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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 221 60 224 it is the complementary color RGB 34 195 31. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 221 60 224. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 221 60 224 shade: RGB 226 60 219, RGB 243 78 238, RGB 255 96 255, RGB 255 114 255 and RGB 255 132 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 221 60 224. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 221 60 224 shade: RGB 221 60 224, RGB 204 42 205, RGB 187 24 186, RGB 170 6 167 and RGB 153 0 148

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 221 60 224 shade: RGB 221 60 224, RGB 224 60 183, RGB 224 60 139, RGB 224 60 95 and RGB 224 60 60

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 221 60 224 shade: RGB 221 60 224, RGB 177 60 224, RGB 133 60 224, RGB 89 60 224 and RGB 60 60 224

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 221 60 224 shade matches the following richer shades: RGB 221 60 224 and RGB 239 42 242

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 221 60 224 shade: RGB 221 60 224, RGB 204 79 206, RGB 186 97 188, RGB 169 115 170 and RGB 151 133 152

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 221 60 224 shade: RGB 131 60 224, RGB 175 60 224, RGB 219 60 224, RGB 224 60 186 and RGB 224 60 142

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 221 60 224 shade: RGB 172 27 175, RGB 208 32 211, RGB 221 60 224, RGB 227 96 230 and RGB 233 132 235

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 221 60 224 shade: RGB 221 60 224, RGB 224 88 60 and RGB 60 224 153

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 221 60 224 shade: RGB 221 60 224, RGB 224 219 60 and RGB 60 224 219

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 221 60 224 shade: RGB 221 60 224, RGB 224 88 60, RGB 66 224 60 and RGB 60 197 224

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 221 60 224 shade: RGB 221 60 224, RGB 224 137 60, RGB 66 224 60 and RGB 60 148 224

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 73 / 0 / 12

HEX #DD3CE0

RGB 221 60 224

HSL 298.9, 0.73%, 0.56%

LAB 56.07, 78.72, -50.61

 

Complementary color

CMYK 83 / 0 / 84 / 24

HEX #22C31F

RGB 34 195 31

HSL 118.9, 0.73%, 0.44%

LAB 69.09, -67.29, 63.51

 

CMYK 0 / 73 / 3 / 11

HEX #E23CDB

RGB 226 60 219

HSL 302.53, 0.74%, 0.56%

LAB 56.6, 78.97, -46.9

 

CMYK 0 / 68 / 2 / 5

HEX #F34EEE

RGB 243 78 238

HSL 301.82, 0.87%, 0.63%

LAB 62.23, 79.74, -48.48

 

CMYK 0 / 62 / 0 / 0

HEX #FF60FF

RGB 255 96 255

HSL 300, 1%, 0.69%

LAB 67.16, 78.59, -49.97

 

CMYK 0 / 55 / 0 / 0

HEX #FF72FF

RGB 255 114 255

HSL 300, 1%, 0.72%

LAB 69.83, 71.23, -45.76

 

CMYK 0 / 48 / 0 / 0

HEX #FF84FF

RGB 255 132 255

HSL 300, 1%, 0.76%

LAB 72.88, 63.08, -40.99

 

CMYK 1 / 73 / 0 / 12

HEX #DD3CE0

RGB 221 60 224

HSL 298.9, 0.73%, 0.56%

LAB 56.07, 78.72, -50.61

 

CMYK 0 / 80 / 0 / 20

HEX #CC2ACD

RGB 204 42 205

HSL 299.63, 0.66%, 0.48%

LAB 50.57, 77.31, -48.71

 

CMYK 0 / 87 / 1 / 27

HEX #BB18BA

RGB 187 24 186

HSL 300.37, 0.77%, 0.41%

LAB 45.31, 74.97, -46.24

 

CMYK 0 / 96 / 2 / 33

HEX #AA06A7

RGB 170 6 167

HSL 301.1, 0.93%, 0.35%

LAB 40.36, 71.43, -43.06

 

CMYK 0 / 100 / 3 / 40

HEX #990094

RGB 153 0 148

HSL 301.96, 1%, 0.3%

LAB 35.81, 66.35, -39

 

CMYK 1 / 73 / 0 / 12

HEX #DD3CE0

RGB 221 60 224

HSL 298.9, 0.73%, 0.56%

LAB 56.07, 78.72, -50.61

 

CMYK 0 / 73 / 18 / 12

HEX #E03CB7

RGB 224 60 183

HSL 315, 0.73%, 0.56%

LAB 54.55, 73.39, -29.5

 

CMYK 0 / 73 / 38 / 12

HEX #E03C8B

RGB 224 60 139

HSL 331.1, 0.73%, 0.56%

LAB 52.89, 68.21, -6.13

 

CMYK 0 / 73 / 58 / 12

HEX #E03C5F

RGB 224 60 95

HSL 347.2, 0.73%, 0.56%

LAB 51.73, 64.46, 18.66

 

CMYK 0 / 73 / 73 / 12

HEX #E03C3C

RGB 224 60 60

HSL 0, 0.73%, 0.56%

LAB 51.16, 62.56, 38.55

 

CMYK 1 / 73 / 0 / 12

HEX #DD3CE0

RGB 221 60 224

HSL 298.9, 0.73%, 0.56%

LAB 56.07, 78.72, -50.61

 

CMYK 21 / 73 / 0 / 12

HEX #B13CE0

RGB 177 60 224

HSL 282.8, 0.73%, 0.56%

LAB 49.45, 70.03, -61.59

 

CMYK 41 / 73 / 0 / 12

HEX #853CE0

RGB 133 60 224

HSL 266.71, 0.73%, 0.56%

LAB 43.65, 62.13, -71.26

 

CMYK 60 / 73 / 0 / 12

HEX #593CE0

RGB 89 60 224

HSL 250.61, 0.73%, 0.56%

LAB 39.13, 55.68, -78.85

 

CMYK 73 / 73 / 0 / 12

HEX #3C3CE0

RGB 60 60 224

HSL 240, 0.73%, 0.56%

LAB 37.07, 52.61, -82.32

 

CMYK 1 / 73 / 0 / 12

HEX #DD3CE0

RGB 221 60 224

HSL 298.9, 0.73%, 0.56%

LAB 56.07, 78.72, -50.61

 

CMYK 1 / 83 / 0 / 5

HEX #EF2AF2

RGB 239 42 242

HSL 299.1, 0.88%, 0.56%

LAB 58.43, 89.3, -56.79

 

CMYK 1 / 73 / 0 / 12

HEX #DD3CE0

RGB 221 60 224

HSL 298.9, 0.73%, 0.56%

LAB 56.07, 78.72, -50.61

 

CMYK 1 / 62 / 0 / 19

HEX #CC4FCE

RGB 204 79 206

HSL 299.06, 0.56%, 0.56%

LAB 54.95, 65.19, -42.33

 

CMYK 1 / 48 / 0 / 26

HEX #BA61BC

RGB 186 97 188

HSL 298.68, 0.4%, 0.56%

LAB 54.68, 48.9, -32.62

 

CMYK 1 / 32 / 0 / 33

HEX #A973AA

RGB 169 115 170

HSL 298.91, 0.24%, 0.56%

LAB 55.68, 30.5, -20.85

 

CMYK 1 / 13 / 0 / 40

HEX #978598

RGB 151 133 152

HSL 296.84, 0.08%, 0.56%

LAB 57.68, 10.37, -7.64

 

CMYK 42 / 73 / 0 / 12

HEX #833CE0

RGB 131 60 224

HSL 265.98, 0.73%, 0.56%

LAB 43.42, 61.8, -71.66

 

CMYK 22 / 73 / 0 / 12

HEX #AF3CE0

RGB 175 60 224

HSL 282.07, 0.73%, 0.56%

LAB 49.16, 69.65, -62.07

 

CMYK 2 / 73 / 0 / 12

HEX #DB3CE0

RGB 219 60 224

HSL 298.17, 0.73%, 0.56%

LAB 55.76, 78.31, -51.13

 

CMYK 0 / 73 / 17 / 12

HEX #E03CBA

RGB 224 60 186

HSL 313.9, 0.73%, 0.56%

LAB 54.68, 73.79, -31.03

 

CMYK 0 / 73 / 37 / 12

HEX #E03C8E

RGB 224 60 142

HSL 330, 0.73%, 0.56%

LAB 52.98, 68.52, -7.77

 

CMYK 2 / 85 / 0 / 31

HEX #AC1BAF

RGB 172 27 175

HSL 298.78, 0.73%, 0.4%

LAB 42.23, 69.98, -44.81

 

CMYK 1 / 85 / 0 / 17

HEX #D020D3

RGB 208 32 211

HSL 298.99, 0.74%, 0.48%

LAB 50.86, 81.09, -51.65

 

CMYK 1 / 73 / 0 / 12

HEX #DD3CE0

RGB 221 60 224

HSL 298.9, 0.73%, 0.56%

LAB 56.07, 78.72, -50.61

 

CMYK 1 / 58 / 0 / 10

HEX #E360E6

RGB 227 96 230

HSL 298.66, 0.73%, 0.64%

LAB 62.01, 67.78, -44.53

 

CMYK 1 / 44 / 0 / 8

HEX #E984EB

RGB 233 132 235

HSL 298.83, 0.72%, 0.72%

LAB 69.34, 53.42, -35.76

 

CMYK 1 / 73 / 0 / 12

HEX #DD3CE0

RGB 221 60 224

HSL 298.9, 0.73%, 0.56%

LAB 56.07, 78.72, -50.61

 

CMYK 0 / 61 / 73 / 12

HEX #E0583C

RGB 224 88 60

HSL 10.24, 0.73%, 0.56%

LAB 55.23, 51.51, 43.08

 

CMYK 73 / 0 / 32 / 12

HEX #3CE099

RGB 60 224 153

HSL 154.02, 0.73%, 0.56%

LAB 79.94, -57.66, 23.07

 

CMYK 1 / 73 / 0 / 12

HEX #DD3CE0

RGB 221 60 224

HSL 298.9, 0.73%, 0.56%

LAB 56.07, 78.72, -50.61

 

CMYK 0 / 2 / 73 / 12

HEX #E0DB3C

RGB 224 219 60

HSL 58.17, 0.73%, 0.56%

LAB 85.42, -15.79, 73.49

 

CMYK 73 / 0 / 2 / 12

HEX #3CE0DB

RGB 60 224 219

HSL 178.17, 0.73%, 0.56%

LAB 81.5, -41.55, -9.54

 

CMYK 1 / 73 / 0 / 12

HEX #DD3CE0

RGB 221 60 224

HSL 298.9, 0.73%, 0.56%

LAB 56.07, 78.72, -50.61

 

CMYK 0 / 61 / 73 / 12

HEX #E0583C

RGB 224 88 60

HSL 10.24, 0.73%, 0.56%

LAB 55.23, 51.51, 43.08

 

CMYK 71 / 0 / 73 / 12

HEX #42E03C

RGB 66 224 60

HSL 117.8, 0.73%, 0.56%

LAB 78.92, -69.79, 64.46

 

CMYK 73 / 12 / 0 / 12

HEX #3CC5E0

RGB 60 197 224

HSL 189.88, 0.73%, 0.56%

LAB 73.72, -27.39, -23.95

 

CMYK 1 / 73 / 0 / 12

HEX #DD3CE0

RGB 221 60 224

HSL 298.9, 0.73%, 0.56%

LAB 56.07, 78.72, -50.61

 

CMYK 0 / 39 / 73 / 12

HEX #E0893C

RGB 224 137 60

HSL 28.17, 0.73%, 0.56%

LAB 65.01, 27.06, 53.49

 

CMYK 71 / 0 / 73 / 12

HEX #42E03C

RGB 66 224 60

HSL 117.8, 0.73%, 0.56%

LAB 78.92, -69.79, 64.46

 

CMYK 73 / 34 / 0 / 12

HEX #3C94E0

RGB 60 148 224

HSL 207.8, 0.73%, 0.56%

LAB 59.45, -1.04, -46.12

 

Description

Color code: RGB 221 60 224 | qconv.com Color code: RGB 221 60 224 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 60 green and 224 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 60 224 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, 73 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 73% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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