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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 219 210 60 it is the complementary color RGB 36 45 195. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 219 210 60. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 219 210 60 shade: RGB 224 210 55, RGB 241 228 74, RGB 255 246 93, RGB 255 255 112 and RGB 255 255 131

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 219 210 60. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 219 210 60 shade: RGB 219 210 60, RGB 202 192 41, RGB 185 174 22, RGB 168 156 3 and RGB 151 138 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 219 210 60 shade: RGB 219 210 61, RGB 219 167 61, RGB 219 125 61, RGB 219 82 61 and RGB 219 61 61

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 219 210 60 shade: RGB 219 210 61, RGB 185 219 61, RGB 142 219 61, RGB 100 219 61 and RGB 61 219 64

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 219 210 60 shade matches the following richer shades: RGB 219 210 61 and RGB 237 226 42

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 219 210 60 shade: RGB 219 210 61, RGB 200 193 79, RGB 182 177 98, RGB 163 161 116 and RGB 145 144 135

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 219 210 60 shade: RGB 219 124 61, RGB 219 166 61, RGB 219 208 61, RGB 187 219 61 and RGB 145 219 61

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 219 210 60 shade: RGB 167 159 30, RGB 202 192 37, RGB 219 210 61, RGB 225 218 95 and RGB 232 226 130

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 219 210 60 shade: RGB 219 210 60, RGB 61 219 82 and RGB 145 61 219

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 219 210 60 shade: RGB 219 210 60, RGB 61 219 208 and RGB 208 61 219

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 219 210 60 shade: RGB 219 210 60, RGB 61 219 82, RGB 61 71 219 and RGB 219 61 198

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 219 210 60 shade: RGB 219 210 60, RGB 61 219 129, RGB 61 71 219 and RGB 219 61 150

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 73 / 14

HEX #DBD23C

RGB 219 210 60

HSL 56.6, 0.69%, 0.55%

LAB 82.64, -13.42, 70.72

 

Complementary color

CMYK 82 / 77 / 0 / 24

HEX #242DC3

RGB 36 45 195

HSL 236.6, 0.69%, 0.45%

LAB 29.89, 49.61, -77.43

 

CMYK 0 / 6 / 75 / 12

HEX #E0D237

RGB 224 210 55

HSL 55.03, 0.73%, 0.55%

LAB 83.03, -11.52, 72.89

 

CMYK 0 / 5 / 69 / 5

HEX #F1E44A

RGB 241 228 74

HSL 55.33, 0.86%, 0.62%

LAB 89.24, -12.55, 72.81

 

CMYK 0 / 4 / 64 / 0

HEX #FFF65D

RGB 255 246 93

HSL 56.67, 1%, 0.68%

LAB 95.14, -14.64, 71.97

 

CMYK 0 / 0 / 56 / 0

HEX #FFFF70

RGB 255 255 112

HSL 60, 1%, 0.72%

LAB 97.61, -17.77, 66.83

 

CMYK 0 / 0 / 49 / 0

HEX #FFFF83

RGB 255 255 131

HSL 60, 1%, 0.76%

LAB 97.8, -16.29, 58.65

 

CMYK 0 / 4 / 73 / 14

HEX #DBD23C

RGB 219 210 60

HSL 56.6, 0.69%, 0.55%

LAB 82.64, -13.42, 70.72

 

CMYK 0 / 5 / 80 / 21

HEX #CAC029

RGB 202 192 41

HSL 56.27, 0.66%, 0.48%

LAB 76.32, -12.31, 70.38

 

CMYK 0 / 6 / 88 / 27

HEX #B9AE16

RGB 185 174 22

HSL 55.95, 0.79%, 0.41%

LAB 69.93, -11.01, 69.02

 

CMYK 0 / 7 / 98 / 34

HEX #A89C03

RGB 168 156 3

HSL 55.64, 0.96%, 0.34%

LAB 63.43, -9.48, 66.28

 

CMYK 0 / 9 / 100 / 41

HEX #978A00

RGB 151 138 0

HSL 54.83, 1%, 0.3%

LAB 56.84, -7.65, 61.23

 

CMYK 0 / 4 / 72 / 14

HEX #DBD23D

RGB 219 210 61

HSL 56.58, 0.69%, 0.55%

LAB 82.64, -13.37, 70.38

 

CMYK 0 / 24 / 72 / 14

HEX #DBA73D

RGB 219 167 61

HSL 40.25, 0.69%, 0.55%

LAB 71.58, 8.93, 59.55

 

CMYK 0 / 43 / 72 / 14

HEX #DB7D3D

RGB 219 125 61

HSL 24.3, 0.69%, 0.55%

LAB 61.71, 31.4, 49.36

 

CMYK 0 / 63 / 72 / 14

HEX #DB523D

RGB 219 82 61

HSL 7.97, 0.69%, 0.55%

LAB 53.42, 52.46, 40.3

 

CMYK 0 / 72 / 72 / 14

HEX #DB3D3D

RGB 219 61 61

HSL 0, 0.69%, 0.55%

LAB 50.38, 60.73, 36.84

 

CMYK 0 / 4 / 72 / 14

HEX #DBD23D

RGB 219 210 61

HSL 56.58, 0.69%, 0.55%

LAB 82.64, -13.37, 70.38

 

CMYK 16 / 0 / 72 / 14

HEX #B9DB3D

RGB 185 219 61

HSL 72.91, 0.69%, 0.55%

LAB 82.55, -31.69, 69.41

 

CMYK 35 / 0 / 72 / 14

HEX #8EDB3D

RGB 142 219 61

HSL 89.24, 0.69%, 0.55%

LAB 80.04, -47.8, 66.1

 

CMYK 54 / 0 / 72 / 14

HEX #64DB3D

RGB 100 219 61

HSL 105.19, 0.69%, 0.55%

LAB 78.29, -60.68, 63.77

 

CMYK 72 / 0 / 71 / 14

HEX #3DDB40

RGB 61 219 64

HSL 121.14, 0.69%, 0.55%

LAB 77.3, -68.73, 61.36

 

CMYK 0 / 4 / 72 / 14

HEX #DBD23D

RGB 219 210 61

HSL 56.58, 0.69%, 0.55%

LAB 82.64, -13.37, 70.38

 

CMYK 0 / 5 / 82 / 7

HEX #EDE22A

RGB 237 226 42

HSL 56.62, 0.84%, 0.55%

LAB 88.24, -14.42, 81.49

 

CMYK 0 / 4 / 72 / 14

HEX #DBD23D

RGB 219 210 61

HSL 56.58, 0.69%, 0.55%

LAB 82.64, -13.37, 70.38

 

CMYK 0 / 4 / 61 / 22

HEX #C8C14F

RGB 200 193 79

HSL 56.53, 0.52%, 0.55%

LAB 76.67, -11.77, 56.7

 

CMYK 0 / 3 / 46 / 29

HEX #B6B162

RGB 182 177 98

HSL 56.43, 0.37%, 0.55%

LAB 71.06, -9.45, 40.84

 

CMYK 0 / 1 / 29 / 36

HEX #A3A174

RGB 163 161 116

HSL 57.45, 0.2%, 0.55%

LAB 65.39, -6.63, 23.76

 

CMYK 0 / 1 / 7 / 43

HEX #919087

RGB 145 144 135

HSL 54, 0.04%, 0.55%

LAB 59.63, -1.32, 4.9

 

CMYK 0 / 43 / 72 / 14

HEX #DB7C3D

RGB 219 124 61

HSL 23.92, 0.69%, 0.55%

LAB 61.49, 31.93, 49.13

 

CMYK 0 / 24 / 72 / 14

HEX #DBA63D

RGB 219 166 61

HSL 39.87, 0.69%, 0.55%

LAB 71.33, 9.46, 59.3

 

CMYK 0 / 5 / 72 / 14

HEX #DBD03D

RGB 219 208 61

HSL 55.82, 0.69%, 0.55%

LAB 82.11, -12.37, 69.87

 

CMYK 15 / 0 / 72 / 14

HEX #BBDB3D

RGB 187 219 61

HSL 72.15, 0.69%, 0.55%

LAB 82.68, -30.9, 69.58

 

CMYK 34 / 0 / 72 / 14

HEX #91DB3D

RGB 145 219 61

HSL 88.1, 0.69%, 0.55%

LAB 80.19, -46.76, 66.3

 

CMYK 0 / 5 / 82 / 35

HEX #A79F1E

RGB 167 159 30

HSL 56.5, 0.7%, 0.39%

LAB 64.25, -10.96, 61.78

 

CMYK 0 / 5 / 82 / 21

HEX #CAC025

RGB 202 192 37

HSL 56.36, 0.69%, 0.47%

LAB 76.31, -12.44, 71.45

 

CMYK 0 / 4 / 72 / 14

HEX #DBD23D

RGB 219 210 61

HSL 56.58, 0.69%, 0.55%

LAB 82.64, -13.37, 70.38

 

CMYK 0 / 3 / 58 / 12

HEX #E1DA5F

RGB 225 218 95

HSL 56.77, 0.68%, 0.63%

LAB 85.49, -12.91, 60.01

 

CMYK 0 / 3 / 44 / 9

HEX #E8E282

RGB 232 226 130

HSL 56.47, 0.69%, 0.71%

LAB 88.52, -11.14, 47.46

 

CMYK 0 / 4 / 73 / 14

HEX #DBD23C

RGB 219 210 60

HSL 56.6, 0.69%, 0.55%

LAB 82.64, -13.42, 70.72

 

CMYK 72 / 0 / 63 / 14

HEX #3DDB52

RGB 61 219 82

HSL 127.97, 0.69%, 0.55%

LAB 77.44, -67, 54.36

 

CMYK 34 / 72 / 0 / 14

HEX #913DDB

RGB 145 61 219

HSL 271.9, 0.69%, 0.55%

LAB 44.9, 62.61, -66.31

 

CMYK 0 / 4 / 73 / 14

HEX #DBD23C

RGB 219 210 60

HSL 56.6, 0.69%, 0.55%

LAB 82.64, -13.42, 70.72

 

CMYK 72 / 0 / 5 / 14

HEX #3DDBD0

RGB 61 219 208

HSL 175.82, 0.69%, 0.55%

LAB 79.73, -42.24, -6.31

 

CMYK 5 / 72 / 0 / 14

HEX #D03DDB

RGB 208 61 219

HSL 295.82, 0.69%, 0.55%

LAB 53.88, 74.94, -51.39

 

CMYK 0 / 4 / 73 / 14

HEX #DBD23C

RGB 219 210 60

HSL 56.6, 0.69%, 0.55%

LAB 82.64, -13.42, 70.72

 

CMYK 72 / 0 / 63 / 14

HEX #3DDB52

RGB 61 219 82

HSL 127.97, 0.69%, 0.55%

LAB 77.44, -67, 54.36

 

CMYK 72 / 68 / 0 / 14

HEX #3D47DB

RGB 61 71 219

HSL 236.2, 0.69%, 0.55%

LAB 38.92, 44.79, -76.41

 

CMYK 0 / 72 / 10 / 14

HEX #DB3DC6

RGB 219 61 198

HSL 307.97, 0.69%, 0.55%

LAB 54.53, 74.03, -38.26

 

CMYK 0 / 4 / 73 / 14

HEX #DBD23C

RGB 219 210 60

HSL 56.6, 0.69%, 0.55%

LAB 82.64, -13.42, 70.72

 

CMYK 72 / 0 / 41 / 14

HEX #3DDB81

RGB 61 219 129

HSL 145.82, 0.69%, 0.55%

LAB 78.02, -60.26, 32.83

 

CMYK 72 / 68 / 0 / 14

HEX #3D47DB

RGB 61 71 219

HSL 236.2, 0.69%, 0.55%

LAB 38.92, 44.79, -76.41

 

CMYK 0 / 72 / 32 / 14

HEX #DB3D96

RGB 219 61 150

HSL 326.2, 0.69%, 0.55%

LAB 52.51, 67.76, -13.33

 

Description

Color code: RGB 219 210 60 | qconv.com Color code: RGB 219 210 60 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 210 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 210 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 73 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 73% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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