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Color name
RGB 223 111 93

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 223 111 93 it is the complementary color RGB 32 144 162. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 223 111 93. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 223 111 93 shade: RGB 228 111 88, RGB 245 129 107, RGB 255 147 126, RGB 255 165 145 and RGB 255 183 164

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 223 111 93. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 223 111 93 shade: RGB 223 111 93, RGB 206 93 74, RGB 189 75 55, RGB 172 57 36 and RGB 155 39 17

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 223 111 93 shade: RGB 223 111 93 and RGB 223 93 93

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 223 111 93 shade: RGB 223 111 93, RGB 223 146 93, RGB 223 181 93, RGB 223 216 93 and RGB 194 223 93

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 223 111 93 shade matches the following richer shades: RGB 223 111 93, RGB 238 99 77 and RGB 254 88 61

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 223 111 93 shade: RGB 223 111 93, RGB 207 122 108, RGB 191 133 124, RGB 175 145 140 and RGB 160 156 155

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 223 111 93 shade: RGB 223 93 145, RGB 223 93 110, RGB 223 110 93, RGB 223 145 93 and RGB 223 179 93

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 223 111 93 shade: RGB 195 60 38, RGB 216 80 58, RGB 223 111 93, RGB 229 141 127 and RGB 236 172 162

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 223 111 93 shade: RGB 223 111 93, RGB 179 223 93 and RGB 93 127 223

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 223 111 93 shade: RGB 223 111 93, RGB 93 223 110 and RGB 110 93 223

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 223 111 93 shade: RGB 223 111 93, RGB 179 223 93, RGB 93 205 223 and RGB 136 93 223

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 223 111 93 shade: RGB 223 111 93, RGB 140 223 93, RGB 93 205 223 and RGB 175 93 223

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 58 / 13

HEX #DF6F5D

RGB 223 111 93

HSL 8.31, 0.67%, 0.62%

LAB 59.75, 42.13, 30.33

 

Complementary color

CMYK 80 / 11 / 0 / 36

HEX #2090A2

RGB 32 144 162

HSL 188.31, 0.67%, 0.38%

LAB 54.93, -23.52, -18.14

 

CMYK 0 / 51 / 61 / 11

HEX #E46F58

RGB 228 111 88

HSL 9.86, 0.72%, 0.62%

LAB 60.4, 43.64, 34.08

 

CMYK 0 / 47 / 56 / 4

HEX #F5816B

RGB 245 129 107

HSL 9.57, 0.87%, 0.69%

LAB 66.65, 42.35, 32.02

 

CMYK 0 / 42 / 51 / 0

HEX #FF937E

RGB 255 147 126

HSL 9.77, 1%, 0.75%

LAB 71.98, 38.53, 28.84

 

CMYK 0 / 35 / 43 / 0

HEX #FFA591

RGB 255 165 145

HSL 10.91, 1%, 0.78%

LAB 76.2, 31.04, 24.18

 

CMYK 0 / 28 / 36 / 0

HEX #FFB7A4

RGB 255 183 164

HSL 12.53, 1%, 0.82%

LAB 80.63, 23.72, 20.03

 

CMYK 0 / 50 / 58 / 13

HEX #DF6F5D

RGB 223 111 93

HSL 8.31, 0.67%, 0.62%

LAB 59.75, 42.13, 30.33

 

CMYK 0 / 55 / 64 / 19

HEX #CE5D4A

RGB 206 93 74

HSL 8.64, 0.57%, 0.55%

LAB 53.43, 43.42, 32.58

 

CMYK 0 / 60 / 71 / 26

HEX #BD4B37

RGB 189 75 55

HSL 8.96, 0.55%, 0.48%

LAB 47.14, 44.71, 35.15

 

CMYK 0 / 67 / 79 / 33

HEX #AC3924

RGB 172 57 36

HSL 9.26, 0.65%, 0.41%

LAB 40.94, 45.89, 38.02

 

CMYK 0 / 75 / 89 / 39

HEX #9B2711

RGB 155 39 17

HSL 9.57, 0.8%, 0.34%

LAB 34.92, 46.71, 40.86

 

CMYK 0 / 50 / 58 / 13

HEX #DF6F5D

RGB 223 111 93

HSL 8.31, 0.67%, 0.62%

LAB 59.75, 42.13, 30.33

 

CMYK 0 / 58 / 58 / 13

HEX #DF5D5D

RGB 223 93 93

HSL 0, 0.67%, 0.62%

LAB 56.39, 50.79, 26

 

CMYK 0 / 50 / 58 / 13

HEX #DF6F5D

RGB 223 111 93

HSL 8.31, 0.67%, 0.62%

LAB 59.75, 42.13, 30.33

 

CMYK 0 / 35 / 58 / 13

HEX #DF925D

RGB 223 146 93

HSL 24.46, 0.67%, 0.62%

LAB 67.3, 23.83, 39.75

 

CMYK 0 / 19 / 58 / 13

HEX #DFB55D

RGB 223 181 93

HSL 40.62, 0.67%, 0.62%

LAB 75.78, 5.14, 49.84

 

CMYK 0 / 3 / 58 / 13

HEX #DFD85D

RGB 223 216 93

HSL 56.77, 0.67%, 0.62%

LAB 84.79, -12.87, 60.05

 

CMYK 13 / 0 / 58 / 13

HEX #C2DF5D

RGB 194 223 93

HSL 73.38, 0.67%, 0.62%

LAB 84.5, -27.93, 59.13

 

CMYK 0 / 50 / 58 / 13

HEX #DF6F5D

RGB 223 111 93

HSL 8.31, 0.67%, 0.62%

LAB 59.75, 42.13, 30.33

 

CMYK 0 / 58 / 68 / 7

HEX #EE634D

RGB 238 99 77

HSL 8.2, 0.83%, 0.62%

LAB 59.56, 52.29, 39.47

 

CMYK 0 / 65 / 76 / 0

HEX #FE583D

RGB 254 88 61

HSL 8.39, 0.99%, 0.62%

LAB 60.24, 61.68, 49.42

 

CMYK 0 / 50 / 58 / 13

HEX #DF6F5D

RGB 223 111 93

HSL 8.31, 0.67%, 0.62%

LAB 59.75, 42.13, 30.33

 

CMYK 0 / 41 / 48 / 19

HEX #CF7A6C

RGB 207 122 108

HSL 8.48, 0.51%, 0.62%

LAB 60.13, 31.59, 21.95

 

CMYK 0 / 30 / 35 / 25

HEX #BF857C

RGB 191 133 124

HSL 8.06, 0.34%, 0.62%

LAB 61.05, 21.11, 13.81

 

CMYK 0 / 17 / 20 / 31

HEX #AF918C

RGB 175 145 140

HSL 8.57, 0.18%, 0.62%

LAB 62.73, 10.44, 6.86

 

CMYK 0 / 2 / 3 / 37

HEX #A09C9B

RGB 160 156 155

HSL 12, 0.03%, 0.62%

LAB 64.66, 1.26, 1.03

 

CMYK 0 / 58 / 35 / 13

HEX #DF5D91

RGB 223 93 145

HSL 336, 0.67%, 0.62%

LAB 57.62, 55.67, -2.69

 

CMYK 0 / 58 / 51 / 13

HEX #DF5D6E

RGB 223 93 110

HSL 352.15, 0.67%, 0.62%

LAB 56.73, 52.14, 16.55

 

CMYK 0 / 51 / 58 / 13

HEX #DF6E5D

RGB 223 110 93

HSL 7.85, 0.67%, 0.62%

LAB 59.55, 42.63, 30.08

 

CMYK 0 / 35 / 58 / 13

HEX #DF915D

RGB 223 145 93

HSL 24, 0.67%, 0.62%

LAB 67.07, 24.37, 39.47

 

CMYK 0 / 20 / 58 / 13

HEX #DFB35D

RGB 223 179 93

HSL 39.69, 0.67%, 0.62%

LAB 75.28, 6.19, 49.25

 

CMYK 0 / 69 / 81 / 24

HEX #C33C26

RGB 195 60 38

HSL 8.41, 0.67%, 0.46%

LAB 45.6, 52.58, 43.01

 

CMYK 0 / 63 / 73 / 15

HEX #D8503A

RGB 216 80 58

HSL 8.35, 0.67%, 0.54%

LAB 52.56, 52.16, 40.83

 

CMYK 0 / 50 / 58 / 13

HEX #DF6F5D

RGB 223 111 93

HSL 8.31, 0.67%, 0.62%

LAB 59.75, 42.13, 30.33

 

CMYK 0 / 38 / 45 / 10

HEX #E58D7F

RGB 229 141 127

HSL 8.24, 0.66%, 0.7%

LAB 67.46, 31.89, 21.65

 

CMYK 0 / 27 / 31 / 7

HEX #ECACA2

RGB 236 172 162

HSL 8.11, 0.66%, 0.78%

LAB 76.04, 22.12, 14.4

 

CMYK 0 / 50 / 58 / 13

HEX #DF6F5D

RGB 223 111 93

HSL 8.31, 0.67%, 0.62%

LAB 59.75, 42.13, 30.33

 

CMYK 20 / 0 / 58 / 13

HEX #B3DF5D

RGB 179 223 93

HSL 80.31, 0.67%, 0.62%

LAB 83.52, -33.71, 57.77

 

CMYK 58 / 43 / 0 / 13

HEX #5D7FDF

RGB 93 127 223

HSL 224.31, 0.67%, 0.62%

LAB 54.9, 16.55, -52.71

 

CMYK 0 / 50 / 58 / 13

HEX #DF6F5D

RGB 223 111 93

HSL 8.31, 0.67%, 0.62%

LAB 59.75, 42.13, 30.33

 

CMYK 58 / 0 / 51 / 13

HEX #5DDF6E

RGB 93 223 110

HSL 127.85, 0.67%, 0.62%

LAB 79.74, -58.74, 44.55

 

CMYK 51 / 58 / 0 / 13

HEX #6E5DDF

RGB 110 93 223

HSL 247.85, 0.67%, 0.62%

LAB 47.59, 40.47, -64.4

 

CMYK 0 / 50 / 58 / 13

HEX #DF6F5D

RGB 223 111 93

HSL 8.31, 0.67%, 0.62%

LAB 59.75, 42.13, 30.33

 

CMYK 20 / 0 / 58 / 13

HEX #B3DF5D

RGB 179 223 93

HSL 80.31, 0.67%, 0.62%

LAB 83.52, -33.71, 57.77

 

CMYK 58 / 8 / 0 / 13

HEX #5DCDDF

RGB 93 205 223

HSL 188.31, 0.67%, 0.62%

LAB 76.87, -26.66, -18.55

 

CMYK 39 / 58 / 0 / 13

HEX #885DDF

RGB 136 93 223

HSL 259.85, 0.67%, 0.62%

LAB 49.97, 45.91, -60.44

 

CMYK 0 / 50 / 58 / 13

HEX #DF6F5D

RGB 223 111 93

HSL 8.31, 0.67%, 0.62%

LAB 59.75, 42.13, 30.33

 

CMYK 37 / 0 / 58 / 13

HEX #8CDF5D

RGB 140 223 93

HSL 98.31, 0.67%, 0.62%

LAB 81.37, -47.58, 54.75

 

CMYK 58 / 8 / 0 / 13

HEX #5DCDDF

RGB 93 205 223

HSL 188.31, 0.67%, 0.62%

LAB 76.87, -26.66, -18.55

 

CMYK 22 / 58 / 0 / 13

HEX #AF5DDF

RGB 175 93 223

HSL 277.85, 0.67%, 0.62%

LAB 54.31, 55.01, -53.23

 

Description

Color code: RGB 223 111 93 | qconv.com Color code: RGB 223 111 93 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 111 green and 93 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 111 93 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 58 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 58% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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