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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 222 44 176 it is the complementary color RGB 33 211 79. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 222 44 176. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 222 44 176 shade: RGB 227 44 171, RGB 244 62 190, RGB 255 80 209, RGB 255 98 228 and RGB 255 116 247

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 222 44 176. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 222 44 176 shade: RGB 222 44 176, RGB 205 26 157, RGB 188 8 138, RGB 171 0 119 and RGB 154 0 100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 222 44 176 shade: RGB 221 43 175, RGB 221 43 127, RGB 221 43 79 and RGB 221 43 43

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 222 44 176 shade: RGB 221 43 175, RGB 219 43 221, RGB 171 43 221, RGB 123 43 221 and RGB 75 43 221

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 222 44 176 shade matches the following richer shades: RGB 221 43 175 and RGB 241 23 185

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 222 44 176 shade: RGB 221 43 175, RGB 202 63 166, RGB 182 82 156, RGB 162 102 147 and RGB 142 122 137

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 222 44 176 shade: RGB 171 43 221, RGB 218 43 221, RGB 221 43 177, RGB 221 43 129 and RGB 221 43 81

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 222 44 176 shade: RGB 158 24 123, RGB 193 30 151, RGB 221 43 175, RGB 227 78 189 and RGB 233 114 202

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 222 44 176 shade: RGB 222 44 176, RGB 221 123 43 and RGB 43 221 195

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 222 44 176 shade: RGB 222 44 176, RGB 177 221 43 and RGB 43 177 221

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 222 44 176 shade: RGB 222 44 176, RGB 221 123 43, RGB 43 221 87 and RGB 43 141 221

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 222 44 176 shade: RGB 222 44 176, RGB 221 177 43, RGB 43 221 87 and RGB 43 87 221

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 80 / 21 / 13

HEX #DE2CB0

RGB 222 44 176

HSL 315.51, 0.73%, 0.52%

LAB 52.36, 76.45, -28.85

 

Complementary color

CMYK 84 / 0 / 63 / 17

HEX #21D34F

RGB 33 211 79

HSL 135.51, 0.73%, 0.48%

LAB 74.49, -68.28, 52.21

 

CMYK 0 / 81 / 25 / 11

HEX #E32CAB

RGB 227 44 171

HSL 318.36, 0.77%, 0.53%

LAB 53.03, 76.94, -24.81

 

CMYK 0 / 75 / 22 / 4

HEX #F43EBE

RGB 244 62 190

HSL 317.8, 0.89%, 0.6%

LAB 58.41, 78.33, -27.29

 

CMYK 0 / 69 / 18 / 0

HEX #FF50D1

RGB 255 80 209

HSL 315.77, 1%, 0.66%

LAB 63.01, 77.64, -30.86

 

CMYK 0 / 62 / 11 / 0

HEX #FF62E4

RGB 255 98 228

HSL 310.32, 1%, 0.69%

LAB 66.21, 73.63, -36.54

 

CMYK 0 / 55 / 3 / 0

HEX #FF74F7

RGB 255 116 247

HSL 303.45, 1%, 0.73%

LAB 69.8, 69.04, -41.43

 

CMYK 0 / 80 / 21 / 13

HEX #DE2CB0

RGB 222 44 176

HSL 315.51, 0.73%, 0.52%

LAB 52.36, 76.45, -28.85

 

CMYK 0 / 87 / 23 / 20

HEX #CD1A9D

RGB 205 26 157

HSL 316.09, 0.77%, 0.45%

LAB 47.17, 74.2, -25.89

 

CMYK 0 / 96 / 27 / 26

HEX #BC088A

RGB 188 8 138

HSL 316.67, 0.92%, 0.38%

LAB 42.31, 70.79, -22.19

 

CMYK 0 / 100 / 30 / 33

HEX #AB0077

RGB 171 0 119

HSL 318.25, 1%, 0.34%

LAB 37.82, 66.01, -17.61

 

CMYK 0 / 100 / 35 / 40

HEX #9A0064

RGB 154 0 100

HSL 321.04, 1%, 0.3%

LAB 33.54, 60.37, -12.4

 

CMYK 0 / 81 / 21 / 13

HEX #DD2BAF

RGB 221 43 175

HSL 315.51, 0.72%, 0.52%

LAB 52.06, 76.35, -28.74

 

CMYK 0 / 81 / 43 / 13

HEX #DD2B7F

RGB 221 43 127

HSL 331.69, 0.72%, 0.52%

LAB 50.25, 71.14, -2.87

 

CMYK 0 / 81 / 64 / 13

HEX #DD2B4F

RGB 221 43 79

HSL 347.87, 0.72%, 0.52%

LAB 49.09, 67.63, 24.73

 

CMYK 0 / 81 / 81 / 13

HEX #DD2B2B

RGB 221 43 43

HSL 0, 0.72%, 0.52%

LAB 48.6, 66.15, 45.01

 

CMYK 0 / 81 / 21 / 13

HEX #DD2BAF

RGB 221 43 175

HSL 315.51, 0.72%, 0.52%

LAB 52.06, 76.35, -28.74

 

CMYK 1 / 81 / 0 / 13

HEX #DB2BDD

RGB 219 43 221

HSL 299.33, 0.72%, 0.52%

LAB 54.04, 82.34, -52.18

 

CMYK 23 / 81 / 0 / 13

HEX #AB2BDD

RGB 171 43 221

HSL 283.15, 0.72%, 0.52%

LAB 46.45, 73.9, -64.77

 

CMYK 44 / 81 / 0 / 13

HEX #7B2BDD

RGB 123 43 221

HSL 266.97, 0.72%, 0.52%

LAB 39.85, 66.66, -75.83

 

CMYK 66 / 81 / 0 / 13

HEX #4B2BDD

RGB 75 43 221

HSL 250.79, 0.72%, 0.52%

LAB 34.89, 61.34, -84.17

 

CMYK 0 / 81 / 21 / 13

HEX #DD2BAF

RGB 221 43 175

HSL 315.51, 0.72%, 0.52%

LAB 52.06, 76.35, -28.74

 

CMYK 0 / 90 / 23 / 5

HEX #F117B9

RGB 241 23 185

HSL 315.41, 0.89%, 0.52%

LAB 54.88, 85.15, -29.91

 

CMYK 0 / 81 / 21 / 13

HEX #DD2BAF

RGB 221 43 175

HSL 315.51, 0.72%, 0.52%

LAB 52.06, 76.35, -28.74

 

CMYK 0 / 69 / 18 / 21

HEX #CA3FA6

RGB 202 63 166

HSL 315.54, 0.57%, 0.52%

LAB 50.53, 64.72, -26.08

 

CMYK 0 / 55 / 14 / 29

HEX #B6529C

RGB 182 82 156

HSL 315.6, 0.41%, 0.52%

LAB 49.95, 49.63, -21.32

 

CMYK 0 / 37 / 9 / 36

HEX #A26693

RGB 162 102 147

HSL 315, 0.24%, 0.52%

LAB 51.03, 31.11, -14.6

 

CMYK 0 / 14 / 4 / 44

HEX #8E7A89

RGB 142 122 137

HSL 315, 0.08%, 0.52%

LAB 53.47, 10.47, -5.29

 

CMYK 23 / 81 / 0 / 13

HEX #AB2BDD

RGB 171 43 221

HSL 283.15, 0.72%, 0.52%

LAB 46.45, 73.9, -64.77

 

CMYK 1 / 81 / 0 / 13

HEX #DA2BDD

RGB 218 43 221

HSL 298.99, 0.72%, 0.52%

LAB 53.87, 82.16, -52.45

 

CMYK 0 / 81 / 20 / 13

HEX #DD2BB1

RGB 221 43 177

HSL 314.83, 0.72%, 0.52%

LAB 52.15, 76.6, -29.78

 

CMYK 0 / 81 / 42 / 13

HEX #DD2B81

RGB 221 43 129

HSL 331.01, 0.72%, 0.52%

LAB 50.32, 71.32, -3.99

 

CMYK 0 / 81 / 63 / 13

HEX #DD2B51

RGB 221 43 81

HSL 347.19, 0.72%, 0.52%

LAB 49.12, 67.74, 23.56

 

CMYK 0 / 85 / 22 / 38

HEX #9E187B

RGB 158 24 123

HSL 315.67, 0.74%, 0.36%

LAB 36.65, 60.19, -22.13

 

CMYK 0 / 84 / 22 / 24

HEX #C11E97

RGB 193 30 151

HSL 315.46, 0.73%, 0.44%

LAB 44.94, 70.18, -25.93

 

CMYK 0 / 81 / 21 / 13

HEX #DD2BAF

RGB 221 43 175

HSL 315.51, 0.72%, 0.52%

LAB 52.06, 76.35, -28.74

 

CMYK 0 / 66 / 17 / 11

HEX #E34EBD

RGB 227 78 189

HSL 315.3, 0.73%, 0.6%

LAB 57.51, 68.7, -28.33

 

CMYK 0 / 51 / 13 / 9

HEX #E972CA

RGB 233 114 202

HSL 315.63, 0.73%, 0.68%

LAB 64.66, 56.71, -24.64

 

CMYK 0 / 80 / 21 / 13

HEX #DE2CB0

RGB 222 44 176

HSL 315.51, 0.73%, 0.52%

LAB 52.36, 76.45, -28.85

 

CMYK 0 / 44 / 81 / 13

HEX #DD7B2B

RGB 221 123 43

HSL 26.97, 0.72%, 0.52%

LAB 61.41, 32.55, 57.13

 

CMYK 81 / 0 / 12 / 13

HEX #2BDDC3

RGB 43 221 195

HSL 171.24, 0.72%, 0.52%

LAB 79.71, -48.43, 0.56

 

CMYK 0 / 80 / 21 / 13

HEX #DE2CB0

RGB 222 44 176

HSL 315.51, 0.73%, 0.52%

LAB 52.36, 76.45, -28.85

 

CMYK 20 / 0 / 81 / 13

HEX #B1DD2B

RGB 177 221 43

HSL 74.83, 0.72%, 0.52%

LAB 82.5, -36.56, 74.58

 

CMYK 81 / 20 / 0 / 13

HEX #2BB1DD

RGB 43 177 221

HSL 194.83, 0.72%, 0.52%

LAB 67.41, -19.97, -32.04

 

CMYK 0 / 80 / 21 / 13

HEX #DE2CB0

RGB 222 44 176

HSL 315.51, 0.73%, 0.52%

LAB 52.36, 76.45, -28.85

 

CMYK 0 / 44 / 81 / 13

HEX #DD7B2B

RGB 221 123 43

HSL 26.97, 0.72%, 0.52%

LAB 61.41, 32.55, 57.13

 

CMYK 81 / 0 / 61 / 13

HEX #2BDD57

RGB 43 221 87

HSL 134.83, 0.72%, 0.52%

LAB 77.82, -69.47, 52.56

 

CMYK 81 / 36 / 0 / 13

HEX #2B8DDD

RGB 43 141 221

HSL 206.97, 0.72%, 0.52%

LAB 56.86, 0.07, -48.57

 

CMYK 0 / 80 / 21 / 13

HEX #DE2CB0

RGB 222 44 176

HSL 315.51, 0.73%, 0.52%

LAB 52.36, 76.45, -28.85

 

CMYK 0 / 20 / 81 / 13

HEX #DDB12B

RGB 221 177 43

HSL 45.17, 0.72%, 0.52%

LAB 74.18, 3.77, 68.59

 

CMYK 81 / 0 / 61 / 13

HEX #2BDD57

RGB 43 221 87

HSL 134.83, 0.72%, 0.52%

LAB 77.82, -69.47, 52.56

 

CMYK 81 / 61 / 0 / 13

HEX #2B57DD

RGB 43 87 221

HSL 225.17, 0.72%, 0.52%

LAB 42.08, 33.87, -72.4

 

Description

Color code: RGB 222 44 176 | qconv.com Color code: RGB 222 44 176 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 222 red, 44 green and 176 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
222 44 176 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 80 magenta, 21 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 80% 21% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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