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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 221 194 79 it is the complementary color RGB 34 61 176. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 221 194 79. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 221 194 79 shade: RGB 226 194 74, RGB 243 212 93, RGB 255 230 112, RGB 255 248 131 and RGB 255 255 150

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 221 194 79. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 221 194 79 shade: RGB 221 194 79, RGB 204 176 60, RGB 187 158 41, RGB 170 140 22 and RGB 153 122 3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 221 194 79 shade: RGB 221 194 79, RGB 221 156 79, RGB 221 117 79, RGB 221 79 79 and RGB 221 79 79

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 221 194 79 shade: RGB 221 194 79, RGB 210 221 79, RGB 171 221 79, RGB 133 221 79 and RGB 95 221 79

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 221 194 79 shade matches the following richer shades: RGB 221 194 79 and RGB 238 204 62

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 221 194 79 shade: RGB 221 194 79, RGB 204 184 96, RGB 187 173 113, RGB 170 163 130 and RGB 153 152 147

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 221 194 79 shade: RGB 221 117 79, RGB 221 155 79, RGB 221 193 79, RGB 212 221 79 and RGB 174 221 79

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 221 194 79 shade: RGB 183 155 34, RGB 214 182 44, RGB 221 194 79, RGB 228 206 114 and RGB 234 218 148

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 221 194 79 shade: RGB 221 194 79, RGB 79 221 79 and RGB 136 79 221

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 221 194 79 shade: RGB 221 194 79, RGB 79 221 193 and RGB 193 79 221

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 221 194 79 shade: RGB 221 194 79, RGB 79 221 79, RGB 79 107 221 and RGB 221 79 221

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 221 194 79 shade: RGB 221 194 79, RGB 79 221 122, RGB 79 107 221 and RGB 221 79 178

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 64 / 13

HEX #DDC24F

RGB 221 194 79

HSL 48.59, 0.68%, 0.59%

LAB 78.76, -3.44, 59.5

 

Complementary color

CMYK 81 / 65 / 0 / 31

HEX #223DB0

RGB 34 61 176

HSL 228.59, 0.68%, 0.41%

LAB 31.38, 33.13, -63.74

 

CMYK 0 / 14 / 67 / 11

HEX #E2C24A

RGB 226 194 74

HSL 47.37, 0.72%, 0.59%

LAB 79.18, -1.62, 62.19

 

CMYK 0 / 13 / 62 / 5

HEX #F3D45D

RGB 243 212 93

HSL 47.6, 0.86%, 0.66%

LAB 85.47, -2.62, 61.29

 

CMYK 0 / 10 / 56 / 0

HEX #FFE670

RGB 255 230 112

HSL 49.51, 1%, 0.72%

LAB 91.24, -5.5, 59.62

 

CMYK 0 / 3 / 49 / 0

HEX #FFF883

RGB 255 248 131

HSL 56.61, 1%, 0.76%

LAB 96.01, -12.88, 56.52

 

CMYK 0 / 0 / 41 / 0

HEX #FFFF96

RGB 255 255 150

HSL 60, 1%, 0.79%

LAB 98.03, -14.53, 50.05

 

CMYK 0 / 12 / 64 / 13

HEX #DDC24F

RGB 221 194 79

HSL 48.59, 0.68%, 0.59%

LAB 78.76, -3.44, 59.5

 

CMYK 0 / 14 / 71 / 20

HEX #CCB03C

RGB 204 176 60

HSL 48.33, 0.59%, 0.52%

LAB 72.37, -2.38, 60.26

 

CMYK 0 / 16 / 78 / 27

HEX #BB9E29

RGB 187 158 41

HSL 48.08, 0.64%, 0.45%

LAB 65.89, -1.11, 60.53

 

CMYK 0 / 18 / 87 / 33

HEX #AA8C16

RGB 170 140 22

HSL 47.84, 0.77%, 0.38%

LAB 59.31, 0.4, 59.86

 

CMYK 0 / 20 / 98 / 40

HEX #997A03

RGB 153 122 3

HSL 47.6, 0.96%, 0.31%

LAB 52.62, 2.19, 57.76

 

CMYK 0 / 12 / 64 / 13

HEX #DDC24F

RGB 221 194 79

HSL 48.59, 0.68%, 0.59%

LAB 78.76, -3.44, 59.5

 

CMYK 0 / 29 / 64 / 13

HEX #DD9C4F

RGB 221 156 79

HSL 32.54, 0.68%, 0.59%

LAB 69.27, 16.67, 49.06

 

CMYK 0 / 47 / 64 / 13

HEX #DD754F

RGB 221 117 79

HSL 16.06, 0.68%, 0.59%

LAB 60.48, 37.36, 38.86

 

CMYK 0 / 64 / 64 / 13

HEX #DD4F4F

RGB 221 79 79

HSL 0, 0.68%, 0.59%

LAB 53.52, 55.36, 30.36

 

CMYK 0 / 64 / 64 / 13

HEX #DD4F4F

RGB 221 79 79

HSL 0, 0.68%, 0.59%

LAB 53.52, 55.36, 30.36

 

CMYK 0 / 12 / 64 / 13

HEX #DDC24F

RGB 221 194 79

HSL 48.59, 0.68%, 0.59%

LAB 78.76, -3.44, 59.5

 

CMYK 5 / 0 / 64 / 13

HEX #D2DD4F

RGB 210 221 79

HSL 64.65, 0.68%, 0.59%

LAB 84.99, -21.56, 65.8

 

CMYK 23 / 0 / 64 / 13

HEX #ABDD4F

RGB 171 221 79

HSL 81.13, 0.68%, 0.59%

LAB 82.34, -36.92, 62.21

 

CMYK 40 / 0 / 64 / 13

HEX #85DD4F

RGB 133 221 79

HSL 97.18, 0.68%, 0.59%

LAB 80.33, -50.32, 59.45

 

CMYK 57 / 0 / 64 / 13

HEX #5FDD4F

RGB 95 221 79

HSL 113.24, 0.68%, 0.59%

LAB 78.87, -61.15, 57.44

 

CMYK 0 / 12 / 64 / 13

HEX #DDC24F

RGB 221 194 79

HSL 48.59, 0.68%, 0.59%

LAB 78.76, -3.44, 59.5

 

CMYK 0 / 14 / 74 / 7

HEX #EECC3E

RGB 238 204 62

HSL 48.41, 0.84%, 0.59%

LAB 82.76, -2.27, 70.73

 

CMYK 0 / 12 / 64 / 13

HEX #DDC24F

RGB 221 194 79

HSL 48.59, 0.68%, 0.59%

LAB 78.76, -3.44, 59.5

 

CMYK 0 / 10 / 53 / 20

HEX #CCB860

RGB 204 184 96

HSL 48.89, 0.51%, 0.59%

LAB 74.8, -4.15, 46.79

 

CMYK 0 / 7 / 40 / 27

HEX #BBAD71

RGB 187 173 113

HSL 48.65, 0.35%, 0.59%

LAB 70.62, -3.7, 32.64

 

CMYK 0 / 4 / 24 / 33

HEX #AAA382

RGB 170 163 130

HSL 49.5, 0.19%, 0.59%

LAB 66.79, -2.94, 18.09

 

CMYK 0 / 1 / 4 / 40

HEX #999893

RGB 153 152 147

HSL 50, 0.03%, 0.59%

LAB 62.79, -0.58, 2.75

 

CMYK 0 / 47 / 64 / 13

HEX #DD754F

RGB 221 117 79

HSL 16.06, 0.68%, 0.59%

LAB 60.48, 37.36, 38.86

 

CMYK 0 / 30 / 64 / 13

HEX #DD9B4F

RGB 221 155 79

HSL 32.11, 0.68%, 0.59%

LAB 69.03, 17.2, 48.79

 

CMYK 0 / 13 / 64 / 13

HEX #DDC14F

RGB 221 193 79

HSL 48.17, 0.68%, 0.59%

LAB 78.51, -2.92, 59.23

 

CMYK 4 / 0 / 64 / 13

HEX #D4DD4F

RGB 212 221 79

HSL 63.8, 0.68%, 0.59%

LAB 85.14, -20.75, 66

 

CMYK 21 / 0 / 64 / 13

HEX #AEDD4F

RGB 174 221 79

HSL 79.86, 0.68%, 0.59%

LAB 82.53, -35.79, 62.46

 

CMYK 0 / 15 / 81 / 28

HEX #B79B22

RGB 183 155 34

HSL 48.72, 0.69%, 0.43%

LAB 64.66, -1.54, 61.55

 

CMYK 0 / 15 / 79 / 16

HEX #D6B62C

RGB 214 182 44

HSL 48.71, 0.67%, 0.51%

LAB 74.78, -1.86, 68.55

 

CMYK 0 / 12 / 64 / 13

HEX #DDC24F

RGB 221 194 79

HSL 48.59, 0.68%, 0.59%

LAB 78.76, -3.44, 59.5

 

CMYK 0 / 10 / 50 / 11

HEX #E4CE72

RGB 228 206 114

HSL 48.42, 0.68%, 0.67%

LAB 82.83, -4.11, 48.18

 

CMYK 0 / 7 / 37 / 8

HEX #EADA94

RGB 234 218 148

HSL 48.84, 0.67%, 0.75%

LAB 86.89, -4.43, 36.46

 

CMYK 0 / 12 / 64 / 13

HEX #DDC24F

RGB 221 194 79

HSL 48.59, 0.68%, 0.59%

LAB 78.76, -3.44, 59.5

 

CMYK 64 / 0 / 64 / 13

HEX #4FDD4F

RGB 79 221 79

HSL 120, 0.68%, 0.59%

LAB 78.43, -64.73, 56.82

 

CMYK 38 / 64 / 0 / 13

HEX #884FDD

RGB 136 79 221

HSL 264.08, 0.68%, 0.59%

LAB 47.04, 52.87, -64.04

 

CMYK 0 / 12 / 64 / 13

HEX #DDC24F

RGB 221 194 79

HSL 48.59, 0.68%, 0.59%

LAB 78.76, -3.44, 59.5

 

CMYK 64 / 0 / 13 / 13

HEX #4FDDC1

RGB 79 221 193

HSL 168.17, 0.68%, 0.59%

LAB 80.31, -44.5, 2.57

 

CMYK 13 / 64 / 0 / 13

HEX #C14FDD

RGB 193 79 221

HSL 288.17, 0.68%, 0.59%

LAB 54.19, 65.3, -52.17

 

CMYK 0 / 12 / 64 / 13

HEX #DDC24F

RGB 221 194 79

HSL 48.59, 0.68%, 0.59%

LAB 78.76, -3.44, 59.5

 

CMYK 64 / 0 / 64 / 13

HEX #4FDD4F

RGB 79 221 79

HSL 120, 0.68%, 0.59%

LAB 78.43, -64.73, 56.82

 

CMYK 64 / 52 / 0 / 13

HEX #4F6BDD

RGB 79 107 221

HSL 228.17, 0.68%, 0.59%

LAB 48.76, 25.68, -61.48

 

CMYK 0 / 64 / 0 / 13

HEX #DD4FDD

RGB 221 79 221

HSL 300, 0.68%, 0.59%

LAB 58.21, 71.73, -45.52

 

CMYK 0 / 12 / 64 / 13

HEX #DDC24F

RGB 221 194 79

HSL 48.59, 0.68%, 0.59%

LAB 78.76, -3.44, 59.5

 

CMYK 64 / 0 / 45 / 13

HEX #4FDD7A

RGB 79 221 122

HSL 138.17, 0.68%, 0.59%

LAB 78.91, -59.14, 37.58

 

CMYK 64 / 52 / 0 / 13

HEX #4F6BDD

RGB 79 107 221

HSL 228.17, 0.68%, 0.59%

LAB 48.76, 25.68, -61.48

 

CMYK 0 / 64 / 19 / 13

HEX #DD4FB2

RGB 221 79 178

HSL 318.17, 0.68%, 0.59%

LAB 56.27, 65.22, -23.98

 

Description

Color code: RGB 221 194 79 | qconv.com Color code: RGB 221 194 79 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 194 green and 79 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 194 79 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 64 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 64% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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