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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 223 126 36 it is the complementary color RGB 32 129 219. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 223 126 36. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 223 126 36 shade: RGB 228 126 31, RGB 245 144 50, RGB 255 162 69, RGB 255 180 88 and RGB 255 198 107

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 223 126 36. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 223 126 36 shade: RGB 223 126 36, RGB 206 108 17, RGB 189 90 0, RGB 172 72 0 and RGB 155 54 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 223 126 36 shade: RGB 223 126 36, RGB 223 76 36 and RGB 223 36 36

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 223 126 36 shade: RGB 223 126 36, RGB 223 177 36, RGB 219 223 36, RGB 169 223 36 and RGB 118 223 36

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 223 126 36 shade matches the following richer shades: RGB 223 126 36 and RGB 243 125 16

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 223 126 36 shade: RGB 223 126 36, RGB 203 127 56, RGB 183 128 76, RGB 163 128 96 and RGB 142 129 117

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 223 126 36 shade: RGB 223 36 48, RGB 223 73 36, RGB 223 123 36, RGB 223 173 36 and RGB 223 223 36

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 223 126 36 shade: RGB 155 86 22, RGB 191 106 27, RGB 223 126 36, RGB 228 147 72 and RGB 234 168 108

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 223 126 36 shade: RGB 223 126 36, RGB 98 223 36 and RGB 48 36 223

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 223 126 36 shade: RGB 223 126 36, RGB 36 223 123 and RGB 123 36 223

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 223 126 36 shade: RGB 223 126 36, RGB 98 223 36, RGB 36 136 223 and RGB 161 36 223

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 223 126 36 shade: RGB 223 126 36, RGB 42 223 36, RGB 36 136 223 and RGB 217 36 223

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 43 / 84 / 13

HEX #DF7E24

RGB 223 126 36

HSL 28.88, 0.75%, 0.51%

LAB 62.29, 31.59, 60.65

 

Complementary color

CMYK 85 / 41 / 0 / 14

HEX #2081DB

RGB 32 129 219

HSL 208.88, 0.75%, 0.49%

LAB 53.08, 5.61, -53.49

 

CMYK 0 / 45 / 86 / 11

HEX #E47E1F

RGB 228 126 31

HSL 28.93, 0.78%, 0.51%

LAB 62.94, 33.51, 63.14

 

CMYK 0 / 41 / 80 / 4

HEX #F59032

RGB 245 144 50

HSL 28.92, 0.91%, 0.58%

LAB 69.18, 31.6, 62.68

 

CMYK 0 / 36 / 73 / 0

HEX #FFA245

RGB 255 162 69

HSL 30, 1%, 0.64%

LAB 74.53, 27.04, 60.48

 

CMYK 0 / 29 / 65 / 0

HEX #FFB458

RGB 255 180 88

HSL 33.05, 1%, 0.67%

LAB 78.81, 18.62, 56.53

 

CMYK 0 / 22 / 58 / 0

HEX #FFC66B

RGB 255 198 107

HSL 36.89, 1%, 0.71%

LAB 83.29, 10.47, 52.71

 

CMYK 0 / 43 / 84 / 13

HEX #DF7E24

RGB 223 126 36

HSL 28.88, 0.75%, 0.51%

LAB 62.29, 31.59, 60.65

 

CMYK 0 / 48 / 92 / 19

HEX #CE6C11

RGB 206 108 17

HSL 28.89, 0.85%, 0.44%

LAB 55.97, 33.63, 60.43

 

CMYK 0 / 52 / 100 / 26

HEX #BD5A00

RGB 189 90 0

HSL 28.57, 1%, 0.37%

LAB 49.65, 35.83, 58.72

 

CMYK 0 / 58 / 100 / 33

HEX #AC4800

RGB 172 72 0

HSL 25.12, 1%, 0.34%

LAB 43.37, 38.14, 53.69

 

CMYK 0 / 65 / 100 / 39

HEX #9B3600

RGB 155 54 0

HSL 20.9, 1%, 0.3%

LAB 37.13, 40.22, 48.73

 

CMYK 0 / 43 / 84 / 13

HEX #DF7E24

RGB 223 126 36

HSL 28.88, 0.75%, 0.51%

LAB 62.29, 31.59, 60.65

 

CMYK 0 / 66 / 84 / 13

HEX #DF4C24

RGB 223 76 36

HSL 12.83, 0.75%, 0.51%

LAB 52.93, 55.48, 52.57

 

CMYK 0 / 84 / 84 / 13

HEX #DF2424

RGB 223 36 36

HSL 0, 0.75%, 0.51%

LAB 48.36, 68.18, 48.53

 

CMYK 0 / 43 / 84 / 13

HEX #DF7E24

RGB 223 126 36

HSL 28.88, 0.75%, 0.51%

LAB 62.29, 31.59, 60.65

 

CMYK 0 / 21 / 84 / 13

HEX #DFB124

RGB 223 177 36

HSL 45.24, 0.75%, 0.51%

LAB 74.36, 4.44, 70.84

 

CMYK 2 / 0 / 84 / 13

HEX #DBDF24

RGB 219 223 36

HSL 61.28, 0.75%, 0.51%

LAB 85.99, -20.64, 80.38

 

CMYK 24 / 0 / 84 / 13

HEX #A9DF24

RGB 169 223 36

HSL 77.33, 0.75%, 0.51%

LAB 82.56, -40.79, 76.11

 

CMYK 47 / 0 / 84 / 13

HEX #76DF24

RGB 118 223 36

HSL 93.69, 0.75%, 0.51%

LAB 80.04, -58.42, 72.94

 

CMYK 0 / 43 / 84 / 13

HEX #DF7E24

RGB 223 126 36

HSL 28.88, 0.75%, 0.51%

LAB 62.29, 31.59, 60.65

 

CMYK 0 / 49 / 93 / 5

HEX #F37D10

RGB 243 125 16

HSL 28.81, 0.9%, 0.51%

LAB 64.77, 39.78, 69.27

 

CMYK 0 / 43 / 84 / 13

HEX #DF7E24

RGB 223 126 36

HSL 28.88, 0.75%, 0.51%

LAB 62.29, 31.59, 60.65

 

CMYK 0 / 37 / 72 / 20

HEX #CB7F38

RGB 203 127 56

HSL 28.98, 0.59%, 0.51%

LAB 60.03, 23.45, 49.32

 

CMYK 0 / 30 / 58 / 28

HEX #B7804C

RGB 183 128 76

HSL 29.16, 0.43%, 0.51%

LAB 58.06, 15.63, 36.4

 

CMYK 0 / 21 / 41 / 36

HEX #A38060

RGB 163 128 96

HSL 28.66, 0.27%, 0.51%

LAB 56.16, 9.06, 22.52

 

CMYK 0 / 9 / 18 / 44

HEX #8E8175

RGB 142 129 117

HSL 28.8, 0.1%, 0.51%

LAB 54.8, 2.83, 8.29

 

CMYK 0 / 84 / 78 / 13

HEX #DF2430

RGB 223 36 48

HSL 356.15, 0.75%, 0.51%

LAB 48.46, 68.5, 42.29

 

CMYK 0 / 67 / 84 / 13

HEX #DF4924

RGB 223 73 36

HSL 11.87, 0.75%, 0.51%

LAB 52.49, 56.69, 52.18

 

CMYK 0 / 45 / 84 / 13

HEX #DF7B24

RGB 223 123 36

HSL 27.91, 0.75%, 0.51%

LAB 61.64, 33.15, 60.1

 

CMYK 0 / 22 / 84 / 13

HEX #DFAD24

RGB 223 173 36

HSL 43.96, 0.75%, 0.51%

LAB 73.35, 6.55, 70

 

CMYK 0 / 0 / 84 / 13

HEX #DFDF24

RGB 223 223 36

HSL 60, 0.75%, 0.51%

LAB 86.3, -18.97, 80.77

 

CMYK 0 / 45 / 86 / 39

HEX #9B5616

RGB 155 86 22

HSL 28.87, 0.75%, 0.35%

LAB 43.77, 24.01, 46.18

 

CMYK 0 / 45 / 86 / 25

HEX #BF6A1B

RGB 191 106 27

HSL 28.9, 0.75%, 0.43%

LAB 53.45, 28.66, 54.59

 

CMYK 0 / 43 / 84 / 13

HEX #DF7E24

RGB 223 126 36

HSL 28.88, 0.75%, 0.51%

LAB 62.29, 31.59, 60.65

 

CMYK 0 / 36 / 68 / 11

HEX #E49348

RGB 228 147 72

HSL 28.85, 0.74%, 0.59%

LAB 67.89, 23.99, 51.12

 

CMYK 0 / 28 / 54 / 8

HEX #EAA86C

RGB 234 168 108

HSL 28.57, 0.75%, 0.67%

LAB 73.92, 17.76, 40.39

 

CMYK 0 / 43 / 84 / 13

HEX #DF7E24

RGB 223 126 36

HSL 28.88, 0.75%, 0.51%

LAB 62.29, 31.59, 60.65

 

CMYK 56 / 0 / 84 / 13

HEX #62DF24

RGB 98 223 36

HSL 100.11, 0.75%, 0.51%

LAB 79.33, -63.99, 72.04

 

CMYK 78 / 84 / 0 / 13

HEX #3024DF

RGB 48 36 223

HSL 243.85, 0.75%, 0.51%

LAB 32.3, 63.03, -89.67

 

CMYK 0 / 43 / 84 / 13

HEX #DF7E24

RGB 223 126 36

HSL 28.88, 0.75%, 0.51%

LAB 62.29, 31.59, 60.65

 

CMYK 84 / 0 / 45 / 13

HEX #24DF7B

RGB 36 223 123

HSL 147.91, 0.75%, 0.51%

LAB 78.8, -65.59, 36.79

 

CMYK 45 / 84 / 0 / 13

HEX #7B24DF

RGB 123 36 223

HSL 267.91, 0.75%, 0.51%

LAB 39.24, 69.43, -77.97

 

CMYK 0 / 43 / 84 / 13

HEX #DF7E24

RGB 223 126 36

HSL 28.88, 0.75%, 0.51%

LAB 62.29, 31.59, 60.65

 

CMYK 56 / 0 / 84 / 13

HEX #62DF24

RGB 98 223 36

HSL 100.11, 0.75%, 0.51%

LAB 79.33, -63.99, 72.04

 

CMYK 84 / 39 / 0 / 13

HEX #2488DF

RGB 36 136 223

HSL 207.91, 0.75%, 0.51%

LAB 55.39, 3.18, -52.04

 

CMYK 28 / 84 / 0 / 13

HEX #A124DF

RGB 161 36 223

HSL 280.11, 0.75%, 0.51%

LAB 44.47, 74.59, -69.2

 

CMYK 0 / 43 / 84 / 13

HEX #DF7E24

RGB 223 126 36

HSL 28.88, 0.75%, 0.51%

LAB 62.29, 31.59, 60.65

 

CMYK 81 / 0 / 84 / 13

HEX #2ADF24

RGB 42 223 36

HSL 118.07, 0.75%, 0.51%

LAB 78.11, -74.29, 70.49

 

CMYK 84 / 39 / 0 / 13

HEX #2488DF

RGB 36 136 223

HSL 207.91, 0.75%, 0.51%

LAB 55.39, 3.18, -52.04

 

CMYK 3 / 84 / 0 / 13

HEX #D924DF

RGB 217 36 223

HSL 298.07, 0.75%, 0.51%

LAB 53.32, 83.74, -54.47

 

Description

Color code: RGB 223 126 36 | qconv.com Color code: RGB 223 126 36 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 126 green and 36 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 126 36 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 43 magenta, 84 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 43% 84% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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