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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 21 141 67 it is the complementary color RGB 234 114 188. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 21 141 67. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 21 141 67 shade: RGB 26 141 62, RGB 43 159 81, RGB 60 177 100, RGB 77 195 119 and RGB 94 213 138

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 21 141 67. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 21 141 67 shade: RGB 21 141 67, RGB 4 123 48, RGB 0 105 29, RGB 0 87 10 and RGB 0 69 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 21 141 67 shade: RGB 21 141 67, RGB 21 141 34, RGB 40 141 21, RGB 72 141 21 and RGB 105 141 21

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 21 141 67 shade: RGB 21 141 67, RGB 21 141 100, RGB 21 141 132, RGB 21 118 141 and RGB 21 86 141

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 21 141 67 shade matches the following richer shades: RGB 21 141 67 and RGB 8 155 64

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 21 141 67 shade: RGB 21 141 67, RGB 34 128 70, RGB 47 115 73, RGB 60 102 76 and RGB 74 89 79

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 21 141 67 shade: RGB 39 141 21, RGB 21 141 35, RGB 21 141 67, RGB 21 141 99 and RGB 21 141 131

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 21 141 67 shade: RGB 10 70 33, RGB 15 106 50, RGB 21 141 67, RGB 26 177 84 and RGB 31 213 101

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 21 141 67 shade: RGB 21 141 67, RGB 21 71 141 and RGB 141 21 23

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 21 141 67 shade: RGB 21 141 67, RGB 67 21 141 and RGB 141 67 21

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 21 141 67 shade: RGB 21 141 67, RGB 21 71 141, RGB 141 21 95 and RGB 141 91 21

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 21 141 67 shade: RGB 21 141 67, RGB 21 35 141, RGB 141 21 95 and RGB 141 127 21

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 0 / 52 / 45

HEX #158D43

RGB 21 141 67

HSL 143, 0.74%, 0.32%

LAB 51.4, -47.98, 30.65

 

Complementary color

CMYK 0 / 51 / 20 / 8

HEX #EA72BC

RGB 234 114 188

HSL 323, 0.74%, 0.68%

LAB 64.29, 54.92, -17.29

 

CMYK 82 / 0 / 56 / 45

HEX #1A8D3E

RGB 26 141 62

HSL 138.78, 0.69%, 0.33%

LAB 51.4, -48.2, 33.24

 

CMYK 73 / 0 / 49 / 38

HEX #2B9F51

RGB 43 159 81

HSL 139.66, 0.57%, 0.4%

LAB 57.95, -49.26, 31.6

 

CMYK 66 / 0 / 44 / 31

HEX #3CB164

RGB 60 177 100

HSL 140.51, 0.49%, 0.46%

LAB 64.42, -49.82, 30.04

 

CMYK 61 / 0 / 39 / 24

HEX #4DC377

RGB 77 195 119

HSL 141.36, 0.5%, 0.53%

LAB 70.83, -50.08, 28.59

 

CMYK 56 / 0 / 35 / 16

HEX #5ED58A

RGB 94 213 138

HSL 142.18, 0.59%, 0.6%

LAB 77.16, -50.15, 27.23

 

CMYK 85 / 0 / 52 / 45

HEX #158D43

RGB 21 141 67

HSL 143, 0.74%, 0.32%

LAB 51.4, -47.98, 30.65

 

CMYK 97 / 0 / 61 / 52

HEX #047B30

RGB 4 123 48

HSL 142.18, 0.94%, 0.25%

LAB 44.81, -46.07, 32.41

 

CMYK 100 / 0 / 72 / 59

HEX #00691D

RGB 0 105 29

HSL 136.57, 1%, 0.21%

LAB 38.18, -42.85, 34.03

 

CMYK 100 / 0 / 89 / 66

HEX #00570A

RGB 0 87 10

HSL 126.9, 1%, 0.17%

LAB 31.44, -38.71, 34.66

 

CMYK 100 / 0 / 100 / 73

HEX #004500

RGB 0 69 0

HSL 120, 1%, 0.14%

LAB 24.5, -33.65, 32.1

 

CMYK 85 / 0 / 52 / 45

HEX #158D43

RGB 21 141 67

HSL 143, 0.74%, 0.32%

LAB 51.4, -47.98, 30.65

 

CMYK 85 / 0 / 76 / 45

HEX #158D22

RGB 21 141 34

HSL 126.5, 0.74%, 0.32%

LAB 51.06, -52.07, 45.42

 

CMYK 72 / 0 / 85 / 45

HEX #288D15

RGB 40 141 21

HSL 110.5, 0.74%, 0.32%

LAB 51.33, -50.04, 50

 

CMYK 49 / 0 / 85 / 45

HEX #488D15

RGB 72 141 21

HSL 94.5, 0.74%, 0.32%

LAB 52.38, -41.6, 51.34

 

CMYK 26 / 0 / 85 / 45

HEX #698D15

RGB 105 141 21

HSL 78, 0.74%, 0.32%

LAB 54.14, -29.24, 53.57

 

CMYK 85 / 0 / 52 / 45

HEX #158D43

RGB 21 141 67

HSL 143, 0.74%, 0.32%

LAB 51.4, -47.98, 30.65

 

CMYK 85 / 0 / 29 / 45

HEX #158D64

RGB 21 141 100

HSL 159.5, 0.74%, 0.32%

LAB 51.98, -41.26, 13.23

 

CMYK 85 / 0 / 6 / 45

HEX #158D84

RGB 21 141 132

HSL 175.5, 0.74%, 0.32%

LAB 52.81, -32.55, -4.02

 

CMYK 85 / 16 / 0 / 45

HEX #15768D

RGB 21 118 141

HSL 191.5, 0.74%, 0.32%

LAB 45.69, -17.92, -20.05

 

CMYK 85 / 39 / 0 / 45

HEX #15568D

RGB 21 86 141

HSL 207.5, 0.74%, 0.32%

LAB 35.48, 1.24, -36.03

 

CMYK 85 / 0 / 52 / 45

HEX #158D43

RGB 21 141 67

HSL 143, 0.74%, 0.32%

LAB 51.4, -47.98, 30.65

 

CMYK 95 / 0 / 59 / 39

HEX #089B40

RGB 8 155 64

HSL 142.86, 0.9%, 0.32%

LAB 55.95, -54.2, 37.63

 

CMYK 85 / 0 / 52 / 45

HEX #158D43

RGB 21 141 67

HSL 143, 0.74%, 0.32%

LAB 51.4, -47.98, 30.65

 

CMYK 73 / 0 / 45 / 50

HEX #228046

RGB 34 128 70

HSL 142.98, 0.58%, 0.32%

LAB 47.26, -40.77, 23.85

 

CMYK 59 / 0 / 37 / 55

HEX #2F7349

RGB 47 115 73

HSL 142.94, 0.42%, 0.32%

LAB 43.28, -31.88, 16.96

 

CMYK 41 / 0 / 25 / 60

HEX #3C664C

RGB 60 102 76

HSL 142.86, 0.26%, 0.32%

LAB 39.56, -21.08, 10.17

 

CMYK 17 / 0 / 11 / 65

HEX #4A594F

RGB 74 89 79

HSL 140, 0.09%, 0.32%

LAB 36.3, -8.08, 3.85

 

CMYK 72 / 0 / 85 / 45

HEX #278D15

RGB 39 141 21

HSL 111, 0.74%, 0.32%

LAB 51.31, -50.23, 49.97

 

CMYK 85 / 0 / 75 / 45

HEX #158D23

RGB 21 141 35

HSL 127, 0.74%, 0.32%

LAB 51.07, -51.98, 45.05

 

CMYK 85 / 0 / 52 / 45

HEX #158D43

RGB 21 141 67

HSL 143, 0.74%, 0.32%

LAB 51.4, -47.98, 30.65

 

CMYK 85 / 0 / 30 / 45

HEX #158D63

RGB 21 141 99

HSL 159, 0.74%, 0.32%

LAB 51.96, -41.5, 13.77

 

CMYK 85 / 0 / 7 / 45

HEX #158D83

RGB 21 141 131

HSL 175, 0.74%, 0.32%

LAB 52.78, -32.85, -3.49

 

CMYK 86 / 0 / 53 / 73

HEX #0A4621

RGB 10 70 33

HSL 143, 0.75%, 0.16%

LAB 25.43, -28.1, 17.1

 

CMYK 86 / 0 / 53 / 58

HEX #0F6A32

RGB 15 106 50

HSL 143.08, 0.75%, 0.24%

LAB 38.97, -38.66, 24.32

 

CMYK 85 / 0 / 52 / 45

HEX #158D43

RGB 21 141 67

HSL 143, 0.74%, 0.32%

LAB 51.4, -47.98, 30.65

 

CMYK 85 / 0 / 53 / 31

HEX #1AB154

RGB 26 177 84

HSL 143.05, 0.74%, 0.4%

LAB 63.59, -57.29, 37.04

 

CMYK 85 / 0 / 53 / 16

HEX #1FD565

RGB 31 213 101

HSL 143.08, 0.75%, 0.48%

LAB 75.34, -66.21, 43.17

 

CMYK 85 / 0 / 52 / 45

HEX #158D43

RGB 21 141 67

HSL 143, 0.74%, 0.32%

LAB 51.4, -47.98, 30.65

 

CMYK 85 / 50 / 0 / 45

HEX #15478D

RGB 21 71 141

HSL 215, 0.74%, 0.32%

LAB 30.85, 11.27, -43.43

 

CMYK 0 / 85 / 84 / 45

HEX #8D1517

RGB 141 21 23

HSL 359, 0.74%, 0.32%

LAB 30.06, 48.09, 32.36

 

CMYK 85 / 0 / 52 / 45

HEX #158D43

RGB 21 141 67

HSL 143, 0.74%, 0.32%

LAB 51.4, -47.98, 30.65

 

CMYK 52 / 85 / 0 / 45

HEX #43158D

RGB 67 21 141

HSL 263, 0.74%, 0.32%

LAB 22.49, 47.51, -56.94

 

CMYK 0 / 52 / 85 / 45

HEX #8D4315

RGB 141 67 21

HSL 23, 0.74%, 0.32%

LAB 37.36, 28.47, 40.15

 

CMYK 85 / 0 / 52 / 45

HEX #158D43

RGB 21 141 67

HSL 143, 0.74%, 0.32%

LAB 51.4, -47.98, 30.65

 

CMYK 85 / 50 / 0 / 45

HEX #15478D

RGB 21 71 141

HSL 215, 0.74%, 0.32%

LAB 30.85, 11.27, -43.43

 

CMYK 0 / 85 / 33 / 45

HEX #8D155F

RGB 141 21 95

HSL 323, 0.74%, 0.32%

LAB 31.86, 53.39, -11.96

 

CMYK 0 / 35 / 85 / 45

HEX #8D5B15

RGB 141 91 21

HSL 35, 0.74%, 0.32%

LAB 43.06, 14.79, 45.18

 

CMYK 85 / 0 / 52 / 45

HEX #158D43

RGB 21 141 67

HSL 143, 0.74%, 0.32%

LAB 51.4, -47.98, 30.65

 

CMYK 85 / 75 / 0 / 45

HEX #15238D

RGB 21 35 141

HSL 233, 0.74%, 0.32%

LAB 21.15, 35.79, -59.28

 

CMYK 0 / 85 / 33 / 45

HEX #8D155F

RGB 141 21 95

HSL 323, 0.74%, 0.32%

LAB 31.86, 53.39, -11.96

 

CMYK 0 / 10 / 85 / 45

HEX #8D7F15

RGB 141 127 21

HSL 53, 0.74%, 0.32%

LAB 52.84, -5.85, 53.57

 

Description

Color code: RGB 21 141 67 | qconv.com Color code: RGB 21 141 67 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 21 red, 141 green and 67 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
21 141 67 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, none magenta, 52 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 0% 52% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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