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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 219 42 208 it is the complementary color RGB 36 213 47. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 219 42 208. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 219 42 208 shade: RGB 224 42 203, RGB 241 60 222, RGB 255 78 241, RGB 255 96 255 and RGB 255 114 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 219 42 208. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 219 42 208 shade: RGB 219 42 208, RGB 202 24 189, RGB 185 6 170, RGB 168 0 151 and RGB 151 0 132

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 219 42 208 shade: RGB 218 41 207, RGB 218 41 159, RGB 218 41 112, RGB 218 41 64 and RGB 218 41 41

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 219 42 208 shade: RGB 218 41 207, RGB 181 41 218, RGB 134 41 218, RGB 86 41 218 and RGB 41 41 218

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 219 42 208 shade matches the following richer shades: RGB 218 41 207 and RGB 238 21 225

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 219 42 208 shade: RGB 218 41 207, RGB 198 61 190, RGB 178 81 172, RGB 158 101 154 and RGB 137 122 136

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 219 42 208 shade: RGB 133 41 218, RGB 180 41 218, RGB 218 41 209, RGB 218 41 162 and RGB 218 41 115

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 219 42 208 shade: RGB 151 25 143, RGB 187 31 177, RGB 218 41 207, RGB 224 76 215 and RGB 230 111 223

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 219 42 208 shade: RGB 219 42 208, RGB 218 85 41 and RGB 41 218 156

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 219 42 208 shade: RGB 219 42 208, RGB 209 218 41 and RGB 41 209 218

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 219 42 208 shade: RGB 219 42 208, RGB 218 85 41, RGB 41 218 50 and RGB 41 174 218

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 219 42 208 shade: RGB 219 42 208, RGB 218 138 41, RGB 41 218 50 and RGB 41 121 218

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 81 / 5 / 14

HEX #DB2AD0

RGB 219 42 208

HSL 303.73, 0.71%, 0.51%

LAB 53.24, 80.63, -46.02

 

Complementary color

CMYK 83 / 0 / 78 / 16

HEX #24D52F

RGB 36 213 47

HSL 123.73, 0.71%, 0.49%

LAB 74.93, -71.44, 64.58

 

CMYK 0 / 81 / 9 / 12

HEX #E02ACB

RGB 224 42 203

HSL 306.92, 0.75%, 0.52%

LAB 53.83, 80.89, -42.17

 

CMYK 0 / 75 / 8 / 5

HEX #F13CDE

RGB 241 60 222

HSL 306.3, 0.87%, 0.59%

LAB 59.16, 82.52, -44.38

 

CMYK 0 / 69 / 5 / 0

HEX #FF4EF1

RGB 255 78 241

HSL 304.75, 1%, 0.65%

LAB 64.21, 82.81, -46.9

 

CMYK 0 / 62 / 0 / 0

HEX #FF60FF

RGB 255 96 255

HSL 300, 1%, 0.69%

LAB 67.16, 78.59, -49.97

 

CMYK 0 / 55 / 0 / 0

HEX #FF72FF

RGB 255 114 255

HSL 300, 1%, 0.72%

LAB 69.83, 71.23, -45.76

 

CMYK 0 / 81 / 5 / 14

HEX #DB2AD0

RGB 219 42 208

HSL 303.73, 0.71%, 0.51%

LAB 53.24, 80.63, -46.02

 

CMYK 0 / 88 / 6 / 21

HEX #CA18BD

RGB 202 24 189

HSL 304.38, 0.79%, 0.44%

LAB 48.11, 78.13, -43.37

 

CMYK 0 / 97 / 8 / 27

HEX #B906AA

RGB 185 6 170

HSL 305.03, 0.94%, 0.37%

LAB 43.28, 74.49, -40.03

 

CMYK 0 / 100 / 10 / 34

HEX #A80097

RGB 168 0 151

HSL 306.07, 1%, 0.33%

LAB 38.83, 69.43, -35.86

 

CMYK 0 / 100 / 13 / 41

HEX #970084

RGB 151 0 132

HSL 307.55, 1%, 0.3%

LAB 34.49, 63.69, -31.24

 

CMYK 0 / 81 / 5 / 15

HEX #DA29CF

RGB 218 41 207

HSL 303.73, 0.71%, 0.51%

LAB 52.95, 80.52, -45.94

 

CMYK 0 / 81 / 27 / 15

HEX #DA299F

RGB 218 41 159

HSL 320, 0.71%, 0.51%

LAB 50.68, 74.23, -21.48

 

CMYK 0 / 81 / 49 / 15

HEX #DA2970

RGB 218 41 112

HSL 335.93, 0.71%, 0.51%

LAB 49.08, 69.58, 4.48

 

CMYK 0 / 81 / 71 / 15

HEX #DA2940

RGB 218 41 64

HSL 352.2, 0.71%, 0.51%

LAB 48.09, 66.58, 32.36

 

CMYK 0 / 81 / 81 / 15

HEX #DA2929

RGB 218 41 41

HSL 0, 0.71%, 0.51%

LAB 47.82, 65.76, 45.1

 

CMYK 0 / 81 / 5 / 15

HEX #DA29CF

RGB 218 41 207

HSL 303.73, 0.71%, 0.51%

LAB 52.95, 80.52, -45.94

 

CMYK 17 / 81 / 0 / 15

HEX #B529DA

RGB 181 41 218

HSL 287.46, 0.71%, 0.51%

LAB 47.59, 75.57, -61.15

 

CMYK 39 / 81 / 0 / 15

HEX #8629DA

RGB 134 41 218

HSL 271.53, 0.71%, 0.51%

LAB 40.76, 68.17, -72.56

 

CMYK 61 / 81 / 0 / 15

HEX #5629DA

RGB 86 41 218

HSL 255.25, 0.71%, 0.51%

LAB 35.25, 62.36, -81.81

 

CMYK 81 / 81 / 0 / 15

HEX #2929DA

RGB 41 41 218

HSL 240, 0.71%, 0.51%

LAB 32.08, 59.09, -87.18

 

CMYK 0 / 81 / 5 / 15

HEX #DA29CF

RGB 218 41 207

HSL 303.73, 0.71%, 0.51%

LAB 52.95, 80.52, -45.94

 

CMYK 0 / 91 / 5 / 7

HEX #EE15E1

RGB 238 21 225

HSL 303.59, 0.86%, 0.51%

LAB 56.24, 89.87, -50.74

 

CMYK 0 / 81 / 5 / 15

HEX #DA29CF

RGB 218 41 207

HSL 303.73, 0.71%, 0.51%

LAB 52.95, 80.52, -45.94

 

CMYK 0 / 69 / 4 / 22

HEX #C63DBE

RGB 198 61 190

HSL 303.5, 0.55%, 0.51%

LAB 50.76, 68.06, -39.8

 

CMYK 0 / 54 / 3 / 30

HEX #B251AC

RGB 178 81 172

HSL 303.71, 0.39%, 0.51%

LAB 49.89, 51.62, -30.88

 

CMYK 0 / 36 / 3 / 38

HEX #9E659A

RGB 158 101 154

HSL 304.21, 0.23%, 0.51%

LAB 50.58, 31.6, -19.45

 

CMYK 0 / 11 / 1 / 46

HEX #897A88

RGB 137 122 136

HSL 304, 0.06%, 0.51%

LAB 52.97, 8.42, -5.5

 

CMYK 39 / 81 / 0 / 15

HEX #8529DA

RGB 133 41 218

HSL 271.19, 0.71%, 0.51%

LAB 40.63, 68.03, -72.78

 

CMYK 17 / 81 / 0 / 15

HEX #B429DA

RGB 180 41 218

HSL 287.12, 0.71%, 0.51%

LAB 47.43, 75.4, -61.41

 

CMYK 0 / 81 / 4 / 15

HEX #DA29D1

RGB 218 41 209

HSL 303.05, 0.71%, 0.51%

LAB 53.05, 80.81, -46.91

 

CMYK 0 / 81 / 26 / 15

HEX #DA29A2

RGB 218 41 162

HSL 318.98, 0.71%, 0.51%

LAB 50.8, 74.58, -23.07

 

CMYK 0 / 81 / 47 / 15

HEX #DA2973

RGB 218 41 115

HSL 334.92, 0.71%, 0.51%

LAB 49.17, 69.83, 2.77

 

CMYK 0 / 83 / 5 / 41

HEX #97198F

RGB 151 25 143

HSL 303.81, 0.72%, 0.35%

LAB 36.48, 61.3, -34.9

 

CMYK 0 / 83 / 5 / 27

HEX #BB1FB1

RGB 187 31 177

HSL 303.85, 0.72%, 0.43%

LAB 45.25, 72.3, -41.04

 

CMYK 0 / 81 / 5 / 15

HEX #DA29CF

RGB 218 41 207

HSL 303.73, 0.71%, 0.51%

LAB 52.95, 80.52, -45.94

 

CMYK 0 / 66 / 4 / 12

HEX #E04CD7

RGB 224 76 215

HSL 303.65, 0.7%, 0.59%

LAB 57.96, 72.59, -42.5

 

CMYK 0 / 52 / 3 / 10

HEX #E66FDF

RGB 230 111 223

HSL 303.53, 0.7%, 0.67%

LAB 64.58, 60.66, -36.56

 

CMYK 0 / 81 / 5 / 14

HEX #DB2AD0

RGB 219 42 208

HSL 303.73, 0.71%, 0.51%

LAB 53.24, 80.63, -46.02

 

CMYK 0 / 61 / 81 / 15

HEX #DA5529

RGB 218 85 41

HSL 14.92, 0.71%, 0.51%

LAB 53.56, 50.03, 50.56

 

CMYK 81 / 0 / 28 / 15

HEX #29DA9C

RGB 41 218 156

HSL 158.98, 0.71%, 0.51%

LAB 77.88, -56.88, 18.63

 

CMYK 0 / 81 / 5 / 14

HEX #DB2AD0

RGB 219 42 208

HSL 303.73, 0.71%, 0.51%

LAB 53.24, 80.63, -46.02

 

CMYK 4 / 0 / 81 / 15

HEX #D1DA29

RGB 209 218 41

HSL 63.05, 0.71%, 0.51%

LAB 83.89, -22.24, 77.16

 

CMYK 81 / 4 / 0 / 15

HEX #29D1DA

RGB 41 209 218

HSL 183.05, 0.71%, 0.51%

LAB 76.76, -36.83, -16.13

 

CMYK 0 / 81 / 5 / 14

HEX #DB2AD0

RGB 219 42 208

HSL 303.73, 0.71%, 0.51%

LAB 53.24, 80.63, -46.02

 

CMYK 0 / 61 / 81 / 15

HEX #DA5529

RGB 218 85 41

HSL 14.92, 0.71%, 0.51%

LAB 53.56, 50.03, 50.56

 

CMYK 81 / 0 / 77 / 15

HEX #29DA32

RGB 41 218 50

HSL 123.05, 0.71%, 0.51%

LAB 76.58, -72.18, 65.28

 

CMYK 81 / 20 / 0 / 15

HEX #29AEDA

RGB 41 174 218

HSL 194.92, 0.71%, 0.51%

LAB 66.37, -19.58, -32

 

CMYK 0 / 81 / 5 / 14

HEX #DB2AD0

RGB 219 42 208

HSL 303.73, 0.71%, 0.51%

LAB 53.24, 80.63, -46.02

 

CMYK 0 / 37 / 81 / 15

HEX #DA8A29

RGB 218 138 41

HSL 32.88, 0.71%, 0.51%

LAB 64.36, 23.27, 60.42

 

CMYK 81 / 0 / 77 / 15

HEX #29DA32

RGB 41 218 50

HSL 123.05, 0.71%, 0.51%

LAB 76.58, -72.18, 65.28

 

CMYK 81 / 44 / 0 / 15

HEX #2979DA

RGB 41 121 218

HSL 212.88, 0.71%, 0.51%

LAB 50.93, 10.91, -56.36

 

Description

Color code: RGB 219 42 208 | qconv.com Color code: RGB 219 42 208 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 42 green and 208 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 42 208 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 81 magenta, 5 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 81% 5% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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