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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 21 192 114 it is the complementary color RGB 234 63 141. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 21 192 114. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 21 192 114 shade: RGB 26 192 109, RGB 43 210 128, RGB 60 228 147, RGB 77 246 166 and RGB 94 255 185

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 21 192 114. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 21 192 114 shade: RGB 21 192 114, RGB 4 174 95, RGB 0 156 76, RGB 0 138 57 and RGB 0 120 38

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 21 192 114 shade: RGB 21 192 114, RGB 21 192 68, RGB 21 192 22, RGB 66 192 21 and RGB 113 192 21

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 21 192 114 shade: RGB 21 192 114, RGB 21 192 160, RGB 21 178 192, RGB 21 132 192 and RGB 21 86 192

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 21 192 114 shade matches the following richer shades: RGB 21 192 114 and RGB 4 210 116

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 21 192 114 shade: RGB 21 192 114, RGB 38 175 113, RGB 56 158 111, RGB 73 140 110 and RGB 90 123 108

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 21 192 114 shade: RGB 21 192 21, RGB 21 192 67, RGB 21 192 112, RGB 21 192 158 and RGB 21 181 192

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 21 192 114 shade: RGB 13 118 70, RGB 17 155 92, RGB 21 192 114, RGB 25 229 136 and RGB 63 233 155

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 21 192 114 shade: RGB 21 192 114, RGB 21 67 192 and RGB 192 44 21

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 21 192 114 shade: RGB 21 192 114, RGB 112 21 192 and RGB 192 112 21

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 21 192 114 shade: RGB 21 192 114, RGB 21 67 192, RGB 192 21 101 and RGB 192 147 21

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 21 192 114 shade: RGB 21 192 114, RGB 27 21 192, RGB 192 21 101 and RGB 187 192 21

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 89 / 0 / 41 / 25

HEX #15C072

RGB 21 192 114

HSL 152.63, 0.8%, 0.42%

LAB 68.8, -57.63, 28.34

 

Complementary color

CMYK 0 / 73 / 40 / 8

HEX #EA3F8D

RGB 234 63 141

HSL 332.63, 0.8%, 0.58%

LAB 55.04, 70.09, -3.93

 

CMYK 86 / 0 / 43 / 25

HEX #1AC06D

RGB 26 192 109

HSL 150, 0.76%, 0.43%

LAB 68.77, -58.22, 30.89

 

CMYK 80 / 0 / 39 / 18

HEX #2BD280

RGB 43 210 128

HSL 150.54, 0.66%, 0.5%

LAB 74.93, -59.48, 29.22

 

CMYK 74 / 0 / 36 / 11

HEX #3CE493

RGB 60 228 147

HSL 151.07, 0.76%, 0.56%

LAB 81.05, -60.35, 27.67

 

CMYK 69 / 0 / 33 / 4

HEX #4DF6A6

RGB 77 246 166

HSL 151.6, 0.9%, 0.63%

LAB 87.12, -60.93, 26.24

 

CMYK 63 / 0 / 27 / 0

HEX #5EFFB9

RGB 94 255 185

HSL 153.91, 1%, 0.68%

LAB 90.51, -57.8, 21.27

 

CMYK 89 / 0 / 41 / 25

HEX #15C072

RGB 21 192 114

HSL 152.63, 0.8%, 0.42%

LAB 68.8, -57.63, 28.34

 

CMYK 98 / 0 / 45 / 32

HEX #04AE5F

RGB 4 174 95

HSL 152.12, 0.96%, 0.35%

LAB 62.61, -55.75, 30.16

 

CMYK 100 / 0 / 51 / 39

HEX #009C4C

RGB 0 156 76

HSL 149.23, 1%, 0.31%

LAB 56.39, -53.12, 32.13

 

CMYK 100 / 0 / 59 / 46

HEX #008A39

RGB 0 138 57

HSL 144.78, 1%, 0.27%

LAB 50.06, -50.09, 34.1

 

CMYK 100 / 0 / 68 / 53

HEX #007826

RGB 0 120 38

HSL 139, 1%, 0.24%

LAB 43.61, -46.71, 35.85

 

CMYK 89 / 0 / 41 / 25

HEX #15C072

RGB 21 192 114

HSL 152.63, 0.8%, 0.42%

LAB 68.8, -57.63, 28.34

 

CMYK 89 / 0 / 65 / 25

HEX #15C044

RGB 21 192 68

HSL 136.49, 0.8%, 0.42%

LAB 68.22, -64.64, 49.88

 

CMYK 89 / 0 / 89 / 25

HEX #15C016

RGB 21 192 22

HSL 120.35, 0.8%, 0.42%

LAB 67.96, -67.99, 64.41

 

CMYK 66 / 0 / 89 / 25

HEX #42C015

RGB 66 192 21

HSL 104.21, 0.8%, 0.42%

LAB 68.69, -61.65, 65.51

 

CMYK 41 / 0 / 89 / 25

HEX #71C015

RGB 113 192 21

HSL 87.72, 0.8%, 0.42%

LAB 70.36, -48.52, 67.59

 

CMYK 89 / 0 / 41 / 25

HEX #15C072

RGB 21 192 114

HSL 152.63, 0.8%, 0.42%

LAB 68.8, -57.63, 28.34

 

CMYK 89 / 0 / 17 / 25

HEX #15C0A0

RGB 21 192 160

HSL 168.77, 0.8%, 0.42%

LAB 69.75, -47.12, 4.95

 

CMYK 89 / 7 / 0 / 25

HEX #15B2C0

RGB 21 178 192

HSL 184.91, 0.8%, 0.42%

LAB 66.37, -31.54, -17.67

 

CMYK 89 / 31 / 0 / 25

HEX #1584C0

RGB 21 132 192

HSL 201.05, 0.8%, 0.42%

LAB 52.36, -7.13, -39.33

 

CMYK 89 / 55 / 0 / 25

HEX #1556C0

RGB 21 86 192

HSL 217.19, 0.8%, 0.42%

LAB 38.93, 21.83, -60.84

 

CMYK 89 / 0 / 41 / 25

HEX #15C072

RGB 21 192 114

HSL 152.63, 0.8%, 0.42%

LAB 68.8, -57.63, 28.34

 

CMYK 98 / 0 / 45 / 18

HEX #04D274

RGB 4 210 116

HSL 152.62, 0.96%, 0.42%

LAB 74.43, -64.19, 34.63

 

CMYK 89 / 0 / 41 / 25

HEX #15C072

RGB 21 192 114

HSL 152.63, 0.8%, 0.42%

LAB 68.8, -57.63, 28.34

 

CMYK 78 / 0 / 35 / 31

HEX #26AF71

RGB 38 175 113

HSL 152.85, 0.64%, 0.42%

LAB 63.56, -50.02, 21.91

 

CMYK 65 / 0 / 30 / 38

HEX #389E6F

RGB 56 158 111

HSL 152.35, 0.48%, 0.42%

LAB 58.45, -40.73, 16.1

 

CMYK 48 / 0 / 21 / 45

HEX #498C6E

RGB 73 140 110

HSL 153.13, 0.31%, 0.42%

LAB 53.27, -28.76, 9.52

 

CMYK 27 / 0 / 12 / 52

HEX #5A7B6C

RGB 90 123 108

HSL 152.73, 0.15%, 0.42%

LAB 48.79, -15.16, 4.41

 

CMYK 89 / 0 / 89 / 25

HEX #15C015

RGB 21 192 21

HSL 120, 0.8%, 0.42%

LAB 67.96, -68.03, 64.59

 

CMYK 89 / 0 / 65 / 25

HEX #15C043

RGB 21 192 67

HSL 136.14, 0.8%, 0.42%

LAB 68.21, -64.75, 50.3

 

CMYK 89 / 0 / 42 / 25

HEX #15C070

RGB 21 192 112

HSL 151.93, 0.8%, 0.42%

LAB 68.77, -58.01, 29.34

 

CMYK 89 / 0 / 18 / 25

HEX #15C09E

RGB 21 192 158

HSL 168.07, 0.8%, 0.42%

LAB 69.7, -47.64, 5.97

 

CMYK 89 / 6 / 0 / 25

HEX #15B5C0

RGB 21 181 192

HSL 183.86, 0.8%, 0.42%

LAB 67.29, -32.98, -16.28

 

CMYK 89 / 0 / 41 / 54

HEX #0D7646

RGB 13 118 70

HSL 152.57, 0.8%, 0.26%

LAB 43.48, -39.58, 18.83

 

CMYK 89 / 0 / 41 / 39

HEX #119B5C

RGB 17 155 92

HSL 152.61, 0.8%, 0.34%

LAB 56.42, -48.83, 23.7

 

CMYK 89 / 0 / 41 / 25

HEX #15C072

RGB 21 192 114

HSL 152.63, 0.8%, 0.42%

LAB 68.8, -57.63, 28.34

 

CMYK 89 / 0 / 41 / 10

HEX #19E588

RGB 25 229 136

HSL 152.65, 0.8%, 0.5%

LAB 80.75, -66.09, 32.8

 

CMYK 73 / 0 / 33 / 9

HEX #3FE99B

RGB 63 233 155

HSL 152.47, 0.79%, 0.58%

LAB 82.75, -60.24, 25.88

 

CMYK 89 / 0 / 41 / 25

HEX #15C072

RGB 21 192 114

HSL 152.63, 0.8%, 0.42%

LAB 68.8, -57.63, 28.34

 

CMYK 89 / 65 / 0 / 25

HEX #1543C0

RGB 21 67 192

HSL 223.86, 0.8%, 0.42%

LAB 33.94, 34.39, -69

 

CMYK 0 / 77 / 89 / 25

HEX #C02C15

RGB 192 44 21

HSL 8.07, 0.8%, 0.42%

LAB 42.86, 56.86, 48.44

 

CMYK 89 / 0 / 41 / 25

HEX #15C072

RGB 21 192 114

HSL 152.63, 0.8%, 0.42%

LAB 68.8, -57.63, 28.34

 

CMYK 42 / 89 / 0 / 25

HEX #7015C0

RGB 112 21 192

HSL 271.93, 0.8%, 0.42%

LAB 33.53, 65.21, -69.41

 

CMYK 0 / 42 / 89 / 25

HEX #C07015

RGB 192 112 21

HSL 31.93, 0.8%, 0.42%

LAB 54.92, 25.7, 57.71

 

CMYK 89 / 0 / 41 / 25

HEX #15C072

RGB 21 192 114

HSL 152.63, 0.8%, 0.42%

LAB 68.8, -57.63, 28.34

 

CMYK 89 / 65 / 0 / 25

HEX #1543C0

RGB 21 67 192

HSL 223.86, 0.8%, 0.42%

LAB 33.94, 34.39, -69

 

CMYK 0 / 89 / 47 / 25

HEX #C01565

RGB 192 21 101

HSL 331.93, 0.8%, 0.42%

LAB 42.28, 66.37, 0.81

 

CMYK 0 / 23 / 89 / 25

HEX #C09315

RGB 192 147 21

HSL 44.21, 0.8%, 0.42%

LAB 63.45, 6.49, 64.38

 

CMYK 89 / 0 / 41 / 25

HEX #15C072

RGB 21 192 114

HSL 152.63, 0.8%, 0.42%

LAB 68.8, -57.63, 28.34

 

CMYK 86 / 89 / 0 / 25

HEX #1B15C0

RGB 27 21 192

HSL 242.11, 0.8%, 0.42%

LAB 25.49, 59.05, -82.99

 

CMYK 0 / 89 / 47 / 25

HEX #C01565

RGB 192 21 101

HSL 331.93, 0.8%, 0.42%

LAB 42.28, 66.37, 0.81

 

CMYK 3 / 0 / 89 / 25

HEX #BBC015

RGB 187 192 21

HSL 61.75, 0.8%, 0.42%

LAB 75.03, -19.29, 73.33

 

Description

Color code: RGB 21 192 114 | qconv.com Color code: RGB 21 192 114 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 21 red, 192 green and 114 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
21 192 114 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 89 cyan, none magenta, 41 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
89% 0% 41% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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