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Color name
RGB 221 59 45

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 221 59 45 it is the complementary color RGB 34 196 210. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 221 59 45. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 221 59 45 shade: RGB 226 59 40, RGB 243 77 59, RGB 255 95 78, RGB 255 113 97 and RGB 255 131 116

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 221 59 45. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 221 59 45 shade: RGB 221 59 45, RGB 204 41 26, RGB 187 23 7, RGB 170 5 0 and RGB 153 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 221 59 45 shade: RGB 220 58 44 and RGB 220 44 44

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 221 59 45 shade: RGB 220 58 44, RGB 220 106 44, RGB 220 153 44, RGB 220 201 44 and RGB 192 220 44

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 221 59 45 shade matches the following richer shades: RGB 220 58 44 and RGB 240 41 24

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 221 59 45 shade: RGB 220 58 44, RGB 200 75 64, RGB 181 91 84, RGB 161 108 103 and RGB 141 125 123

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 221 59 45 shade: RGB 220 44 126, RGB 220 44 79, RGB 220 56 44, RGB 220 103 44 and RGB 220 150 44

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 221 59 45 shade: RGB 157 36 25, RGB 192 44 31, RGB 220 58 44, RGB 226 91 79 and RGB 232 124 115

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 221 59 45 shade: RGB 221 59 45, RGB 173 220 44 and RGB 44 103 220

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 221 59 45 shade: RGB 221 59 45, RGB 44 220 56 and RGB 56 44 220

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 221 59 45 shade: RGB 221 59 45, RGB 173 220 44, RGB 44 208 220 and RGB 91 44 220

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 221 59 45 shade: RGB 221 59 45, RGB 120 220 44, RGB 44 208 220 and RGB 144 44 220

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 73 / 80 / 13

HEX #DD3B2D

RGB 221 59 45

HSL 4.77, 0.72%, 0.52%

LAB 50.32, 61.44, 45.66

 

Complementary color

CMYK 84 / 7 / 0 / 18

HEX #22C4D2

RGB 34 196 210

HSL 184.77, 0.72%, 0.48%

LAB 72.54, -33.7, -18.18

 

CMYK 0 / 74 / 82 / 11

HEX #E23B28

RGB 226 59 40

HSL 6.13, 0.76%, 0.52%

LAB 51.21, 62.83, 49.36

 

CMYK 0 / 68 / 76 / 5

HEX #F34D3B

RGB 243 77 59

HSL 5.87, 0.88%, 0.59%

LAB 56.76, 62.33, 46.21

 

CMYK 0 / 63 / 69 / 0

HEX #FF5F4E

RGB 255 95 78

HSL 5.76, 1%, 0.65%

LAB 61.65, 59.87, 42.06

 

CMYK 0 / 56 / 62 / 0

HEX #FF7161

RGB 255 113 97

HSL 6.08, 1%, 0.69%

LAB 64.91, 52.99, 35.61

 

CMYK 0 / 49 / 55 / 0

HEX #FF8374

RGB 255 131 116

HSL 6.47, 1%, 0.73%

LAB 68.57, 45.73, 29.83

 

CMYK 0 / 73 / 80 / 13

HEX #DD3B2D

RGB 221 59 45

HSL 4.77, 0.72%, 0.52%

LAB 50.32, 61.44, 45.66

 

CMYK 0 / 80 / 87 / 20

HEX #CC291A

RGB 204 41 26

HSL 5.06, 0.77%, 0.45%

LAB 44.94, 61.41, 48.9

 

CMYK 0 / 88 / 96 / 27

HEX #BB1707

RGB 187 23 7

HSL 5.33, 0.93%, 0.38%

LAB 39.9, 60.53, 51.11

 

CMYK 0 / 97 / 100 / 33

HEX #AA0500

RGB 170 5 0

HSL 1.76, 1%, 0.33%

LAB 35.31, 58.5, 49.52

 

CMYK 0 / 100 / 100 / 40

HEX #990000

RGB 153 0 0

HSL 0, 1%, 0.3%

LAB 31.28, 54.71, 45.14

 

CMYK 0 / 74 / 80 / 14

HEX #DC3A2C

RGB 220 58 44

HSL 4.77, 0.72%, 0.52%

LAB 50.01, 61.44, 45.8

 

CMYK 0 / 80 / 80 / 14

HEX #DC2C2C

RGB 220 44 44

HSL 0, 0.72%, 0.52%

LAB 48.51, 65.64, 44.32

 

CMYK 0 / 74 / 80 / 14

HEX #DC3A2C

RGB 220 58 44

HSL 4.77, 0.72%, 0.52%

LAB 50.01, 61.44, 45.8

 

CMYK 0 / 52 / 80 / 14

HEX #DC6A2C

RGB 220 106 44

HSL 21.14, 0.72%, 0.52%

LAB 57.76, 40.89, 53.26

 

CMYK 0 / 30 / 80 / 14

HEX #DC992C

RGB 220 153 44

HSL 37.16, 0.72%, 0.52%

LAB 68.15, 16.17, 62.84

 

CMYK 0 / 9 / 80 / 14

HEX #DCC92C

RGB 220 201 44

HSL 53.52, 0.72%, 0.52%

LAB 80.28, -9.06, 73.59

 

CMYK 13 / 0 / 80 / 14

HEX #C0DC2C

RGB 192 220 44

HSL 69.55, 0.72%, 0.52%

LAB 83.22, -30.08, 75.33

 

CMYK 0 / 74 / 80 / 14

HEX #DC3A2C

RGB 220 58 44

HSL 4.77, 0.72%, 0.52%

LAB 50.01, 61.44, 45.8

 

CMYK 0 / 83 / 90 / 6

HEX #F02918

RGB 240 41 24

HSL 4.72, 0.88%, 0.52%

LAB 52.04, 71.47, 58.17

 

CMYK 0 / 74 / 80 / 14

HEX #DC3A2C

RGB 220 58 44

HSL 4.77, 0.72%, 0.52%

LAB 50.01, 61.44, 45.8

 

CMYK 0 / 63 / 68 / 22

HEX #C84B40

RGB 200 75 64

HSL 4.85, 0.55%, 0.52%

LAB 49.11, 49.1, 32.8

 

CMYK 0 / 50 / 54 / 29

HEX #B55B54

RGB 181 91 84

HSL 4.33, 0.4%, 0.52%

LAB 49.43, 35.74, 20.91

 

CMYK 0 / 33 / 36 / 37

HEX #A16C67

RGB 161 108 103

HSL 5.17, 0.24%, 0.52%

LAB 51.01, 20.49, 11.41

 

CMYK 0 / 11 / 13 / 45

HEX #8D7D7B

RGB 141 125 123

HSL 6.67, 0.07%, 0.52%

LAB 53.77, 5.76, 3.32

 

CMYK 0 / 80 / 43 / 14

HEX #DC2C7E

RGB 220 44 126

HSL 332.05, 0.72%, 0.52%

LAB 50.12, 70.55, -2.48

 

CMYK 0 / 80 / 64 / 14

HEX #DC2C4F

RGB 220 44 79

HSL 348.07, 0.72%, 0.52%

LAB 48.98, 67.1, 24.56

 

CMYK 0 / 75 / 80 / 14

HEX #DC382C

RGB 220 56 44

HSL 4.09, 0.72%, 0.52%

LAB 49.77, 62.1, 45.57

 

CMYK 0 / 53 / 80 / 14

HEX #DC672C

RGB 220 103 44

HSL 20.11, 0.72%, 0.52%

LAB 57.17, 42.38, 52.71

 

CMYK 0 / 32 / 80 / 14

HEX #DC962C

RGB 220 150 44

HSL 36.14, 0.72%, 0.52%

LAB 67.43, 17.78, 62.19

 

CMYK 0 / 77 / 84 / 38

HEX #9D2419

RGB 157 36 25

HSL 5, 0.73%, 0.36%

LAB 35, 48.61, 37.13

 

CMYK 0 / 77 / 84 / 25

HEX #C02C1F

RGB 192 44 31

HSL 4.84, 0.72%, 0.44%

LAB 42.92, 57.08, 43.85

 

CMYK 0 / 74 / 80 / 14

HEX #DC3A2C

RGB 220 58 44

HSL 4.77, 0.72%, 0.52%

LAB 50.01, 61.44, 45.8

 

CMYK 0 / 60 / 65 / 11

HEX #E25B4F

RGB 226 91 79

HSL 4.9, 0.72%, 0.6%

LAB 56.3, 51.83, 33.99

 

CMYK 0 / 47 / 50 / 9

HEX #E87C73

RGB 232 124 115

HSL 4.62, 0.72%, 0.68%

LAB 64.01, 40.7, 23.77

 

CMYK 0 / 73 / 80 / 13

HEX #DD3B2D

RGB 221 59 45

HSL 4.77, 0.72%, 0.52%

LAB 50.32, 61.44, 45.66

 

CMYK 21 / 0 / 80 / 14

HEX #ADDC2C

RGB 173 220 44

HSL 76.02, 0.72%, 0.52%

LAB 81.98, -37.63, 73.75

 

CMYK 80 / 53 / 0 / 14

HEX #2C67DC

RGB 44 103 220

HSL 219.89, 0.72%, 0.52%

LAB 46.18, 23.34, -65.15

 

CMYK 0 / 73 / 80 / 13

HEX #DD3B2D

RGB 221 59 45

HSL 4.77, 0.72%, 0.52%

LAB 50.32, 61.44, 45.66

 

CMYK 80 / 0 / 75 / 14

HEX #2CDC38

RGB 44 220 56

HSL 124.09, 0.72%, 0.52%

LAB 77.29, -72.01, 64.05

 

CMYK 75 / 80 / 0 / 14

HEX #382CDC

RGB 56 44 220

HSL 244.09, 0.72%, 0.52%

LAB 33.58, 59.16, -85.8

 

CMYK 0 / 73 / 80 / 13

HEX #DD3B2D

RGB 221 59 45

HSL 4.77, 0.72%, 0.52%

LAB 50.32, 61.44, 45.66

 

CMYK 21 / 0 / 80 / 14

HEX #ADDC2C

RGB 173 220 44

HSL 76.02, 0.72%, 0.52%

LAB 81.98, -37.63, 73.75

 

CMYK 80 / 5 / 0 / 14

HEX #2CD0DC

RGB 44 208 220

HSL 184.09, 0.72%, 0.52%

LAB 76.57, -35.52, -17.5

 

CMYK 59 / 80 / 0 / 14

HEX #5B2CDC

RGB 91 44 220

HSL 256.02, 0.72%, 0.52%

LAB 36.35, 62.18, -81.13

 

CMYK 0 / 73 / 80 / 13

HEX #DD3B2D

RGB 221 59 45

HSL 4.77, 0.72%, 0.52%

LAB 50.32, 61.44, 45.66

 

CMYK 45 / 0 / 80 / 14

HEX #78DC2C

RGB 120 220 44

HSL 94.09, 0.72%, 0.52%

LAB 79.25, -56.34, 70.27

 

CMYK 80 / 5 / 0 / 14

HEX #2CD0DC

RGB 44 208 220

HSL 184.09, 0.72%, 0.52%

LAB 76.57, -35.52, -17.5

 

CMYK 35 / 80 / 0 / 14

HEX #902CDC

RGB 144 44 220

HSL 274.09, 0.72%, 0.52%

LAB 42.61, 69.1, -70.63

 

Description

Color code: RGB 221 59 45 | qconv.com Color code: RGB 221 59 45 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 59 green and 45 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 59 45 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 73 magenta, 80 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 73% 80% 13% C M Y K

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