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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 221 212 201 it is the complementary color RGB 34 43 54. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 221 212 201. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 221 212 201 shade: RGB 226 212 196, RGB 243 230 215, RGB 255 248 234 and RGB 255 255 253

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 221 212 201. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 221 212 201 shade: RGB 221 212 201, RGB 204 194 182, RGB 187 176 163, RGB 170 158 144 and RGB 153 140 125

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 221 212 201 shade: RGB 221 212 201, RGB 221 207 201, RGB 221 201 201 and RGB 221 201 201

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 221 212 201 shade: RGB 221 212 201, RGB 221 218 201, RGB 219 221 201, RGB 214 221 201 and RGB 209 221 201

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 221 212 201 shade matches the following richer shades: RGB 221 212 201, RGB 228 213 194, RGB 235 214 187, RGB 242 214 180 and RGB 249 215 173

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 221 212 201 shade: RGB 221 212 201, RGB 214 211 208, RGB 207 211 215, RGB 200 210 222 and RGB 193 209 229

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 221 212 201 shade: RGB 221 202 201, RGB 221 207 201, RGB 221 212 201, RGB 221 217 201 and RGB 219 221 201

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 221 212 201 shade: RGB 189 172 150, RGB 205 192 176, RGB 221 212 201, RGB 237 232 227 and RGB 253 252 252

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 221 212 201 shade: RGB 221 212 201, RGB 206 221 201 and RGB 204 201 221

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 221 212 201 shade: RGB 221 212 201, RGB 201 221 212 and RGB 212 201 221

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 221 212 201 shade: RGB 221 212 201, RGB 206 221 201, RGB 201 210 221 and RGB 216 201 221

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 221 212 201 shade: RGB 221 212 201, RGB 201 221 202, RGB 201 210 221 and RGB 221 201 220

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 9 / 13

HEX #DDD4C9

RGB 221 212 201

HSL 33, 0.23%, 0.83%

LAB 85.34, 1.22, 6.53

 

Complementary color

CMYK 37 / 20 / 0 / 79

HEX #222B36

RGB 34 43 54

HSL 213, 0.23%, 0.17%

LAB 17.15, -0.63, -8.35

 

CMYK 0 / 6 / 13 / 11

HEX #E2D4C4

RGB 226 212 196

HSL 32, 0.34%, 0.83%

LAB 85.63, 2.18, 9.64

 

CMYK 0 / 5 / 12 / 5

HEX #F3E6D7

RGB 243 230 215

HSL 32.14, 0.54%, 0.9%

LAB 91.93, 1.94, 8.87

 

CMYK 0 / 3 / 8 / 0

HEX #FFF8EA

RGB 255 248 234

HSL 40, 1%, 0.96%

LAB 97.77, -0.01, 7.54

 

CMYK 0 / 0 / 1 / 0

HEX #FFFFFD

RGB 255 255 253

HSL 60, 1%, 1%

LAB 99.95, -0.34, 0.94

 

CMYK 0 / 4 / 9 / 13

HEX #DDD4C9

RGB 221 212 201

HSL 33, 0.23%, 0.83%

LAB 85.34, 1.22, 6.53

 

CMYK 0 / 5 / 11 / 20

HEX #CCC2B6

RGB 204 194 182

HSL 32.73, 0.18%, 0.76%

LAB 78.92, 1.44, 7.27

 

CMYK 0 / 6 / 13 / 27

HEX #BBB0A3

RGB 187 176 163

HSL 32.5, 0.15%, 0.69%

LAB 72.4, 1.69, 8.06

 

CMYK 0 / 7 / 15 / 33

HEX #AA9E90

RGB 170 158 144

HSL 32.31, 0.13%, 0.62%

LAB 65.76, 1.96, 8.88

 

CMYK 0 / 8 / 18 / 40

HEX #998C7D

RGB 153 140 125

HSL 32.14, 0.12%, 0.55%

LAB 58.98, 2.27, 9.77

 

CMYK 0 / 4 / 9 / 13

HEX #DDD4C9

RGB 221 212 201

HSL 33, 0.23%, 0.83%

LAB 85.34, 1.22, 6.53

 

CMYK 0 / 6 / 9 / 13

HEX #DDCFC9

RGB 221 207 201

HSL 18, 0.23%, 0.83%

LAB 84.08, 3.83, 4.71

 

CMYK 0 / 9 / 9 / 13

HEX #DDC9C9

RGB 221 201 201

HSL 0, 0.23%, 0.83%

LAB 82.57, 6.99, 2.53

 

CMYK 0 / 9 / 9 / 13

HEX #DDC9C9

RGB 221 201 201

HSL 0, 0.23%, 0.83%

LAB 82.57, 6.99, 2.53

 

CMYK 0 / 4 / 9 / 13

HEX #DDD4C9

RGB 221 212 201

HSL 33, 0.23%, 0.83%

LAB 85.34, 1.22, 6.53

 

CMYK 0 / 1 / 9 / 13

HEX #DDDAC9

RGB 221 218 201

HSL 51, 0.23%, 0.83%

LAB 86.87, -1.89, 8.72

 

CMYK 1 / 0 / 9 / 13

HEX #DBDDC9

RGB 219 221 201

HSL 66, 0.23%, 0.83%

LAB 87.48, -4.14, 9.58

 

CMYK 3 / 0 / 9 / 13

HEX #D6DDC9

RGB 214 221 201

HSL 81, 0.23%, 0.83%

LAB 87.11, -5.89, 9

 

CMYK 5 / 0 / 9 / 13

HEX #D1DDC9

RGB 209 221 201

HSL 96, 0.23%, 0.83%

LAB 86.74, -7.62, 8.43

 

CMYK 0 / 4 / 9 / 13

HEX #DDD4C9

RGB 221 212 201

HSL 33, 0.23%, 0.83%

LAB 85.34, 1.22, 6.53

 

CMYK 0 / 7 / 15 / 11

HEX #E4D5C2

RGB 228 213 194

HSL 33.53, 0.39%, 0.83%

LAB 86, 2.07, 11.24

 

CMYK 0 / 9 / 20 / 8

HEX #EBD6BB

RGB 235 214 187

HSL 33.75, 0.55%, 0.83%

LAB 86.67, 3.04, 15.97

 

CMYK 0 / 12 / 26 / 5

HEX #F2D6B4

RGB 242 214 180

HSL 32.9, 0.7%, 0.83%

LAB 87.13, 4.65, 20.37

 

CMYK 0 / 14 / 31 / 2

HEX #F9D7AD

RGB 249 215 173

HSL 33.16, 0.86%, 0.83%

LAB 87.85, 5.84, 25.12

 

CMYK 0 / 4 / 9 / 13

HEX #DDD4C9

RGB 221 212 201

HSL 33, 0.23%, 0.83%

LAB 85.34, 1.22, 6.53

 

CMYK 0 / 1 / 3 / 16

HEX #D6D3D0

RGB 214 211 208

HSL 30, 0.07%, 0.83%

LAB 84.71, 0.5, 1.84

 

CMYK 4 / 2 / 0 / 16

HEX #CFD3D7

RGB 207 211 215

HSL 210, 0.09%, 0.83%

LAB 84.36, -0.61, -2.46

 

CMYK 10 / 5 / 0 / 13

HEX #C8D2DE

RGB 200 210 222

HSL 212.73, 0.25%, 0.83%

LAB 83.78, -1.05, -7.09

 

CMYK 16 / 9 / 0 / 10

HEX #C1D1E5

RGB 193 209 229

HSL 213.33, 0.41%, 0.83%

LAB 83.23, -1.35, -11.69

 

CMYK 0 / 9 / 9 / 13

HEX #DDCAC9

RGB 221 202 201

HSL 3, 0.23%, 0.83%

LAB 82.82, 6.46, 2.89

 

CMYK 0 / 6 / 9 / 13

HEX #DDCFC9

RGB 221 207 201

HSL 18, 0.23%, 0.83%

LAB 84.08, 3.83, 4.71

 

CMYK 0 / 4 / 9 / 13

HEX #DDD4C9

RGB 221 212 201

HSL 33, 0.23%, 0.83%

LAB 85.34, 1.22, 6.53

 

CMYK 0 / 2 / 9 / 13

HEX #DDD9C9

RGB 221 217 201

HSL 48, 0.23%, 0.83%

LAB 86.61, -1.38, 8.35

 

CMYK 1 / 0 / 9 / 13

HEX #DBDDC9

RGB 219 221 201

HSL 66, 0.23%, 0.83%

LAB 87.48, -4.14, 9.58

 

CMYK 0 / 9 / 21 / 26

HEX #BDAC96

RGB 189 172 150

HSL 33.85, 0.23%, 0.66%

LAB 71.23, 2.54, 13.54

 

CMYK 0 / 6 / 14 / 20

HEX #CDC0B0

RGB 205 192 176

HSL 33.1, 0.22%, 0.75%

LAB 78.35, 1.89, 9.7

 

CMYK 0 / 4 / 9 / 13

HEX #DDD4C9

RGB 221 212 201

HSL 33, 0.23%, 0.83%

LAB 85.34, 1.22, 6.53

 

CMYK 0 / 2 / 4 / 7

HEX #EDE8E3

RGB 237 232 227

HSL 30, 0.22%, 0.91%

LAB 92.25, 0.82, 3.01

 

CMYK 0 / 0 / 0 / 1

HEX #FDFCFC

RGB 253 252 252

HSL 0, 0.2%, 0.99%

LAB 99.04, 0.34, 0.11

 

CMYK 0 / 4 / 9 / 13

HEX #DDD4C9

RGB 221 212 201

HSL 33, 0.23%, 0.83%

LAB 85.34, 1.22, 6.53

 

CMYK 7 / 0 / 9 / 13

HEX #CEDDC9

RGB 206 221 201

HSL 105, 0.23%, 0.83%

LAB 86.53, -8.65, 8.09

 

CMYK 8 / 9 / 0 / 13

HEX #CCC9DD

RGB 204 201 221

HSL 249, 0.23%, 0.83%

LAB 81.75, 4.81, -9.55

 

CMYK 0 / 4 / 9 / 13

HEX #DDD4C9

RGB 221 212 201

HSL 33, 0.23%, 0.83%

LAB 85.34, 1.22, 6.53

 

CMYK 9 / 0 / 4 / 13

HEX #C9DDD4

RGB 201 221 212

HSL 153, 0.23%, 0.83%

LAB 86.45, -8.35, 2.13

 

CMYK 4 / 9 / 0 / 13

HEX #D4C9DD

RGB 212 201 221

HSL 273, 0.23%, 0.83%

LAB 82.37, 7.47, -8.54

 

CMYK 0 / 4 / 9 / 13

HEX #DDD4C9

RGB 221 212 201

HSL 33, 0.23%, 0.83%

LAB 85.34, 1.22, 6.53

 

CMYK 7 / 0 / 9 / 13

HEX #CEDDC9

RGB 206 221 201

HSL 105, 0.23%, 0.83%

LAB 86.53, -8.65, 8.09

 

CMYK 9 / 5 / 0 / 13

HEX #C9D2DD

RGB 201 210 221

HSL 213, 0.23%, 0.83%

LAB 83.83, -0.92, -6.49

 

CMYK 2 / 9 / 0 / 13

HEX #D8C9DD

RGB 216 201 221

HSL 285, 0.23%, 0.83%

LAB 82.7, 8.81, -8.03

 

CMYK 0 / 4 / 9 / 13

HEX #DDD4C9

RGB 221 212 201

HSL 33, 0.23%, 0.83%

LAB 85.34, 1.22, 6.53

 

CMYK 9 / 0 / 9 / 13

HEX #C9DDCA

RGB 201 221 202

HSL 123, 0.23%, 0.83%

LAB 86.2, -10.18, 7.05

 

CMYK 9 / 5 / 0 / 13

HEX #C9D2DD

RGB 201 210 221

HSL 213, 0.23%, 0.83%

LAB 83.83, -0.92, -6.49

 

CMYK 0 / 9 / 0 / 13

HEX #DDC9DC

RGB 221 201 220

HSL 303, 0.23%, 0.83%

LAB 83.08, 10.32, -6.88

 

Description

Color code: RGB 221 212 201 | qconv.com Color code: RGB 221 212 201 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 212 green and 201 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 212 201 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 9 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 9% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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