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Color name
RGB 221 33 118

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 221 33 118 it is the complementary color RGB 34 222 137. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 221 33 118. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 221 33 118 shade: RGB 226 33 113, RGB 243 51 132, RGB 255 69 151, RGB 255 87 170 and RGB 255 105 189

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 221 33 118. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 221 33 118 shade: RGB 221 33 118, RGB 204 15 99, RGB 187 0 80, RGB 170 0 61 and RGB 153 0 42

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 221 33 118 shade: RGB 221 33 118, RGB 221 33 67 and RGB 221 33 33

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 221 33 118 shade: RGB 221 33 118, RGB 221 33 169, RGB 221 33 220, RGB 172 33 221 and RGB 121 33 221

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 221 33 118 shade matches the following richer shades: RGB 221 33 118 and RGB 242 12 116

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 221 33 118 shade: RGB 221 33 118, RGB 201 53 120, RGB 180 74 122, RGB 159 95 124 and RGB 139 115 126

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 221 33 118 shade: RGB 221 33 221, RGB 221 33 171, RGB 221 33 121, RGB 221 33 70 and RGB 221 45 33

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 221 33 118 shade: RGB 150 22 80, RGB 185 27 99, RGB 221 33 118, RGB 227 69 140 and RGB 232 104 162

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 221 33 118 shade: RGB 221 33 118, RGB 221 171 33 and RGB 33 196 221

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 221 33 118 shade: RGB 221 33 118, RGB 121 221 33 and RGB 33 121 221

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 221 33 118 shade: RGB 221 33 118, RGB 221 171 33, RGB 33 221 133 and RGB 33 83 221

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 221 33 118 shade: RGB 221 33 118, RGB 215 221 33, RGB 33 221 133 and RGB 39 33 221

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 85 / 47 / 13

HEX #DD2176

RGB 221 33 118

HSL 332.87, 0.74%, 0.5%

LAB 49.21, 72.56, 1.08

 

Complementary color

CMYK 85 / 0 / 38 / 13

HEX #22DE89

RGB 34 222 137

HSL 152.87, 0.74%, 0.5%

LAB 78.69, -62.87, 29.57

 

CMYK 0 / 85 / 50 / 11

HEX #E22171

RGB 226 33 113

HSL 335.13, 0.77%, 0.51%

LAB 50.04, 73.36, 5.44

 

CMYK 0 / 79 / 46 / 5

HEX #F33384

RGB 243 51 132

HSL 334.69, 0.89%, 0.58%

LAB 55.16, 75.04, 1.79

 

CMYK 0 / 73 / 41 / 0

HEX #FF4597

RGB 255 69 151

HSL 333.55, 1%, 0.64%

LAB 59.66, 74.66, -2.59

 

CMYK 0 / 66 / 33 / 0

HEX #FF57AA

RGB 255 87 170

HSL 330.36, 1%, 0.67%

LAB 62.49, 70.37, -9.42

 

CMYK 0 / 59 / 26 / 0

HEX #FF69BD

RGB 255 105 189

HSL 326.4, 1%, 0.71%

LAB 65.78, 65.37, -15.32

 

CMYK 0 / 85 / 47 / 13

HEX #DD2176

RGB 221 33 118

HSL 332.87, 0.74%, 0.5%

LAB 49.21, 72.56, 1.08

 

CMYK 0 / 93 / 51 / 20

HEX #CC0F63

RGB 204 15 99

HSL 333.33, 0.86%, 0.43%

LAB 44.35, 69.88, 5.36

 

CMYK 0 / 100 / 57 / 27

HEX #BB0050

RGB 187 0 80

HSL 334.33, 1%, 0.37%

LAB 39.82, 66.11, 10.49

 

CMYK 0 / 100 / 64 / 33

HEX #AA003D

RGB 170 0 61

HSL 338.47, 1%, 0.33%

LAB 35.76, 60.92, 16.62

 

CMYK 0 / 100 / 73 / 40

HEX #99002A

RGB 153 0 42

HSL 343.53, 1%, 0.3%

LAB 31.67, 55.76, 23.05

 

CMYK 0 / 85 / 47 / 13

HEX #DD2176

RGB 221 33 118

HSL 332.87, 0.74%, 0.5%

LAB 49.21, 72.56, 1.08

 

CMYK 0 / 85 / 70 / 13

HEX #DD2143

RGB 221 33 67

HSL 349.15, 0.74%, 0.5%

LAB 48.09, 69.31, 30.72

 

CMYK 0 / 85 / 85 / 13

HEX #DD2121

RGB 221 33 33

HSL 0, 0.74%, 0.5%

LAB 47.71, 68.2, 49.29

 

CMYK 0 / 85 / 47 / 13

HEX #DD2176

RGB 221 33 118

HSL 332.87, 0.74%, 0.5%

LAB 49.21, 72.56, 1.08

 

CMYK 0 / 85 / 24 / 13

HEX #DD21A9

RGB 221 33 169

HSL 316.6, 0.74%, 0.5%

LAB 51.06, 77.73, -26.76

 

CMYK 0 / 85 / 0 / 13

HEX #DD21DC

RGB 221 33 220

HSL 300.32, 0.74%, 0.5%

LAB 53.63, 84.55, -52.24

 

CMYK 22 / 85 / 0 / 13

HEX #AC21DD

RGB 172 33 221

HSL 284.36, 0.74%, 0.5%

LAB 45.74, 76.59, -65.92

 

CMYK 45 / 85 / 0 / 13

HEX #7921DD

RGB 121 33 221

HSL 268.09, 0.74%, 0.5%

LAB 38.5, 69.63, -78.05

 

CMYK 0 / 85 / 47 / 13

HEX #DD2176

RGB 221 33 118

HSL 332.87, 0.74%, 0.5%

LAB 49.21, 72.56, 1.08

 

CMYK 0 / 95 / 52 / 5

HEX #F20C74

RGB 242 12 116

HSL 332.87, 0.91%, 0.5%

LAB 52.29, 80.04, 7.25

 

CMYK 0 / 85 / 47 / 13

HEX #DD2176

RGB 221 33 118

HSL 332.87, 0.74%, 0.5%

LAB 49.21, 72.56, 1.08

 

CMYK 0 / 74 / 40 / 21

HEX #C93578

RGB 201 53 120

HSL 332.84, 0.58%, 0.5%

LAB 47.39, 62.4, -3.25

 

CMYK 0 / 59 / 32 / 29

HEX #B44A7A

RGB 180 74 122

HSL 332.83, 0.42%, 0.5%

LAB 46.98, 47.96, -5.47

 

CMYK 0 / 40 / 22 / 38

HEX #9F5F7C

RGB 159 95 124

HSL 332.81, 0.25%, 0.5%

LAB 48.27, 30.09, -5.09

 

CMYK 0 / 17 / 9 / 45

HEX #8B737E

RGB 139 115 126

HSL 332.5, 0.09%, 0.5%

LAB 50.99, 11.33, -2.52

 

CMYK 0 / 85 / 0 / 13

HEX #DD21DD

RGB 221 33 221

HSL 300, 0.74%, 0.5%

LAB 53.69, 84.69, -52.71

 

CMYK 0 / 85 / 23 / 13

HEX #DD21AB

RGB 221 33 171

HSL 315.96, 0.74%, 0.5%

LAB 51.15, 77.97, -27.8

 

CMYK 0 / 85 / 45 / 13

HEX #DD2179

RGB 221 33 121

HSL 331.91, 0.74%, 0.5%

LAB 49.3, 72.81, -0.63

 

CMYK 0 / 85 / 68 / 13

HEX #DD2146

RGB 221 33 70

HSL 348.19, 0.74%, 0.5%

LAB 48.14, 69.45, 28.97

 

CMYK 0 / 80 / 85 / 13

HEX #DD2D21

RGB 221 45 33

HSL 3.83, 0.74%, 0.5%

LAB 48.71, 65.37, 50.15

 

CMYK 0 / 85 / 47 / 41

HEX #961650

RGB 150 22 80

HSL 332.81, 0.74%, 0.34%

LAB 33.22, 53.87, 0.02

 

CMYK 0 / 85 / 46 / 27

HEX #B91B63

RGB 185 27 99

HSL 332.66, 0.75%, 0.42%

LAB 41.21, 63.38, 0.35

 

CMYK 0 / 85 / 47 / 13

HEX #DD2176

RGB 221 33 118

HSL 332.87, 0.74%, 0.5%

LAB 49.21, 72.56, 1.08

 

CMYK 0 / 70 / 38 / 11

HEX #E3458C

RGB 227 69 140

HSL 333.04, 0.74%, 0.58%

LAB 54.53, 66.06, -4.23

 

CMYK 0 / 55 / 30 / 9

HEX #E868A2

RGB 232 104 162

HSL 332.81, 0.74%, 0.66%

LAB 61.36, 55.51, -6.87

 

CMYK 0 / 85 / 47 / 13

HEX #DD2176

RGB 221 33 118

HSL 332.87, 0.74%, 0.5%

LAB 49.21, 72.56, 1.08

 

CMYK 0 / 23 / 85 / 13

HEX #DDAB21

RGB 221 171 33

HSL 44.04, 0.74%, 0.5%

LAB 72.63, 6.66, 70.13

 

CMYK 85 / 11 / 0 / 13

HEX #21C4DD

RGB 33 196 221

HSL 187.98, 0.74%, 0.5%

LAB 72.91, -30.32, -23.6

 

CMYK 0 / 85 / 47 / 13

HEX #DD2176

RGB 221 33 118

HSL 332.87, 0.74%, 0.5%

LAB 49.21, 72.56, 1.08

 

CMYK 45 / 0 / 85 / 13

HEX #79DD21

RGB 121 221 33

HSL 91.91, 0.74%, 0.5%

LAB 79.55, -56.86, 73.22

 

CMYK 85 / 45 / 0 / 13

HEX #2179DD

RGB 33 121 221

HSL 211.91, 0.74%, 0.5%

LAB 50.94, 11.39, -58.04

 

CMYK 0 / 85 / 47 / 13

HEX #DD2176

RGB 221 33 118

HSL 332.87, 0.74%, 0.5%

LAB 49.21, 72.56, 1.08

 

CMYK 0 / 23 / 85 / 13

HEX #DDAB21

RGB 221 171 33

HSL 44.04, 0.74%, 0.5%

LAB 72.63, 6.66, 70.13

 

CMYK 85 / 0 / 40 / 13

HEX #21DD85

RGB 33 221 133

HSL 151.91, 0.74%, 0.5%

LAB 78.3, -63.36, 31.1

 

CMYK 85 / 62 / 0 / 13

HEX #2153DD

RGB 33 83 221

HSL 224.04, 0.74%, 0.5%

LAB 40.78, 35.69, -74.53

 

CMYK 0 / 85 / 47 / 13

HEX #DD2176

RGB 221 33 118

HSL 332.87, 0.74%, 0.5%

LAB 49.21, 72.56, 1.08

 

CMYK 3 / 0 / 85 / 13

HEX #D7DD21

RGB 215 221 33

HSL 61.91, 0.74%, 0.5%

LAB 85.13, -21.41, 80.17

 

CMYK 85 / 0 / 40 / 13

HEX #21DD85

RGB 33 221 133

HSL 151.91, 0.74%, 0.5%

LAB 78.3, -63.36, 31.1

 

CMYK 82 / 85 / 0 / 13

HEX #2721DD

RGB 39 33 221

HSL 241.91, 0.74%, 0.5%

LAB 31.21, 63.27, -90.35

 

Description

Color code: RGB 221 33 118 | qconv.com Color code: RGB 221 33 118 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 33 green and 118 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 33 118 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 85 magenta, 47 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 85% 47% 13% C M Y K

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