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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 221 49 217 it is the complementary color RGB 34 206 38. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 221 49 217. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 221 49 217 shade: RGB 226 49 212, RGB 243 67 231, RGB 255 85 250, RGB 255 103 255 and RGB 255 121 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 221 49 217. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 221 49 217 shade: RGB 221 49 217, RGB 204 31 198, RGB 187 13 179, RGB 170 0 160 and RGB 153 0 141

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 221 49 217 shade: RGB 221 48 217, RGB 221 48 170, RGB 221 48 124, RGB 221 48 77 and RGB 221 48 48

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 221 49 217 shade: RGB 221 48 217, RGB 178 48 221, RGB 132 48 221, RGB 85 48 221 and RGB 48 48 221

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 221 49 217 shade matches the following richer shades: RGB 221 48 217 and RGB 240 29 235

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 221 49 217 shade: RGB 221 48 217, RGB 202 68 198, RGB 182 87 180, RGB 163 107 161 and RGB 143 126 143

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 221 49 217 shade: RGB 132 48 221, RGB 178 48 221, RGB 221 48 218, RGB 221 48 172 and RGB 221 48 126

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 221 49 217 shade: RGB 161 26 158, RGB 196 32 193, RGB 221 48 217, RGB 227 84 223 and RGB 232 119 230

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 221 49 217 shade: RGB 221 49 217, RGB 221 86 48 and RGB 48 221 155

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 221 49 217 shade: RGB 221 49 217, RGB 218 221 48 and RGB 48 218 221

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 221 49 217 shade: RGB 221 49 217, RGB 221 86 48, RGB 48 221 51 and RGB 48 184 221

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 221 49 217 shade: RGB 221 49 217, RGB 221 138 48, RGB 48 221 51 and RGB 48 132 221

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 78 / 2 / 13

HEX #DD31D9

RGB 221 49 217

HSL 301.4, 0.72%, 0.53%

LAB 54.64, 80.68, -48.93

 

Complementary color

CMYK 83 / 0 / 82 / 19

HEX #22CE26

RGB 34 206 38

HSL 121.4, 0.72%, 0.47%

LAB 72.64, -70.14, 64.97

 

CMYK 0 / 78 / 6 / 11

HEX #E231D4

RGB 226 49 212

HSL 304.75, 0.75%, 0.54%

LAB 55.19, 80.93, -45.14

 

CMYK 0 / 72 / 5 / 5

HEX #F343E7

RGB 243 67 231

HSL 304.09, 0.88%, 0.61%

LAB 60.64, 82.22, -47.09

 

CMYK 0 / 67 / 2 / 0

HEX #FF55FA

RGB 255 85 250

HSL 301.76, 1%, 0.67%

LAB 65.48, 81.82, -49.87

 

CMYK 0 / 60 / 0 / 0

HEX #FF67FF

RGB 255 103 255

HSL 300, 1%, 0.7%

LAB 68.15, 75.83, -48.4

 

CMYK 0 / 53 / 0 / 0

HEX #FF79FF

RGB 255 121 255

HSL 300, 1%, 0.74%

LAB 70.98, 68.15, -43.96

 

CMYK 0 / 78 / 2 / 13

HEX #DD31D9

RGB 221 49 217

HSL 301.4, 0.72%, 0.53%

LAB 54.64, 80.68, -48.93

 

CMYK 0 / 85 / 3 / 20

HEX #CC1FC6

RGB 204 31 198

HSL 302.08, 0.74%, 0.46%

LAB 49.37, 78.61, -46.58

 

CMYK 0 / 93 / 4 / 27

HEX #BB0DB3

RGB 187 13 179

HSL 302.76, 0.87%, 0.39%

LAB 44.39, 75.44, -43.59

 

CMYK 0 / 100 / 6 / 33

HEX #AA00A0

RGB 170 0 160

HSL 303.53, 1%, 0.33%

LAB 39.72, 71.05, -39.87

 

CMYK 0 / 100 / 8 / 40

HEX #99008D

RGB 153 0 141

HSL 304.71, 1%, 0.3%

LAB 35.39, 65.32, -35.37

 

CMYK 0 / 78 / 2 / 13

HEX #DD30D9

RGB 221 48 217

HSL 301.39, 0.72%, 0.53%

LAB 54.55, 80.93, -49.07

 

CMYK 0 / 78 / 23 / 13

HEX #DD30AA

RGB 221 48 170

HSL 317.69, 0.72%, 0.53%

LAB 52.27, 74.48, -25.47

 

CMYK 0 / 78 / 44 / 13

HEX #DD307C

RGB 221 48 124

HSL 333.64, 0.72%, 0.53%

LAB 50.62, 69.57, -0.52

 

CMYK 0 / 78 / 65 / 13

HEX #DD304D

RGB 221 48 77

HSL 349.94, 0.72%, 0.53%

LAB 49.52, 66.19, 26.49

 

CMYK 0 / 78 / 78 / 13

HEX #DD3030

RGB 221 48 48

HSL 0, 0.72%, 0.53%

LAB 49.13, 64.95, 42.85

 

CMYK 0 / 78 / 2 / 13

HEX #DD30D9

RGB 221 48 217

HSL 301.39, 0.72%, 0.53%

LAB 54.55, 80.93, -49.07

 

CMYK 19 / 78 / 0 / 13

HEX #B230DD

RGB 178 48 221

HSL 285.09, 0.72%, 0.53%

LAB 48.01, 73.63, -62.21

 

CMYK 40 / 78 / 0 / 13

HEX #8430DD

RGB 132 48 221

HSL 269.13, 0.72%, 0.53%

LAB 41.59, 66.12, -72.92

 

CMYK 62 / 78 / 0 / 13

HEX #5530DD

RGB 85 48 221

HSL 252.83, 0.72%, 0.53%

LAB 36.49, 60.1, -81.5

 

CMYK 78 / 78 / 0 / 13

HEX #3030DD

RGB 48 48 221

HSL 240, 0.72%, 0.53%

LAB 33.91, 57.04, -85.86

 

CMYK 0 / 78 / 2 / 13

HEX #DD30D9

RGB 221 48 217

HSL 301.39, 0.72%, 0.53%

LAB 54.55, 80.93, -49.07

 

CMYK 0 / 88 / 2 / 6

HEX #F01DEB

RGB 240 29 235

HSL 301.42, 0.88%, 0.53%

LAB 57.47, 90.62, -54.4

 

CMYK 0 / 78 / 2 / 13

HEX #DD30D9

RGB 221 48 217

HSL 301.39, 0.72%, 0.53%

LAB 54.55, 80.93, -49.07

 

CMYK 0 / 66 / 2 / 21

HEX #CA44C6

RGB 202 68 198

HSL 301.79, 0.56%, 0.53%

LAB 52.69, 67.72, -41.33

 

CMYK 0 / 52 / 1 / 29

HEX #B657B4

RGB 182 87 180

HSL 301.26, 0.39%, 0.53%

LAB 51.9, 51.27, -32.37

 

CMYK 0 / 34 / 1 / 36

HEX #A36BA1

RGB 163 107 161

HSL 302.14, 0.23%, 0.53%

LAB 52.81, 31.24, -20.08

 

CMYK 0 / 12 / 0 / 44

HEX #8F7E8F

RGB 143 126 143

HSL 300, 0.07%, 0.53%

LAB 54.81, 9.7, -6.78

 

CMYK 40 / 78 / 0 / 13

HEX #8430DD

RGB 132 48 221

HSL 269.13, 0.72%, 0.53%

LAB 41.59, 66.12, -72.92

 

CMYK 19 / 78 / 0 / 13

HEX #B230DD

RGB 178 48 221

HSL 285.09, 0.72%, 0.53%

LAB 48.01, 73.63, -62.21

 

CMYK 0 / 78 / 1 / 13

HEX #DD30DA

RGB 221 48 218

HSL 301.04, 0.72%, 0.53%

LAB 54.6, 81.08, -49.55

 

CMYK 0 / 78 / 22 / 13

HEX #DD30AC

RGB 221 48 172

HSL 316.99, 0.72%, 0.53%

LAB 52.36, 74.73, -26.52

 

CMYK 0 / 78 / 43 / 13

HEX #DD307E

RGB 221 48 126

HSL 332.95, 0.72%, 0.53%

LAB 50.68, 69.75, -1.64

 

CMYK 0 / 84 / 2 / 37

HEX #A11A9E

RGB 161 26 158

HSL 301.33, 0.72%, 0.37%

LAB 39.22, 65.42, -39.56

 

CMYK 0 / 84 / 2 / 23

HEX #C420C1

RGB 196 32 193

HSL 301.1, 0.72%, 0.45%

LAB 47.78, 76.19, -46.3

 

CMYK 0 / 78 / 2 / 13

HEX #DD30D9

RGB 221 48 217

HSL 301.39, 0.72%, 0.53%

LAB 54.55, 80.93, -49.07

 

CMYK 0 / 63 / 2 / 11

HEX #E354DF

RGB 227 84 223

HSL 301.68, 0.72%, 0.61%

LAB 59.89, 71.53, -43.95

 

CMYK 0 / 49 / 1 / 9

HEX #E877E6

RGB 232 119 230

HSL 301.06, 0.71%, 0.69%

LAB 66.57, 58.62, -37.33

 

CMYK 0 / 78 / 2 / 13

HEX #DD31D9

RGB 221 49 217

HSL 301.4, 0.72%, 0.53%

LAB 54.64, 80.68, -48.93

 

CMYK 0 / 61 / 78 / 13

HEX #DD5630

RGB 221 86 48

HSL 13.18, 0.72%, 0.53%

LAB 54.28, 50.88, 48.09

 

CMYK 78 / 0 / 30 / 13

HEX #30DD9B

RGB 48 221 155

HSL 157.11, 0.72%, 0.53%

LAB 78.87, -57.54, 20.54

 

CMYK 0 / 78 / 2 / 13

HEX #DD31D9

RGB 221 49 217

HSL 301.4, 0.72%, 0.53%

LAB 54.64, 80.68, -48.93

 

CMYK 1 / 0 / 78 / 13

HEX #DADD30

RGB 218 221 48

HSL 61.04, 0.72%, 0.53%

LAB 85.42, -19.73, 76.93

 

CMYK 78 / 1 / 0 / 13

HEX #30DADD

RGB 48 218 221

HSL 181.04, 0.72%, 0.53%

LAB 79.61, -39.48, -13.45

 

CMYK 0 / 78 / 2 / 13

HEX #DD31D9

RGB 221 49 217

HSL 301.4, 0.72%, 0.53%

LAB 54.64, 80.68, -48.93

 

CMYK 0 / 61 / 78 / 13

HEX #DD5630

RGB 221 86 48

HSL 13.18, 0.72%, 0.53%

LAB 54.28, 50.88, 48.09

 

CMYK 78 / 0 / 77 / 13

HEX #30DD33

RGB 48 221 51

HSL 121.04, 0.72%, 0.53%

LAB 77.63, -72.17, 66.01

 

CMYK 78 / 17 / 0 / 13

HEX #30B8DD

RGB 48 184 221

HSL 192.83, 0.72%, 0.53%

LAB 69.56, -23.11, -28.71

 

CMYK 0 / 78 / 2 / 13

HEX #DD31D9

RGB 221 49 217

HSL 301.4, 0.72%, 0.53%

LAB 54.64, 80.68, -48.93

 

CMYK 0 / 38 / 78 / 13

HEX #DD8A30

RGB 221 138 48

HSL 31.21, 0.72%, 0.53%

LAB 64.77, 24.78, 58.26

 

CMYK 78 / 0 / 77 / 13

HEX #30DD33

RGB 48 221 51

HSL 121.04, 0.72%, 0.53%

LAB 77.63, -72.17, 66.01

 

CMYK 78 / 40 / 0 / 13

HEX #3084DD

RGB 48 132 221

HSL 210.87, 0.72%, 0.53%

LAB 54.4, 5.96, -52.49

 

Description

Color code: RGB 221 49 217 | qconv.com Color code: RGB 221 49 217 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 49 green and 217 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 49 217 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 78 magenta, 2 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 78% 2% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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