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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 219 49 177 it is the complementary color RGB 36 206 78. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 219 49 177. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 219 49 177 shade: RGB 224 49 172, RGB 241 67 191, RGB 255 85 210, RGB 255 103 229 and RGB 255 121 248

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 219 49 177. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 219 49 177 shade: RGB 219 49 177, RGB 202 31 158, RGB 185 13 139, RGB 168 0 120 and RGB 151 0 101

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 219 49 177 shade: RGB 219 51 177, RGB 219 51 132, RGB 219 51 87 and RGB 219 51 51

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 219 49 177 shade: RGB 219 51 177, RGB 215 51 219, RGB 169 51 219, RGB 124 51 219 and RGB 79 51 219

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 219 49 177 shade matches the following richer shades: RGB 219 51 177 and RGB 238 31 187

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 219 49 177 shade: RGB 219 51 177, RGB 199 70 167, RGB 180 90 157, RGB 160 109 148 and RGB 141 128 138

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 219 49 177 shade: RGB 168 51 219, RGB 213 51 219, RGB 219 51 179, RGB 219 51 135 and RGB 219 51 90

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 219 49 177 shade: RGB 159 28 127, RGB 194 34 155, RGB 219 51 177, RGB 225 86 190 and RGB 231 121 204

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 219 49 177 shade: RGB 219 49 177, RGB 219 123 51 and RGB 51 219 191

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 219 49 177 shade: RGB 219 49 177, RGB 179 219 51 and RGB 51 179 219

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 219 49 177 shade: RGB 219 49 177, RGB 219 123 51, RGB 51 219 90 and RGB 51 146 219

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 219 49 177 shade: RGB 219 49 177, RGB 219 174 51, RGB 51 219 90 and RGB 51 95 219

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 78 / 19 / 14

HEX #DB31B1

RGB 219 49 177

HSL 314.82, 0.7%, 0.53%

LAB 52.32, 74.65, -29.53

 

Complementary color

CMYK 83 / 0 / 62 / 19

HEX #24CE4E

RGB 36 206 78

HSL 134.82, 0.7%, 0.47%

LAB 72.94, -66.56, 50.9

 

CMYK 0 / 78 / 23 / 12

HEX #E031AC

RGB 224 49 172

HSL 317.83, 0.74%, 0.54%

LAB 52.97, 75.15, -25.52

 

CMYK 0 / 72 / 21 / 5

HEX #F143BF

RGB 241 67 191

HSL 317.24, 0.86%, 0.6%

LAB 58.49, 76.24, -27.79

 

CMYK 0 / 67 / 18 / 0

HEX #FF55D2

RGB 255 85 210

HSL 315.88, 1%, 0.67%

LAB 63.68, 76.02, -30.39

 

CMYK 0 / 60 / 10 / 0

HEX #FF67E5

RGB 255 103 229

HSL 310.26, 1%, 0.7%

LAB 66.99, 71.76, -35.89

 

CMYK 0 / 53 / 3 / 0

HEX #FF79F8

RGB 255 121 248

HSL 303.13, 1%, 0.74%

LAB 70.67, 66.98, -40.62

 

CMYK 0 / 78 / 19 / 14

HEX #DB31B1

RGB 219 49 177

HSL 314.82, 0.7%, 0.53%

LAB 52.32, 74.65, -29.53

 

CMYK 0 / 85 / 22 / 21

HEX #CA1F9E

RGB 202 31 158

HSL 315.44, 0.73%, 0.46%

LAB 46.98, 72.77, -26.83

 

CMYK 0 / 93 / 25 / 27

HEX #B90D8B

RGB 185 13 139

HSL 316.05, 0.87%, 0.39%

LAB 41.95, 69.78, -23.41

 

CMYK 0 / 100 / 29 / 34

HEX #A80078

RGB 168 0 120

HSL 317.14, 1%, 0.33%

LAB 37.26, 65.51, -19.15

 

CMYK 0 / 100 / 33 / 41

HEX #970065

RGB 151 0 101

HSL 319.87, 1%, 0.3%

LAB 32.96, 59.83, -13.98

 

CMYK 0 / 77 / 19 / 14

HEX #DB33B1

RGB 219 51 177

HSL 315, 0.7%, 0.53%

LAB 52.51, 74.11, -29.24

 

CMYK 0 / 77 / 40 / 14

HEX #DB3384

RGB 219 51 132

HSL 331.07, 0.7%, 0.53%

LAB 50.8, 68.96, -5.13

 

CMYK 0 / 77 / 60 / 14

HEX #DB3357

RGB 219 51 87

HSL 347.14, 0.7%, 0.53%

LAB 49.64, 65.35, 20.53

 

CMYK 0 / 77 / 77 / 14

HEX #DB3333

RGB 219 51 51

HSL 0, 0.7%, 0.53%

LAB 49.09, 63.6, 41.04

 

CMYK 0 / 77 / 19 / 14

HEX #DB33B1

RGB 219 51 177

HSL 315, 0.7%, 0.53%

LAB 52.51, 74.11, -29.24

 

CMYK 2 / 77 / 0 / 14

HEX #D733DB

RGB 215 51 219

HSL 298.57, 0.7%, 0.53%

LAB 53.95, 79.3, -51.21

 

CMYK 23 / 77 / 0 / 14

HEX #A933DB

RGB 169 51 219

HSL 282.14, 0.7%, 0.53%

LAB 46.87, 70.71, -62.98

 

CMYK 43 / 77 / 0 / 14

HEX #7C33DB

RGB 124 51 219

HSL 266.07, 0.7%, 0.53%

LAB 40.84, 63.29, -73.04

 

CMYK 64 / 77 / 0 / 14

HEX #4F33DB

RGB 79 51 219

HSL 250, 0.7%, 0.53%

LAB 36.26, 57.52, -80.75

 

CMYK 0 / 77 / 19 / 14

HEX #DB33B1

RGB 219 51 177

HSL 315, 0.7%, 0.53%

LAB 52.51, 74.11, -29.24

 

CMYK 0 / 87 / 21 / 7

HEX #EE1FBB

RGB 238 31 187

HSL 314.78, 0.86%, 0.53%

LAB 54.81, 83.68, -31.23

 

CMYK 0 / 77 / 19 / 14

HEX #DB33B1

RGB 219 51 177

HSL 315, 0.7%, 0.53%

LAB 52.51, 74.11, -29.24

 

CMYK 0 / 65 / 16 / 22

HEX #C746A7

RGB 199 70 167

HSL 314.88, 0.54%, 0.53%

LAB 51.05, 61.41, -25.9

 

CMYK 0 / 50 / 13 / 29

HEX #B45A9D

RGB 180 90 157

HSL 315.33, 0.38%, 0.53%

LAB 51.21, 45.22, -20

 

CMYK 0 / 32 / 7 / 37

HEX #A06D94

RGB 160 109 148

HSL 314.12, 0.21%, 0.53%

LAB 52.45, 26.63, -13.05

 

CMYK 0 / 9 / 2 / 45

HEX #8D808A

RGB 141 128 138

HSL 313.85, 0.05%, 0.53%

LAB 55.01, 6.82, -3.6

 

CMYK 23 / 77 / 0 / 14

HEX #A833DB

RGB 168 51 219

HSL 281.79, 0.7%, 0.53%

LAB 46.72, 70.53, -63.22

 

CMYK 3 / 77 / 0 / 14

HEX #D533DB

RGB 213 51 219

HSL 297.86, 0.7%, 0.53%

LAB 53.63, 78.92, -51.74

 

CMYK 0 / 77 / 18 / 14

HEX #DB33B3

RGB 219 51 179

HSL 314.29, 0.7%, 0.53%

LAB 52.6, 74.37, -30.27

 

CMYK 0 / 77 / 38 / 14

HEX #DB3387

RGB 219 51 135

HSL 330, 0.7%, 0.53%

LAB 50.89, 69.26, -6.79

 

CMYK 0 / 77 / 59 / 14

HEX #DB335A

RGB 219 51 90

HSL 346.07, 0.7%, 0.53%

LAB 49.7, 65.54, 18.79

 

CMYK 0 / 82 / 20 / 38

HEX #9F1C7F

RGB 159 28 127

HSL 314.66, 0.7%, 0.37%

LAB 37.36, 60, -23.52

 

CMYK 0 / 82 / 20 / 24

HEX #C2229B

RGB 194 34 155

HSL 314.63, 0.7%, 0.45%

LAB 45.61, 70.04, -27.29

 

CMYK 0 / 77 / 19 / 14

HEX #DB33B1

RGB 219 51 177

HSL 315, 0.7%, 0.53%

LAB 52.51, 74.11, -29.24

 

CMYK 0 / 62 / 16 / 12

HEX #E156BE

RGB 225 86 190

HSL 315.11, 0.7%, 0.61%

LAB 58.4, 65.15, -27.56

 

CMYK 0 / 48 / 12 / 9

HEX #E779CC

RGB 231 121 204

HSL 314.73, 0.7%, 0.69%

LAB 65.77, 53.04, -24.09

 

CMYK 0 / 78 / 19 / 14

HEX #DB31B1

RGB 219 49 177

HSL 314.82, 0.7%, 0.53%

LAB 52.32, 74.65, -29.53

 

CMYK 0 / 44 / 77 / 14

HEX #DB7B33

RGB 219 123 51

HSL 25.71, 0.7%, 0.53%

LAB 61.19, 32.02, 53.45

 

CMYK 77 / 0 / 13 / 14

HEX #33DBBF

RGB 51 219 191

HSL 170, 0.7%, 0.53%

LAB 79.12, -47.88, 1.84

 

CMYK 0 / 78 / 19 / 14

HEX #DB31B1

RGB 219 49 177

HSL 314.82, 0.7%, 0.53%

LAB 52.32, 74.65, -29.53

 

CMYK 18 / 0 / 77 / 14

HEX #B3DB33

RGB 179 219 51

HSL 74.29, 0.7%, 0.53%

LAB 82.1, -34.55, 72.04

 

CMYK 77 / 18 / 0 / 14

HEX #33B3DB

RGB 51 179 219

HSL 194.29, 0.7%, 0.53%

LAB 68.06, -20.89, -29.92

 

CMYK 0 / 78 / 19 / 14

HEX #DB31B1

RGB 219 49 177

HSL 314.82, 0.7%, 0.53%

LAB 52.32, 74.65, -29.53

 

CMYK 0 / 44 / 77 / 14

HEX #DB7B33

RGB 219 123 51

HSL 25.71, 0.7%, 0.53%

LAB 61.19, 32.02, 53.45

 

CMYK 77 / 0 / 59 / 14

HEX #33DB5A

RGB 51 219 90

HSL 133.93, 0.7%, 0.53%

LAB 77.34, -67.52, 50.71

 

CMYK 77 / 33 / 0 / 14

HEX #3392DB

RGB 51 146 219

HSL 206.07, 0.7%, 0.53%

LAB 58.39, -2.75, -45.02

 

CMYK 0 / 78 / 19 / 14

HEX #DB31B1

RGB 219 49 177

HSL 314.82, 0.7%, 0.53%

LAB 52.32, 74.65, -29.53

 

CMYK 0 / 21 / 77 / 14

HEX #DBAE33

RGB 219 174 51

HSL 43.93, 0.7%, 0.53%

LAB 73.27, 4.78, 65.02

 

CMYK 77 / 0 / 59 / 14

HEX #33DB5A

RGB 51 219 90

HSL 133.93, 0.7%, 0.53%

LAB 77.34, -67.52, 50.71

 

CMYK 77 / 57 / 0 / 14

HEX #335FDB

RGB 51 95 219

HSL 224.29, 0.7%, 0.53%

LAB 44.24, 28.78, -67.73

 

Description

Color code: RGB 219 49 177 | qconv.com Color code: RGB 219 49 177 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 49 green and 177 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 49 177 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 78 magenta, 19 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 78% 19% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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