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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 219 193 203 it is the complementary color RGB 36 62 52. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 219 193 203. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 219 193 203 shade: RGB 224 193 198, RGB 241 211 217, RGB 255 229 236 and RGB 255 247 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 219 193 203. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 219 193 203 shade: RGB 219 193 203, RGB 202 175 184, RGB 185 157 165, RGB 168 139 146 and RGB 151 121 127

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 219 193 203 shade: RGB 219 193 203, RGB 219 193 196 and RGB 219 193 193

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 219 193 203 shade: RGB 219 193 203, RGB 219 193 210, RGB 219 193 217, RGB 214 193 219 and RGB 207 193 219

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 219 193 203 shade matches the following richer shades: RGB 219 193 203, RGB 227 185 201, RGB 235 177 199, RGB 243 169 198 and RGB 250 162 196

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 219 193 203 shade: RGB 219 193 203, RGB 211 201 205, RGB 203 209 207, RGB 196 216 208 and RGB 188 224 210

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 219 193 203 shade: RGB 219 193 217, RGB 219 193 210, RGB 219 193 203, RGB 219 193 196 and RGB 219 196 193

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 219 193 203 shade: RGB 189 141 159, RGB 204 167 181, RGB 219 193 203, RGB 234 219 225 and RGB 249 245 247

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 219 193 203 shade: RGB 219 193 203, RGB 219 214 193 and RGB 193 214 219

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 219 193 203 shade: RGB 219 193 203, RGB 203 219 193 and RGB 193 203 219

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 219 193 203 shade: RGB 219 193 203, RGB 219 214 193, RGB 193 219 209 and RGB 193 198 219

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 219 193 203 shade: RGB 219 193 203, RGB 217 219 193, RGB 193 219 209 and RGB 196 193 219

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 7 / 14

HEX #DBC1CB

RGB 219 193 203

HSL 336.92, 0.27%, 0.81%

LAB 80.47, 10.87, -1.64

 

Complementary color

CMYK 42 / 0 / 16 / 76

HEX #243E34

RGB 36 62 52

HSL 156.92, 0.27%, 0.19%

LAB 23.9, -12.73, 3.02

 

CMYK 0 / 14 / 12 / 12

HEX #E0C1C6

RGB 224 193 198

HSL 350.32, 0.33%, 0.82%

LAB 80.77, 11.79, 1.55

 

CMYK 0 / 12 / 10 / 5

HEX #F1D3D9

RGB 241 211 217

HSL 348, 0.52%, 0.89%

LAB 87.14, 11.41, 0.88

 

CMYK 0 / 10 / 7 / 0

HEX #FFE5EC

RGB 255 229 236

HSL 343.85, 1%, 0.95%

LAB 93.17, 10.03, -0.16

 

CMYK 0 / 3 / 0 / 0

HEX #FFF7FF

RGB 255 247 255

HSL 300, 1%, 0.98%

LAB 98.03, 4.06, -2.89

 

CMYK 0 / 12 / 7 / 14

HEX #DBC1CB

RGB 219 193 203

HSL 336.92, 0.27%, 0.81%

LAB 80.47, 10.87, -1.64

 

CMYK 0 / 13 / 9 / 21

HEX #CAAFB8

RGB 202 175 184

HSL 340, 0.2%, 0.74%

LAB 73.98, 11.25, -1

 

CMYK 0 / 15 / 11 / 27

HEX #B99DA5

RGB 185 157 165

HSL 342.86, 0.17%, 0.67%

LAB 67.39, 11.67, -0.32

 

CMYK 0 / 17 / 13 / 34

HEX #A88B92

RGB 168 139 146

HSL 345.52, 0.14%, 0.6%

LAB 60.66, 12.13, 0.39

 

CMYK 0 / 20 / 16 / 41

HEX #97797F

RGB 151 121 127

HSL 348, 0.13%, 0.53%

LAB 53.8, 12.65, 1.15

 

CMYK 0 / 12 / 7 / 14

HEX #DBC1CB

RGB 219 193 203

HSL 336.92, 0.27%, 0.81%

LAB 80.47, 10.87, -1.64

 

CMYK 0 / 12 / 11 / 14

HEX #DBC1C4

RGB 219 193 196

HSL 353.08, 0.27%, 0.81%

LAB 80.28, 9.68, 1.86

 

CMYK 0 / 12 / 12 / 14

HEX #DBC1C1

RGB 219 193 193

HSL 0, 0.27%, 0.81%

LAB 80.21, 9.19, 3.37

 

CMYK 0 / 12 / 7 / 14

HEX #DBC1CB

RGB 219 193 203

HSL 336.92, 0.27%, 0.81%

LAB 80.47, 10.87, -1.64

 

CMYK 0 / 12 / 4 / 14

HEX #DBC1D2

RGB 219 193 210

HSL 320.77, 0.27%, 0.81%

LAB 80.66, 12.09, -5.12

 

CMYK 0 / 12 / 1 / 14

HEX #DBC1D9

RGB 219 193 217

HSL 304.62, 0.27%, 0.81%

LAB 80.86, 13.35, -8.59

 

CMYK 2 / 12 / 0 / 14

HEX #D6C1DB

RGB 214 193 219

HSL 288.46, 0.27%, 0.81%

LAB 80.49, 12.04, -10.26

 

CMYK 5 / 12 / 0 / 14

HEX #CFC1DB

RGB 207 193 219

HSL 272.31, 0.27%, 0.81%

LAB 79.91, 9.69, -11.18

 

CMYK 0 / 12 / 7 / 14

HEX #DBC1CB

RGB 219 193 203

HSL 336.92, 0.27%, 0.81%

LAB 80.47, 10.87, -1.64

 

CMYK 0 / 19 / 11 / 11

HEX #E3B9C9

RGB 227 185 201

HSL 337.14, 0.43%, 0.81%

LAB 79.18, 17.62, -2.36

 

CMYK 0 / 25 / 15 / 8

HEX #EBB1C7

RGB 235 177 199

HSL 337.24, 0.59%, 0.81%

LAB 78.01, 24.39, -2.9

 

CMYK 0 / 30 / 19 / 5

HEX #F3A9C6

RGB 243 169 198

HSL 336.49, 0.76%, 0.81%

LAB 76.99, 31.29, -3.77

 

CMYK 0 / 35 / 22 / 2

HEX #FAA2C4

RGB 250 162 196

HSL 336.82, 0.9%, 0.81%

LAB 76.16, 37.1, -3.8

 

CMYK 0 / 12 / 7 / 14

HEX #DBC1CB

RGB 219 193 203

HSL 336.92, 0.27%, 0.81%

LAB 80.47, 10.87, -1.64

 

CMYK 0 / 5 / 3 / 17

HEX #D3C9CD

RGB 211 201 205

HSL 336, 0.1%, 0.81%

LAB 81.85, 4.18, -0.76

 

CMYK 3 / 0 / 1 / 18

HEX #CBD1CF

RGB 203 209 207

HSL 160, 0.06%, 0.81%

LAB 83.34, -2.41, 0.27

 

CMYK 9 / 0 / 4 / 15

HEX #C4D8D0

RGB 196 216 208

HSL 156, 0.2%, 0.81%

LAB 84.69, -8.2, 1.65

 

CMYK 16 / 0 / 6 / 12

HEX #BCE0D2

RGB 188 224 210

HSL 156.67, 0.37%, 0.81%

LAB 86.33, -14.5, 2.91

 

CMYK 0 / 12 / 1 / 14

HEX #DBC1D9

RGB 219 193 217

HSL 304.62, 0.27%, 0.81%

LAB 80.86, 13.35, -8.59

 

CMYK 0 / 12 / 4 / 14

HEX #DBC1D2

RGB 219 193 210

HSL 320.77, 0.27%, 0.81%

LAB 80.66, 12.09, -5.12

 

CMYK 0 / 12 / 7 / 14

HEX #DBC1CB

RGB 219 193 203

HSL 336.92, 0.27%, 0.81%

LAB 80.47, 10.87, -1.64

 

CMYK 0 / 12 / 11 / 14

HEX #DBC1C4

RGB 219 193 196

HSL 353.08, 0.27%, 0.81%

LAB 80.28, 9.68, 1.86

 

CMYK 0 / 11 / 12 / 14

HEX #DBC4C1

RGB 219 196 193

HSL 6.92, 0.27%, 0.81%

LAB 80.96, 7.59, 4.45

 

CMYK 0 / 25 / 16 / 26

HEX #BD8D9F

RGB 189 141 159

HSL 337.5, 0.27%, 0.65%

LAB 63.65, 21.01, -2.38

 

CMYK 0 / 18 / 11 / 20

HEX #CCA7B5

RGB 204 167 181

HSL 337.3, 0.27%, 0.73%

LAB 72.1, 15.81, -2.08

 

CMYK 0 / 12 / 7 / 14

HEX #DBC1CB

RGB 219 193 203

HSL 336.92, 0.27%, 0.81%

LAB 80.47, 10.87, -1.64

 

CMYK 0 / 6 / 4 / 8

HEX #EADBE1

RGB 234 219 225

HSL 336, 0.26%, 0.89%

LAB 88.73, 6.17, -1.1

 

CMYK 0 / 2 / 1 / 2

HEX #F9F5F7

RGB 249 245 247

HSL 330, 0.25%, 0.97%

LAB 96.89, 1.68, -0.5

 

CMYK 0 / 12 / 7 / 14

HEX #DBC1CB

RGB 219 193 203

HSL 336.92, 0.27%, 0.81%

LAB 80.47, 10.87, -1.64

 

CMYK 0 / 2 / 12 / 14

HEX #DBD6C1

RGB 219 214 193

HSL 48.46, 0.27%, 0.81%

LAB 85.51, -1.84, 10.98

 

CMYK 12 / 2 / 0 / 14

HEX #C1D6DB

RGB 193 214 219

HSL 191.54, 0.27%, 0.81%

LAB 84.25, -6.01, -4.86

 

CMYK 0 / 12 / 7 / 14

HEX #DBC1CB

RGB 219 193 203

HSL 336.92, 0.27%, 0.81%

LAB 80.47, 10.87, -1.64

 

CMYK 7 / 0 / 12 / 14

HEX #CBDBC1

RGB 203 219 193

HSL 96.92, 0.27%, 0.81%

LAB 85.61, -10.04, 10.96

 

CMYK 12 / 7 / 0 / 14

HEX #C1CBDB

RGB 193 203 219

HSL 216.92, 0.27%, 0.81%

LAB 81.38, -0.25, -9.11

 

CMYK 0 / 12 / 7 / 14

HEX #DBC1CB

RGB 219 193 203

HSL 336.92, 0.27%, 0.81%

LAB 80.47, 10.87, -1.64

 

CMYK 0 / 2 / 12 / 14

HEX #DBD6C1

RGB 219 214 193

HSL 48.46, 0.27%, 0.81%

LAB 85.51, -1.84, 10.98

 

CMYK 12 / 0 / 5 / 14

HEX #C1DBD1

RGB 193 219 209

HSL 156.92, 0.27%, 0.81%

LAB 85.3, -10.54, 1.98

 

CMYK 12 / 10 / 0 / 14

HEX #C1C6DB

RGB 193 198 219

HSL 228.46, 0.27%, 0.81%

LAB 80.09, 2.41, -11.03

 

CMYK 0 / 12 / 7 / 14

HEX #DBC1CB

RGB 219 193 203

HSL 336.92, 0.27%, 0.81%

LAB 80.47, 10.87, -1.64

 

CMYK 1 / 0 / 12 / 14

HEX #D9DBC1

RGB 217 219 193

HSL 64.62, 0.27%, 0.81%

LAB 86.64, -5.13, 12.56

 

CMYK 12 / 0 / 5 / 14

HEX #C1DBD1

RGB 193 219 209

HSL 156.92, 0.27%, 0.81%

LAB 85.3, -10.54, 1.98

 

CMYK 11 / 12 / 0 / 14

HEX #C4C1DB

RGB 196 193 219

HSL 246.92, 0.27%, 0.81%

LAB 79.04, 6.06, -12.58

 

Description

Color code: RGB 219 193 203 | qconv.com Color code: RGB 219 193 203 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 193 green and 203 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 193 203 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 7 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 7% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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