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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 221 172 156 it is the complementary color RGB 34 83 99. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 221 172 156. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 221 172 156 shade: RGB 226 172 151, RGB 243 190 170, RGB 255 208 189, RGB 255 226 208 and RGB 255 244 227

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 221 172 156. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 221 172 156 shade: RGB 221 172 156, RGB 204 154 137, RGB 187 136 118, RGB 170 118 99 and RGB 153 100 80

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 221 172 156 shade: RGB 221 172 156 and RGB 221 156 156

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 221 172 156 shade: RGB 221 172 156, RGB 221 189 156, RGB 221 207 156, RGB 217 221 156 and RGB 200 221 156

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 221 172 156 shade matches the following richer shades: RGB 221 172 156, RGB 231 166 145, RGB 242 161 134 and RGB 253 155 124

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 221 172 156 shade: RGB 221 172 156, RGB 210 177 166, RGB 199 183 177, RGB 189 188 188 and RGB 178 193 199

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 221 172 156 shade: RGB 221 156 175, RGB 221 156 158, RGB 221 171 156, RGB 221 188 156 and RGB 221 206 156

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 221 172 156 shade: RGB 200 120 94, RGB 210 146 125, RGB 221 172 156, RGB 231 197 186 and RGB 242 223 217

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 221 172 156 shade: RGB 221 172 156, RGB 193 221 156 and RGB 156 167 221

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 221 172 156 shade: RGB 221 172 156, RGB 156 221 171 and RGB 171 156 221

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 221 172 156 shade: RGB 221 172 156, RGB 193 221 156, RGB 156 206 221 and RGB 184 156 221

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 221 172 156 shade: RGB 221 172 156, RGB 173 221 156, RGB 156 206 221 and RGB 203 156 221

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 22 / 29 / 13

HEX #DDAC9C

RGB 221 172 156

HSL 14.77, 0.49%, 0.74%

LAB 74.37, 15.65, 15.1

 

Complementary color

CMYK 66 / 16 / 0 / 61

HEX #225363

RGB 34 83 99

HSL 194.77, 0.49%, 0.26%

LAB 32.76, -11.03, -14.21

 

CMYK 0 / 24 / 33 / 11

HEX #E2AC97

RGB 226 172 151

HSL 16.8, 0.56%, 0.74%

LAB 74.77, 16.92, 18.45

 

CMYK 0 / 22 / 30 / 5

HEX #F3BEAA

RGB 243 190 170

HSL 16.44, 0.75%, 0.81%

LAB 81.17, 16.25, 17.39

 

CMYK 0 / 18 / 26 / 0

HEX #FFD0BD

RGB 255 208 189

HSL 17.27, 1%, 0.87%

LAB 87.02, 13.81, 15.66

 

CMYK 0 / 11 / 18 / 0

HEX #FFE2D0

RGB 255 226 208

HSL 22.98, 1%, 0.91%

LAB 91.78, 7.18, 12.43

 

CMYK 0 / 4 / 11 / 0

HEX #FFF4E3

RGB 255 244 227

HSL 36.43, 1%, 0.95%

LAB 96.62, 0.89, 9.49

 

CMYK 0 / 22 / 29 / 13

HEX #DDAC9C

RGB 221 172 156

HSL 14.77, 0.49%, 0.74%

LAB 74.37, 15.65, 15.1

 

CMYK 0 / 25 / 33 / 20

HEX #CC9A89

RGB 204 154 137

HSL 15.22, 0.4%, 0.67%

LAB 67.84, 16.33, 16.18

 

CMYK 0 / 27 / 37 / 27

HEX #BB8876

RGB 187 136 118

HSL 15.65, 0.34%, 0.6%

LAB 61.2, 17.1, 17.35

 

CMYK 0 / 31 / 42 / 33

HEX #AA7663

RGB 170 118 99

HSL 16.06, 0.29%, 0.53%

LAB 54.45, 17.99, 18.65

 

CMYK 0 / 35 / 48 / 40

HEX #996450

RGB 153 100 80

HSL 16.44, 0.31%, 0.46%

LAB 47.58, 19.03, 20.12

 

CMYK 0 / 22 / 29 / 13

HEX #DDAC9C

RGB 221 172 156

HSL 14.77, 0.49%, 0.74%

LAB 74.37, 15.65, 15.1

 

CMYK 0 / 29 / 29 / 13

HEX #DD9C9C

RGB 221 156 156

HSL 0, 0.49%, 0.74%

LAB 70.56, 24.26, 9.73

 

CMYK 0 / 22 / 29 / 13

HEX #DDAC9C

RGB 221 172 156

HSL 14.77, 0.49%, 0.74%

LAB 74.37, 15.65, 15.1

 

CMYK 0 / 14 / 29 / 13

HEX #DDBD9C

RGB 221 189 156

HSL 30.46, 0.49%, 0.74%

LAB 78.56, 6.58, 20.92

 

CMYK 0 / 6 / 29 / 13

HEX #DDCF9C

RGB 221 207 156

HSL 47.08, 0.49%, 0.74%

LAB 83.12, -2.84, 27.15

 

CMYK 2 / 0 / 29 / 13

HEX #D9DD9C

RGB 217 221 156

HSL 63.69, 0.49%, 0.74%

LAB 86.44, -11.5, 31.54

 

CMYK 10 / 0 / 29 / 13

HEX #C8DD9C

RGB 200 221 156

HSL 79.38, 0.49%, 0.74%

LAB 85.2, -17.83, 29.66

 

CMYK 0 / 22 / 29 / 13

HEX #DDAC9C

RGB 221 172 156

HSL 14.77, 0.49%, 0.74%

LAB 74.37, 15.65, 15.1

 

CMYK 0 / 28 / 37 / 9

HEX #E7A691

RGB 231 166 145

HSL 14.65, 0.64%, 0.74%

LAB 73.74, 21.33, 20.39

 

CMYK 0 / 33 / 45 / 5

HEX #F2A186

RGB 242 161 134

HSL 15, 0.81%, 0.74%

LAB 73.6, 27.04, 26.37

 

CMYK 0 / 39 / 51 / 1

HEX #FD9B7C

RGB 253 155 124

HSL 14.42, 0.97%, 0.74%

LAB 73.4, 33.48, 31.74

 

CMYK 0 / 22 / 29 / 13

HEX #DDAC9C

RGB 221 172 156

HSL 14.77, 0.49%, 0.74%

LAB 74.37, 15.65, 15.1

 

CMYK 0 / 16 / 21 / 18

HEX #D2B1A6

RGB 210 177 166

HSL 15, 0.33%, 0.74%

LAB 74.76, 10.21, 10.06

 

CMYK 0 / 8 / 11 / 22

HEX #C7B7B1

RGB 199 183 177

HSL 16.36, 0.16%, 0.74%

LAB 75.57, 4.66, 5.09

 

CMYK 0 / 1 / 1 / 26

HEX #BDBCBC

RGB 189 188 188

HSL 0, 0.01%, 0.74%

LAB 76.32, 0.35, 0.11

 

CMYK 11 / 3 / 0 / 22

HEX #B2C1C7

RGB 178 193 199

HSL 197.14, 0.16%, 0.74%

LAB 77.12, -3.92, -4.78

 

CMYK 0 / 29 / 21 / 13

HEX #DD9CAF

RGB 221 156 175

HSL 342.46, 0.49%, 0.74%

LAB 71.04, 26.96, -0.12

 

CMYK 0 / 29 / 29 / 13

HEX #DD9C9E

RGB 221 156 158

HSL 358.15, 0.49%, 0.74%

LAB 70.61, 24.53, 8.69

 

CMYK 0 / 23 / 29 / 13

HEX #DDAB9C

RGB 221 171 156

HSL 13.85, 0.49%, 0.74%

LAB 74.12, 16.19, 14.76

 

CMYK 0 / 15 / 29 / 13

HEX #DDBC9C

RGB 221 188 156

HSL 29.54, 0.49%, 0.74%

LAB 78.31, 7.11, 20.58

 

CMYK 0 / 7 / 29 / 13

HEX #DDCE9C

RGB 221 206 156

HSL 46.15, 0.49%, 0.74%

LAB 82.87, -2.32, 26.8

 

CMYK 0 / 40 / 53 / 22

HEX #C8785E

RGB 200 120 94

HSL 14.72, 0.49%, 0.58%

LAB 58.53, 28.6, 27.57

 

CMYK 0 / 30 / 40 / 18

HEX #D2927D

RGB 210 146 125

HSL 14.82, 0.49%, 0.66%

LAB 66.32, 21.6, 20.85

 

CMYK 0 / 22 / 29 / 13

HEX #DDAC9C

RGB 221 172 156

HSL 14.77, 0.49%, 0.74%

LAB 74.37, 15.65, 15.1

 

CMYK 0 / 15 / 19 / 9

HEX #E7C5BA

RGB 231 197 186

HSL 14.67, 0.48%, 0.82%

LAB 82.09, 10.32, 9.97

 

CMYK 0 / 8 / 10 / 5

HEX #F2DFD9

RGB 242 223 217

HSL 14.4, 0.49%, 0.9%

LAB 90.17, 5.51, 5.27

 

CMYK 0 / 22 / 29 / 13

HEX #DDAC9C

RGB 221 172 156

HSL 14.77, 0.49%, 0.74%

LAB 74.37, 15.65, 15.1

 

CMYK 13 / 0 / 29 / 13

HEX #C1DD9C

RGB 193 221 156

HSL 85.85, 0.49%, 0.74%

LAB 84.72, -20.39, 28.93

 

CMYK 29 / 24 / 0 / 13

HEX #9CA7DD

RGB 156 167 221

HSL 229.85, 0.49%, 0.74%

LAB 69.42, 8.32, -28.55

 

CMYK 0 / 22 / 29 / 13

HEX #DDAC9C

RGB 221 172 156

HSL 14.77, 0.49%, 0.74%

LAB 74.37, 15.65, 15.1

 

CMYK 29 / 0 / 23 / 13

HEX #9CDDAB

RGB 156 221 171

HSL 133.85, 0.49%, 0.74%

LAB 82.76, -30.55, 18.1

 

CMYK 23 / 29 / 0 / 13

HEX #AB9CDD

RGB 171 156 221

HSL 253.85, 0.49%, 0.74%

LAB 67.77, 18.97, -31

 

CMYK 0 / 22 / 29 / 13

HEX #DDAC9C

RGB 221 172 156

HSL 14.77, 0.49%, 0.74%

LAB 74.37, 15.65, 15.1

 

CMYK 13 / 0 / 29 / 13

HEX #C1DD9C

RGB 193 221 156

HSL 85.85, 0.49%, 0.74%

LAB 84.72, -20.39, 28.93

 

CMYK 29 / 7 / 0 / 13

HEX #9CCEDD

RGB 156 206 221

HSL 193.85, 0.49%, 0.74%

LAB 79.86, -12.72, -12.7

 

CMYK 17 / 29 / 0 / 13

HEX #B89CDD

RGB 184 156 221

HSL 265.85, 0.49%, 0.74%

LAB 68.89, 22.96, -29.18

 

CMYK 0 / 22 / 29 / 13

HEX #DDAC9C

RGB 221 172 156

HSL 14.77, 0.49%, 0.74%

LAB 74.37, 15.65, 15.1

 

CMYK 22 / 0 / 29 / 13

HEX #ADDD9C

RGB 173 221 156

HSL 104.31, 0.49%, 0.74%

LAB 83.44, -27.46, 27

 

CMYK 29 / 7 / 0 / 13

HEX #9CCEDD

RGB 156 206 221

HSL 193.85, 0.49%, 0.74%

LAB 79.86, -12.72, -12.7

 

CMYK 8 / 29 / 0 / 13

HEX #CB9CDD

RGB 203 156 221

HSL 283.38, 0.49%, 0.74%

LAB 70.66, 28.93, -26.3

 

Description

Color code: RGB 221 172 156 | qconv.com Color code: RGB 221 172 156 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 172 green and 156 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 172 156 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 22 magenta, 29 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 22% 29% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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