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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 219 67 176 it is the complementary color RGB 36 188 79. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 219 67 176. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 219 67 176 shade: RGB 224 67 171, RGB 241 85 190, RGB 255 103 209, RGB 255 121 228 and RGB 255 139 247

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 219 67 176. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 219 67 176 shade: RGB 219 67 176, RGB 202 49 157, RGB 185 31 138, RGB 168 13 119 and RGB 151 0 100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 219 67 176 shade: RGB 219 66 175, RGB 219 66 134, RGB 219 66 93 and RGB 219 66 66

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 219 67 176 shade: RGB 219 66 175, RGB 219 66 217, RGB 179 66 219, RGB 138 66 219 and RGB 97 66 219

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 219 67 176 shade matches the following richer shades: RGB 219 66 175 and RGB 237 48 183

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 219 67 176 shade: RGB 219 66 175, RGB 200 84 168, RGB 182 102 160, RGB 164 120 152 and RGB 146 139 144

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 219 67 176 shade: RGB 178 66 219, RGB 219 66 219, RGB 219 66 178, RGB 219 66 137 and RGB 219 66 97

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 219 67 176 shade: RGB 170 32 131, RGB 205 39 158, RGB 219 66 175, RGB 225 101 190 and RGB 232 135 205

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 219 67 176 shade: RGB 219 67 176, RGB 219 137 66 and RGB 66 219 198

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 219 67 176 shade: RGB 219 67 176, RGB 178 219 66 and RGB 66 178 219

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 219 67 176 shade: RGB 219 67 176, RGB 219 137 66, RGB 66 219 107 and RGB 66 147 219

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 219 67 176 shade: RGB 219 67 176, RGB 219 183 66, RGB 66 219 107 and RGB 66 102 219

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 69 / 20 / 14

HEX #DB43B0

RGB 219 67 176

HSL 316.97, 0.68%, 0.56%

LAB 54.25, 68.93, -25.96

 

Complementary color

CMYK 81 / 0 / 58 / 26

HEX #24BC4F

RGB 36 188 79

HSL 136.97, 0.68%, 0.44%

LAB 67.21, -60.65, 43.83

 

CMYK 0 / 70 / 24 / 12

HEX #E043AB

RGB 224 67 171

HSL 320.25, 0.72%, 0.57%

LAB 54.87, 69.54, -22.02

 

CMYK 0 / 65 / 21 / 5

HEX #F155BE

RGB 241 85 190

HSL 319.62, 0.85%, 0.64%

LAB 60.71, 69.79, -23.8

 

CMYK 0 / 60 / 18 / 0

HEX #FF67D1

RGB 255 103 209

HSL 318.16, 1%, 0.7%

LAB 66.19, 68.87, -25.97

 

CMYK 0 / 53 / 11 / 0

HEX #FF79E4

RGB 255 121 228

HSL 312.09, 1%, 0.74%

LAB 69.85, 63.78, -30.9

 

CMYK 0 / 45 / 3 / 0

HEX #FF8BF7

RGB 255 139 247

HSL 304.14, 1%, 0.77%

LAB 73.83, 58.37, -35.16

 

CMYK 0 / 69 / 20 / 14

HEX #DB43B0

RGB 219 67 176

HSL 316.97, 0.68%, 0.56%

LAB 54.25, 68.93, -25.96

 

CMYK 0 / 76 / 22 / 21

HEX #CA319D

RGB 202 49 157

HSL 317.65, 0.61%, 0.49%

LAB 48.5, 68.17, -23.89

 

CMYK 0 / 83 / 25 / 27

HEX #B91F8A

RGB 185 31 138

HSL 318.31, 0.71%, 0.42%

LAB 42.96, 66.6, -21.24

 

CMYK 0 / 92 / 29 / 34

HEX #A80D77

RGB 168 13 119

HSL 318.97, 0.86%, 0.35%

LAB 37.74, 63.86, -17.79

 

CMYK 0 / 100 / 34 / 41

HEX #970064

RGB 151 0 100

HSL 320.26, 1%, 0.3%

LAB 32.92, 59.73, -13.4

 

CMYK 0 / 70 / 20 / 14

HEX #DB42AF

RGB 219 66 175

HSL 317.25, 0.68%, 0.56%

LAB 54.08, 69.15, -25.63

 

CMYK 0 / 70 / 39 / 14

HEX #DB4286

RGB 219 66 134

HSL 333.33, 0.68%, 0.56%

LAB 52.59, 64.29, -3.67

 

CMYK 0 / 70 / 58 / 14

HEX #DB425D

RGB 219 66 93

HSL 349.41, 0.68%, 0.56%

LAB 51.55, 60.75, 19.47

 

CMYK 0 / 70 / 70 / 14

HEX #DB4242

RGB 219 66 66

HSL 0, 0.68%, 0.56%

LAB 51.09, 59.16, 34.82

 

CMYK 0 / 70 / 20 / 14

HEX #DB42AF

RGB 219 66 175

HSL 317.25, 0.68%, 0.56%

LAB 54.08, 69.15, -25.63

 

CMYK 0 / 70 / 1 / 14

HEX #DB42D9

RGB 219 66 217

HSL 300.78, 0.68%, 0.56%

LAB 56.05, 75.29, -46.7

 

CMYK 18 / 70 / 0 / 14

HEX #B342DB

RGB 179 66 219

HSL 284.31, 0.68%, 0.56%

LAB 50.21, 67.19, -57.51

 

CMYK 37 / 70 / 0 / 14

HEX #8A42DB

RGB 138 66 219

HSL 268.24, 0.68%, 0.56%

LAB 44.82, 59.12, -66.48

 

CMYK 56 / 70 / 0 / 14

HEX #6142DB

RGB 97 66 219

HSL 252.16, 0.68%, 0.56%

LAB 40.5, 52.21, -73.72

 

CMYK 0 / 70 / 20 / 14

HEX #DB42AF

RGB 219 66 175

HSL 317.25, 0.68%, 0.56%

LAB 54.08, 69.15, -25.63

 

CMYK 0 / 80 / 23 / 7

HEX #ED30B7

RGB 237 48 183

HSL 317.14, 0.84%, 0.56%

LAB 55.62, 79.62, -27.66

 

CMYK 0 / 70 / 20 / 14

HEX #DB42AF

RGB 219 66 175

HSL 317.25, 0.68%, 0.56%

LAB 54.08, 69.15, -25.63

 

CMYK 0 / 58 / 16 / 22

HEX #C854A8

RGB 200 84 168

HSL 316.55, 0.51%, 0.56%

LAB 53.44, 55.85, -22.79

 

CMYK 0 / 44 / 12 / 29

HEX #B666A0

RGB 182 102 160

HSL 316.5, 0.35%, 0.56%

LAB 54.01, 40.12, -17.46

 

CMYK 0 / 27 / 7 / 36

HEX #A47898

RGB 164 120 152

HSL 316.36, 0.19%, 0.56%

LAB 55.68, 22.52, -10.49

 

CMYK 0 / 5 / 1 / 43

HEX #928B90

RGB 146 139 144

HSL 317.14, 0.03%, 0.56%

LAB 58.59, 3.56, -1.74

 

CMYK 19 / 70 / 0 / 14

HEX #B242DB

RGB 178 66 219

HSL 283.92, 0.68%, 0.56%

LAB 50.07, 66.98, -57.74

 

CMYK 0 / 70 / 0 / 14

HEX #DB42DB

RGB 219 66 219

HSL 300, 0.68%, 0.56%

LAB 56.16, 75.61, -47.66

 

CMYK 0 / 70 / 19 / 14

HEX #DB42B2

RGB 219 66 178

HSL 316.08, 0.68%, 0.56%

LAB 54.21, 69.55, -27.19

 

CMYK 0 / 70 / 37 / 14

HEX #DB4289

RGB 219 66 137

HSL 332.16, 0.68%, 0.56%

LAB 52.69, 64.61, -5.32

 

CMYK 0 / 70 / 56 / 14

HEX #DB4261

RGB 219 66 97

HSL 347.84, 0.68%, 0.56%

LAB 51.63, 61.03, 17.18

 

CMYK 0 / 81 / 23 / 33

HEX #AA2083

RGB 170 32 131

HSL 316.96, 0.68%, 0.4%

LAB 39.94, 62.04, -21.82

 

CMYK 0 / 81 / 23 / 20

HEX #CD279E

RGB 205 39 158

HSL 316.99, 0.68%, 0.48%

LAB 48.13, 71.67, -25.01

 

CMYK 0 / 70 / 20 / 14

HEX #DB42AF

RGB 219 66 175

HSL 317.25, 0.68%, 0.56%

LAB 54.08, 69.15, -25.63

 

CMYK 0 / 55 / 16 / 12

HEX #E165BE

RGB 225 101 190

HSL 316.94, 0.67%, 0.64%

LAB 60.81, 58.62, -23.85

 

CMYK 0 / 42 / 12 / 9

HEX #E887CD

RGB 232 135 205

HSL 316.7, 0.68%, 0.72%

LAB 68.67, 46.48, -20.2

 

CMYK 0 / 69 / 20 / 14

HEX #DB43B0

RGB 219 67 176

HSL 316.97, 0.68%, 0.56%

LAB 54.25, 68.93, -25.96

 

CMYK 0 / 37 / 70 / 14

HEX #DB8942

RGB 219 137 66

HSL 27.84, 0.68%, 0.56%

LAB 64.44, 25.28, 49.9

 

CMYK 70 / 0 / 10 / 14

HEX #42DBC6

RGB 66 219 198

HSL 171.76, 0.68%, 0.56%

LAB 79.56, -44.28, -1.22

 

CMYK 0 / 69 / 20 / 14

HEX #DB43B0

RGB 219 67 176

HSL 316.97, 0.68%, 0.56%

LAB 54.25, 68.93, -25.96

 

CMYK 19 / 0 / 70 / 14

HEX #B2DB42

RGB 178 219 66

HSL 76.08, 0.68%, 0.56%

LAB 82.12, -34.18, 67.08

 

CMYK 70 / 19 / 0 / 14

HEX #42B2DB

RGB 66 178 219

HSL 196.08, 0.68%, 0.56%

LAB 68.1, -18.52, -29.83

 

CMYK 0 / 69 / 20 / 14

HEX #DB43B0

RGB 219 67 176

HSL 316.97, 0.68%, 0.56%

LAB 54.25, 68.93, -25.96

 

CMYK 0 / 37 / 70 / 14

HEX #DB8942

RGB 219 137 66

HSL 27.84, 0.68%, 0.56%

LAB 64.44, 25.28, 49.9

 

CMYK 70 / 0 / 51 / 14

HEX #42DB6B

RGB 66 219 107

HSL 136.08, 0.68%, 0.56%

LAB 77.81, -63.03, 43.45

 

CMYK 70 / 33 / 0 / 14

HEX #4293DB

RGB 66 147 219

HSL 208.24, 0.68%, 0.56%

LAB 59.1, -1.38, -43.87

 

CMYK 0 / 69 / 20 / 14

HEX #DB43B0

RGB 219 67 176

HSL 316.97, 0.68%, 0.56%

LAB 54.25, 68.93, -25.96

 

CMYK 0 / 16 / 70 / 14

HEX #DBB742

RGB 219 183 66

HSL 45.88, 0.68%, 0.56%

LAB 75.65, 0.71, 61.62

 

CMYK 70 / 0 / 51 / 14

HEX #42DB6B

RGB 66 219 107

HSL 136.08, 0.68%, 0.56%

LAB 77.81, -63.03, 43.45

 

CMYK 70 / 53 / 0 / 14

HEX #4266DB

RGB 66 102 219

HSL 225.88, 0.68%, 0.56%

LAB 46.68, 26.16, -63.74

 

Description

Color code: RGB 219 67 176 | qconv.com Color code: RGB 219 67 176 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 67 green and 176 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 67 176 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 69 magenta, 20 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 69% 20% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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