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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 221 86 229 it is the complementary color RGB 34 169 26. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 221 86 229. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 221 86 229 shade: RGB 226 86 224, RGB 243 104 243, RGB 255 122 255, RGB 255 140 255 and RGB 255 158 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 221 86 229. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 221 86 229 shade: RGB 221 86 229, RGB 204 68 210, RGB 187 50 191, RGB 170 32 172 and RGB 153 14 153

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 221 86 229 shade: RGB 220 87 228, RGB 228 87 198, RGB 228 87 160, RGB 228 87 122 and RGB 228 87 87

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 221 86 229 shade: RGB 220 87 228, RGB 182 87 228, RGB 144 87 228, RGB 106 87 228 and RGB 87 87 228

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 221 86 229 shade matches the following richer shades: RGB 220 87 228 and RGB 234 71 244

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 221 86 229 shade: RGB 220 87 228, RGB 206 103 213, RGB 193 118 197, RGB 179 134 181 and RGB 165 150 166

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 221 86 229 shade: RGB 143 87 228, RGB 181 87 228, RGB 219 87 228, RGB 228 87 200 and RGB 228 87 162

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 221 86 229 shade: RGB 192 31 202, RGB 213 51 223, RGB 220 87 228, RGB 228 123 234 and RGB 235 158 239

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 221 86 229 shade: RGB 221 86 229, RGB 228 106 87 and RGB 87 228 162

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 221 86 229 shade: RGB 221 86 229, RGB 228 219 87 and RGB 87 228 219

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 221 86 229 shade: RGB 221 86 229, RGB 228 106 87, RGB 96 228 87 and RGB 87 209 228

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 221 86 229 shade: RGB 221 86 229, RGB 228 148 87, RGB 96 228 87 and RGB 87 167 228

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 62 / 0 / 10

HEX #DD56E5

RGB 221 86 229

HSL 296.64, 0.73%, 0.62%

LAB 59.6, 70.32, -47.82

 

Complementary color

CMYK 80 / 0 / 85 / 34

HEX #22A91A

RGB 34 169 26

HSL 116.64, 0.73%, 0.38%

LAB 60.6, -59.75, 57.06

 

CMYK 0 / 62 / 1 / 11

HEX #E256E0

RGB 226 86 224

HSL 300.86, 0.71%, 0.61%

LAB 60.07, 70.67, -44.22

 

CMYK 0 / 57 / 0 / 5

HEX #F368F3

RGB 243 104 243

HSL 300, 0.85%, 0.68%

LAB 66.08, 70.53, -45.18

 

CMYK 0 / 52 / 0 / 0

HEX #FF7AFF

RGB 255 122 255

HSL 300, 1%, 0.74%

LAB 71.15, 67.7, -43.7

 

CMYK 0 / 45 / 0 / 0

HEX #FF8CFF

RGB 255 140 255

HSL 300, 1%, 0.77%

LAB 74.34, 59.25, -38.72

 

CMYK 0 / 38 / 0 / 0

HEX #FF9EFF

RGB 255 158 255

HSL 300, 1%, 0.81%

LAB 77.84, 50.31, -33.3

 

CMYK 3 / 62 / 0 / 10

HEX #DD56E5

RGB 221 86 229

HSL 296.64, 0.73%, 0.62%

LAB 59.6, 70.32, -47.82

 

CMYK 3 / 68 / 0 / 18

HEX #CC44D2

RGB 204 68 210

HSL 297.46, 0.61%, 0.55%

LAB 53.63, 70.16, -46.71

 

CMYK 2 / 74 / 0 / 25

HEX #BB32BF

RGB 187 50 191

HSL 298.3, 0.59%, 0.47%

LAB 47.76, 69.48, -45.25

 

CMYK 1 / 81 / 0 / 33

HEX #AA20AC

RGB 170 32 172

HSL 299.14, 0.69%, 0.4%

LAB 42.09, 68, -43.28

 

CMYK 0 / 91 / 0 / 40

HEX #990E99

RGB 153 14 153

HSL 300, 0.83%, 0.33%

LAB 36.72, 65.35, -40.6

 

CMYK 4 / 62 / 0 / 11

HEX #DC57E4

RGB 220 87 228

HSL 296.6, 0.72%, 0.62%

LAB 59.56, 69.51, -47.34

 

CMYK 0 / 62 / 13 / 11

HEX #E457C6

RGB 228 87 198

HSL 312.77, 0.72%, 0.62%

LAB 59.33, 66.71, -30.65

 

CMYK 0 / 62 / 30 / 11

HEX #E457A0

RGB 228 87 160

HSL 328.94, 0.72%, 0.62%

LAB 57.89, 61.57, -10.95

 

CMYK 0 / 62 / 46 / 11

HEX #E4577A

RGB 228 87 122

HSL 345.11, 0.72%, 0.62%

LAB 56.8, 57.5, 9.72

 

CMYK 0 / 62 / 62 / 11

HEX #E45757

RGB 228 87 87

HSL 0, 0.72%, 0.62%

LAB 56.09, 54.77, 29.22

 

CMYK 4 / 62 / 0 / 11

HEX #DC57E4

RGB 220 87 228

HSL 296.6, 0.72%, 0.62%

LAB 59.56, 69.51, -47.34

 

CMYK 20 / 62 / 0 / 11

HEX #B657E4

RGB 182 87 228

HSL 280.43, 0.72%, 0.62%

LAB 54.41, 60.61, -55.84

 

CMYK 37 / 62 / 0 / 11

HEX #9057E4

RGB 144 87 228

HSL 264.26, 0.72%, 0.62%

LAB 49.91, 52.16, -63.31

 

CMYK 54 / 62 / 0 / 11

HEX #6A57E4

RGB 106 87 228

HSL 248.09, 0.72%, 0.62%

LAB 46.29, 44.7, -69.36

 

CMYK 62 / 62 / 0 / 11

HEX #5757E4

RGB 87 87 228

HSL 240, 0.72%, 0.62%

LAB 44.86, 41.56, -71.74

 

CMYK 4 / 62 / 0 / 11

HEX #DC57E4

RGB 220 87 228

HSL 296.6, 0.72%, 0.62%

LAB 59.56, 69.51, -47.34

 

CMYK 4 / 71 / 0 / 4

HEX #EA47F4

RGB 234 71 244

HSL 296.53, 0.89%, 0.62%

LAB 60.37, 81.12, -54.86

 

CMYK 4 / 62 / 0 / 11

HEX #DC57E4

RGB 220 87 228

HSL 296.6, 0.72%, 0.62%

LAB 59.56, 69.51, -47.34

 

CMYK 3 / 52 / 0 / 16

HEX #CE67D5

RGB 206 103 213

HSL 296.18, 0.57%, 0.62%

LAB 59.55, 56.14, -39.05

 

CMYK 2 / 40 / 0 / 23

HEX #C176C5

RGB 193 118 197

HSL 296.96, 0.41%, 0.62%

LAB 60.18, 41.74, -29.14

 

CMYK 1 / 26 / 0 / 29

HEX #B386B5

RGB 179 134 181

HSL 297.45, 0.24%, 0.62%

LAB 61.63, 25.33, -17.98

 

CMYK 1 / 10 / 0 / 35

HEX #A596A6

RGB 165 150 166

HSL 296.25, 0.08%, 0.62%

LAB 63.81, 8.51, -6.36

 

CMYK 37 / 62 / 0 / 11

HEX #8F57E4

RGB 143 87 228

HSL 263.83, 0.72%, 0.62%

LAB 49.81, 51.95, -63.49

 

CMYK 21 / 62 / 0 / 11

HEX #B557E4

RGB 181 87 228

HSL 280, 0.72%, 0.62%

LAB 54.28, 60.38, -56.06

 

CMYK 4 / 62 / 0 / 11

HEX #DB57E4

RGB 219 87 228

HSL 296.17, 0.72%, 0.62%

LAB 59.41, 69.27, -47.58

 

CMYK 0 / 62 / 12 / 11

HEX #E457C8

RGB 228 87 200

HSL 311.91, 0.72%, 0.62%

LAB 59.42, 67, -31.66

 

CMYK 0 / 62 / 29 / 11

HEX #E457A2

RGB 228 87 162

HSL 328.09, 0.72%, 0.62%

LAB 57.96, 61.82, -12.02

 

CMYK 5 / 85 / 0 / 21

HEX #C01FCA

RGB 192 31 202

HSL 296.49, 0.73%, 0.46%

LAB 47.56, 77.06, -51.9

 

CMYK 4 / 77 / 0 / 13

HEX #D533DF

RGB 213 51 223

HSL 296.51, 0.73%, 0.54%

LAB 53.86, 79.55, -53.65

 

CMYK 4 / 62 / 0 / 11

HEX #DC57E4

RGB 220 87 228

HSL 296.6, 0.72%, 0.62%

LAB 59.56, 69.51, -47.34

 

CMYK 3 / 47 / 0 / 8

HEX #E47BEA

RGB 228 123 234

HSL 296.76, 0.73%, 0.7%

LAB 66.98, 56.28, -38.95

 

CMYK 2 / 34 / 0 / 6

HEX #EB9EEF

RGB 235 158 239

HSL 297.04, 0.72%, 0.78%

LAB 75.04, 41.36, -29.13

 

CMYK 3 / 62 / 0 / 10

HEX #DD56E5

RGB 221 86 229

HSL 296.64, 0.73%, 0.62%

LAB 59.6, 70.32, -47.82

 

CMYK 0 / 54 / 62 / 11

HEX #E46A57

RGB 228 106 87

HSL 8.09, 0.72%, 0.62%

LAB 59.43, 46.02, 33.43

 

CMYK 62 / 0 / 29 / 11

HEX #57E4A2

RGB 87 228 162

HSL 151.91, 0.72%, 0.62%

LAB 81.9, -53.03, 21.19

 

CMYK 3 / 62 / 0 / 10

HEX #DD56E5

RGB 221 86 229

HSL 296.64, 0.73%, 0.62%

LAB 59.6, 70.32, -47.82

 

CMYK 0 / 4 / 62 / 11

HEX #E4DB57

RGB 228 219 87

HSL 56.17, 0.72%, 0.62%

LAB 85.93, -12.71, 63.98

 

CMYK 62 / 0 / 4 / 11

HEX #57E4DB

RGB 87 228 219

HSL 176.17, 0.72%, 0.62%

LAB 83.25, -39.65, -6.89

 

CMYK 3 / 62 / 0 / 10

HEX #DD56E5

RGB 221 86 229

HSL 296.64, 0.73%, 0.62%

LAB 59.6, 70.32, -47.82

 

CMYK 0 / 54 / 62 / 11

HEX #E46A57

RGB 228 106 87

HSL 8.09, 0.72%, 0.62%

LAB 59.43, 46.02, 33.43

 

CMYK 58 / 0 / 62 / 11

HEX #60E457

RGB 96 228 87

HSL 116.17, 0.72%, 0.62%

LAB 81.11, -62.62, 56.59

 

CMYK 62 / 8 / 0 / 11

HEX #57D1E4

RGB 87 209 228

HSL 188.09, 0.72%, 0.62%

LAB 78.01, -28.24, -19.53

 

CMYK 3 / 62 / 0 / 10

HEX #DD56E5

RGB 221 86 229

HSL 296.64, 0.73%, 0.62%

LAB 59.6, 70.32, -47.82

 

CMYK 0 / 35 / 62 / 11

HEX #E49457

RGB 228 148 87

HSL 25.96, 0.72%, 0.62%

LAB 68.29, 24.38, 44.17

 

CMYK 58 / 0 / 62 / 11

HEX #60E457

RGB 96 228 87

HSL 116.17, 0.72%, 0.62%

LAB 81.11, -62.62, 56.59

 

CMYK 62 / 27 / 0 / 11

HEX #57A7E4

RGB 87 167 228

HSL 205.96, 0.72%, 0.62%

LAB 65.95, -6.31, -38.06

 

Description

Color code: RGB 221 86 229 | qconv.com Color code: RGB 221 86 229 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 86 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 86 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, 62 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 62% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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