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Color name
RGB 220 89 59

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 220 89 59 it is the complementary color RGB 35 166 196. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 220 89 59. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 220 89 59 shade: RGB 225 89 54, RGB 242 107 73, RGB 255 125 92, RGB 255 143 111 and RGB 255 161 130

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 220 89 59. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 220 89 59 shade: RGB 220 89 59, RGB 203 71 40, RGB 186 53 21, RGB 169 35 2 and RGB 152 17 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 220 89 59 shade: RGB 220 89 59 and RGB 220 59 59

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 220 89 59 shade: RGB 220 89 59, RGB 220 133 59, RGB 220 176 59, RGB 220 219 59 and RGB 178 220 59

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 220 89 59 shade matches the following richer shades: RGB 220 89 59 and RGB 239 78 41

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 220 89 59 shade: RGB 220 89 59, RGB 202 101 78, RGB 183 113 97, RGB 164 124 115 and RGB 146 136 134

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 220 89 59 shade: RGB 220 59 116, RGB 220 59 73, RGB 220 89 59, RGB 220 132 59 and RGB 220 175 59

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 220 89 59 shade: RGB 168 55 29, RGB 203 67 35, RGB 220 89 59, RGB 226 119 94 and RGB 232 149 130

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 220 89 59 shade: RGB 220 89 59, RGB 158 220 59 and RGB 59 94 220

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 220 89 59 shade: RGB 220 89 59, RGB 59 220 89 and RGB 89 59 220

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 220 89 59 shade: RGB 220 89 59, RGB 158 220 59, RGB 59 191 220 and RGB 121 59 220

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 220 89 59 shade: RGB 220 89 59, RGB 110 220 59, RGB 59 191 220 and RGB 169 59 220

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 60 / 73 / 14

HEX #DC593B

RGB 220 89 59

HSL 11.18, 0.7%, 0.55%

LAB 54.74, 49.61, 42.89

 

Complementary color

CMYK 82 / 15 / 0 / 23

HEX #23A6C4

RGB 35 166 196

HSL 191.18, 0.7%, 0.45%

LAB 63.02, -23.31, -24.99

 

CMYK 0 / 60 / 76 / 12

HEX #E15936

RGB 225 89 54

HSL 12.28, 0.74%, 0.55%

LAB 55.5, 51.17, 46.54

 

CMYK 0 / 56 / 70 / 5

HEX #F26B49

RGB 242 107 73

HSL 12.07, 0.87%, 0.62%

LAB 61.55, 49.82, 44.07

 

CMYK 0 / 51 / 64 / 0

HEX #FF7D5C

RGB 255 125 92

HSL 12.15, 1%, 0.68%

LAB 67.05, 47, 40.95

 

CMYK 0 / 44 / 56 / 0

HEX #FF8F6F

RGB 255 143 111

HSL 13.33, 1%, 0.72%

LAB 70.91, 39.34, 35.56

 

CMYK 0 / 37 / 49 / 0

HEX #FFA182

RGB 255 161 130

HSL 14.88, 1%, 0.75%

LAB 75.05, 31.67, 30.72

 

CMYK 0 / 60 / 73 / 14

HEX #DC593B

RGB 220 89 59

HSL 11.18, 0.7%, 0.55%

LAB 54.74, 49.61, 42.89

 

CMYK 0 / 65 / 80 / 20

HEX #CB4728

RGB 203 71 40

HSL 11.41, 0.67%, 0.48%

LAB 48.71, 50.85, 45.52

 

CMYK 0 / 72 / 89 / 27

HEX #BA3515

RGB 186 53 21

HSL 11.64, 0.8%, 0.41%

LAB 42.82, 51.85, 47.91

 

CMYK 0 / 79 / 99 / 34

HEX #A92302

RGB 169 35 2

HSL 11.86, 0.98%, 0.34%

LAB 37.19, 52.3, 49.5

 

CMYK 0 / 89 / 100 / 40

HEX #981100

RGB 152 17 0

HSL 6.71, 1%, 0.3%

LAB 31.98, 51.79, 45.51

 

CMYK 0 / 60 / 73 / 14

HEX #DC593B

RGB 220 89 59

HSL 11.18, 0.7%, 0.55%

LAB 54.74, 49.61, 42.89

 

CMYK 0 / 73 / 73 / 14

HEX #DC3B3B

RGB 220 59 59

HSL 0, 0.7%, 0.55%

LAB 50.29, 61.64, 37.93

 

CMYK 0 / 60 / 73 / 14

HEX #DC593B

RGB 220 89 59

HSL 11.18, 0.7%, 0.55%

LAB 54.74, 49.61, 42.89

 

CMYK 0 / 40 / 73 / 14

HEX #DC853B

RGB 220 133 59

HSL 27.58, 0.7%, 0.55%

LAB 63.6, 27.48, 52.32

 

CMYK 0 / 20 / 73 / 14

HEX #DCB03B

RGB 220 176 59

HSL 43.6, 0.7%, 0.55%

LAB 73.92, 4.49, 62.71

 

CMYK 0 / 0 / 73 / 14

HEX #DCDB3B

RGB 220 219 59

HSL 59.63, 0.7%, 0.55%

LAB 85.1, -17.5, 73.4

 

CMYK 19 / 0 / 73 / 14

HEX #B2DC3B

RGB 178 220 59

HSL 75.65, 0.7%, 0.55%

LAB 82.36, -35.02, 69.74

 

CMYK 0 / 60 / 73 / 14

HEX #DC593B

RGB 220 89 59

HSL 11.18, 0.7%, 0.55%

LAB 54.74, 49.61, 42.89

 

CMYK 0 / 67 / 83 / 6

HEX #EF4E29

RGB 239 78 41

HSL 11.21, 0.86%, 0.55%

LAB 56.05, 60.11, 54.15

 

CMYK 0 / 60 / 73 / 14

HEX #DC593B

RGB 220 89 59

HSL 11.18, 0.7%, 0.55%

LAB 54.74, 49.61, 42.89

 

CMYK 0 / 50 / 61 / 21

HEX #CA654E

RGB 202 101 78

HSL 11.13, 0.54%, 0.55%

LAB 54.46, 38.16, 31.46

 

CMYK 0 / 38 / 47 / 28

HEX #B77161

RGB 183 113 97

HSL 11.16, 0.37%, 0.55%

LAB 54.8, 25.88, 20.55

 

CMYK 0 / 24 / 30 / 36

HEX #A47C73

RGB 164 124 115

HSL 11.02, 0.21%, 0.55%

LAB 55.63, 14.2, 10.93

 

CMYK 0 / 7 / 8 / 43

HEX #928886

RGB 146 136 134

HSL 10, 0.05%, 0.55%

LAB 57.5, 3.37, 2.41

 

CMYK 0 / 73 / 47 / 14

HEX #DC3B74

RGB 220 59 116

HSL 338.76, 0.7%, 0.55%

LAB 51.39, 65.28, 5.41

 

CMYK 0 / 73 / 67 / 14

HEX #DC3B49

RGB 220 59 73

HSL 354.78, 0.7%, 0.55%

LAB 50.48, 62.3, 30.04

 

CMYK 0 / 60 / 73 / 14

HEX #DC593B

RGB 220 89 59

HSL 11.18, 0.7%, 0.55%

LAB 54.74, 49.61, 42.89

 

CMYK 0 / 40 / 73 / 14

HEX #DC843B

RGB 220 132 59

HSL 27.2, 0.7%, 0.55%

LAB 63.37, 28.01, 52.08

 

CMYK 0 / 20 / 73 / 14

HEX #DCAF3B

RGB 220 175 59

HSL 43.23, 0.7%, 0.55%

LAB 73.67, 5.01, 62.46

 

CMYK 0 / 67 / 83 / 34

HEX #A8371D

RGB 168 55 29

HSL 11.22, 0.71%, 0.39%

LAB 39.83, 45.1, 40.34

 

CMYK 0 / 67 / 83 / 20

HEX #CB4323

RGB 203 67 35

HSL 11.43, 0.71%, 0.47%

LAB 48.05, 52.37, 47.33

 

CMYK 0 / 60 / 73 / 14

HEX #DC593B

RGB 220 89 59

HSL 11.18, 0.7%, 0.55%

LAB 54.74, 49.61, 42.89

 

CMYK 0 / 47 / 58 / 11

HEX #E2775E

RGB 226 119 94

HSL 11.36, 0.69%, 0.63%

LAB 61.8, 39.29, 32.46

 

CMYK 0 / 36 / 44 / 9

HEX #E89582

RGB 232 149 130

HSL 11.18, 0.69%, 0.71%

LAB 69.66, 29.12, 23.04

 

CMYK 0 / 60 / 73 / 14

HEX #DC593B

RGB 220 89 59

HSL 11.18, 0.7%, 0.55%

LAB 54.74, 49.61, 42.89

 

CMYK 28 / 0 / 73 / 14

HEX #9EDC3B

RGB 158 220 59

HSL 83.11, 0.7%, 0.55%

LAB 81.17, -42.62, 68.17

 

CMYK 73 / 57 / 0 / 14

HEX #3B5EDC

RGB 59 94 220

HSL 226.96, 0.7%, 0.55%

LAB 44.38, 30.68, -68.05

 

CMYK 0 / 60 / 73 / 14

HEX #DC593B

RGB 220 89 59

HSL 11.18, 0.7%, 0.55%

LAB 54.74, 49.61, 42.89

 

CMYK 73 / 0 / 60 / 14

HEX #3BDC59

RGB 59 220 89

HSL 131.18, 0.7%, 0.55%

LAB 77.78, -66.84, 51.7

 

CMYK 60 / 73 / 0 / 14

HEX #593BDC

RGB 89 59 220

HSL 251.18, 0.7%, 0.55%

LAB 38.58, 55.02, -77.46

 

CMYK 0 / 60 / 73 / 14

HEX #DC593B

RGB 220 89 59

HSL 11.18, 0.7%, 0.55%

LAB 54.74, 49.61, 42.89

 

CMYK 28 / 0 / 73 / 14

HEX #9EDC3B

RGB 158 220 59

HSL 83.11, 0.7%, 0.55%

LAB 81.17, -42.62, 68.17

 

CMYK 73 / 13 / 0 / 14

HEX #3BBFDC

RGB 59 191 220

HSL 190.81, 0.7%, 0.55%

LAB 71.8, -25.77, -24.72

 

CMYK 45 / 73 / 0 / 14

HEX #793BDC

RGB 121 59 220

HSL 263.11, 0.7%, 0.55%

LAB 41.78, 59.63, -72.09

 

CMYK 0 / 60 / 73 / 14

HEX #DC593B

RGB 220 89 59

HSL 11.18, 0.7%, 0.55%

LAB 54.74, 49.61, 42.89

 

CMYK 50 / 0 / 73 / 14

HEX #6EDC3B

RGB 110 220 59

HSL 100.99, 0.7%, 0.55%

LAB 78.94, -58.45, 65.23

 

CMYK 73 / 13 / 0 / 14

HEX #3BBFDC

RGB 59 191 220

HSL 190.81, 0.7%, 0.55%

LAB 71.8, -25.77, -24.72

 

CMYK 23 / 73 / 0 / 14

HEX #A93BDC

RGB 169 59 220

HSL 280.99, 0.7%, 0.55%

LAB 47.92, 68.09, -61.84

 

Description

Color code: RGB 220 89 59 | qconv.com Color code: RGB 220 89 59 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 89 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 89 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 60 magenta, 73 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 60% 73% 14% C M Y K

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