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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 221 51 202 it is the complementary color RGB 34 204 53. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 221 51 202. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 221 51 202 shade: RGB 226 51 197, RGB 243 69 216, RGB 255 87 235, RGB 255 105 254 and RGB 255 123 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 221 51 202. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 221 51 202 shade: RGB 221 51 202, RGB 204 33 183, RGB 187 15 164, RGB 170 0 145 and RGB 153 0 126

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 221 51 202 shade: RGB 220 50 201, RGB 220 50 155, RGB 220 50 109, RGB 220 50 63 and RGB 220 50 50

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 221 51 202 shade: RGB 220 50 201, RGB 193 50 220, RGB 147 50 220, RGB 101 50 220 and RGB 55 50 220

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 221 51 202 shade matches the following richer shades: RGB 220 50 201 and RGB 239 30 216

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 221 51 202 shade: RGB 220 50 201, RGB 200 69 186, RGB 181 88 171, RGB 162 108 156 and RGB 142 127 140

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 221 51 202 shade: RGB 146 50 220, RGB 191 50 220, RGB 220 50 203, RGB 220 50 157 and RGB 220 50 112

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 221 51 202 shade: RGB 160 27 145, RGB 195 33 177, RGB 220 50 201, RGB 226 85 210 and RGB 232 120 219

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 221 51 202 shade: RGB 221 51 202, RGB 220 101 50 and RGB 50 220 169

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 221 51 202 shade: RGB 221 51 202, RGB 203 220 50 and RGB 50 203 220

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 221 51 202 shade: RGB 221 51 202, RGB 220 101 50, RGB 50 220 67 and RGB 50 169 220

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 221 51 202 shade: RGB 221 51 202, RGB 220 152 50, RGB 50 220 67 and RGB 50 118 220

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 77 / 9 / 13

HEX #DD33CA

RGB 221 51 202

HSL 306.71, 0.71%, 0.53%

LAB 54.03, 77.96, -41.32

 

Complementary color

CMYK 83 / 0 / 74 / 20

HEX #22CC35

RGB 34 204 53

HSL 126.71, 0.71%, 0.47%

LAB 72.08, -68.56, 59.83

 

CMYK 0 / 77 / 13 / 11

HEX #E233C5

RGB 226 51 197

HSL 309.94, 0.75%, 0.54%

LAB 54.62, 78.31, -37.45

 

CMYK 0 / 72 / 11 / 5

HEX #F345D8

RGB 243 69 216

HSL 309.31, 0.88%, 0.61%

LAB 60.13, 79.43, -39.45

 

CMYK 0 / 66 / 8 / 0

HEX #FF57EB

RGB 255 87 235

HSL 307.14, 1%, 0.67%

LAB 65.02, 78.84, -42.29

 

CMYK 0 / 59 / 0 / 0

HEX #FF69FE

RGB 255 105 254

HSL 300.4, 1%, 0.71%

LAB 68.4, 74.86, -47.46

 

CMYK 0 / 52 / 0 / 0

HEX #FF7BFF

RGB 255 123 255

HSL 300, 1%, 0.74%

LAB 71.31, 67.24, -43.44

 

CMYK 0 / 77 / 9 / 13

HEX #DD33CA

RGB 221 51 202

HSL 306.71, 0.71%, 0.53%

LAB 54.03, 77.96, -41.32

 

CMYK 0 / 84 / 10 / 20

HEX #CC21B7

RGB 204 33 183

HSL 307.37, 0.72%, 0.46%

LAB 48.69, 76.07, -38.92

 

CMYK 0 / 92 / 12 / 27

HEX #BB0FA4

RGB 187 15 164

HSL 308.02, 0.85%, 0.4%

LAB 43.63, 73.11, -35.86

 

CMYK 0 / 100 / 15 / 33

HEX #AA0091

RGB 170 0 145

HSL 308.82, 1%, 0.33%

LAB 38.88, 68.98, -32.09

 

CMYK 0 / 100 / 18 / 40

HEX #99007E

RGB 153 0 126

HSL 310.59, 1%, 0.3%

LAB 34.56, 63.26, -27.36

 

CMYK 0 / 77 / 9 / 14

HEX #DC32C9

RGB 220 50 201

HSL 306.71, 0.71%, 0.53%

LAB 53.72, 77.87, -41.24

 

CMYK 0 / 77 / 30 / 14

HEX #DC329B

RGB 220 50 155

HSL 322.94, 0.71%, 0.53%

LAB 51.68, 71.94, -17.54

 

CMYK 0 / 77 / 50 / 14

HEX #DC326D

RGB 220 50 109

HSL 339.18, 0.71%, 0.53%

LAB 50.22, 67.47, 7.98

 

CMYK 0 / 77 / 71 / 14

HEX #DC323F

RGB 220 50 63

HSL 355.41, 0.71%, 0.53%

LAB 49.32, 64.65, 34.51

 

CMYK 0 / 77 / 77 / 14

HEX #DC3232

RGB 220 50 50

HSL 0, 0.71%, 0.53%

LAB 49.16, 64.15, 41.73

 

CMYK 0 / 77 / 9 / 14

HEX #DC32C9

RGB 220 50 201

HSL 306.71, 0.71%, 0.53%

LAB 53.72, 77.87, -41.24

 

CMYK 12 / 77 / 0 / 14

HEX #C132DC

RGB 193 50 220

HSL 290.47, 0.71%, 0.53%

LAB 50.44, 75.57, -57.6

 

CMYK 33 / 77 / 0 / 14

HEX #9332DC

RGB 147 50 220

HSL 274.24, 0.71%, 0.53%

LAB 43.73, 67.5, -68.78

 

CMYK 54 / 77 / 0 / 14

HEX #6532DC

RGB 101 50 220

HSL 258, 0.71%, 0.53%

LAB 38.23, 60.79, -78.01

 

CMYK 75 / 77 / 0 / 14

HEX #3732DC

RGB 55 50 220

HSL 241.76, 0.71%, 0.53%

LAB 34.52, 56.2, -84.25

 

CMYK 0 / 77 / 9 / 14

HEX #DC32C9

RGB 220 50 201

HSL 306.71, 0.71%, 0.53%

LAB 53.72, 77.87, -41.24

 

CMYK 0 / 87 / 10 / 6

HEX #EF1ED8

RGB 239 30 216

HSL 306.6, 0.87%, 0.53%

LAB 56.32, 87.68, -45.49

 

CMYK 0 / 77 / 9 / 14

HEX #DC32C9

RGB 220 50 201

HSL 306.71, 0.71%, 0.53%

LAB 53.72, 77.87, -41.24

 

CMYK 0 / 66 / 7 / 22

HEX #C845BA

RGB 200 69 186

HSL 306.41, 0.54%, 0.53%

LAB 51.93, 64.94, -35.62

 

CMYK 0 / 51 / 6 / 29

HEX #B558AB

RGB 181 88 171

HSL 306.45, 0.39%, 0.53%

LAB 51.55, 48.89, -27.69

 

CMYK 0 / 33 / 4 / 36

HEX #A26C9C

RGB 162 108 156

HSL 306.67, 0.23%, 0.53%

LAB 52.74, 29.39, -17.29

 

CMYK 0 / 11 / 1 / 44

HEX #8E7F8C

RGB 142 127 140

HSL 308, 0.06%, 0.53%

LAB 54.89, 8.16, -4.93

 

CMYK 34 / 77 / 0 / 14

HEX #9232DC

RGB 146 50 220

HSL 273.88, 0.71%, 0.53%

LAB 43.59, 67.34, -69.01

 

CMYK 13 / 77 / 0 / 14

HEX #BF32DC

RGB 191 50 220

HSL 289.76, 0.71%, 0.53%

LAB 50.13, 75.2, -58.12

 

CMYK 0 / 77 / 8 / 14

HEX #DC32CB

RGB 220 50 203

HSL 306, 0.71%, 0.53%

LAB 53.82, 78.16, -42.23

 

CMYK 0 / 77 / 29 / 14

HEX #DC329D

RGB 220 50 157

HSL 322.24, 0.71%, 0.53%

LAB 51.76, 72.16, -18.61

 

CMYK 0 / 77 / 49 / 14

HEX #DC3270

RGB 220 50 112

HSL 338.12, 0.71%, 0.53%

LAB 50.29, 67.72, 6.27

 

CMYK 0 / 83 / 9 / 37

HEX #A01B91

RGB 160 27 145

HSL 306.77, 0.71%, 0.37%

LAB 38.38, 63, -33

 

CMYK 0 / 83 / 9 / 24

HEX #C321B1

RGB 195 33 177

HSL 306.67, 0.71%, 0.45%

LAB 46.8, 73.45, -38.49

 

CMYK 0 / 77 / 9 / 14

HEX #DC32C9

RGB 220 50 201

HSL 306.71, 0.71%, 0.53%

LAB 53.72, 77.87, -41.24

 

CMYK 0 / 62 / 7 / 11

HEX #E255D2

RGB 226 85 210

HSL 306.81, 0.71%, 0.61%

LAB 59.27, 68.83, -37.59

 

CMYK 0 / 48 / 6 / 9

HEX #E878DB

RGB 232 120 219

HSL 306.96, 0.71%, 0.69%

LAB 66.29, 56.27, -31.65

 

CMYK 0 / 77 / 9 / 13

HEX #DD33CA

RGB 221 51 202

HSL 306.71, 0.71%, 0.53%

LAB 54.03, 77.96, -41.32

 

CMYK 0 / 54 / 77 / 14

HEX #DC6532

RGB 220 101 50

HSL 18, 0.71%, 0.53%

LAB 56.83, 43.57, 49.62

 

CMYK 77 / 0 / 23 / 14

HEX #32DCA9

RGB 50 220 169

HSL 162, 0.71%, 0.53%

LAB 78.88, -53.81, 13.19

 

CMYK 0 / 77 / 9 / 13

HEX #DD33CA

RGB 221 51 202

HSL 306.71, 0.71%, 0.53%

LAB 54.03, 77.96, -41.32

 

CMYK 8 / 0 / 77 / 14

HEX #CBDC32

RGB 203 220 50

HSL 66, 0.71%, 0.53%

LAB 84.02, -25.38, 74.7

 

CMYK 77 / 8 / 0 / 14

HEX #32CBDC

RGB 50 203 220

HSL 186, 0.71%, 0.53%

LAB 75.18, -32.61, -19.59

 

CMYK 0 / 77 / 9 / 13

HEX #DD33CA

RGB 221 51 202

HSL 306.71, 0.71%, 0.53%

LAB 54.03, 77.96, -41.32

 

CMYK 0 / 54 / 77 / 14

HEX #DC6532

RGB 220 101 50

HSL 18, 0.71%, 0.53%

LAB 56.83, 43.57, 49.62

 

CMYK 77 / 0 / 70 / 14

HEX #32DC43

RGB 50 220 67

HSL 126, 0.71%, 0.53%

LAB 77.44, -70.38, 60.34

 

CMYK 77 / 23 / 0 / 14

HEX #32A9DC

RGB 50 169 220

HSL 198, 0.71%, 0.53%

LAB 65.14, -15.38, -35.01

 

CMYK 0 / 77 / 9 / 13

HEX #DD33CA

RGB 221 51 202

HSL 306.71, 0.71%, 0.53%

LAB 54.03, 77.96, -41.32

 

CMYK 0 / 31 / 77 / 14

HEX #DC9832

RGB 220 152 50

HSL 36, 0.71%, 0.53%

LAB 67.95, 16.92, 60.43

 

CMYK 77 / 0 / 70 / 14

HEX #32DC43

RGB 50 220 67

HSL 126, 0.71%, 0.53%

LAB 77.44, -70.38, 60.34

 

CMYK 77 / 46 / 0 / 14

HEX #3276DC

RGB 50 118 220

HSL 216, 0.71%, 0.53%

LAB 50.46, 14.44, -58.24

 

Description

Color code: RGB 221 51 202 | qconv.com Color code: RGB 221 51 202 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 51 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 51 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 77 magenta, 9 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 77% 9% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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