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Color name
RGB 222 90 16

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 222 90 16 it is the complementary color RGB 33 165 239. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 222 90 16. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 222 90 16 shade: RGB 227 90 11, RGB 244 108 30, RGB 255 126 49, RGB 255 144 68 and RGB 255 162 87

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 222 90 16. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 222 90 16 shade: RGB 222 90 16, RGB 205 72 0, RGB 188 54 0, RGB 171 36 0 and RGB 154 18 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 222 90 16 shade: RGB 224 90 15, RGB 224 34 15 and RGB 224 15 15

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 222 90 16 shade: RGB 224 90 15, RGB 224 146 15, RGB 224 202 15, RGB 189 224 15 and RGB 132 224 15

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 222 90 16 shade matches the following richer shades: RGB 224 90 15

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 222 90 16 shade: RGB 224 90 15, RGB 204 95 34, RGB 185 101 54, RGB 165 106 73 and RGB 146 112 93

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 222 90 16 shade: RGB 224 15 53, RGB 224 32 15, RGB 224 88 15, RGB 224 144 15 and RGB 224 199 15

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 222 90 16 shade: RGB 146 59 10, RGB 185 74 12, RGB 224 90 15, RGB 240 112 40 and RGB 242 138 79

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 222 90 16 shade: RGB 222 90 16, RGB 109 224 15 and RGB 15 26 224

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 222 90 16 shade: RGB 222 90 16, RGB 15 224 88 and RGB 88 15 224

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 222 90 16 shade: RGB 222 90 16, RGB 109 224 15, RGB 15 151 224 and RGB 130 15 224

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 222 90 16 shade: RGB 222 90 16, RGB 46 224 15, RGB 15 151 224 and RGB 192 15 224

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 59 / 93 / 13

HEX #DE5A10

RGB 222 90 16

HSL 21.55, 0.87%, 0.47%

LAB 54.95, 48.69, 61.12

 

Complementary color

CMYK 86 / 31 / 0 / 6

HEX #21A5EF

RGB 33 165 239

HSL 201.55, 0.87%, 0.53%

LAB 64.54, -7.99, -46.42

 

CMYK 0 / 60 / 95 / 11

HEX #E35A0B

RGB 227 90 11

HSL 21.94, 0.91%, 0.47%

LAB 55.75, 50.44, 63.18

 

CMYK 0 / 56 / 88 / 4

HEX #F46C1E

RGB 244 108 30

HSL 21.87, 0.91%, 0.54%

LAB 61.7, 48.64, 63.47

 

CMYK 0 / 51 / 81 / 0

HEX #FF7E31

RGB 255 126 49

HSL 22.43, 1%, 0.6%

LAB 66.83, 44.6, 61.42

 

CMYK 0 / 44 / 73 / 0

HEX #FF9044

RGB 255 144 68

HSL 24.39, 1%, 0.63%

LAB 70.61, 36.29, 56.9

 

CMYK 0 / 36 / 66 / 0

HEX #FFA257

RGB 255 162 87

HSL 26.79, 1%, 0.67%

LAB 74.69, 27.96, 52.4

 

CMYK 0 / 59 / 93 / 13

HEX #DE5A10

RGB 222 90 16

HSL 21.55, 0.87%, 0.47%

LAB 54.95, 48.69, 61.12

 

CMYK 0 / 65 / 100 / 20

HEX #CD4800

RGB 205 72 0

HSL 21.07, 1%, 0.4%

LAB 49.02, 50.4, 59.78

 

CMYK 0 / 71 / 100 / 26

HEX #BC3600

RGB 188 54 0

HSL 17.23, 1%, 0.37%

LAB 43.26, 51.85, 55.2

 

CMYK 0 / 79 / 100 / 33

HEX #AB2400

RGB 171 36 0

HSL 12.63, 1%, 0.34%

LAB 37.7, 52.59, 50.75

 

CMYK 0 / 88 / 100 / 40

HEX #9A1200

RGB 154 18 0

HSL 7.01, 1%, 0.3%

LAB 32.49, 52.16, 46.06

 

CMYK 0 / 60 / 93 / 12

HEX #E05A0F

RGB 224 90 15

HSL 21.53, 0.87%, 0.47%

LAB 55.27, 49.4, 61.74

 

CMYK 0 / 85 / 93 / 12

HEX #E0220F

RGB 224 34 15

HSL 5.45, 0.87%, 0.47%

LAB 48.29, 68.52, 57.36

 

CMYK 0 / 93 / 93 / 12

HEX #E00F0F

RGB 224 15 15

HSL 0, 0.87%, 0.47%

LAB 47.27, 71.47, 56.76

 

CMYK 0 / 60 / 93 / 12

HEX #E05A0F

RGB 224 90 15

HSL 21.53, 0.87%, 0.47%

LAB 55.27, 49.4, 61.74

 

CMYK 0 / 35 / 93 / 12

HEX #E0920F

RGB 224 146 15

HSL 37.61, 0.87%, 0.47%

LAB 66.85, 20.98, 69.74

 

CMYK 0 / 10 / 93 / 12

HEX #E0CA0F

RGB 224 202 15

HSL 53.68, 0.87%, 0.47%

LAB 80.81, -8.47, 80

 

CMYK 16 / 0 / 93 / 12

HEX #BDE00F

RGB 189 224 15

HSL 70.05, 0.87%, 0.47%

LAB 84.05, -33.84, 81.31

 

CMYK 41 / 0 / 93 / 12

HEX #84E00F

RGB 132 224 15

HSL 86.41, 0.87%, 0.47%

LAB 80.88, -54.95, 77.45

 

CMYK 0 / 60 / 93 / 12

HEX #E05A0F

RGB 224 90 15

HSL 21.53, 0.87%, 0.47%

LAB 55.27, 49.4, 61.74

 

CMYK 0 / 60 / 93 / 12

HEX #E05A0F

RGB 224 90 15

HSL 21.53, 0.87%, 0.47%

LAB 55.27, 49.4, 61.74

 

CMYK 0 / 53 / 83 / 20

HEX #CC5F22

RGB 204 95 34

HSL 21.53, 0.71%, 0.47%

LAB 53.1, 39.86, 52.38

 

CMYK 0 / 45 / 71 / 27

HEX #B96536

RGB 185 101 54

HSL 21.53, 0.55%, 0.47%

LAB 51.71, 29.9, 40.66

 

CMYK 0 / 36 / 56 / 35

HEX #A56A49

RGB 165 106 73

HSL 21.52, 0.39%, 0.47%

LAB 50.44, 20.03, 28.15

 

CMYK 0 / 23 / 36 / 43

HEX #92705D

RGB 146 112 93

HSL 21.51, 0.22%, 0.47%

LAB 50.08, 10.67, 15.73

 

CMYK 0 / 93 / 76 / 12

HEX #E00F35

RGB 224 15 53

HSL 349.09, 0.87%, 0.47%

LAB 47.55, 72.27, 38.54

 

CMYK 0 / 86 / 93 / 12

HEX #E0200F

RGB 224 32 15

HSL 4.88, 0.87%, 0.47%

LAB 48.15, 68.92, 57.27

 

CMYK 0 / 61 / 93 / 12

HEX #E0580F

RGB 224 88 15

HSL 20.96, 0.87%, 0.47%

LAB 54.93, 50.3, 61.51

 

CMYK 0 / 36 / 93 / 12

HEX #E0900F

RGB 224 144 15

HSL 37.03, 0.87%, 0.47%

LAB 66.39, 22.05, 69.41

 

CMYK 0 / 11 / 93 / 12

HEX #E0C70F

RGB 224 199 15

HSL 52.82, 0.87%, 0.47%

LAB 80.03, -6.94, 79.42

 

CMYK 0 / 60 / 93 / 43

HEX #923B0A

RGB 146 59 10

HSL 21.62, 0.87%, 0.31%

LAB 36.48, 34.49, 44.03

 

CMYK 0 / 60 / 94 / 27

HEX #B94A0C

RGB 185 74 12

HSL 21.5, 0.88%, 0.39%

LAB 45.96, 42.34, 53.17

 

CMYK 0 / 60 / 93 / 12

HEX #E05A0F

RGB 224 90 15

HSL 21.53, 0.87%, 0.47%

LAB 55.27, 49.4, 61.74

 

CMYK 0 / 53 / 83 / 6

HEX #F07028

RGB 240 112 40

HSL 21.6, 0.87%, 0.55%

LAB 61.88, 45.47, 59.77

 

CMYK 0 / 43 / 67 / 5

HEX #F28A4F

RGB 242 138 79

HSL 21.72, 0.86%, 0.63%

LAB 67.74, 34.78, 48.02

 

CMYK 0 / 59 / 93 / 13

HEX #DE5A10

RGB 222 90 16

HSL 21.55, 0.87%, 0.47%

LAB 54.95, 48.69, 61.12

 

CMYK 51 / 0 / 93 / 12

HEX #6DE00F

RGB 109 224 15

HSL 93.01, 0.87%, 0.47%

LAB 79.95, -61.99, 76.31

 

CMYK 93 / 88 / 0 / 12

HEX #0F1AE0

RGB 15 26 224

HSL 236.84, 0.87%, 0.47%

LAB 29.97, 66.06, -94.17

 

CMYK 0 / 59 / 93 / 13

HEX #DE5A10

RGB 222 90 16

HSL 21.55, 0.87%, 0.47%

LAB 54.95, 48.69, 61.12

 

CMYK 93 / 0 / 61 / 12

HEX #0FE058

RGB 15 224 88

HSL 140.96, 0.87%, 0.47%

LAB 78.53, -72.35, 52.87

 

CMYK 61 / 93 / 0 / 12

HEX #580FE0

RGB 88 15 224

HSL 260.96, 0.87%, 0.47%

LAB 33.56, 71.64, -88.06

 

CMYK 0 / 59 / 93 / 13

HEX #DE5A10

RGB 222 90 16

HSL 21.55, 0.87%, 0.47%

LAB 54.95, 48.69, 61.12

 

CMYK 51 / 0 / 93 / 12

HEX #6DE00F

RGB 109 224 15

HSL 93.01, 0.87%, 0.47%

LAB 79.95, -61.99, 76.31

 

CMYK 93 / 33 / 0 / 12

HEX #0F97E0

RGB 15 151 224

HSL 200.96, 0.87%, 0.47%

LAB 59.54, -6.46, -46.03

 

CMYK 42 / 93 / 0 / 12

HEX #820FE0

RGB 130 15 224

HSL 273.01, 0.87%, 0.47%

LAB 38.67, 75.16, -79.45

 

CMYK 0 / 59 / 93 / 13

HEX #DE5A10

RGB 222 90 16

HSL 21.55, 0.87%, 0.47%

LAB 54.95, 48.69, 61.12

 

CMYK 79 / 0 / 93 / 12

HEX #2EE00F

RGB 46 224 15

HSL 111.1, 0.87%, 0.47%

LAB 78.42, -74.81, 74.42

 

CMYK 93 / 33 / 0 / 12

HEX #0F97E0

RGB 15 151 224

HSL 200.96, 0.87%, 0.47%

LAB 59.54, -6.46, -46.03

 

CMYK 14 / 93 / 0 / 12

HEX #C00FE0

RGB 192 15 224

HSL 290.81, 0.87%, 0.47%

LAB 48.17, 83.02, -63.54

 

Description

Color code: RGB 222 90 16 | qconv.com Color code: RGB 222 90 16 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 222 red, 90 green and 16 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
222 90 16 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 59 magenta, 93 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 59% 93% 13% C M Y K

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Provide designers and agencies with accurate color values.

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