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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 219 66 224 it is the complementary color RGB 36 189 31. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 219 66 224. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 219 66 224 shade: RGB 224 66 219, RGB 241 84 238, RGB 255 102 255, RGB 255 120 255 and RGB 255 138 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 219 66 224. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 219 66 224 shade: RGB 219 66 224, RGB 202 48 205, RGB 185 30 186, RGB 168 12 167 and RGB 151 0 148

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 219 66 224 shade: RGB 219 66 224, RGB 224 66 186, RGB 224 66 144, RGB 224 66 101 and RGB 224 66 66

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 219 66 224 shade: RGB 219 66 224, RGB 176 66 224, RGB 134 66 224, RGB 91 66 224 and RGB 66 66 224

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 219 66 224 shade matches the following richer shades: RGB 219 66 224 and RGB 235 48 242

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 219 66 224 shade: RGB 219 66 224, RGB 202 84 206, RGB 186 101 188, RGB 169 119 171 and RGB 152 137 153

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 219 66 224 shade: RGB 134 66 224, RGB 176 66 224, RGB 219 66 224, RGB 224 66 187 and RGB 224 66 145

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 219 66 224 shade: RGB 174 29 179, RGB 208 34 214, RGB 219 66 224, RGB 226 101 230 and RGB 232 137 235

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 219 66 224 shade: RGB 219 66 224, RGB 224 92 66 and RGB 66 224 155

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 219 66 224 shade: RGB 219 66 224, RGB 224 219 66 and RGB 66 224 219

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 219 66 224 shade: RGB 219 66 224, RGB 224 92 66, RGB 71 224 66 and RGB 66 197 224

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 219 66 224 shade: RGB 219 66 224, RGB 224 140 66, RGB 71 224 66 and RGB 66 150 224

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 71 / 0 / 12

HEX #DB42E0

RGB 219 66 224

HSL 298.1, 0.72%, 0.57%

LAB 56.42, 76.41, -50.07

 

Complementary color

CMYK 81 / 0 / 84 / 26

HEX #24BD1F

RGB 36 189 31

HSL 118.1, 0.72%, 0.43%

LAB 67.18, -65.29, 61.78

 

CMYK 0 / 71 / 2 / 12

HEX #E042DB

RGB 224 66 219

HSL 301.9, 0.72%, 0.57%

LAB 56.94, 76.68, -46.38

 

CMYK 0 / 65 / 1 / 5

HEX #F154EE

RGB 241 84 238

HSL 301.15, 0.85%, 0.64%

LAB 62.69, 77.18, -47.78

 

CMYK 0 / 60 / 0 / 0

HEX #FF66FF

RGB 255 102 255

HSL 300, 1%, 0.7%

LAB 68.01, 76.24, -48.63

 

CMYK 0 / 53 / 0 / 0

HEX #FF78FF

RGB 255 120 255

HSL 300, 1%, 0.74%

LAB 70.81, 68.59, -44.22

 

CMYK 0 / 46 / 0 / 0

HEX #FF8AFF

RGB 255 138 255

HSL 300, 1%, 0.77%

LAB 73.97, 60.22, -39.29

 

CMYK 2 / 71 / 0 / 12

HEX #DB42E0

RGB 219 66 224

HSL 298.1, 0.72%, 0.57%

LAB 56.42, 76.41, -50.07

 

CMYK 1 / 77 / 0 / 20

HEX #CA30CD

RGB 202 48 205

HSL 298.85, 0.62%, 0.5%

LAB 50.78, 75.37, -48.39

 

CMYK 1 / 84 / 0 / 27

HEX #B91EBA

RGB 185 30 186

HSL 299.62, 0.72%, 0.42%

LAB 45.34, 73.49, -46.2

 

CMYK 0 / 93 / 1 / 34

HEX #A80CA7

RGB 168 12 167

HSL 300.38, 0.87%, 0.35%

LAB 40.21, 70.44, -43.31

 

CMYK 0 / 100 / 2 / 41

HEX #970094

RGB 151 0 148

HSL 301.19, 1%, 0.3%

LAB 35.43, 66, -39.62

 

CMYK 2 / 71 / 0 / 12

HEX #DB42E0

RGB 219 66 224

HSL 298.1, 0.72%, 0.57%

LAB 56.42, 76.41, -50.07

 

CMYK 0 / 71 / 17 / 12

HEX #E042BA

RGB 224 66 186

HSL 314.43, 0.72%, 0.57%

LAB 55.37, 71.85, -29.96

 

CMYK 0 / 71 / 36 / 12

HEX #E04290

RGB 224 66 144

HSL 330.38, 0.72%, 0.57%

LAB 53.77, 66.72, -7.79

 

CMYK 0 / 71 / 55 / 12

HEX #E04265

RGB 224 66 101

HSL 346.71, 0.72%, 0.57%

LAB 52.6, 62.82, 16.24

 

CMYK 0 / 71 / 71 / 12

HEX #E04242

RGB 224 66 66

HSL 0, 0.72%, 0.57%

LAB 51.99, 60.72, 36.1

 

CMYK 2 / 71 / 0 / 12

HEX #DB42E0

RGB 219 66 224

HSL 298.1, 0.72%, 0.57%

LAB 56.42, 76.41, -50.07

 

CMYK 21 / 71 / 0 / 12

HEX #B042E0

RGB 176 66 224

HSL 281.77, 0.72%, 0.57%

LAB 50.11, 67.57, -60.54

 

CMYK 40 / 71 / 0 / 12

HEX #8642E0

RGB 134 66 224

HSL 265.82, 0.72%, 0.57%

LAB 44.73, 59.61, -69.51

 

CMYK 59 / 71 / 0 / 12

HEX #5B42E0

RGB 91 66 224

HSL 249.49, 0.72%, 0.57%

LAB 40.41, 52.82, -76.74

 

CMYK 71 / 71 / 0 / 12

HEX #4242E0

RGB 66 66 224

HSL 240, 0.72%, 0.57%

LAB 38.61, 49.85, -79.76

 

CMYK 2 / 71 / 0 / 12

HEX #DB42E0

RGB 219 66 224

HSL 298.1, 0.72%, 0.57%

LAB 56.42, 76.41, -50.07

 

CMYK 3 / 80 / 0 / 5

HEX #EB30F2

RGB 235 48 242

HSL 297.84, 0.88%, 0.57%

LAB 58.21, 87.33, -57.17

 

CMYK 2 / 71 / 0 / 12

HEX #DB42E0

RGB 219 66 224

HSL 298.1, 0.72%, 0.57%

LAB 56.42, 76.41, -50.07

 

CMYK 2 / 59 / 0 / 19

HEX #CA54CE

RGB 202 84 206

HSL 298.03, 0.55%, 0.57%

LAB 55.43, 62.58, -41.59

 

CMYK 1 / 46 / 0 / 26

HEX #BA65BC

RGB 186 101 188

HSL 298.62, 0.39%, 0.57%

LAB 55.46, 46.86, -31.4

 

CMYK 1 / 30 / 0 / 33

HEX #A977AB

RGB 169 119 171

HSL 297.69, 0.24%, 0.57%

LAB 56.65, 28.44, -19.95

 

CMYK 1 / 10 / 0 / 40

HEX #988999

RGB 152 137 153

HSL 296.25, 0.07%, 0.57%

LAB 58.85, 8.65, -6.45

 

CMYK 40 / 71 / 0 / 12

HEX #8642E0

RGB 134 66 224

HSL 265.82, 0.72%, 0.57%

LAB 44.73, 59.61, -69.51

 

CMYK 21 / 71 / 0 / 12

HEX #B042E0

RGB 176 66 224

HSL 281.77, 0.72%, 0.57%

LAB 50.11, 67.57, -60.54

 

CMYK 2 / 71 / 0 / 12

HEX #DB42E0

RGB 219 66 224

HSL 298.1, 0.72%, 0.57%

LAB 56.42, 76.41, -50.07

 

CMYK 0 / 71 / 17 / 12

HEX #E042BB

RGB 224 66 187

HSL 314.05, 0.72%, 0.57%

LAB 55.41, 71.99, -30.47

 

CMYK 0 / 71 / 35 / 12

HEX #E04291

RGB 224 66 145

HSL 330, 0.72%, 0.57%

LAB 53.8, 66.83, -8.33

 

CMYK 3 / 84 / 0 / 30

HEX #AE1DB3

RGB 174 29 179

HSL 298, 0.72%, 0.41%

LAB 42.96, 70.56, -45.99

 

CMYK 3 / 84 / 0 / 16

HEX #D022D6

RGB 208 34 214

HSL 298, 0.73%, 0.49%

LAB 51.16, 81.17, -52.88

 

CMYK 2 / 71 / 0 / 12

HEX #DB42E0

RGB 219 66 224

HSL 298.1, 0.72%, 0.57%

LAB 56.42, 76.41, -50.07

 

CMYK 2 / 56 / 0 / 10

HEX #E265E6

RGB 226 101 230

HSL 298.14, 0.72%, 0.65%

LAB 62.67, 65.35, -43.5

 

CMYK 1 / 42 / 0 / 8

HEX #E889EB

RGB 232 137 235

HSL 298.16, 0.71%, 0.73%

LAB 70.21, 50.6, -34.43

 

CMYK 2 / 71 / 0 / 12

HEX #DB42E0

RGB 219 66 224

HSL 298.1, 0.72%, 0.57%

LAB 56.42, 76.41, -50.07

 

CMYK 0 / 59 / 71 / 12

HEX #E05C42

RGB 224 92 66

HSL 9.87, 0.72%, 0.57%

LAB 55.98, 49.98, 40.72

 

CMYK 71 / 0 / 31 / 12

HEX #42E09B

RGB 66 224 155

HSL 153.8, 0.72%, 0.57%

LAB 80.09, -56.41, 22.25

 

CMYK 2 / 71 / 0 / 12

HEX #DB42E0

RGB 219 66 224

HSL 298.1, 0.72%, 0.57%

LAB 56.42, 76.41, -50.07

 

CMYK 0 / 2 / 71 / 12

HEX #E0DB42

RGB 224 219 66

HSL 58.1, 0.72%, 0.57%

LAB 85.46, -15.52, 71.49

 

CMYK 71 / 0 / 2 / 12

HEX #42E0DB

RGB 66 224 219

HSL 178.1, 0.72%, 0.57%

LAB 81.61, -40.85, -9.37

 

CMYK 2 / 71 / 0 / 12

HEX #DB42E0

RGB 219 66 224

HSL 298.1, 0.72%, 0.57%

LAB 56.42, 76.41, -50.07

 

CMYK 0 / 59 / 71 / 12

HEX #E05C42

RGB 224 92 66

HSL 9.87, 0.72%, 0.57%

LAB 55.98, 49.98, 40.72

 

CMYK 68 / 0 / 71 / 12

HEX #47E042

RGB 71 224 66

HSL 118.1, 0.72%, 0.57%

LAB 79.07, -68.44, 62.52

 

CMYK 71 / 12 / 0 / 12

HEX #42C5E0

RGB 66 197 224

HSL 190.25, 0.72%, 0.57%

LAB 73.85, -26.64, -23.74

 

CMYK 2 / 71 / 0 / 12

HEX #DB42E0

RGB 219 66 224

HSL 298.1, 0.72%, 0.57%

LAB 56.42, 76.41, -50.07

 

CMYK 0 / 38 / 71 / 12

HEX #E08C42

RGB 224 140 66

HSL 28.1, 0.72%, 0.57%

LAB 65.75, 25.75, 51.49

 

CMYK 68 / 0 / 71 / 12

HEX #47E042

RGB 71 224 66

HSL 118.1, 0.72%, 0.57%

LAB 79.07, -68.44, 62.52

 

CMYK 71 / 33 / 0 / 12

HEX #4296E0

RGB 66 150 224

HSL 208.1, 0.72%, 0.57%

LAB 60.21, -1.39, -44.92

 

Description

Color code: RGB 219 66 224 | qconv.com Color code: RGB 219 66 224 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 66 green and 224 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 66 224 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, 71 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 71% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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