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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 219 90 241 it is the complementary color RGB 36 165 14. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 219 90 241. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 219 90 241 shade: RGB 224 90 236, RGB 241 108 255, RGB 255 126 255, RGB 255 144 255 and RGB 255 162 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 219 90 241. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 219 90 241 shade: RGB 219 90 241, RGB 202 72 222, RGB 185 54 203, RGB 168 36 184 and RGB 151 18 165

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 219 90 241 shade: RGB 218 90 240, RGB 240 90 222, RGB 240 90 181, RGB 240 90 141 and RGB 240 90 100

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 219 90 241 shade: RGB 218 90 240, RGB 178 90 240, RGB 138 90 240, RGB 97 90 240 and RGB 90 90 240

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 219 90 241 shade matches the following richer shades: RGB 218 90 240

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 219 90 241 shade: RGB 218 90 240, RGB 208 105 226, RGB 198 119 211, RGB 188 134 197 and RGB 177 148 182

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 219 90 241 shade: RGB 138 90 240, RGB 178 90 240, RGB 218 90 240, RGB 240 90 223 and RGB 240 90 183

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 219 90 241 shade: RGB 198 19 229, RGB 210 52 237, RGB 218 90 240, RGB 227 128 244 and RGB 235 166 247

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 219 90 241 shade: RGB 219 90 241, RGB 240 98 90 and RGB 90 240 158

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 219 90 241 shade: RGB 219 90 241, RGB 240 218 90 and RGB 90 240 218

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 219 90 241 shade: RGB 219 90 241, RGB 240 98 90, RGB 113 240 90 and RGB 90 233 240

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 219 90 241 shade: RGB 219 90 241, RGB 240 143 90, RGB 113 240 90 and RGB 90 188 240

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 63 / 0 / 5

HEX #DB5AF1

RGB 219 90 241

HSL 291.26, 0.84%, 0.65%

LAB 60.54, 70.33, -53.05

 

Complementary color

CMYK 78 / 0 / 92 / 35

HEX #24A50E

RGB 36 165 14

HSL 111.26, 0.84%, 0.35%

LAB 59.27, -58.73, 58.45

 

CMYK 5 / 62 / 0 / 7

HEX #E05AEC

RGB 224 90 236

HSL 295.07, 0.79%, 0.64%

LAB 60.97, 70.6, -49.54

 

CMYK 5 / 58 / 0 / 0

HEX #F16CFF

RGB 241 108 255

HSL 294.29, 1%, 0.71%

LAB 67.01, 70.37, -50.33

 

CMYK 0 / 51 / 0 / 0

HEX #FF7EFF

RGB 255 126 255

HSL 300, 1%, 0.75%

LAB 71.83, 65.87, -42.63

 

CMYK 0 / 44 / 0 / 0

HEX #FF90FF

RGB 255 144 255

HSL 300, 1%, 0.78%

LAB 75.09, 57.3, -37.55

 

CMYK 0 / 36 / 0 / 0

HEX #FFA2FF

RGB 255 162 255

HSL 300, 1%, 0.82%

LAB 78.65, 48.27, -32.05

 

CMYK 9 / 63 / 0 / 5

HEX #DB5AF1

RGB 219 90 241

HSL 291.26, 0.84%, 0.65%

LAB 60.54, 70.33, -53.05

 

CMYK 9 / 68 / 0 / 13

HEX #CA48DE

RGB 202 72 222

HSL 292, 0.69%, 0.58%

LAB 54.52, 70.3, -52.13

 

CMYK 9 / 73 / 0 / 20

HEX #B936CB

RGB 185 54 203

HSL 292.75, 0.59%, 0.5%

LAB 48.59, 69.81, -50.89

 

CMYK 9 / 80 / 0 / 28

HEX #A824B8

RGB 168 36 184

HSL 293.51, 0.67%, 0.43%

LAB 42.83, 68.59, -49.2

 

CMYK 8 / 89 / 0 / 35

HEX #9712A5

RGB 151 18 165

HSL 294.29, 0.8%, 0.36%

LAB 37.35, 66.29, -46.86

 

CMYK 9 / 63 / 0 / 6

HEX #DA5AF0

RGB 218 90 240

HSL 291.2, 0.83%, 0.65%

LAB 60.35, 69.92, -52.81

 

CMYK 0 / 63 / 8 / 6

HEX #F05ADE

RGB 240 90 222

HSL 307.2, 0.83%, 0.65%

LAB 62.6, 72.16, -38.99

 

CMYK 0 / 63 / 25 / 6

HEX #F05AB5

RGB 240 90 181

HSL 323.6, 0.83%, 0.65%

LAB 60.93, 66.37, -18.31

 

CMYK 0 / 63 / 41 / 6

HEX #F05A8D

RGB 240 90 141

HSL 339.6, 0.83%, 0.65%

LAB 59.67, 61.78, 2.96

 

CMYK 0 / 63 / 58 / 6

HEX #F05A64

RGB 240 90 100

HSL 356, 0.83%, 0.65%

LAB 58.75, 58.31, 25.55

 

CMYK 9 / 63 / 0 / 6

HEX #DA5AF0

RGB 218 90 240

HSL 291.2, 0.83%, 0.65%

LAB 60.35, 69.92, -52.81

 

CMYK 26 / 63 / 0 / 6

HEX #B25AF0

RGB 178 90 240

HSL 275.2, 0.83%, 0.65%

LAB 55.14, 60.86, -61.42

 

CMYK 43 / 63 / 0 / 6

HEX #8A5AF0

RGB 138 90 240

HSL 259.2, 0.83%, 0.65%

LAB 50.7, 52.44, -68.82

 

CMYK 60 / 63 / 0 / 6

HEX #615AF0

RGB 97 90 240

HSL 242.8, 0.83%, 0.65%

LAB 47.16, 45.14, -74.72

 

CMYK 63 / 63 / 0 / 6

HEX #5A5AF0

RGB 90 90 240

HSL 240, 0.83%, 0.65%

LAB 46.68, 44.09, -75.53

 

CMYK 9 / 63 / 0 / 6

HEX #DA5AF0

RGB 218 90 240

HSL 291.2, 0.83%, 0.65%

LAB 60.35, 69.92, -52.81

 

CMYK 9 / 63 / 0 / 6

HEX #DA5AF0

RGB 218 90 240

HSL 291.2, 0.83%, 0.65%

LAB 60.35, 69.92, -52.81

 

CMYK 8 / 54 / 0 / 11

HEX #D069E2

RGB 208 105 226

HSL 291.07, 0.68%, 0.65%

LAB 60.79, 58.12, -44.39

 

CMYK 6 / 44 / 0 / 17

HEX #C677D3

RGB 198 119 211

HSL 291.52, 0.51%, 0.65%

LAB 61.57, 45.4, -34.84

 

CMYK 5 / 32 / 0 / 23

HEX #BC86C5

RGB 188 134 197

HSL 291.43, 0.35%, 0.65%

LAB 63.15, 31.45, -24.6

 

CMYK 3 / 19 / 0 / 29

HEX #B194B6

RGB 177 148 182

HSL 291.18, 0.19%, 0.65%

LAB 64.89, 16.98, -13.64

 

CMYK 43 / 63 / 0 / 6

HEX #8A5AF0

RGB 138 90 240

HSL 259.2, 0.83%, 0.65%

LAB 50.7, 52.44, -68.82

 

CMYK 26 / 63 / 0 / 6

HEX #B25AF0

RGB 178 90 240

HSL 275.2, 0.83%, 0.65%

LAB 55.14, 60.86, -61.42

 

CMYK 9 / 63 / 0 / 6

HEX #DA5AF0

RGB 218 90 240

HSL 291.2, 0.83%, 0.65%

LAB 60.35, 69.92, -52.81

 

CMYK 0 / 63 / 7 / 6

HEX #F05ADF

RGB 240 90 223

HSL 306.8, 0.83%, 0.65%

LAB 62.65, 72.32, -39.48

 

CMYK 0 / 63 / 24 / 6

HEX #F05AB7

RGB 240 90 183

HSL 322.8, 0.83%, 0.65%

LAB 61.01, 66.63, -19.35

 

CMYK 14 / 92 / 0 / 10

HEX #C613E5

RGB 198 19 229

HSL 291.14, 0.85%, 0.49%

LAB 49.65, 84.27, -63.94

 

CMYK 11 / 78 / 0 / 7

HEX #D234ED

RGB 210 52 237

HSL 291.24, 0.84%, 0.57%

LAB 54.31, 81.03, -60.84

 

CMYK 9 / 63 / 0 / 6

HEX #DA5AF0

RGB 218 90 240

HSL 291.2, 0.83%, 0.65%

LAB 60.35, 69.92, -52.81

 

CMYK 7 / 48 / 0 / 4

HEX #E380F4

RGB 227 128 244

HSL 291.21, 0.84%, 0.73%

LAB 68.24, 55.37, -42.48

 

CMYK 5 / 33 / 0 / 3

HEX #EBA6F7

RGB 235 166 247

HSL 291.11, 0.84%, 0.81%

LAB 77.07, 38.64, -30.34

 

CMYK 9 / 63 / 0 / 5

HEX #DB5AF1

RGB 219 90 241

HSL 291.26, 0.84%, 0.65%

LAB 60.54, 70.33, -53.05

 

CMYK 0 / 59 / 63 / 6

HEX #F0625A

RGB 240 98 90

HSL 3.2, 0.83%, 0.65%

LAB 59.89, 54.18, 32.72

 

CMYK 63 / 0 / 34 / 6

HEX #5AF09E

RGB 90 240 158

HSL 147.2, 0.83%, 0.65%

LAB 85.48, -57.97, 28.15

 

CMYK 9 / 63 / 0 / 5

HEX #DB5AF1

RGB 219 90 241

HSL 291.26, 0.84%, 0.65%

LAB 60.54, 70.33, -53.05

 

CMYK 0 / 9 / 63 / 6

HEX #F0DA5A

RGB 240 218 90

HSL 51.2, 0.83%, 0.65%

LAB 86.7, -7.08, 63.85

 

CMYK 63 / 0 / 9 / 6

HEX #5AF0DA

RGB 90 240 218

HSL 171.2, 0.83%, 0.65%

LAB 86.78, -44.75, -1.15

 

CMYK 9 / 63 / 0 / 5

HEX #DB5AF1

RGB 219 90 241

HSL 291.26, 0.84%, 0.65%

LAB 60.54, 70.33, -53.05

 

CMYK 0 / 59 / 63 / 6

HEX #F0625A

RGB 240 98 90

HSL 3.2, 0.83%, 0.65%

LAB 59.89, 54.18, 32.72

 

CMYK 53 / 0 / 63 / 6

HEX #71F05A

RGB 113 240 90

HSL 110.8, 0.83%, 0.65%

LAB 85.29, -62.46, 60.14

 

CMYK 63 / 3 / 0 / 6

HEX #5AE9F0

RGB 90 233 240

HSL 182.8, 0.83%, 0.65%

LAB 85.37, -35.81, -14.8

 

CMYK 9 / 63 / 0 / 5

HEX #DB5AF1

RGB 219 90 241

HSL 291.26, 0.84%, 0.65%

LAB 60.54, 70.33, -53.05

 

CMYK 0 / 40 / 63 / 6

HEX #F08F5A

RGB 240 143 90

HSL 21.2, 0.83%, 0.65%

LAB 68.68, 32.05, 43.47

 

CMYK 53 / 0 / 63 / 6

HEX #71F05A

RGB 113 240 90

HSL 110.8, 0.83%, 0.65%

LAB 85.29, -62.46, 60.14

 

CMYK 63 / 22 / 0 / 6

HEX #5ABCF0

RGB 90 188 240

HSL 200.8, 0.83%, 0.65%

LAB 72.52, -13.42, -34.4

 

Description

Color code: RGB 219 90 241 | qconv.com Color code: RGB 219 90 241 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 90 green and 241 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 90 241 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 63 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 63% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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