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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 219 207 35 it is the complementary color RGB 36 48 220. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 219 207 35. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 219 207 35 shade: RGB 224 207 30, RGB 241 225 49, RGB 255 243 68, RGB 255 255 87 and RGB 255 255 106

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 219 207 35. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 219 207 35 shade: RGB 219 207 35, RGB 202 189 16, RGB 185 171 0, RGB 168 153 0 and RGB 151 135 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 219 207 35 shade: RGB 219 207 35, RGB 219 157 35, RGB 219 108 35, RGB 219 58 35 and RGB 219 35 35

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 219 207 35 shade: RGB 219 207 35, RGB 181 219 35, RGB 132 219 35, RGB 82 219 35 and RGB 35 219 38

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 219 207 35 shade matches the following richer shades: RGB 219 207 35 and RGB 239 225 15

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 219 207 35 shade: RGB 219 207 35, RGB 198 189 56, RGB 178 171 76, RGB 157 153 97 and RGB 136 135 118

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 219 207 35 shade: RGB 219 109 35, RGB 219 158 35, RGB 219 207 35, RGB 182 219 35 and RGB 133 219 35

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 219 207 35 shade: RGB 148 140 24, RGB 183 173 29, RGB 219 207 35, RGB 225 215 71 and RGB 230 222 106

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 219 207 35 shade: RGB 219 207 35, RGB 35 219 60 and RGB 133 35 219

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 219 207 35 shade: RGB 219 207 35, RGB 35 219 207 and RGB 207 35 219

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 219 207 35 shade: RGB 219 207 35, RGB 35 219 60, RGB 35 47 219 and RGB 219 35 194

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 219 207 35 shade: RGB 219 207 35, RGB 35 219 115, RGB 35 47 219 and RGB 219 35 139

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 84 / 14

HEX #DBCF23

RGB 219 207 35

HSL 56.09, 0.72%, 0.5%

LAB 81.73, -12.77, 77.08

 

Complementary color

CMYK 84 / 78 / 0 / 14

HEX #2430DC

RGB 36 48 220

HSL 236.09, 0.72%, 0.5%

LAB 33.26, 56.09, -86.37

 

CMYK 0 / 8 / 87 / 12

HEX #E0CF1E

RGB 224 207 30

HSL 54.74, 0.76%, 0.5%

LAB 82.15, -10.75, 78.65

 

CMYK 0 / 7 / 80 / 5

HEX #F1E131

RGB 241 225 49

HSL 55, 0.87%, 0.57%

LAB 88.34, -12.05, 79.94

 

CMYK 0 / 5 / 73 / 0

HEX #FFF344

RGB 255 243 68

HSL 56.15, 1%, 0.63%

LAB 94.22, -14.41, 80.05

 

CMYK 0 / 0 / 66 / 0

HEX #FFFF57

RGB 255 255 87

HSL 60, 1%, 0.67%

LAB 97.42, -19.31, 76.59

 

CMYK 0 / 0 / 58 / 0

HEX #FFFF6A

RGB 255 255 106

HSL 60, 1%, 0.71%

LAB 97.56, -18.18, 69.3

 

CMYK 0 / 5 / 84 / 14

HEX #DBCF23

RGB 219 207 35

HSL 56.09, 0.72%, 0.5%

LAB 81.73, -12.77, 77.08

 

CMYK 0 / 6 / 92 / 21

HEX #CABD10

RGB 202 189 16

HSL 55.81, 0.85%, 0.43%

LAB 75.44, -11.37, 74.96

 

CMYK 0 / 8 / 100 / 27

HEX #B9AB00

RGB 185 171 0

HSL 55.46, 1%, 0.36%

LAB 69.07, -9.77, 71.46

 

CMYK 0 / 9 / 100 / 34

HEX #A89900

RGB 168 153 0

HSL 54.64, 1%, 0.33%

LAB 62.6, -7.93, 66.1

 

CMYK 0 / 11 / 100 / 41

HEX #978700

RGB 151 135 0

HSL 53.64, 1%, 0.3%

LAB 55.99, -6.02, 60.63

 

CMYK 0 / 5 / 84 / 14

HEX #DBCF23

RGB 219 207 35

HSL 56.09, 0.72%, 0.5%

LAB 81.73, -12.77, 77.08

 

CMYK 0 / 28 / 84 / 14

HEX #DB9D23

RGB 219 157 35

HSL 39.78, 0.72%, 0.5%

LAB 68.96, 13.32, 66.43

 

CMYK 0 / 51 / 84 / 14

HEX #DB6C23

RGB 219 108 35

HSL 23.8, 0.72%, 0.5%

LAB 57.95, 39.23, 57.08

 

CMYK 0 / 74 / 84 / 14

HEX #DB3A23

RGB 219 58 35

HSL 7.5, 0.72%, 0.5%

LAB 49.75, 60.89, 49.95

 

CMYK 0 / 84 / 84 / 14

HEX #DB2323

RGB 219 35 35

HSL 0, 0.72%, 0.5%

LAB 47.47, 67.28, 47.94

 

CMYK 0 / 5 / 84 / 14

HEX #DBCF23

RGB 219 207 35

HSL 56.09, 0.72%, 0.5%

LAB 81.73, -12.77, 77.08

 

CMYK 17 / 0 / 84 / 14

HEX #B5DB23

RGB 181 219 35

HSL 72.39, 0.72%, 0.5%

LAB 82.17, -34.33, 76.3

 

CMYK 40 / 0 / 84 / 14

HEX #84DB23

RGB 132 219 35

HSL 88.37, 0.72%, 0.5%

LAB 79.44, -52.47, 72.87

 

CMYK 63 / 0 / 84 / 14

HEX #52DB23

RGB 82 219 35

HSL 104.67, 0.72%, 0.5%

LAB 77.63, -66.51, 70.58

 

CMYK 84 / 0 / 83 / 14

HEX #23DB26

RGB 35 219 38

HSL 120.98, 0.72%, 0.5%

LAB 76.78, -73.77, 68.78

 

CMYK 0 / 5 / 84 / 14

HEX #DBCF23

RGB 219 207 35

HSL 56.09, 0.72%, 0.5%

LAB 81.73, -12.77, 77.08

 

CMYK 0 / 6 / 94 / 6

HEX #EFE10F

RGB 239 225 15

HSL 56.25, 0.88%, 0.5%

LAB 88.08, -13.58, 86.04

 

CMYK 0 / 5 / 84 / 14

HEX #DBCF23

RGB 219 207 35

HSL 56.09, 0.72%, 0.5%

LAB 81.73, -12.77, 77.08

 

CMYK 0 / 5 / 72 / 22

HEX #C6BD38

RGB 198 189 56

HSL 56.2, 0.56%, 0.5%

LAB 75.26, -11.9, 64.43

 

CMYK 0 / 4 / 57 / 30

HEX #B2AB4C

RGB 178 171 76

HSL 55.88, 0.4%, 0.5%

LAB 68.83, -9.93, 48.85

 

CMYK 0 / 3 / 38 / 38

HEX #9D9961

RGB 157 153 97

HSL 56, 0.24%, 0.5%

LAB 62.35, -7.2, 29.97

 

CMYK 0 / 1 / 13 / 47

HEX #888776

RGB 136 135 118

HSL 56.67, 0.07%, 0.5%

LAB 55.96, -2.76, 9.28

 

CMYK 0 / 50 / 84 / 14

HEX #DB6D23

RGB 219 109 35

HSL 24.13, 0.72%, 0.5%

LAB 58.15, 38.72, 57.25

 

CMYK 0 / 28 / 84 / 14

HEX #DB9E23

RGB 219 158 35

HSL 40.11, 0.72%, 0.5%

LAB 69.21, 12.78, 66.64

 

CMYK 0 / 5 / 84 / 14

HEX #DBCF23

RGB 219 207 35

HSL 56.09, 0.72%, 0.5%

LAB 81.73, -12.77, 77.08

 

CMYK 17 / 0 / 84 / 14

HEX #B6DB23

RGB 182 219 35

HSL 72.07, 0.72%, 0.5%

LAB 82.23, -33.93, 76.38

 

CMYK 39 / 0 / 84 / 14

HEX #85DB23

RGB 133 219 35

HSL 88.04, 0.72%, 0.5%

LAB 79.48, -52.14, 72.93

 

CMYK 0 / 5 / 84 / 42

HEX #948C18

RGB 148 140 24

HSL 56.13, 0.72%, 0.34%

LAB 57.19, -9.62, 56.71

 

CMYK 0 / 5 / 84 / 28

HEX #B7AD1D

RGB 183 173 29

HSL 56.1, 0.73%, 0.42%

LAB 69.5, -11.2, 67.05

 

CMYK 0 / 5 / 84 / 14

HEX #DBCF23

RGB 219 207 35

HSL 56.09, 0.72%, 0.5%

LAB 81.73, -12.77, 77.08

 

CMYK 0 / 4 / 68 / 12

HEX #E1D747

RGB 225 215 71

HSL 56.1, 0.72%, 0.58%

LAB 84.52, -12.88, 68.78

 

CMYK 0 / 3 / 54 / 10

HEX #E6DE6A

RGB 230 222 106

HSL 56.13, 0.71%, 0.66%

LAB 87.05, -12.05, 56.97

 

CMYK 0 / 5 / 84 / 14

HEX #DBCF23

RGB 219 207 35

HSL 56.09, 0.72%, 0.5%

LAB 81.73, -12.77, 77.08

 

CMYK 84 / 0 / 73 / 14

HEX #23DB3C

RGB 35 219 60

HSL 128.15, 0.72%, 0.5%

LAB 76.89, -72.35, 62.25

 

CMYK 39 / 84 / 0 / 14

HEX #8523DB

RGB 133 35 219

HSL 271.96, 0.72%, 0.5%

LAB 40.09, 70.1, -74.24

 

CMYK 0 / 5 / 84 / 14

HEX #DBCF23

RGB 219 207 35

HSL 56.09, 0.72%, 0.5%

LAB 81.73, -12.77, 77.08

 

CMYK 84 / 0 / 5 / 14

HEX #23DBCF

RGB 35 219 207

HSL 176.09, 0.72%, 0.5%

LAB 79.34, -44.94, -6.39

 

CMYK 5 / 84 / 0 / 14

HEX #CF23DB

RGB 207 35 219

HSL 296.09, 0.72%, 0.5%

LAB 51.36, 81.57, -55.43

 

CMYK 0 / 5 / 84 / 14

HEX #DBCF23

RGB 219 207 35

HSL 56.09, 0.72%, 0.5%

LAB 81.73, -12.77, 77.08

 

CMYK 84 / 0 / 73 / 14

HEX #23DB3C

RGB 35 219 60

HSL 128.15, 0.72%, 0.5%

LAB 76.89, -72.35, 62.25

 

CMYK 84 / 79 / 0 / 14

HEX #232FDB

RGB 35 47 219

HSL 236.09, 0.72%, 0.5%

LAB 32.93, 56.24, -86.34

 

CMYK 0 / 84 / 11 / 14

HEX #DB23C2

RGB 219 35 194

HSL 308.15, 0.72%, 0.5%

LAB 52.01, 80.12, -39.91

 

CMYK 0 / 5 / 84 / 14

HEX #DBCF23

RGB 219 207 35

HSL 56.09, 0.72%, 0.5%

LAB 81.73, -12.77, 77.08

 

CMYK 84 / 0 / 47 / 14

HEX #23DB73

RGB 35 219 115

HSL 146.09, 0.72%, 0.5%

LAB 77.43, -65.67, 39

 

CMYK 84 / 79 / 0 / 14

HEX #232FDB

RGB 35 47 219

HSL 236.09, 0.72%, 0.5%

LAB 32.93, 56.24, -86.34

 

CMYK 0 / 84 / 37 / 14

HEX #DB238B

RGB 219 35 139

HSL 326.09, 0.72%, 0.5%

LAB 49.65, 73.61, -11.06

 

Description

Color code: RGB 219 207 35 | qconv.com Color code: RGB 219 207 35 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 207 green and 35 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 207 35 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 84 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 84% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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