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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 221 99 205 it is the complementary color RGB 34 156 50. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 221 99 205. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 221 99 205 shade: RGB 226 99 200, RGB 243 117 219, RGB 255 135 238, RGB 255 153 255 and RGB 255 171 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 221 99 205. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 221 99 205 shade: RGB 221 99 205, RGB 204 81 186, RGB 187 63 167, RGB 170 45 148 and RGB 153 27 129

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 221 99 205 shade: RGB 221 100 205, RGB 221 100 172, RGB 221 100 140, RGB 221 100 107 and RGB 221 100 100

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 221 99 205 shade: RGB 221 100 205, RGB 204 100 221, RGB 171 100 221, RGB 139 100 221 and RGB 106 100 221

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 221 99 205 shade matches the following richer shades: RGB 221 100 205, RGB 236 85 216 and RGB 251 69 227

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 221 99 205 shade: RGB 221 100 205, RGB 205 115 193, RGB 190 130 182, RGB 175 146 171 and RGB 159 161 160

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 221 99 205 shade: RGB 170 100 221, RGB 202 100 221, RGB 221 100 206, RGB 221 100 174 and RGB 221 100 142

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 221 99 205 shade: RGB 195 42 175, RGB 213 66 194, RGB 221 100 205, RGB 228 134 216 and RGB 235 167 226

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 221 99 205 shade: RGB 221 99 205, RGB 221 138 100 and RGB 100 221 186

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 221 99 205 shade: RGB 221 99 205, RGB 206 221 100 and RGB 100 206 221

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 221 99 205 shade: RGB 221 99 205, RGB 221 138 100, RGB 100 221 114 and RGB 100 182 221

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 221 99 205 shade: RGB 221 99 205, RGB 221 174 100, RGB 100 221 114 and RGB 100 146 221

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 7 / 13

HEX #DD63CD

RGB 221 99 205

HSL 307.87, 0.64%, 0.63%

LAB 60.52, 60.74, -32.86

 

Complementary color

CMYK 78 / 0 / 68 / 39

HEX #229C32

RGB 34 156 50

HSL 127.87, 0.64%, 0.37%

LAB 56.43, -53.78, 44.67

 

CMYK 0 / 56 / 12 / 11

HEX #E263C8

RGB 226 99 200

HSL 312.28, 0.69%, 0.64%

LAB 61.01, 61.33, -29.21

 

CMYK 0 / 52 / 10 / 5

HEX #F375DB

RGB 243 117 219

HSL 311.43, 0.84%, 0.71%

LAB 67.2, 60.84, -30.14

 

CMYK 0 / 47 / 7 / 0

HEX #FF87EE

RGB 255 135 238

HSL 308.5, 1%, 0.76%

LAB 72.73, 58.8, -31.94

 

CMYK 0 / 40 / 0 / 0

HEX #FF99FF

RGB 255 153 255

HSL 300, 1%, 0.8%

LAB 76.84, 52.83, -34.84

 

CMYK 0 / 33 / 0 / 0

HEX #FFABFF

RGB 255 171 255

HSL 300, 1%, 0.84%

LAB 80.52, 43.64, -29.18

 

CMYK 0 / 55 / 7 / 13

HEX #DD63CD

RGB 221 99 205

HSL 307.87, 0.64%, 0.63%

LAB 60.52, 60.74, -32.86

 

CMYK 0 / 60 / 9 / 20

HEX #CC51BA

RGB 204 81 186

HSL 308.78, 0.55%, 0.56%

LAB 54.31, 61.06, -31.85

 

CMYK 0 / 66 / 11 / 27

HEX #BB3FA7

RGB 187 63 167

HSL 309.68, 0.5%, 0.49%

LAB 48.15, 61.06, -30.56

 

CMYK 0 / 74 / 13 / 33

HEX #AA2D94

RGB 170 45 148

HSL 310.56, 0.58%, 0.42%

LAB 42.09, 60.54, -28.87

 

CMYK 0 / 82 / 16 / 40

HEX #991B81

RGB 153 27 129

HSL 311.43, 0.7%, 0.35%

LAB 36.25, 59.17, -26.57

 

CMYK 0 / 55 / 7 / 13

HEX #DD64CD

RGB 221 100 205

HSL 307.93, 0.64%, 0.63%

LAB 60.69, 60.28, -32.6

 

CMYK 0 / 55 / 22 / 13

HEX #DD64AC

RGB 221 100 172

HSL 324.3, 0.64%, 0.63%

LAB 59.4, 55.29, -15.73

 

CMYK 0 / 55 / 37 / 13

HEX #DD648C

RGB 221 100 140

HSL 340.17, 0.64%, 0.63%

LAB 58.4, 51.22, 1.33

 

CMYK 0 / 55 / 52 / 13

HEX #DD646B

RGB 221 100 107

HSL 356.53, 0.64%, 0.63%

LAB 57.61, 47.92, 19.45

 

CMYK 0 / 55 / 55 / 13

HEX #DD6464

RGB 221 100 100

HSL 0, 0.64%, 0.63%

LAB 57.47, 47.34, 23.31

 

CMYK 0 / 55 / 7 / 13

HEX #DD64CD

RGB 221 100 205

HSL 307.93, 0.64%, 0.63%

LAB 60.69, 60.28, -32.6

 

CMYK 8 / 55 / 0 / 13

HEX #CC64DD

RGB 204 100 221

HSL 291.57, 0.64%, 0.63%

LAB 59.13, 58.52, -44.23

 

CMYK 23 / 55 / 0 / 13

HEX #AB64DD

RGB 171 100 221

HSL 275.21, 0.64%, 0.63%

LAB 55.06, 50.02, -50.93

 

CMYK 37 / 55 / 0 / 13

HEX #8B64DD

RGB 139 100 221

HSL 259.34, 0.64%, 0.63%

LAB 51.64, 42.16, -56.61

 

CMYK 52 / 55 / 0 / 13

HEX #6A64DD

RGB 106 100 221

HSL 242.98, 0.64%, 0.63%

LAB 48.76, 34.92, -61.39

 

CMYK 0 / 55 / 7 / 13

HEX #DD64CD

RGB 221 100 205

HSL 307.93, 0.64%, 0.63%

LAB 60.69, 60.28, -32.6

 

CMYK 0 / 64 / 8 / 7

HEX #EC55D8

RGB 236 85 216

HSL 307.95, 0.8%, 0.63%

LAB 61.03, 72.21, -38.11

 

CMYK 0 / 73 / 10 / 2

HEX #FB45E3

RGB 251 69 227

HSL 307.91, 0.96%, 0.63%

LAB 61.92, 82.74, -42.74

 

CMYK 0 / 55 / 7 / 13

HEX #DD64CD

RGB 221 100 205

HSL 307.93, 0.64%, 0.63%

LAB 60.69, 60.28, -32.6

 

CMYK 0 / 44 / 6 / 20

HEX #CD73C1

RGB 205 115 193

HSL 308, 0.47%, 0.63%

LAB 60.86, 46.29, -25.7

 

CMYK 0 / 32 / 4 / 25

HEX #BE82B6

RGB 190 130 182

HSL 308, 0.32%, 0.63%

LAB 61.9, 31.45, -18.02

 

CMYK 0 / 17 / 2 / 31

HEX #AF92AB

RGB 175 146 171

HSL 308.28, 0.15%, 0.63%

LAB 63.85, 15.27, -9.03

 

CMYK 1 / 0 / 1 / 37

HEX #9FA1A0

RGB 159 161 160

HSL 150, 0.01%, 0.63%

LAB 66.06, -0.9, 0.26

 

CMYK 23 / 55 / 0 / 13

HEX #AA64DD

RGB 170 100 221

HSL 274.71, 0.64%, 0.63%

LAB 54.95, 49.77, -51.12

 

CMYK 9 / 55 / 0 / 13

HEX #CA64DD

RGB 202 100 221

HSL 290.58, 0.64%, 0.63%

LAB 58.87, 58, -44.65

 

CMYK 0 / 55 / 7 / 13

HEX #DD64CE

RGB 221 100 206

HSL 307.44, 0.64%, 0.63%

LAB 60.73, 60.45, -33.1

 

CMYK 0 / 55 / 21 / 13

HEX #DD64AE

RGB 221 100 174

HSL 323.31, 0.64%, 0.63%

LAB 59.47, 55.57, -16.77

 

CMYK 0 / 55 / 36 / 13

HEX #DD648E

RGB 221 100 142

HSL 339.17, 0.64%, 0.63%

LAB 58.45, 51.45, 0.24

 

CMYK 0 / 78 / 10 / 24

HEX #C32AAF

RGB 195 42 175

HSL 307.84, 0.65%, 0.46%

LAB 47.43, 71.01, -36.31

 

CMYK 0 / 69 / 9 / 16

HEX #D542C2

RGB 213 66 194

HSL 307.76, 0.64%, 0.55%

LAB 53.96, 70.39, -36.91

 

CMYK 0 / 55 / 7 / 13

HEX #DD64CD

RGB 221 100 205

HSL 307.93, 0.64%, 0.63%

LAB 60.69, 60.28, -32.6

 

CMYK 0 / 41 / 5 / 11

HEX #E486D8

RGB 228 134 216

HSL 307.66, 0.64%, 0.71%

LAB 68.39, 47.58, -26.79

 

CMYK 0 / 29 / 4 / 8

HEX #EBA7E2

RGB 235 167 226

HSL 307.94, 0.63%, 0.79%

LAB 76.55, 34.25, -19.76

 

CMYK 0 / 55 / 7 / 13

HEX #DD63CD

RGB 221 99 205

HSL 307.87, 0.64%, 0.63%

LAB 60.52, 60.74, -32.86

 

CMYK 0 / 38 / 55 / 13

HEX #DD8A64

RGB 221 138 100

HSL 18.84, 0.64%, 0.63%

LAB 65.33, 27.85, 33.52

 

CMYK 55 / 0 / 16 / 13

HEX #64DDBA

RGB 100 221 186

HSL 162.64, 0.64%, 0.63%

LAB 80.72, -42.28, 6.96

 

CMYK 0 / 55 / 7 / 13

HEX #DD63CD

RGB 221 99 205

HSL 307.87, 0.64%, 0.63%

LAB 60.52, 60.74, -32.86

 

CMYK 7 / 0 / 55 / 13

HEX #CEDD64

RGB 206 221 100

HSL 67.44, 0.64%, 0.63%

LAB 84.87, -21.67, 56.69

 

CMYK 55 / 7 / 0 / 13

HEX #64CEDD

RGB 100 206 221

HSL 187.44, 0.64%, 0.63%

LAB 77.32, -26.39, -16.76

 

CMYK 0 / 55 / 7 / 13

HEX #DD63CD

RGB 221 99 205

HSL 307.87, 0.64%, 0.63%

LAB 60.52, 60.74, -32.86

 

CMYK 0 / 38 / 55 / 13

HEX #DD8A64

RGB 221 138 100

HSL 18.84, 0.64%, 0.63%

LAB 65.33, 27.85, 33.52

 

CMYK 55 / 0 / 48 / 13

HEX #64DD72

RGB 100 221 114

HSL 126.94, 0.64%, 0.63%

LAB 79.41, -55.78, 42.26

 

CMYK 55 / 18 / 0 / 13

HEX #64B6DD

RGB 100 182 221

HSL 199.34, 0.64%, 0.63%

LAB 70.45, -14.11, -27.23

 

CMYK 0 / 55 / 7 / 13

HEX #DD63CD

RGB 221 99 205

HSL 307.87, 0.64%, 0.63%

LAB 60.52, 60.74, -32.86

 

CMYK 0 / 21 / 55 / 13

HEX #DDAE64

RGB 221 174 100

HSL 36.69, 0.64%, 0.63%

LAB 73.91, 8.56, 44.14

 

CMYK 55 / 0 / 48 / 13

HEX #64DD72

RGB 100 221 114

HSL 126.94, 0.64%, 0.63%

LAB 79.41, -55.78, 42.26

 

CMYK 55 / 34 / 0 / 13

HEX #6492DD

RGB 100 146 221

HSL 217.19, 0.64%, 0.63%

LAB 60.33, 6, -42.97

 

Description

Color code: RGB 221 99 205 | qconv.com Color code: RGB 221 99 205 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 99 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 99 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 7 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 7% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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