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Color name
RGB 221 33 157

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 221 33 157 it is the complementary color RGB 34 222 98. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 221 33 157. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 221 33 157 shade: RGB 226 33 152, RGB 243 51 171, RGB 255 69 190, RGB 255 87 209 and RGB 255 105 228

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 221 33 157. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 221 33 157 shade: RGB 221 33 157, RGB 204 15 138, RGB 187 0 119, RGB 170 0 100 and RGB 153 0 81

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 221 33 157 shade: RGB 221 33 157, RGB 221 33 106, RGB 221 33 55 and RGB 221 33 33

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 221 33 157 shade: RGB 221 33 157, RGB 221 33 208, RGB 184 33 221, RGB 133 33 221 and RGB 82 33 221

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 221 33 157 shade matches the following richer shades: RGB 221 33 157 and RGB 242 12 164

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 221 33 157 shade: RGB 221 33 157, RGB 201 53 151, RGB 180 74 144, RGB 159 95 137 and RGB 139 115 131

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 221 33 157 shade: RGB 184 33 221, RGB 221 33 209, RGB 221 33 158, RGB 221 33 108 and RGB 221 33 58

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 221 33 157 shade: RGB 150 22 106, RGB 185 27 132, RGB 221 33 157, RGB 227 69 173 and RGB 232 104 189

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 221 33 157 shade: RGB 221 33 157, RGB 221 133 33 and RGB 33 221 209

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 221 33 157 shade: RGB 221 33 157, RGB 158 221 33 and RGB 33 158 221

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 221 33 157 shade: RGB 221 33 157, RGB 221 133 33, RGB 33 221 96 and RGB 33 121 221

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 221 33 157 shade: RGB 221 33 157, RGB 221 190 33, RGB 33 221 96 and RGB 33 64 221

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 85 / 29 / 13

HEX #DD219D

RGB 221 33 157

HSL 320.43, 0.74%, 0.5%

LAB 50.56, 76.35, -20.42

 

Complementary color

CMYK 85 / 0 / 56 / 13

HEX #22DE62

RGB 34 222 98

HSL 140.43, 0.74%, 0.5%

LAB 78.15, -69.26, 47.98

 

CMYK 0 / 85 / 33 / 11

HEX #E22198

RGB 226 33 152

HSL 323.01, 0.77%, 0.51%

LAB 51.29, 76.9, -16.24

 

CMYK 0 / 79 / 30 / 5

HEX #F333AB

RGB 243 51 171

HSL 322.5, 0.89%, 0.58%

LAB 56.45, 78.85, -19.31

 

CMYK 0 / 73 / 25 / 0

HEX #FF45BE

RGB 255 69 190

HSL 320.97, 1%, 0.64%

LAB 60.99, 78.82, -23.17

 

CMYK 0 / 66 / 18 / 0

HEX #FF57D1

RGB 255 87 209

HSL 316.43, 1%, 0.67%

LAB 63.9, 75.16, -29.49

 

CMYK 0 / 59 / 11 / 0

HEX #FF69E4

RGB 255 105 228

HSL 310.8, 1%, 0.71%

LAB 67.25, 70.78, -34.92

 

CMYK 0 / 85 / 29 / 13

HEX #DD219D

RGB 221 33 157

HSL 320.43, 0.74%, 0.5%

LAB 50.56, 76.35, -20.42

 

CMYK 0 / 93 / 32 / 20

HEX #CC0F8A

RGB 204 15 138

HSL 320.95, 0.86%, 0.43%

LAB 45.65, 73.39, -16.79

 

CMYK 0 / 100 / 36 / 27

HEX #BB0077

RGB 187 0 119

HSL 321.82, 1%, 0.37%

LAB 41.05, 69.34, -12.4

 

CMYK 0 / 100 / 41 / 33

HEX #AA0064

RGB 170 0 100

HSL 324.71, 1%, 0.33%

LAB 36.87, 63.85, -7.05

 

CMYK 0 / 100 / 47 / 40

HEX #990051

RGB 153 0 81

HSL 328.24, 1%, 0.3%

LAB 32.63, 58.31, -1.42

 

CMYK 0 / 85 / 29 / 13

HEX #DD219D

RGB 221 33 157

HSL 320.43, 0.74%, 0.5%

LAB 50.56, 76.35, -20.42

 

CMYK 0 / 85 / 52 / 13

HEX #DD216A

RGB 221 33 106

HSL 336.7, 0.74%, 0.5%

LAB 48.88, 71.62, 7.95

 

CMYK 0 / 85 / 75 / 13

HEX #DD2137

RGB 221 33 55

HSL 352.98, 0.74%, 0.5%

LAB 47.93, 68.83, 37.62

 

CMYK 0 / 85 / 85 / 13

HEX #DD2121

RGB 221 33 33

HSL 0, 0.74%, 0.5%

LAB 47.71, 68.2, 49.29

 

CMYK 0 / 85 / 29 / 13

HEX #DD219D

RGB 221 33 157

HSL 320.43, 0.74%, 0.5%

LAB 50.56, 76.35, -20.42

 

CMYK 0 / 85 / 6 / 13

HEX #DD21D0

RGB 221 33 208

HSL 304.15, 0.74%, 0.5%

LAB 52.96, 82.81, -46.45

 

CMYK 17 / 85 / 0 / 13

HEX #B821DD

RGB 184 33 221

HSL 288.19, 0.74%, 0.5%

LAB 47.62, 78.47, -62.78

 

CMYK 40 / 85 / 0 / 13

HEX #8521DD

RGB 133 33 221

HSL 271.91, 0.74%, 0.5%

LAB 40.07, 71.09, -75.41

 

CMYK 63 / 85 / 0 / 13

HEX #5221DD

RGB 82 33 221

HSL 255.64, 0.74%, 0.5%

LAB 34.19, 65.77, -85.3

 

CMYK 0 / 85 / 29 / 13

HEX #DD219D

RGB 221 33 157

HSL 320.43, 0.74%, 0.5%

LAB 50.56, 76.35, -20.42

 

CMYK 0 / 95 / 32 / 5

HEX #F20CA4

RGB 242 12 164

HSL 320.35, 0.91%, 0.5%

LAB 53.84, 84.15, -19.21

 

CMYK 0 / 85 / 29 / 13

HEX #DD219D

RGB 221 33 157

HSL 320.43, 0.74%, 0.5%

LAB 50.56, 76.35, -20.42

 

CMYK 0 / 74 / 25 / 21

HEX #C93597

RGB 201 53 151

HSL 320.27, 0.58%, 0.5%

LAB 48.51, 65.92, -20.3

 

CMYK 0 / 59 / 20 / 29

HEX #B44A90

RGB 180 74 144

HSL 320.38, 0.42%, 0.5%

LAB 47.77, 50.97, -17.55

 

CMYK 0 / 40 / 14 / 38

HEX #9F5F89

RGB 159 95 137

HSL 320.63, 0.25%, 0.5%

LAB 48.71, 32.22, -12.21

 

CMYK 0 / 17 / 6 / 45

HEX #8B7383

RGB 139 115 131

HSL 320, 0.09%, 0.5%

LAB 51.14, 12.28, -5.25

 

CMYK 17 / 85 / 0 / 13

HEX #B821DD

RGB 184 33 221

HSL 288.19, 0.74%, 0.5%

LAB 47.62, 78.47, -62.78

 

CMYK 0 / 85 / 5 / 13

HEX #DD21D1

RGB 221 33 209

HSL 303.83, 0.74%, 0.5%

LAB 53.02, 82.95, -46.93

 

CMYK 0 / 85 / 29 / 13

HEX #DD219E

RGB 221 33 158

HSL 320.11, 0.74%, 0.5%

LAB 50.6, 76.46, -20.95

 

CMYK 0 / 85 / 51 / 13

HEX #DD216C

RGB 221 33 108

HSL 336.06, 0.74%, 0.5%

LAB 48.94, 71.77, 6.79

 

CMYK 0 / 85 / 74 / 13

HEX #DD213A

RGB 221 33 58

HSL 352.02, 0.74%, 0.5%

LAB 47.96, 68.94, 35.91

 

CMYK 0 / 85 / 29 / 41

HEX #96166A

RGB 150 22 106

HSL 320.63, 0.74%, 0.34%

LAB 34.19, 56.65, -15.33

 

CMYK 0 / 85 / 29 / 27

HEX #B91B84

RGB 185 27 132

HSL 320.13, 0.75%, 0.42%

LAB 42.41, 66.74, -18.41

 

CMYK 0 / 85 / 29 / 13

HEX #DD219D

RGB 221 33 157

HSL 320.43, 0.74%, 0.5%

LAB 50.56, 76.35, -20.42

 

CMYK 0 / 70 / 24 / 11

HEX #E345AD

RGB 227 69 173

HSL 320.51, 0.74%, 0.58%

LAB 55.69, 69.86, -21.88

 

CMYK 0 / 55 / 19 / 9

HEX #E868BD

RGB 232 104 189

HSL 320.16, 0.74%, 0.66%

LAB 62.28, 59.13, -20.94

 

CMYK 0 / 85 / 29 / 13

HEX #DD219D

RGB 221 33 157

HSL 320.43, 0.74%, 0.5%

LAB 50.56, 76.35, -20.42

 

CMYK 0 / 40 / 85 / 13

HEX #DD8521

RGB 221 133 33

HSL 31.91, 0.74%, 0.5%

LAB 63.55, 26.98, 62.62

 

CMYK 85 / 0 / 5 / 13

HEX #21DDD1

RGB 33 221 209

HSL 176.17, 0.74%, 0.5%

LAB 79.98, -45.37, -6.52

 

CMYK 0 / 85 / 29 / 13

HEX #DD219D

RGB 221 33 157

HSL 320.43, 0.74%, 0.5%

LAB 50.56, 76.35, -20.42

 

CMYK 29 / 0 / 85 / 13

HEX #9EDD21

RGB 158 221 33

HSL 80.11, 0.74%, 0.5%

LAB 81.34, -44.16, 75.47

 

CMYK 85 / 29 / 0 / 13

HEX #219EDD

RGB 33 158 221

HSL 200.11, 0.74%, 0.5%

LAB 61.65, -10.53, -41.03

 

CMYK 0 / 85 / 29 / 13

HEX #DD219D

RGB 221 33 157

HSL 320.43, 0.74%, 0.5%

LAB 50.56, 76.35, -20.42

 

CMYK 0 / 40 / 85 / 13

HEX #DD8521

RGB 221 133 33

HSL 31.91, 0.74%, 0.5%

LAB 63.55, 26.98, 62.62

 

CMYK 85 / 0 / 57 / 13

HEX #21DD60

RGB 33 221 96

HSL 140.11, 0.74%, 0.5%

LAB 77.8, -69.3, 48.49

 

CMYK 85 / 45 / 0 / 13

HEX #2179DD

RGB 33 121 221

HSL 211.91, 0.74%, 0.5%

LAB 50.94, 11.39, -58.04

 

CMYK 0 / 85 / 29 / 13

HEX #DD219D

RGB 221 33 157

HSL 320.43, 0.74%, 0.5%

LAB 50.56, 76.35, -20.42

 

CMYK 0 / 14 / 85 / 13

HEX #DDBE21

RGB 221 190 33

HSL 50.11, 0.74%, 0.5%

LAB 77.47, -3.3, 74.09

 

CMYK 85 / 0 / 57 / 13

HEX #21DD60

RGB 33 221 96

HSL 140.11, 0.74%, 0.5%

LAB 77.8, -69.3, 48.49

 

CMYK 85 / 71 / 0 / 13

HEX #2140DD

RGB 33 64 221

HSL 230.11, 0.74%, 0.5%

LAB 36.39, 47.44, -81.77

 

Description

Color code: RGB 221 33 157 | qconv.com Color code: RGB 221 33 157 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 33 green and 157 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 33 157 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 85 magenta, 29 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 85% 29% 13% C M Y K

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Provide designers and agencies with accurate color values.

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