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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 219 46 20 it is the complementary color RGB 36 209 235. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 219 46 20. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 219 46 20 shade: RGB 224 46 15, RGB 241 64 34, RGB 255 82 53, RGB 255 100 72 and RGB 255 118 91

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 219 46 20. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 219 46 20 shade: RGB 219 46 20, RGB 202 28 1, RGB 185 10 0, RGB 168 0 0 and RGB 151 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 219 46 20 shade: RGB 219 46 20 and RGB 219 20 20

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 219 46 20 shade: RGB 219 46 20, RGB 219 100 20, RGB 219 153 20, RGB 219 207 20 and RGB 177 219 20

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 219 46 20 shade matches the following richer shades: RGB 219 46 20 and RGB 238 32 0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 219 46 20 shade: RGB 219 46 20, RGB 199 60 39, RGB 180 75 59, RGB 161 89 78 and RGB 141 103 97

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 219 46 20 shade: RGB 219 20 103, RGB 219 20 50, RGB 219 43 20, RGB 219 96 20 and RGB 219 149 20

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 219 46 20 shade: RGB 143 30 13, RGB 181 38 16, RGB 219 46 20, RGB 235 70 45 and RGB 239 103 83

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 219 46 20 shade: RGB 219 46 20, RGB 156 219 20 and RGB 20 76 219

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 219 46 20 shade: RGB 219 46 20, RGB 20 219 43 and RGB 43 20 219

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 219 46 20 shade: RGB 219 46 20, RGB 156 219 20, RGB 20 196 219 and RGB 83 20 219

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 219 46 20 shade: RGB 219 46 20, RGB 96 219 20, RGB 20 196 219 and RGB 143 20 219

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 79 / 91 / 14

HEX #DB2E14

RGB 219 46 20

HSL 7.84, 0.83%, 0.47%

LAB 48.34, 64.29, 55.19

 

Complementary color

CMYK 85 / 11 / 0 / 8

HEX #24D1EB

RGB 36 209 235

HSL 187.84, 0.83%, 0.53%

LAB 77.27, -31.98, -24.5

 

CMYK 0 / 79 / 93 / 12

HEX #E02E0F

RGB 224 46 15

HSL 8.9, 0.87%, 0.47%

LAB 49.3, 65.67, 57.96

 

CMYK 0 / 73 / 86 / 5

HEX #F14022

RGB 241 64 34

HSL 8.7, 0.88%, 0.54%

LAB 54.54, 65.59, 56.09

 

CMYK 0 / 68 / 79 / 0

HEX #FF5235

RGB 255 82 53

HSL 8.61, 1%, 0.6%

LAB 59.48, 64.06, 52.7

 

CMYK 0 / 61 / 72 / 0

HEX #FF6448

RGB 255 100 72

HSL 9.18, 1%, 0.64%

LAB 62.37, 57.47, 46.09

 

CMYK 0 / 54 / 64 / 0

HEX #FF765B

RGB 255 118 91

HSL 9.88, 1%, 0.68%

LAB 65.73, 50.29, 39.88

 

CMYK 0 / 79 / 91 / 14

HEX #DB2E14

RGB 219 46 20

HSL 7.84, 0.83%, 0.47%

LAB 48.34, 64.29, 55.19

 

CMYK 0 / 86 / 100 / 21

HEX #CA1C01

RGB 202 28 1

HSL 8.06, 0.99%, 0.4%

LAB 43.34, 63.61, 56.52

 

CMYK 0 / 95 / 100 / 27

HEX #B90A00

RGB 185 10 0

HSL 3.24, 1%, 0.36%

LAB 38.78, 61.85, 52.95

 

CMYK 0 / 100 / 100 / 34

HEX #A80000

RGB 168 0 0

HSL 0, 1%, 0.33%

LAB 34.65, 58.61, 48.93

 

CMYK 0 / 100 / 100 / 41

HEX #970000

RGB 151 0 0

HSL 0, 1%, 0.3%

LAB 30.83, 54.19, 44.61

 

CMYK 0 / 79 / 91 / 14

HEX #DB2E14

RGB 219 46 20

HSL 7.84, 0.83%, 0.47%

LAB 48.34, 64.29, 55.19

 

CMYK 0 / 91 / 91 / 14

HEX #DB1414

RGB 219 20 20

HSL 0, 0.83%, 0.47%

LAB 46.46, 69.65, 53.92

 

CMYK 0 / 79 / 91 / 14

HEX #DB2E14

RGB 219 46 20

HSL 7.84, 0.83%, 0.47%

LAB 48.34, 64.29, 55.19

 

CMYK 0 / 54 / 91 / 14

HEX #DB6414

RGB 219 100 20

HSL 24.12, 0.83%, 0.47%

LAB 56.31, 42.89, 60.78

 

CMYK 0 / 30 / 91 / 14

HEX #DB9914

RGB 219 153 20

HSL 40.1, 0.83%, 0.47%

LAB 67.94, 15.15, 69.35

 

CMYK 0 / 5 / 91 / 14

HEX #DBCF14

RGB 219 207 20

HSL 56.38, 0.83%, 0.47%

LAB 81.69, -13.07, 79.83

 

CMYK 19 / 0 / 91 / 14

HEX #B1DB14

RGB 177 219 20

HSL 72.66, 0.83%, 0.47%

LAB 81.87, -36.28, 78.64

 

CMYK 0 / 79 / 91 / 14

HEX #DB2E14

RGB 219 46 20

HSL 7.84, 0.83%, 0.47%

LAB 48.34, 64.29, 55.19

 

CMYK 0 / 87 / 100 / 7

HEX #EE2000

RGB 238 32 0

HSL 8.07, 1%, 0.47%

LAB 50.93, 72.51, 64.24

 

CMYK 0 / 79 / 91 / 14

HEX #DB2E14

RGB 219 46 20

HSL 7.84, 0.83%, 0.47%

LAB 48.34, 64.29, 55.19

 

CMYK 0 / 70 / 80 / 22

HEX #C73C27

RGB 199 60 39

HSL 7.88, 0.67%, 0.47%

LAB 46.34, 53.93, 43.47

 

CMYK 0 / 58 / 67 / 29

HEX #B44B3B

RGB 180 75 59

HSL 7.93, 0.51%, 0.47%

LAB 45.7, 41.62, 30.8

 

CMYK 0 / 45 / 52 / 37

HEX #A1594E

RGB 161 89 78

HSL 7.95, 0.35%, 0.47%

LAB 46, 28.37, 19.4

 

CMYK 0 / 27 / 31 / 45

HEX #8D6761

RGB 141 103 97

HSL 8.18, 0.18%, 0.47%

LAB 47.27, 14.38, 9.37

 

CMYK 0 / 91 / 53 / 14

HEX #DB1467

RGB 219 20 103

HSL 334.97, 0.83%, 0.47%

LAB 47.67, 73.06, 8.02

 

CMYK 0 / 91 / 77 / 14

HEX #DB1432

RGB 219 20 50

HSL 350.95, 0.83%, 0.47%

LAB 46.7, 70.33, 39.04

 

CMYK 0 / 80 / 91 / 14

HEX #DB2B14

RGB 219 43 20

HSL 6.93, 0.83%, 0.47%

LAB 48.06, 65.1, 54.99

 

CMYK 0 / 56 / 91 / 14

HEX #DB6014

RGB 219 96 20

HSL 22.91, 0.83%, 0.47%

LAB 55.56, 44.82, 60.24

 

CMYK 0 / 32 / 91 / 14

HEX #DB9514

RGB 219 149 20

HSL 38.89, 0.83%, 0.47%

LAB 66.98, 17.29, 68.63

 

CMYK 0 / 79 / 91 / 44

HEX #8F1E0D

RGB 143 30 13

HSL 7.85, 0.83%, 0.31%

LAB 31.34, 45.83, 38.82

 

CMYK 0 / 79 / 91 / 29

HEX #B52610

RGB 181 38 16

HSL 8, 0.84%, 0.39%

LAB 39.99, 55.26, 47.4

 

CMYK 0 / 79 / 91 / 14

HEX #DB2E14

RGB 219 46 20

HSL 7.84, 0.83%, 0.47%

LAB 48.34, 64.29, 55.19

 

CMYK 0 / 70 / 81 / 8

HEX #EB462D

RGB 235 70 45

HSL 7.89, 0.83%, 0.55%

LAB 54.27, 61.94, 50.37

 

CMYK 0 / 57 / 65 / 6

HEX #EF6753

RGB 239 103 83

HSL 7.69, 0.83%, 0.63%

LAB 60.49, 51.15, 37.34

 

CMYK 0 / 79 / 91 / 14

HEX #DB2E14

RGB 219 46 20

HSL 7.84, 0.83%, 0.47%

LAB 48.34, 64.29, 55.19

 

CMYK 29 / 0 / 91 / 14

HEX #9CDB14

RGB 156 219 20

HSL 78.99, 0.83%, 0.47%

LAB 80.62, -44.37, 77.1

 

CMYK 91 / 65 / 0 / 14

HEX #144CDB

RGB 20 76 219

HSL 223.12, 0.83%, 0.47%

LAB 38.61, 38.73, -76.98

 

CMYK 0 / 79 / 91 / 14

HEX #DB2E14

RGB 219 46 20

HSL 7.84, 0.83%, 0.47%

LAB 48.34, 64.29, 55.19

 

CMYK 91 / 0 / 80 / 14

HEX #14DB2B

RGB 20 219 43

HSL 126.93, 0.83%, 0.47%

LAB 76.67, -74.63, 67.33

 

CMYK 80 / 91 / 0 / 14

HEX #2B14DB

RGB 43 20 219

HSL 246.93, 0.83%, 0.47%

LAB 29.73, 67.13, -91.65

 

CMYK 0 / 79 / 91 / 14

HEX #DB2E14

RGB 219 46 20

HSL 7.84, 0.83%, 0.47%

LAB 48.34, 64.29, 55.19

 

CMYK 29 / 0 / 91 / 14

HEX #9CDB14

RGB 156 219 20

HSL 78.99, 0.83%, 0.47%

LAB 80.62, -44.37, 77.1

 

CMYK 91 / 11 / 0 / 14

HEX #14C4DB

RGB 20 196 219

HSL 186.93, 0.83%, 0.47%

LAB 72.72, -31.66, -22.81

 

CMYK 62 / 91 / 0 / 14

HEX #5314DB

RGB 83 20 219

HSL 258.99, 0.83%, 0.47%

LAB 32.82, 69.08, -86.43

 

CMYK 0 / 79 / 91 / 14

HEX #DB2E14

RGB 219 46 20

HSL 7.84, 0.83%, 0.47%

LAB 48.34, 64.29, 55.19

 

CMYK 56 / 0 / 91 / 14

HEX #60DB14

RGB 96 219 20

HSL 97.09, 0.83%, 0.47%

LAB 77.99, -63.65, 73.87

 

CMYK 91 / 11 / 0 / 14

HEX #14C4DB

RGB 20 196 219

HSL 186.93, 0.83%, 0.47%

LAB 72.72, -31.66, -22.81

 

CMYK 35 / 91 / 0 / 14

HEX #8F14DB

RGB 143 20 219

HSL 277.09, 0.83%, 0.47%

LAB 40.34, 74.79, -73.78

 

Description

Color code: RGB 219 46 20 | qconv.com Color code: RGB 219 46 20 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 46 green and 20 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 46 20 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 79 magenta, 91 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 79% 91% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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