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Color name
RGB 222 140 174

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 222 140 174 it is the complementary color RGB 33 115 81. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 222 140 174. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 222 140 174 shade: RGB 227 140 169, RGB 244 158 188, RGB 255 176 207, RGB 255 194 226 and RGB 255 212 245

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 222 140 174. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 222 140 174 shade: RGB 222 140 174, RGB 205 122 155, RGB 188 104 136, RGB 171 86 117 and RGB 154 68 98

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 222 140 174 shade: RGB 221 140 174, RGB 221 140 152 and RGB 221 140 140

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 222 140 174 shade: RGB 221 140 174, RGB 221 140 196, RGB 221 140 217, RGB 203 140 221 and RGB 181 140 221

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 222 140 174 shade matches the following richer shades: RGB 221 140 174, RGB 233 128 172 and RGB 245 116 170

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 222 140 174 shade: RGB 221 140 174, RGB 209 152 176, RGB 197 164 178, RGB 185 176 180 and RGB 173 188 182

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 222 140 174 shade: RGB 221 140 217, RGB 221 140 195, RGB 221 140 174, RGB 221 140 152 and RGB 221 149 140

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 222 140 174 shade: RGB 203 76 128, RGB 212 108 151, RGB 221 140 174, RGB 231 172 196 and RGB 240 204 219

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 222 140 174 shade: RGB 222 140 174, RGB 221 204 140 and RGB 140 206 221

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 222 140 174 shade: RGB 222 140 174, RGB 174 221 140 and RGB 140 174 221

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 222 140 174 shade: RGB 222 140 174, RGB 221 204 140, RGB 140 221 187 and RGB 140 158 221

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 222 140 174 shade: RGB 222 140 174, RGB 214 221 140, RGB 140 221 187 and RGB 147 140 221

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 37 / 22 / 13

HEX #DE8CAE

RGB 222 140 174

HSL 335.12, 0.55%, 0.71%

LAB 67.53, 35.73, -4.7

 

Complementary color

CMYK 71 / 0 / 30 / 55

HEX #217351

RGB 33 115 81

HSL 155.12, 0.55%, 0.29%

LAB 43.03, -33.13, 11.86

 

CMYK 0 / 38 / 26 / 11

HEX #E38CA9

RGB 227 140 169

HSL 340, 0.61%, 0.72%

LAB 67.98, 36.77, -1.16

 

CMYK 0 / 35 / 23 / 4

HEX #F49EBC

RGB 244 158 188

HSL 339.07, 0.8%, 0.79%

LAB 74.39, 35.96, -2.09

 

CMYK 0 / 31 / 19 / 0

HEX #FFB0CF

RGB 255 176 207

HSL 336.46, 1%, 0.85%

LAB 80.08, 33.13, -3.97

 

CMYK 0 / 24 / 11 / 0

HEX #FFC2E2

RGB 255 194 226

HSL 328.52, 1%, 0.88%

LAB 84.66, 26.65, -7.41

 

CMYK 0 / 17 / 4 / 0

HEX #FFD4F5

RGB 255 212 245

HSL 313.95, 1%, 0.92%

LAB 89.36, 20.4, -10.49

 

CMYK 0 / 37 / 22 / 13

HEX #DE8CAE

RGB 222 140 174

HSL 335.12, 0.55%, 0.71%

LAB 67.53, 35.73, -4.7

 

CMYK 0 / 40 / 24 / 20

HEX #CD7A9B

RGB 205 122 155

HSL 336.14, 0.45%, 0.64%

LAB 61.01, 36.55, -3.77

 

CMYK 0 / 45 / 28 / 26

HEX #BC6888

RGB 188 104 136

HSL 337.14, 0.39%, 0.57%

LAB 54.42, 37.41, -2.71

 

CMYK 0 / 50 / 32 / 33

HEX #AB5675

RGB 171 86 117

HSL 338.12, 0.34%, 0.5%

LAB 47.75, 38.29, -1.46

 

CMYK 0 / 56 / 36 / 40

HEX #9A4462

RGB 154 68 98

HSL 339.07, 0.39%, 0.44%

LAB 41.03, 39.14, 0.05

 

CMYK 0 / 37 / 21 / 13

HEX #DD8CAE

RGB 221 140 174

HSL 334.81, 0.54%, 0.71%

LAB 67.42, 35.38, -4.88

 

CMYK 0 / 37 / 31 / 13

HEX #DD8C98

RGB 221 140 152

HSL 351.11, 0.54%, 0.71%

LAB 66.82, 32.32, 6.62

 

CMYK 0 / 37 / 37 / 13

HEX #DD8C8C

RGB 221 140 140

HSL 0, 0.54%, 0.71%

LAB 66.54, 30.82, 12.97

 

CMYK 0 / 37 / 21 / 13

HEX #DD8CAE

RGB 221 140 174

HSL 334.81, 0.54%, 0.71%

LAB 67.42, 35.38, -4.88

 

CMYK 0 / 37 / 11 / 13

HEX #DD8CC4

RGB 221 140 196

HSL 318.52, 0.54%, 0.71%

LAB 68.1, 38.84, -16.17

 

CMYK 0 / 37 / 2 / 13

HEX #DD8CD9

RGB 221 140 217

HSL 302.96, 0.54%, 0.71%

LAB 68.85, 42.47, -26.71

 

CMYK 8 / 37 / 0 / 13

HEX #CB8CDD

RGB 203 140 221

HSL 286.67, 0.54%, 0.71%

LAB 67.03, 37.66, -31.89

 

CMYK 18 / 37 / 0 / 13

HEX #B58CDD

RGB 181 140 221

HSL 270.37, 0.54%, 0.71%

LAB 64.8, 30.98, -35.52

 

CMYK 0 / 37 / 21 / 13

HEX #DD8CAE

RGB 221 140 174

HSL 334.81, 0.54%, 0.71%

LAB 67.42, 35.38, -4.88

 

CMYK 0 / 45 / 26 / 9

HEX #E980AC

RGB 233 128 172

HSL 334.86, 0.7%, 0.71%

LAB 66.32, 45.46, -5.21

 

CMYK 0 / 53 / 31 / 4

HEX #F574AA

RGB 245 116 170

HSL 334.88, 0.87%, 0.71%

LAB 65.6, 55.01, -4.96

 

CMYK 0 / 37 / 21 / 13

HEX #DD8CAE

RGB 221 140 174

HSL 334.81, 0.54%, 0.71%

LAB 67.42, 35.38, -4.88

 

CMYK 0 / 27 / 16 / 18

HEX #D198B0

RGB 209 152 176

HSL 334.74, 0.38%, 0.71%

LAB 68.86, 24.97, -4.03

 

CMYK 0 / 17 / 10 / 23

HEX #C5A4B2

RGB 197 164 178

HSL 334.55, 0.22%, 0.71%

LAB 70.62, 14.42, -2.68

 

CMYK 0 / 5 / 3 / 27

HEX #B9B0B4

RGB 185 176 180

HSL 333.33, 0.06%, 0.71%

LAB 72.67, 3.93, -0.9

 

CMYK 8 / 0 / 3 / 26

HEX #ADBCB6

RGB 173 188 182

HSL 156, 0.1%, 0.71%

LAB 74.97, -6.31, 1.25

 

CMYK 0 / 37 / 2 / 13

HEX #DD8CD9

RGB 221 140 217

HSL 302.96, 0.54%, 0.71%

LAB 68.85, 42.47, -26.71

 

CMYK 0 / 37 / 12 / 13

HEX #DD8CC3

RGB 221 140 195

HSL 319.26, 0.54%, 0.71%

LAB 68.07, 38.67, -15.66

 

CMYK 0 / 37 / 21 / 13

HEX #DD8CAE

RGB 221 140 174

HSL 334.81, 0.54%, 0.71%

LAB 67.42, 35.38, -4.88

 

CMYK 0 / 37 / 31 / 13

HEX #DD8C98

RGB 221 140 152

HSL 351.11, 0.54%, 0.71%

LAB 66.82, 32.32, 6.62

 

CMYK 0 / 33 / 37 / 13

HEX #DD958C

RGB 221 149 140

HSL 6.67, 0.54%, 0.71%

LAB 68.58, 26, 15.82

 

CMYK 0 / 63 / 37 / 20

HEX #CB4C80

RGB 203 76 128

HSL 335.43, 0.55%, 0.55%

LAB 51.18, 55.01, -2.47

 

CMYK 0 / 49 / 29 / 17

HEX #D46C97

RGB 212 108 151

HSL 335.19, 0.55%, 0.63%

LAB 58.93, 45.67, -4.43

 

CMYK 0 / 37 / 21 / 13

HEX #DD8CAE

RGB 221 140 174

HSL 334.81, 0.54%, 0.71%

LAB 67.42, 35.38, -4.88

 

CMYK 0 / 26 / 15 / 9

HEX #E7ACC4

RGB 231 172 196

HSL 335.59, 0.55%, 0.79%

LAB 76.36, 25.18, -3.74

 

CMYK 0 / 15 / 9 / 6

HEX #F0CCDB

RGB 240 204 219

HSL 335, 0.55%, 0.87%

LAB 85.42, 15.07, -2.72

 

CMYK 0 / 37 / 22 / 13

HEX #DE8CAE

RGB 222 140 174

HSL 335.12, 0.55%, 0.71%

LAB 67.53, 35.73, -4.7

 

CMYK 0 / 8 / 37 / 13

HEX #DDCC8C

RGB 221 204 140

HSL 47.41, 0.54%, 0.71%

LAB 82.08, -3.24, 34.06

 

CMYK 37 / 7 / 0 / 13

HEX #8CCEDD

RGB 140 206 221

HSL 191.11, 0.54%, 0.71%

LAB 79.01, -17.12, -14.07

 

CMYK 0 / 37 / 22 / 13

HEX #DE8CAE

RGB 222 140 174

HSL 335.12, 0.55%, 0.71%

LAB 67.53, 35.73, -4.7

 

CMYK 21 / 0 / 37 / 13

HEX #AEDD8C

RGB 174 221 140

HSL 94.81, 0.54%, 0.71%

LAB 83.23, -29.43, 34.93

 

CMYK 37 / 21 / 0 / 13

HEX #8CAEDD

RGB 140 174 221

HSL 214.81, 0.54%, 0.71%

LAB 70.22, -0.1, -27.4

 

CMYK 0 / 37 / 22 / 13

HEX #DE8CAE

RGB 222 140 174

HSL 335.12, 0.55%, 0.71%

LAB 67.53, 35.73, -4.7

 

CMYK 0 / 8 / 37 / 13

HEX #DDCC8C

RGB 221 204 140

HSL 47.41, 0.54%, 0.71%

LAB 82.08, -3.24, 34.06

 

CMYK 37 / 0 / 15 / 13

HEX #8CDDBB

RGB 140 221 187

HSL 154.81, 0.54%, 0.71%

LAB 82.31, -32.22, 8.92

 

CMYK 37 / 29 / 0 / 13

HEX #8C9EDD

RGB 140 158 221

HSL 226.67, 0.54%, 0.71%

LAB 65.94, 8.87, -34.01

 

CMYK 0 / 37 / 22 / 13

HEX #DE8CAE

RGB 222 140 174

HSL 335.12, 0.55%, 0.71%

LAB 67.53, 35.73, -4.7

 

CMYK 3 / 0 / 37 / 13

HEX #D6DD8C

RGB 214 221 140

HSL 65.19, 0.54%, 0.71%

LAB 85.96, -14.59, 38.99

 

CMYK 37 / 0 / 15 / 13

HEX #8CDDBB

RGB 140 221 187

HSL 154.81, 0.54%, 0.71%

LAB 82.31, -32.22, 8.92

 

CMYK 33 / 37 / 0 / 13

HEX #938CDD

RGB 147 140 221

HSL 245.19, 0.54%, 0.71%

LAB 61.81, 21.15, -40.42

 

Description

Color code: RGB 222 140 174 | qconv.com Color code: RGB 222 140 174 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 222 red, 140 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
222 140 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 37 magenta, 22 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 37% 22% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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