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Color name
RGB 220 174 79

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 220 174 79 it is the complementary color RGB 35 81 176. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 220 174 79. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 220 174 79 shade: RGB 225 174 74, RGB 242 192 93, RGB 255 210 112, RGB 255 228 131 and RGB 255 246 150

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 220 174 79. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 220 174 79 shade: RGB 220 174 79, RGB 203 156 60, RGB 186 138 41, RGB 169 120 22 and RGB 152 102 3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 220 174 79 shade: RGB 220 174 80, RGB 220 137 80, RGB 220 99 80 and RGB 220 80 80

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 220 174 79 shade: RGB 220 174 80, RGB 220 212 80, RGB 190 220 80, RGB 152 220 80 and RGB 115 220 80

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 220 174 79 shade matches the following richer shades: RGB 220 174 80, RGB 237 180 63 and RGB 254 186 46

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 220 174 79 shade: RGB 220 174 80, RGB 203 168 97, RGB 186 163 114, RGB 169 157 131 and RGB 152 151 148

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 220 174 79 shade: RGB 220 99 80, RGB 220 136 80, RGB 220 173 80, RGB 220 211 80 and RGB 192 220 80

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 220 174 79 shade: RGB 182 134 36, RGB 213 158 45, RGB 220 174 80, RGB 227 190 114 and RGB 234 206 149

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 220 174 79 shade: RGB 220 174 79, RGB 99 220 80 and RGB 117 80 220

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 220 174 79 shade: RGB 220 174 79, RGB 80 220 173 and RGB 173 80 220

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 220 174 79 shade: RGB 220 174 79, RGB 99 220 80, RGB 80 127 220 and RGB 201 80 220

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 220 174 79 shade: RGB 220 174 79, RGB 80 220 103, RGB 80 127 220 and RGB 220 80 197

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 64 / 14

HEX #DCAE4F

RGB 220 174 79

HSL 40.43, 0.67%, 0.59%

LAB 73.58, 6.62, 53.84

 

Complementary color

CMYK 80 / 54 / 0 / 31

HEX #2351B0

RGB 35 81 176

HSL 220.43, 0.67%, 0.41%

LAB 36.7, 19.94, -55.05

 

CMYK 0 / 23 / 67 / 12

HEX #E1AE4A

RGB 225 174 74

HSL 39.74, 0.72%, 0.59%

LAB 74.05, 8.45, 56.75

 

CMYK 0 / 21 / 62 / 5

HEX #F2C05D

RGB 242 192 93

HSL 39.87, 0.85%, 0.66%

LAB 80.39, 7.28, 55.61

 

CMYK 0 / 18 / 56 / 0

HEX #FFD270

RGB 255 210 112

HSL 41.12, 1%, 0.72%

LAB 86.27, 4.65, 53.83

 

CMYK 0 / 11 / 49 / 0

HEX #FFE483

RGB 255 228 131

HSL 46.94, 1%, 0.76%

LAB 90.96, -2.95, 50.4

 

CMYK 0 / 4 / 41 / 0

HEX #FFF696

RGB 255 246 150

HSL 54.86, 1%, 0.79%

LAB 95.74, -10.13, 47.17

 

CMYK 0 / 21 / 64 / 14

HEX #DCAE4F

RGB 220 174 79

HSL 40.43, 0.67%, 0.59%

LAB 73.58, 6.62, 53.84

 

CMYK 0 / 23 / 70 / 20

HEX #CB9C3C

RGB 203 156 60

HSL 40.28, 0.58%, 0.52%

LAB 67.13, 7.87, 54.9

 

CMYK 0 / 26 / 78 / 27

HEX #BA8A29

RGB 186 138 41

HSL 40.14, 0.64%, 0.45%

LAB 60.58, 9.34, 55.58

 

CMYK 0 / 29 / 87 / 34

HEX #A97816

RGB 169 120 22

HSL 40, 0.77%, 0.37%

LAB 53.95, 11.08, 55.43

 

CMYK 0 / 33 / 98 / 40

HEX #986603

RGB 152 102 3

HSL 39.87, 0.96%, 0.3%

LAB 47.22, 13.14, 53.9

 

CMYK 0 / 21 / 64 / 14

HEX #DCAE50

RGB 220 174 80

HSL 40.29, 0.67%, 0.59%

LAB 73.59, 6.69, 53.39

 

CMYK 0 / 38 / 64 / 14

HEX #DC8950

RGB 220 137 80

HSL 24.43, 0.67%, 0.59%

LAB 64.71, 26.51, 43.3

 

CMYK 0 / 55 / 64 / 14

HEX #DC6350

RGB 220 99 80

HSL 8.14, 0.67%, 0.59%

LAB 56.8, 46.03, 33.82

 

CMYK 0 / 64 / 64 / 14

HEX #DC5050

RGB 220 80 80

HSL 0, 0.67%, 0.59%

LAB 53.53, 54.66, 29.75

 

CMYK 0 / 21 / 64 / 14

HEX #DCAE50

RGB 220 174 80

HSL 40.29, 0.67%, 0.59%

LAB 73.59, 6.69, 53.39

 

CMYK 0 / 4 / 64 / 14

HEX #DCD450

RGB 220 212 80

HSL 56.57, 0.67%, 0.59%

LAB 83.38, -12.96, 63.96

 

CMYK 14 / 0 / 64 / 14

HEX #BEDC50

RGB 190 220 80

HSL 72.86, 0.67%, 0.59%

LAB 83.29, -29.04, 63.18

 

CMYK 31 / 0 / 64 / 14

HEX #98DC50

RGB 152 220 80

HSL 89.14, 0.67%, 0.59%

LAB 80.98, -43.37, 60.02

 

CMYK 48 / 0 / 64 / 14

HEX #73DC50

RGB 115 220 80

HSL 105, 0.67%, 0.59%

LAB 79.28, -55.35, 57.67

 

CMYK 0 / 21 / 64 / 14

HEX #DCAE50

RGB 220 174 80

HSL 40.29, 0.67%, 0.59%

LAB 73.59, 6.69, 53.39

 

CMYK 0 / 24 / 73 / 7

HEX #EDB43F

RGB 237 180 63

HSL 40.34, 0.83%, 0.59%

LAB 76.68, 9.82, 64.45

 

CMYK 0 / 27 / 82 / 0

HEX #FEBA2E

RGB 254 186 46

HSL 40.38, 0.99%, 0.59%

LAB 79.83, 13.27, 73.92

 

CMYK 0 / 21 / 64 / 14

HEX #DCAE50

RGB 220 174 80

HSL 40.29, 0.67%, 0.59%

LAB 73.59, 6.69, 53.39

 

CMYK 0 / 17 / 52 / 20

HEX #CBA861

RGB 203 168 97

HSL 40.19, 0.5%, 0.59%

LAB 70.57, 4, 41.18

 

CMYK 0 / 12 / 39 / 27

HEX #BAA372

RGB 186 163 114

HSL 40.83, 0.34%, 0.59%

LAB 67.91, 1.37, 28.56

 

CMYK 0 / 7 / 22 / 34

HEX #A99D83

RGB 169 157 131

HSL 41.05, 0.18%, 0.59%

LAB 65.11, 0.08, 15.2

 

CMYK 0 / 1 / 3 / 40

HEX #989794

RGB 152 151 148

HSL 45, 0.02%, 0.59%

LAB 62.46, -0.2, 1.7

 

CMYK 0 / 55 / 64 / 14

HEX #DC6350

RGB 220 99 80

HSL 8.14, 0.67%, 0.59%

LAB 56.8, 46.03, 33.82

 

CMYK 0 / 38 / 64 / 14

HEX #DC8850

RGB 220 136 80

HSL 24, 0.67%, 0.59%

LAB 64.49, 27.04, 43.04

 

CMYK 0 / 21 / 64 / 14

HEX #DCAD50

RGB 220 173 80

HSL 39.86, 0.67%, 0.59%

LAB 73.34, 7.22, 53.12

 

CMYK 0 / 4 / 64 / 14

HEX #DCD350

RGB 220 211 80

HSL 56.14, 0.67%, 0.59%

LAB 83.12, -12.46, 63.68

 

CMYK 13 / 0 / 64 / 14

HEX #C0DC50

RGB 192 220 80

HSL 72, 0.67%, 0.59%

LAB 83.43, -28.25, 63.37

 

CMYK 0 / 26 / 80 / 29

HEX #B68624

RGB 182 134 36

HSL 40.27, 0.67%, 0.43%

LAB 59.09, 9.57, 55.88

 

CMYK 0 / 26 / 79 / 16

HEX #D59E2D

RGB 213 158 45

HSL 40.36, 0.67%, 0.51%

LAB 68.6, 10.49, 62.6

 

CMYK 0 / 21 / 64 / 14

HEX #DCAE50

RGB 220 174 80

HSL 40.29, 0.67%, 0.59%

LAB 73.59, 6.69, 53.39

 

CMYK 0 / 16 / 50 / 11

HEX #E3BE72

RGB 227 190 114

HSL 40.35, 0.67%, 0.67%

LAB 78.68, 3.78, 43.08

 

CMYK 0 / 12 / 36 / 8

HEX #EACE95

RGB 234 206 149

HSL 40.24, 0.67%, 0.75%

LAB 83.86, 1.84, 31.97

 

CMYK 0 / 21 / 64 / 14

HEX #DCAE4F

RGB 220 174 79

HSL 40.43, 0.67%, 0.59%

LAB 73.58, 6.62, 53.84

 

CMYK 55 / 0 / 64 / 14

HEX #63DC50

RGB 99 220 80

HSL 111.86, 0.67%, 0.59%

LAB 78.7, -59.7, 56.88

 

CMYK 47 / 64 / 0 / 14

HEX #7550DC

RGB 117 80 220

HSL 255.86, 0.67%, 0.59%

LAB 45.2, 48.33, -66.54

 

CMYK 0 / 21 / 64 / 14

HEX #DCAE4F

RGB 220 174 79

HSL 40.43, 0.67%, 0.59%

LAB 73.58, 6.62, 53.84

 

CMYK 64 / 0 / 21 / 14

HEX #50DCAD

RGB 80 220 173

HSL 159.86, 0.67%, 0.59%

LAB 79.56, -48.66, 12.12

 

CMYK 21 / 64 / 0 / 14

HEX #AD50DC

RGB 173 80 220

HSL 279.86, 0.67%, 0.59%

LAB 51.6, 60.13, -55.89

 

CMYK 0 / 21 / 64 / 14

HEX #DCAE4F

RGB 220 174 79

HSL 40.43, 0.67%, 0.59%

LAB 73.58, 6.62, 53.84

 

CMYK 55 / 0 / 64 / 14

HEX #63DC50

RGB 99 220 80

HSL 111.86, 0.67%, 0.59%

LAB 78.7, -59.7, 56.88

 

CMYK 64 / 42 / 0 / 14

HEX #507FDC

RGB 80 127 220

HSL 219.86, 0.67%, 0.59%

LAB 54.08, 13.14, -52.37

 

CMYK 9 / 64 / 0 / 14

HEX #C950DC

RGB 201 80 220

HSL 291.86, 0.67%, 0.59%

LAB 55.4, 66.53, -49.6

 

CMYK 0 / 21 / 64 / 14

HEX #DCAE4F

RGB 220 174 79

HSL 40.43, 0.67%, 0.59%

LAB 73.58, 6.62, 53.84

 

CMYK 64 / 0 / 53 / 14

HEX #50DC67

RGB 80 220 103

HSL 129.86, 0.67%, 0.59%

LAB 78.39, -61.38, 46.13

 

CMYK 64 / 42 / 0 / 14

HEX #507FDC

RGB 80 127 220

HSL 219.86, 0.67%, 0.59%

LAB 54.08, 13.14, -52.37

 

CMYK 0 / 64 / 10 / 14

HEX #DC50C5

RGB 220 80 197

HSL 309.86, 0.67%, 0.59%

LAB 57.06, 67.32, -33.71

 

Description

Color code: RGB 220 174 79 | qconv.com Color code: RGB 220 174 79 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 174 green and 79 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 174 79 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 64 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 64% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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