 32.06, 0.87%, 0.46%

LAB 61.23, 30.57, 65.45

 

CMYK 93 / 0 / 62 / 14

HEX #0FDB53

RGB 15 219 83

HSL 140, 0.87%, 0.46%

LAB 76.91, -71.44, 53.19

 

CMYK 93 / 50 / 0 / 14

HEX #0F6EDB

RGB 15 110 219

HSL 212.06, 0.87%, 0.46%

LAB 47.45, 16.57, -62.55

 

CMYK 0 / 93 / 32 / 14

HEX #DB0F96

RGB 219 15 150

HSL 320.29, 0.87%, 0.46%

LAB 49.01, 77.78, -18.65

 

CMYK 0 / 16 / 93 / 14

HEX #DBB90F

RGB 219 185 15

HSL 50, 0.87%, 0.46%

LAB 75.94, -1.9, 76.16

 

CMYK 93 / 0 / 62 / 14

HEX #0FDB53

RGB 15 219 83

HSL 140, 0.87%, 0.46%

LAB 76.91, -71.44, 53.19

 

CMYK 93 / 78 / 0 / 14

HEX #0F31DB

RGB 15 49 219

HSL 230, 0.87%, 0.46%

LAB 32.73, 54.53, -86.69

 

Description

Color code: RGB 219 15 150 | qconv.com Color code: RGB 219 15 150 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 15 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 15 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 93 magenta, 32 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 93% 32% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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