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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 219 49 30 it is the complementary color RGB 36 206 225. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 219 49 30. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 219 49 30 shade: RGB 224 49 25, RGB 241 67 44, RGB 255 85 63, RGB 255 103 82 and RGB 255 121 101

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 219 49 30. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 219 49 30 shade: RGB 219 49 30, RGB 202 31 11, RGB 185 13 0, RGB 168 0 0 and RGB 151 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 219 49 30 shade: RGB 219 49 29 and RGB 219 29 29

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 219 49 30 shade: RGB 219 49 29, RGB 219 100 29, RGB 219 151 29, RGB 219 202 29 and RGB 185 219 29

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 219 49 30 shade matches the following richer shades: RGB 219 49 29 and RGB 240 32 9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 219 49 30 shade: RGB 219 49 29, RGB 199 65 50, RGB 179 81 70, RGB 159 97 90 and RGB 139 113 110

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 219 49 30 shade: RGB 219 29 112, RGB 219 29 61, RGB 219 48 29, RGB 219 99 29 and RGB 219 150 29

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 219 49 30 shade: RGB 147 32 20, RGB 183 40 25, RGB 219 49 29, RGB 228 79 62 and RGB 233 112 98

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 219 49 30 shade: RGB 219 49 30, RGB 162 219 29 and RGB 29 86 219

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 219 49 30 shade: RGB 219 49 30, RGB 29 219 48 and RGB 48 29 219

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 219 49 30 shade: RGB 219 49 30, RGB 162 219 29, RGB 29 200 219 and RGB 86 29 219

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 219 49 30 shade: RGB 219 49 30, RGB 105 219 29, RGB 29 200 219 and RGB 143 29 219

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 78 / 86 / 14

HEX #DB311E

RGB 219 49 30

HSL 6.03, 0.76%, 0.49%

LAB 48.7, 63.61, 51.36

 

Complementary color

CMYK 84 / 8 / 0 / 12

HEX #24CEE1

RGB 36 206 225

HSL 186.03, 0.76%, 0.51%

LAB 76.04, -33.66, -20.99

 

CMYK 0 / 78 / 89 / 12

HEX #E03119

RGB 224 49 25

HSL 7.24, 0.8%, 0.49%

LAB 49.63, 64.98, 54.63

 

CMYK 0 / 72 / 82 / 5

HEX #F1432C

RGB 241 67 44

HSL 7.01, 0.88%, 0.56%

LAB 54.97, 64.82, 51.9

 

CMYK 0 / 67 / 75 / 0

HEX #FF553F

RGB 255 85 63

HSL 6.88, 1%, 0.62%

LAB 59.99, 63.25, 48.18

 

CMYK 0 / 60 / 68 / 0

HEX #FF6752

RGB 255 103 82

HSL 7.28, 1%, 0.66%

LAB 62.99, 56.64, 41.46

 

CMYK 0 / 53 / 60 / 0

HEX #FF7965

RGB 255 121 101

HSL 7.79, 1%, 0.7%

LAB 66.42, 49.5, 35.31

 

CMYK 0 / 78 / 86 / 14

HEX #DB311E

RGB 219 49 30

HSL 6.03, 0.76%, 0.49%

LAB 48.7, 63.61, 51.36

 

CMYK 0 / 85 / 95 / 21

HEX #CA1F0B

RGB 202 31 11

HSL 6.28, 0.9%, 0.42%

LAB 43.6, 63.08, 53.55

 

CMYK 0 / 93 / 100 / 27

HEX #B90D00

RGB 185 13 0

HSL 4.22, 1%, 0.36%

LAB 38.9, 61.5, 53

 

CMYK 0 / 100 / 100 / 34

HEX #A80000

RGB 168 0 0

HSL 0, 1%, 0.33%

LAB 34.65, 58.61, 48.93

 

CMYK 0 / 100 / 100 / 41

HEX #970000

RGB 151 0 0

HSL 0, 1%, 0.3%

LAB 30.83, 54.19, 44.61

 

CMYK 0 / 78 / 87 / 14

HEX #DB311D

RGB 219 49 29

HSL 6.32, 0.77%, 0.49%

LAB 48.69, 63.59, 51.8

 

CMYK 0 / 87 / 87 / 14

HEX #DB1D1D

RGB 219 29 29

HSL 0, 0.77%, 0.49%

LAB 47.01, 68.36, 50.45

 

CMYK 0 / 78 / 87 / 14

HEX #DB311D

RGB 219 49 29

HSL 6.32, 0.77%, 0.49%

LAB 48.69, 63.59, 51.8

 

CMYK 0 / 54 / 87 / 14

HEX #DB641D

RGB 219 100 29

HSL 22.42, 0.77%, 0.49%

LAB 56.35, 43.05, 57.96

 

CMYK 0 / 31 / 87 / 14

HEX #DB971D

RGB 219 151 29

HSL 38.53, 0.77%, 0.49%

LAB 67.49, 16.39, 66.9

 

CMYK 0 / 8 / 87 / 14

HEX #DBCA1D

RGB 219 202 29

HSL 54.63, 0.77%, 0.49%

LAB 80.4, -10.39, 77.27

 

CMYK 16 / 0 / 87 / 14

HEX #B9DB1D

RGB 185 219 29

HSL 70.74, 0.77%, 0.49%

LAB 82.41, -32.89, 77.83

 

CMYK 0 / 78 / 87 / 14

HEX #DB311D

RGB 219 49 29

HSL 6.32, 0.77%, 0.49%

LAB 48.69, 63.59, 51.8

 

CMYK 0 / 87 / 96 / 6

HEX #F02009

RGB 240 32 9

HSL 5.97, 0.93%, 0.49%

LAB 51.36, 73.1, 62.38

 

CMYK 0 / 78 / 87 / 14

HEX #DB311D

RGB 219 49 29

HSL 6.32, 0.77%, 0.49%

LAB 48.69, 63.59, 51.8

 

CMYK 0 / 67 / 75 / 22

HEX #C74132

RGB 199 65 50

HSL 6.04, 0.6%, 0.49%

LAB 47.17, 52.35, 38.45

 

CMYK 0 / 55 / 61 / 30

HEX #B35146

RGB 179 81 70

HSL 6.06, 0.44%, 0.49%

LAB 46.86, 39, 25.77

 

CMYK 0 / 39 / 43 / 38

HEX #9F615A

RGB 159 97 90

HSL 6.09, 0.28%, 0.49%

LAB 47.83, 24.34, 14.66

 

CMYK 0 / 19 / 21 / 45

HEX #8B716E

RGB 139 113 110

HSL 6.21, 0.12%, 0.49%

LAB 50.01, 9.71, 5.51

 

CMYK 0 / 87 / 49 / 14

HEX #DB1D70

RGB 219 29 112

HSL 333.79, 0.77%, 0.49%

LAB 48.4, 72.34, 3.52

 

CMYK 0 / 87 / 72 / 14

HEX #DB1D3D

RGB 219 29 61

HSL 349.89, 0.77%, 0.49%

LAB 47.33, 69.3, 33.31

 

CMYK 0 / 78 / 87 / 14

HEX #DB301D

RGB 219 48 29

HSL 6, 0.77%, 0.49%

LAB 48.59, 63.88, 51.72

 

CMYK 0 / 55 / 87 / 14

HEX #DB631D

RGB 219 99 29

HSL 22.11, 0.77%, 0.49%

LAB 56.16, 43.54, 57.81

 

CMYK 0 / 32 / 87 / 14

HEX #DB961D

RGB 219 150 29

HSL 38.21, 0.77%, 0.49%

LAB 67.25, 16.93, 66.71

 

CMYK 0 / 78 / 86 / 42

HEX #932014

RGB 147 32 20

HSL 5.67, 0.76%, 0.33%

LAB 32.45, 46.61, 36.68

 

CMYK 0 / 78 / 86 / 28

HEX #B72819

RGB 183 40 25

HSL 5.7, 0.76%, 0.41%

LAB 40.66, 55.44, 44.14

 

CMYK 0 / 78 / 87 / 14

HEX #DB311D

RGB 219 49 29

HSL 6.32, 0.77%, 0.49%

LAB 48.69, 63.59, 51.8

 

CMYK 0 / 65 / 73 / 11

HEX #E44F3E

RGB 228 79 62

HSL 6.14, 0.75%, 0.57%

LAB 54.48, 56.81, 41.37

 

CMYK 0 / 52 / 58 / 9

HEX #E97062

RGB 233 112 98

HSL 6.22, 0.75%, 0.65%

LAB 61.48, 45.69, 30.03

 

CMYK 0 / 78 / 86 / 14

HEX #DB311E

RGB 219 49 30

HSL 6.03, 0.76%, 0.49%

LAB 48.7, 63.61, 51.36

 

CMYK 26 / 0 / 87 / 14

HEX #A2DB1D

RGB 162 219 29

HSL 78, 0.77%, 0.49%

LAB 80.98, -41.91, 76.05

 

CMYK 87 / 61 / 0 / 14

HEX #1D56DB

RGB 29 86 219

HSL 222, 0.77%, 0.49%

LAB 41.27, 32.77, -72.61

 

CMYK 0 / 78 / 86 / 14

HEX #DB311E

RGB 219 49 30

HSL 6.03, 0.76%, 0.49%

LAB 48.7, 63.61, 51.36

 

CMYK 87 / 0 / 78 / 14

HEX #1DDB30

RGB 29 219 48

HSL 126, 0.77%, 0.49%

LAB 76.76, -73.72, 66.01

 

CMYK 78 / 87 / 0 / 14

HEX #301DDB

RGB 48 29 219

HSL 246, 0.77%, 0.49%

LAB 30.93, 64.54, -89.65

 

CMYK 0 / 78 / 86 / 14

HEX #DB311E

RGB 219 49 30

HSL 6.03, 0.76%, 0.49%

LAB 48.7, 63.61, 51.36

 

CMYK 26 / 0 / 87 / 14

HEX #A2DB1D

RGB 162 219 29

HSL 78, 0.77%, 0.49%

LAB 80.98, -41.91, 76.05

 

CMYK 87 / 9 / 0 / 14

HEX #1DC8DB

RGB 29 200 219

HSL 186, 0.77%, 0.49%

LAB 73.99, -33.12, -20.88

 

CMYK 61 / 87 / 0 / 14

HEX #561DDB

RGB 86 29 219

HSL 258, 0.77%, 0.49%

LAB 33.92, 66.87, -84.59

 

CMYK 0 / 78 / 86 / 14

HEX #DB311E

RGB 219 49 30

HSL 6.03, 0.76%, 0.49%

LAB 48.7, 63.61, 51.36

 

CMYK 52 / 0 / 87 / 14

HEX #69DB1D

RGB 105 219 29

HSL 96, 0.77%, 0.49%

LAB 78.32, -60.98, 72.73

 

CMYK 87 / 9 / 0 / 14

HEX #1DC8DB

RGB 29 200 219

HSL 186, 0.77%, 0.49%

LAB 73.99, -33.12, -20.88

 

CMYK 35 / 87 / 0 / 14

HEX #8F1DDB

RGB 143 29 219

HSL 276, 0.77%, 0.49%

LAB 40.95, 72.97, -72.77

 

Description

Color code: RGB 219 49 30 | qconv.com Color code: RGB 219 49 30 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 49 green and 30 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 49 30 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 78 magenta, 86 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 78% 86% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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